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Best Famous Manifestly Poems

Here is a collection of the all-time best famous Manifestly poems. This is a select list of the best famous Manifestly poetry. Reading, writing, and enjoying famous Manifestly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of manifestly poems.

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Written by Charles Sorley | Create an image from this poem

Such Such Is Death

 Such, such is Death: no triumph: no defeat:
Only an empty pail, a slate rubbed clean,
A merciful putting away of what has been.
And this we know: Death is not Life, effete, Life crushed, the broken pail.
We who have seen So marvellous things know well the end not yet.
Victor and vanquished are a-one in death: Coward and brave: friend, foe.
Ghosts do not say, "Come, what was your record when you drew breath?" But a big blot has hid each yesterday So poor, so manifestly incomplete.
And your bright Promise, withered long and sped, Is touched, stirs, rises, opens and grows sweet And blossoms and is you, when you are dead.


Written by David Lehman | Create an image from this poem

One Size Fits All: A Critical Essay

 Though
Already
Perhaps
However.
On one level, Among other things, With And with.
In a similar vein To be sure: Make no mistake.
Nary a trace.
However, Aside from With And with, Not And not, Rather Manifestly Indeed.
Which is to say, In fictional terms, For reasons that are never made clear, Not without meaning, Though (as is far from unusual) Perhaps too late.
The first thing that must be said is Perhaps, because And, not least of all, Certainly more, Which is to say In ever other respect Meanwhile.
But then perhaps Though And though On the whole Alas.
Moreover In contrast And even Admittedly Partly because And partly because Yet it must be said.
Even more significantly, perhaps In other words With and with, Whichever way One thing is clear Beyond the shadow of a doubt.
Written by Charles Sorley | Create an image from this poem

Two Sonnets

 I

SAINTS have adored the lofty soul of you.
Poets have whitened at your high renown.
We stand among the many millions who Do hourly wait to pass your pathway down.
You, so familiar, once were strange: we tried To live as of your presence unaware.
But now in every road on every side We see your straight and steadfast signpost there.
I think it like that signpost in my land Hoary and tall, which pointed me to go Upward, into the hills, on the right hand, Where the mists swim and the winds shriek and blow, A homeless land and friendless, but a land I did not know and that I wished to know.
II Such, such is Death: no triumph: no defeat: Only an empty pail, a slate rubbed clean, A merciful putting away of what has been.
And this we know: Death is not Life effete, Life crushed, the broken pail.
We who have seen So marvellous things know well the end not yet.
Victor and vanquished are a-one in death: Coward and brave: friend, foe.
Ghosts do not say, "Come, what was your record when you drew breath?" But a big blot has hid each yesterday So poor, so manifestly incomplete.
And your bright Promise, withered long and sped, Is touched; stirs, rises, opens and grows sweet And blossoms and is you, when you are dead.
Written by Francesco Petrarch | Create an image from this poem

SONNET LXXXI

SONNET LXXXI.

Cesare, poi che 'l traditor d' Egitto.

THE COUNTENANCE DOES NOT ALWAYS TRULY INDICATE THE HEART.

When Egypt's traitor Pompey's honour'd head
To Cæsar sent; then, records so relate,
To shroud a gladness manifestly great,
Some feigned tears the specious monarch shed:
And, when misfortune her dark mantle spread
O'er Hannibal, and his afflicted state,
He laugh'd 'midst those who wept their adverse fate,
That rank despite to wreak defeat had bred.
Thus doth the mind oft variously conceal
Its several passions by a different veil;
Now with a countenance that's sad, now gay:
So mirth and song if sometimes I employ,
'Tis but to hide those sorrows that annoy,
'Tis but to chase my amorous cares away.
Nott.
Cæsar, when Egypt's cringing traitor brought
The gory gift of Pompey's honour'd head,
Check'd the full gladness of his instant thought,
And specious tears of well-feign'd pity shed:
And Hannibal, when adverse Fortune wrought
On his afflicted empire evils dread,
'Mid shamed and sorrowing friends, by laughter, sought
To ease the anger at his heart that fed.
Thus, as the mind its every feeling hides,
Beneath an aspect contrary, the mien,
Bright'ning with hope or charged with gloom, is seen.
Thus ever if I sing, or smile betides,
[Pg 98]The outward joy serves only to conceal
The inner ail and anguish that I feel.
Macgregor.

Book: Reflection on the Important Things