Written by
Keith Douglas |
Shall I get drunk or cut myself a piece of cake,
a pasty Syrian with a few words of English
or the Turk who says she is a princess--she dances
apparently by levitation? Or Marcelle, Parisienne
always preoccupied with her dull dead lover:
she has all the photographs and his letters
tied in a bundle and stamped Decede in mauve ink.
All this takes place in a stink of jasmin.
But there are the streets dedicated to sleep
stenches and the sour smells, the sour cries
do not disturb their application to slumber
all day, scattered on the pavement like rags
afflicted with fatalism and hashish.
The women
offering their children brown-paper breasts
dry and twisted, elongated like the skull,
Holbein's signature.
But his stained white town
is something in accordance with mundane conventions-
Marcelle drops her Gallic airs and tragedy
suddenly shrieks in Arabic about the fare
with the cabman, links herself so
with the somnambulists and legless beggars:
it is all one, all as you have heard.
But by a day's travelling you reach a new world
the vegetation is of iron
dead tanks, gun barrels split like celery
the metal brambles have no flowers or berries
and there are all sorts of manure, you can imagine
the dead themselves, their boots, clothes and possessions
clinging to the ground, a man with no head
has a packet of chocolate and a souvenir of Tripoli.
|
Written by
Donald Hall |
All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.
In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;
and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.
Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.
When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,
and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.
For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:
O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
|
Written by
Stevie Smith |
Mother, among the dustbins and the manure
I feel the measure of my humanity, an allure
As of the presence of God, I am sure
In the dustbins, in the manure, in the cat at play,
Is the presence of God, in a sure way
He moves there.
Mother, what do you say?
I too have felt the presence of God in the broom
I hold, in the cobwebs in the room,
But most of all in the silence of the tomb.
Ah! but that thought that informs the hope of our kind
Is but an empty thing, what lies behind? --
Naught but the vanity of a protesting mind
That would not die.
This is the thought that bounces
Within a conceited head and trounces
Inquiry.
Man is most frivolous when he pronounces.
Well Mother, I shall continue to think as I do,
And I think you would be wise to do so too,
Can you question the folly of man in the creation of God?
Who are you?
|
Written by
Theodore Roethke |
Nothing would sleep in that cellar, dank as a ditch,
Bulbs broke out of boxes hunting for chinks in the dark,
Shoots dangled and drooped,
Lolling obscenely from mildewed crates,
Hung down long yellow evil necks, like tropical snakes.
And what a congress of stinks!
Roots ripe as old bait,
Pulpy stems, rank, silo-rich,
Leaf-mold, manure, lime, piled against slippery planks.
Nothing would give up life:
Even the dirt kept breathing a small breath.
|
Written by
Boris Pasternak |
The sun is hotter than the top ledge in a steam bath;
The ravine, crazed, is rampaging below.
Spring -- that corn-fed, husky milkmaid --
Is busy at her chores with never a letup.
The snow is wasting (pernicious anemia --
See those branching veinlets of impotent blue?)
Yet in the cowbarn life is burbling, steaming,
And the tines of pitchforks simply glow with health.
These days -- these days, and these nights also!
With eavesdrop thrumming its tattoos at noon,
With icicles (cachectic!) hanging on to gables,
And with the chattering of rills that never sleep!
All doors are flung open -- in stable and in cowbarn;
Pigeons peck at oats fallen in the snow;
And the culprit of all this and its life-begetter--
The pile of manure -- is pungent with ozone.
