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Best Famous Maggie Poems

Here is a collection of the all-time best famous Maggie poems. This is a select list of the best famous Maggie poetry. Reading, writing, and enjoying famous Maggie poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of maggie poems.

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Written by Maggie Estep | Create an image from this poem

**** Me

 **** ME
I'm all screwed up so
**** ME.
**** ME and take out the garbage feed the cat and **** ME you can do it, I know you can.
**** ME and theorize about Sado Masochism's relationship to classical philosophy tell me how this stimulates the fabric of most human relationships, I love that kind of pointless intellectualism so do it again and **** ME.
Stop being logical stop contemplating the origins of evil and the beauty of death this is not a TV movie about Plato sex life, this is **** ME so **** ME It's the pause that refreshes just add water and **** ME.
I wrote this so I'd have a good excuse to say "**** ME" over and over and over so I could get a lot of attention and look, it worked! So thank you thank you and **** ME.


Written by Yosa Buson | Create an image from this poem

Variations on The short night

 Below are eleven Buson haiku
beginning with the phrase
'The short night--'


The short night--
on the hairy caterpillar
beads of dew.
The short night-- patrolmen washing in the river.
The short night-- bubbles of crab froth among the river reeds.
The short night-- a broom thrown away on the beach.
The short night-- the Oi River has sunk two feet.
The short night-- on the outskirts of the village a small shop opening.
The short night-- broken, in the shallows, a crescent moon.
The short night-- the peony has opened.
The short night-- waves beating in, an abandoned fire.
The short night-- near the pillow a screen turning silver.
The short night-- shallow footprints on the beach at Yui.
User Submitted "The short night--" Haiku Submit your own haiku beginning with the line "The short night--" and we'll post the best ones below! Just dash off an e-mail to: theshortnight@plagiarist.
com The short night- a watery moon stands alone over the hill Maggie The short night-- just as I'm falling asleep my wife's waking up Larry Bole
Written by Maggie Estep | Create an image from this poem

Bad Day At The Beauty Salon

 I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull.
I needed a job, but first, I needed a haircut.
So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown and bodacious, grow some 7 inch fingernails painted ***** red and rake them down the chalkboard of the job market's soul.
So I go in the beauty salon.
This beautiful Puerto Rican girl in tight white spandex and a push-up bra sits me down and starts chopping my hair: "Girlfriend," she says, "what the hell you got growing outta your head there, what is that, hair implants? Yuck, you want me to touch that ****, whadya got in there, sandwiches?" I just go: "I'm sorry.
" She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm not looking in the mirror cause I just don't want to know.
"So what's your name anyway?" My stylist demands then.
"Uh, Maggie.
" "Maggie? Well, that's an okay name, but my name is Suzy.
" "Yeah, so?" "Yeah so it ain't just Suzy S.
U.
Z.
Y, I spell it S.
U.
Z.
E.
E, the extra "e" is for extra Suzee.
" I nod emphatically.
Suzee tells me when she's not busy chopping hair, she works as an exotic dancer at night to support her boyfriend named Rocco.
Suzee loves Rocco, she loves him so much she's got her eyes closed as she describes him: "6 foot 2, 193 pounds and, girlfriend, his arms so big and long they wrap around me twice like I'm a little Suzee sandwich.
" Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk head.
She snips and clips and snips and clips, she pauses, I look in the mirror: "Holy ****, I'm bald.
" "Holy ****, baby, you're bald.
" Suzee says, finally opening her eyes and then gasping.
All I've got left is little post-nuke clumps of orange fuzz.
And I'll never get a receptionist job now.
But Suzy waves her manicured finger in my face: "Don't you worry, baby, I'm gonna get you a job at the dancing club.
" "What?" "Baby, let me tell you, the boys are gonna like a bald go go dancer.
" That said, she whips out some clippers, shaves my head smooth and insists I'm gonna love getting naked for a living.
None of this sounds like my idea of a good time, but I'm broke and I'm bald so I go home and get my best panties.
Suzee lends me some 6 inch pumps, paints my lips bright red, and gives me 7 shots of Jack Daniels to relax me.
8pm that night I take the stage.
I'm bald, I'm drunk, and by god, I'm naked.
HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.
A few guys feel sorry for me and risk getting their hands bitten off by sticking dollars in my garter belt.
My disheveled pubic hairs stand at full attention, ready to poke the guys' eyes out if they get too close.
Then I notice this bald guy in the audience, I've got a new empathy for bald people, I figure maybe it works both ways, maybe this guy will stick 10 bucks in my garter.
I saunter over.
I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer that ever go-go across this hemisphere.
The bald guy looks down into his beer, he'd much rather look at that than at my pubic mound which has now formed into one vicious spike so it looks like I've got a unicorn in my crotch.
I stand there weaving through the air.
The strobe light is illuminating my pubic unicorn.
Madonna's song Borderline is pumping through the club's speaker system for the 5th time tonight: "BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE.
" And suddenly, I start to wonder: What does that mean anyway? "LOVE ME TIL I JUST CAN'T SEE" What? Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue crazy, horny, naked and blind? What? There's a glitch in the tape and it starts to skip.
"Borderl.
.
.
ooop.
.
.
.
.
Borderl.
.
.
.
ooop.
.
.
Borderlin.
.
.
.
.
ooop" I stumble and twist my ankle.
My g-string rides between my buttcheeks making me twitch with pain.
My head starts spinning, my knees wobble, I go down on all fours and puke all over the bald guy's lap.
So there I am.
Butt naked on all fours.
But before I have time to regain my composure, the strip club manager comes over, points his smarmy strip club manager finger at me and goes: "You're bald, you're drunk, you can't dance and you're fired.
" I stand up.
"Oh yeah, well you stink like a sneaker, pal.
" I peel off one of my pumps and throw it in the direction of his fat head then I get the hell out of there.
A few days later I run into Suzee on Avenue A.
Turns out she got fired for getting me a job there in the first place.
But she was completely undaunted, she dragged me up to this wig store on 14th Street, bought me a mouse brown shag wig, then got us both telemarketing jobs on Wall Street.
And I never went to a beauty salon again.
Written by Maggie Estep | Create an image from this poem

Sex Goddess

 I am THE SEX GODDESS OF THE WESTERN HEMISPHERE 
so don't mess with me 
I've got a big bag full of SEX TOYS 
and you can't have any
'cause they're all mine
'cause I'm
the SEX GODDESS OF THE WESTERN HEMISPHERE.
"Hey," you may say to yourself, "who the hell's she tryin' to kid, she's no sex goddess," But trust me, I am if only for the fact that I have the unabashed gall to call myself a SEX GODDESS, I mean, after all, it's what so many of us have at some point thought, we've all had someone who worshipped our filthy socks and barked like a dog when we were near giving us cause to pause and think: You know, I may not look like much but deep inside, I am a SEX GODDESS.
Only we'd never come out and admit it publicly well, you wouldn't admit it publicly but I will because I am THE SEX GODDESS OF THE WESTERN HEMISPHERE.
I haven't always been a SEX GODDESS I used to be just a mere mortal woman but I grew tired of sexuality being repressed then manifest in late night 900 number ads where 3 bodacious bimbettes heave cleavage into the camera's winking lens and sigh: "Big Girls oooh, Bad Girls oooh, Blonde Girls oooh, you know what to do, call 1-900-UNMITIGATED BIMBO ooooh.
" Yeah I got fed up with the oooh oooh oooh oooh oooh I got fed up with it all so I put on my combat boots and hit the road with my bag full of SEX TOYS that were a vital part of my SEX GODDESS image even though I would never actually use my SEX TOYS 'cause my being a SEX GODDESS it isn't a SEXUAL thing it's a POLITICAL thing I don't actually have SEX, no I'm too busy taking care of important SEX GODDESS BUSINESS, yeah, I gotta go on The Charlie Rose Show and MTV and become a parody of myself and make buckets full of money off my own inane brand of self-righteous POP PSYCHOLOGY because my pain is different because I am a SEX GODDESS and when I talk, people listen why ? Because, you guessed it, I AM THE SEX GODDESS OF THE WESTERN HEMISPHERE and you're not.
Written by Maggie Estep | Create an image from this poem