|
Written by
W S Merwin |
This is a place on the way after the distances
can no longer be kept straight here in this dark corner
of the barn a mound of wheels has convened along
raveling courses to stop in a single moment
and lie down as still as the chariots of the Pharaohs
some in pairs that rolled as one over the same roads
to the end and never touched each other until they
arrived here some that broke by themselves and were left
until they could be repaired some that went only
to occasions before my time and some that have spun
across other countries through uncounted summers
now they go all the way back together the tall
cobweb-hung models of galaxies in their rings
of rust leaning against the stone hail from Rene's
manure cart the year he wanted to store them here
because there was nobody left who could make them like that
in case he should need them and there are the carriage wheels
that Merot said would be worth a lot some day
and the rim of the spare from bald Bleret's green Samson
that rose like Borobudur out of the high grass
behind the old house by the river where he stuffed
mattresses in the morning sunlight and the hens
scavenged around his shoes in the days when the black
top-hat sedan still towered outside Sandeau's cow barn
with velvet upholstery and sconces for flowers and room
for two calves instead of the back seat when their time came
|
Written by
Edgar Lee Masters |
After a long day of work in my hot-houses
Sleep was sweet, but if you sleep on your left side
Your dreams may be abruptly ended.
I was among my flowers where some one
Seemed to be raising them on trial,
As if after-while to be transplanted
To a larger garden of freer air.
And I was disembodied vision
Amid a light, as it were the sun
Had floated in and touched the roof of glass
Like a toy balloon and softly bursted,
And etherealized in golden air.
And all was silence, except the splendor
Was immanent with thought as clear
As a speaking voice, and I, as thought,
Could hear a Presence think as he walked
Between the boxes pinching off leaves,
Looking for bugs and noting values,
With an eye that saw it all: --
"Homer, oh yes! Pericles, good.
Caesar Borgia, what shall be done with it?
Dante, too much manure, perhaps.
Napoleon, leave him awhile as yet.
Shelley, more soil.
Shakespeare, needs spraying --"
Clouds, eh! --
|
Written by
Robert William Service |
Don't cheer, damn you! Don't cheer!
Silence! Your bitterest tear
Is fulsomely sweet to-day.
.
.
.
Down on your knees and pray.
See, they sing as they go,
Marching row upon row.
Who will be spared to return,
Sombre and starkly stern?
Chaps whom we knew - s0 strange,
Distant and dark with change;
Silent as those they slew,
Something in them dead too.
Who will return this way,
To sing as they sing to-day.
Send to the glut of the guns
Bravest and best of you sons.
Hurl a million to slaughter,
Blood flowing like Thames water;
Pile up pyramid high
Your dead to the anguished sky;
A monument down all time
Of hate and horror and crime.
Weep, rage, pity, curse, fear -
Anything, but .
.
.
don't cheer.
Sow to the ploughing guns
Seed of your splendid sons.
Let your heroic slain
Richly manure the plain.
What will the harvest be?
Unborn of Unborn will see.
.
.
.
Dark is the sky and drear.
.
.
.
For the pity of God don't cheer.
Dark and dread is their way.
Who sing as they march to-day.
.
.
.
Humble your hearts and pray.
|
Written by
Robert William Service |
My lead dog Mike was like a bear;
I reckon he was grizzly bred,
For when he reared up in the air
Ho over-topped me by a head.
He'd cuff me with his hefty paws,
Jest like a puppy actin' cute,
And I would swear: by Gosh! he was
The world's most mighty malemute.
But oh the grub that dog could eat!
Yet he was never belly-tight;
It almost broke me buying meat
To satisfy his appetite.
Then came a change I wondered at:
Returning when the dawn was dim,
He seemed mysteriously fat,
And scorned the bones I'd saved for him.
My shack was near the hospital,
Wherein there laboured Nurse Louise,
Who was to me a little pal
I planned in every way to please.
As books and sweets for her I bought,
My mug she seemed to kindo' like;
But Mike - he loved her quite a lot,
And she was very fond of Mike.
Strolling with her as moonlight gleamed,
I saw a strand of cotton trail
From Mike, the which unseemly seemed
To have its source behind his tail.
I trod on it with chagrin grim,
And with a kick his absence urged;
But as he ran, from out of him
Such yards and yards of lint emerged.
And then on me the truth did dawn
Beyond the shadow of a doubt:
That poor dam dog was gorged upon
The poultices threw out.
.
.
.
So "love my dog love me," I thought,
And seized the moment to propose .
.
.
Mike's dead, but in our garden lot
He's manure for a big dog-rose.
|
Written by
Donald Hall |
All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.
In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;
and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.
Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.
When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,
and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.
For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:
O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
|