Emotional Idiot

 Liner Notes - (From Love Is A Dog From Hell)

Emotional Idiocy is obviously
a theme close to my heart since I seem to use the phrase in novels and
CDs alike.
My friend and mentor of sorts, Andrew Vachss, upon hearing me read a rendition of this poem, stated that it ought to be the theme song for borderline personality disorder.
He's right.
I'm an Emotional Idiot so get away from me.
I mean, COME HERE.
Wait, no, that's too close, give me some space it's a big country, there's plenty of room, don't sit so close to me.
Hey, where are you? I haven't seen you in days.
Whadya, having an affair? Who is she? Come on, aren't I enough for you? God, You're so cold.
I never know what you're thinking.
You're not very affectionate.
I mean, you're clinging to me, DON'T TOUCH ME, what am I, your fucking cat? Don't rub me like that.
Don't you have anything better to do than sit there fawning over me? Don't you have any interests? Hobbies? Sailing Fly fishing Archeology? There's an archeology expedition leaving tomorrow why don't you go? I'll loan you the money, my money is your money.
my life is your life my soul is yours without you I'm nothing.
Move in with me we'll get a studio apartment together, save on rent, well, wait, I mean, a one bedroom, so we don't get in each other's hair or anything or, well, maybe a two bedroom I'll have my own bedroom, it's nothing personal I just need to be alone sometimes, you do understand, don't you? Hey, why are you acting distant? Where you goin', was it something I said? What What did I do? I'm an emotional idiot so get away from me I mean, MARRY ME.


Written by Barry Tebb | Create an image from this poem

POEM TO BE PLACED IN A BOTTLE AND CAST OUT TO SEA

 for Ken Kesey and his merry pranksters in a bus called ‘Further.
.
.
’ Dear _______ and here’s where the problem begins For who shall I address this letter to? Friends are few and very special, muses in the main I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route ‘Bridge Over the Aire’ after that vision and that voice “I am here.
I am waiting”.
I followed every lead Margaret Gardiner last heard of in the Falmouth’s Of Leeds 9, early fifties.
Barry Tebb your friend from then Would love to hear from you.
” The sole reply A mis-directed estimate for papering a bungalow In Penge.
I nearly came unhinged as weeks Ran into months of silence.
Was it.
I wondered.
A voice from the beyond? The vision was given Complete with backcloth of resplendent stars The bridge’s grey transmuted to a sheen of pearl The chipped steps became transparent stairs to heaven Our worn clothes, like Cinders’ at the ball, cloaks and gowns Of infinite splendour but only for the night, remember! I passed the muse’s diadem to Sheila Pritchard, My genius-child-poet of whom Redgrove said “Of course, you are in love” and wrote for her ‘My Perfect Rose!’ Last year a poet saw it In the British Council Reading Room in distant Kazakstan And sent his poems to me on paper diaphanous As angels’ wings and delicate as ash And tinted with a splash of lemon And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven Expelled from grammar school wearing a poncho Hand-made from an army blanket Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever, By then installed as muse number three Grew sadly jealous for the only time In thirty-seven years: muse number two Passed into the blue There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and Talk sometimes and in a crisis she is there for me, Muse number four, though absent for a month in Indonesia.
Remains.
I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic Of his gift for eloquent prose and poetry sublime His elegy on David Gascoyne’s death quite takes my breath And the title of his novel ‘Lipstick Boys’ I'll envy always, There are some few I talk and write to And occasionally meet.
David Lambert, poet and teacher Of creative writing, doing it ‘my way’ in the nineties, UEA found his services superfluous to their needs.
? ? you may **** like hell, But I abhor your jealous narcissistic smell And as for your much vaunted pc prose I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters are even longer than my own and Maggie Allen Sent me the only Valentine I’ve had in sixty years These two do know my longings and my fears, Dear Simon Jenner, Eratica’s erratic editor, your speech So like the staccato of a bren, yet loaded With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’ Of the sixties, acknowledged my own youthful spasm of enthusiasm But Simon you must share the honour with Jimmy Keery, Of whom I will admit I’m somewhat leery, His critical acuity so absolute and steely.
I ask you all to stay with me Through time into infinity Not even death can undo The love I have for you.
Written by Robert Burns | Create an image from this poem

Tam OShanter

 A Tale

"Of Brownyis and of Bogilis full is this Buke.
" —Gawin Douglas.
When chapman billies leave the street, And drouthy neebors neebors meet, As market-days are wearing late, An' folk begin to tak' the gate; While we sit bousing at the nappy, An' getting fou and unco happy, We think na on the lang Scots miles, The mosses, waters, slaps, and stiles, That lie between us and our hame, Whare sits our sulky, sullen dame, Gathering her brows like gathering storm, Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter, As he frae Ayr ae night did canter, (Auld Ayr, wham ne'er a town surpasses, For honest men and bonie lasses).
O Tam! hadst thou but been sae wise, As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum, That frae November till October, Ae market-day thou was nae sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That ev'ry naig was ca'd a shoe on, The smith and thee gat roarin fou on; That at the Lord's house, ev'n on Sunday, Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon, Thou would be found deep drowned in Doon; Or catched wi' warlocks in the mirk, By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthened sage advices, The husband frae the wife despises! But to our tale: Ae market-night, Tam had got planted unco right; Fast by an ingle, bleezing finely, Wi' reaming swats, that drank divinely; And at his elbow, Souter Johnny, His ancient, trusty, drouthy crony; Tam lo'ed him like a vera brither; They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter; And aye the ale was growing better: The landlady and Tam grew gracious, Wi' favours, secret, sweet, and precious: The Souter tauld his queerest stories; The landlord's laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure: Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the borealis race, That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm.
— Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o' night's black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallowed; Loud, deep, and lang the thunder bellowed: That night, a child might understand, The De'il had business on his hand.
Weel mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro' dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet; Whiles crooning o'er some auld Scots sonnet; Whiles glow'rin round wi' prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Whare ghaists and houlets nightly cry.
By this time he was cross the ford, Whare in the snaw the chapman smoored; And past the birks and meikle stane, Whare drunken Charlie brak's neck-bane; And thro' the whins, and by the cairn, Whare hunters fand the murdered bairn; And near the thorn, aboon the well, Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods; The doubling storm roars thro' the woods; The lightnings flash from pole to pole; Near and more near the thunders roll; When, glimmering thro' the groaning trees, Kirk-Alloway seemed in a bleeze; Thro' ilka bore the beams were glancing; And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst mak' us scorn! Wi' tippenny, we fear nae evil; Wi' usquabae, we'll face the devil! The swats sae reamed in Tammie's noddle, Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished, Till, by the heel and hand admonished, She ventured forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance; Nae cotillion, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o' beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screwed the pipes and gart them skirl, Till roof and rafters a' did dirl.
— Coffins stood round, like open presses, That shawed the Dead in their last dresses; And by some devilish cantraip sleight Each in its cauld hand held a light, By which heroic Tam was able To note upon the haly table, A murderer's banes in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi' his last gasp his gab did gape; Five tomahawks, wi' blude red-rusted; Five scimitars, wi' murder crusted; A garter, which a babe had strangled; A knife, a father's throat had mangled, Whom his ain son o' life bereft, The grey hairs yet stack to the heft; Wi' mair of horrible and awfu', Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: The Piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linket at it in her sark! Now Tam, O Tam! had they been queans, A' plump and strapping in their teens; Their sarks, instead o' creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o' mine, my only pair, That ance were plush, o' gude blue hair, I wad hae gi'en them off my hurdies, For ae blink o' the bonie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie: `There was ae winsome wench and waulie', That night enlisted in the core (Lang after kenned on Carrick shore; For mony a beast to dead she shot, And perished mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o' Paisley harn, That while a lassie she had worn, In longitude tho' sorely scanty, It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie, That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever graced a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewitched, And thought his very een enriched; Even Satan glowered, and fidged fu' fain, And hotched and blew wi' might and main: Till first ae caper, syne anither, Tam tint his reason a' thegither, And roars out, "Weel done, Cutty-sark!" And in an instant all was dark: And scarcely had he Maggie rallied, When out the hellish legion sallied.
As bees bizz out wi' angry fyke, When plundering herds assail their byke; As open pussie's mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When "Catch the thief!" resounds aloud; So Maggie runs, the witches follow, Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin! In hell they'll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the key-stane of the brig; There at them thou thy tail may toss, A running stream they dare na cross.
But ere the key-stane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi' furious ettle; But little wist she Maggie's mettle— Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read, Ilk man and mother's son, take heed: Whene'er to drink you are inclined, Or cutty-sarks run in your mind, Think, ye may buy the joys o'er dear, Remember Tam o'Shanter's mare.
Written by Robert Burns | Create an image from this poem

89. The Ordination

 KILMARNOCK wabsters, fidge an’ claw,
 An’ pour your creeshie nations;
An’ ye wha leather rax an’ draw,
 Of a’ denominations;
Swith to the Ligh Kirk, ane an’ a’
 An’ there tak up your stations;
Then aff to Begbie’s in a raw,
 An’ pour divine libations
 For joy this day.
Curst Common-sense, that imp o’ hell, Cam in wi’ Maggie Lauder; 1 But Oliphant 2 aft made her yell, An’ Russell 3 sair misca’d her: This day Mackinlay 4 taks the flail, An’ he’s the boy will blaud her! He’ll clap a shangan on her tail, An’ set the bairns to daud her Wi’ dirt this day.
Mak haste an’ turn King David owre, And lilt wi’ holy clangor; O’ double verse come gie us four, An’ skirl up the Bangor: This day the kirk kicks up a stoure; Nae mair the knaves shall wrang her, For Heresy is in her pow’r, And gloriously she’ll whang her Wi’ pith this day.
Come, let a proper text be read, An’ touch it aff wi’ vigour, How graceless Ham 5 leugh at his dad, Which made Canaan a ******; Or Phineas 6 drove the murdering blade, Wi’ whore-abhorring rigour; Or Zipporah, 7 the scauldin jad, Was like a bluidy tiger I’ th’ inn that day.
There, try his mettle on the creed, An’ bind him down wi’ caution, That stipend is a carnal weed He taks by for the fashion; And gie him o’er the flock, to feed, And punish each transgression; Especial, rams that cross the breed, Gie them sufficient threshin; Spare them nae day.
Now, auld Kilmarnock, cock thy tail, An’ toss thy horns fu’ canty; Nae mair thou’lt rowt out-owre the dale, Because thy pasture’s scanty; For lapfu’s large o’ gospel kail Shall fill thy crib in plenty, An’ runts o’ grace the pick an’ wale, No gi’en by way o’ dainty, But ilka day.
Nae mair by Babel’s streams we’ll weep, To think upon our Zion; And hing our fiddles up to sleep, Like baby-clouts a-dryin! Come, screw the pegs wi’ tunefu’ cheep, And o’er the thairms be tryin; Oh, rare to see our elbucks wheep, And a’ like lamb-tails flyin Fu’ fast this day.
Lang, Patronage, with rod o’ airn, Has shor’d the Kirk’s undoin; As lately Fenwick, sair forfairn, Has proven to its ruin: 8 Our patron, honest man! Glencairn, He saw mischief was brewin; An’ like a godly, elect bairn, He’s waled us out a true ane, And sound, this day.
Now Robertson 9 harangue nae mair, But steek your gab for ever; Or try the wicked town of Ayr, For there they’ll think you clever; Or, nae reflection on your lear, Ye may commence a shaver; Or to the Netherton 10 repair, An’ turn a carpet weaver Aff-hand this day.
Mu’trie 11 and you were just a match, We never had sic twa drones; Auld Hornie did the Laigh Kirk watch, Just like a winkin baudrons, And aye he catch’d the tither wretch, To fry them in his caudrons; But now his Honour maun detach, Wi’ a’ his brimstone squadrons, Fast, fast this day.
See, see auld Orthodoxy’s faes She’s swingein thro’ the city! Hark, how the nine-tail’d cat she plays! I vow it’s unco pretty: There, Learning, with his Greekish face, Grunts out some Latin ditty; And Common-sense is gaun, she says, To mak to Jamie Beattie Her plaint this day.
But there’s Morality himsel’, Embracing all opinions; Hear, how he gies the tither yell, Between his twa companions! See, how she peels the skin an’ fell, As ane were peelin onions! Now there, they’re packed aff to hell, An’ banish’d our dominions, Henceforth this day.
O happy day! rejoice, rejoice! Come bouse about the porter! Morality’s demure decoys Shall here nae mair find quarter: Mackinlay, Russell, are the boys That heresy can torture; They’ll gie her on a rape a hoyse, And cowe her measure shorter By th’ head some day.
Come, bring the tither mutchkin in, And here’s—for a conclusion— To ev’ry New Light 12 mother’s son, From this time forth, Confusion! If mair they deave us wi’ their din, Or Patronage intrusion, We’ll light a *****, and ev’ry skin, We’ll rin them aff in fusion Like oil, some day.
Note 1.
Alluding to a scoffing ballad which was made on the admission of the late reverend and worthy Mr.
Lihdsay to the “Laigh Kirk.
”—R.
B.
[back] Note 2.
Rev.
James Oliphant, minister of Chapel of Ease, Kilmarnock.
[back] Note 3.
Rev.
John Russell of Kilmarnock.
[back] Note 4.
Rev.
James Mackinlay.
[back] Note 5.
Genesis ix.
22.
—R.
B.
[back] Note 6.
Numbers xxv.
8.
—R.
B.
[back] Note 7.
Exodus iv.
52.
—R.
B.
[back] Note 8.
Rev.
Wm.
Boyd, pastor of Fenwick.
[back] Note 9.
Rev.
John Robertson.
[back] Note 10.
A district of Kilmarnock.
[back] Note 11.
The Rev.
John Multrie, a “Moderate,” whom Mackinlay succeeded.
[back] Note 12.
“New Light” is a cant phrase in the west of Scotland for those religious opinions which Dr.
Taylor of Norwich has so strenuously defended.
—R.
B.
[back]
Written by Maggie Estep | Create an image from this poem

Stalk Me

 Liner Notes - (from Love Is A Dog From Hell)

My friend Jenny is really
worried that people are going to follow me around and send me dead animal
parts and doll heads as a result of this song but please, if you feel inclined
to send me dead animal parts, think it through.
Thanks.
Stalk me I once wrote a poem called **** ME So stalk me I'm asking for it Don't take your medication Stalk ME Write to me and say Dear Maggie I love what you do You've got a really big mouth Actually your mouth is a little too big Anyone ever tell you what a big-mouthed ***** you are God, you know I'm kinda sick of you I mean, what's so great about you How come you got on TV I could do that You ain't **** You suck I hate you but I love you I love you because I hate you Can I have your children? Will you shack up with me? Oh sure I'll shack up with you I love stalkers Especially when they hate me But you knew that That's why you stalk me You're not fooled by my clever ruse ***** goddess? I think not I'm just a sucker for punishment So punish me Spank me Dominate my sock drawer And stalk me Don't stalk Jodie Foster, David Letterman or John S.
Hall Don't go through their trash Their trash is boring play with my trash Hurry, I'm waiting I'm pleading Just come on and do it Chew me choke me and stalk me That'll teach me to write all that goddamned poetry
Written by Maggie Estep | Create an image from this poem

Scab Maids On Speed

 My first job was when I was about 15.
I had met a girl named Hope who became my best friend.
Hope and I were flunking math class so we became speed freaks.
This honed our algebra skills and we quickly became whiz kids.
For about 5 minutes.
Then, our brains started to fry and we were just teenage speed freaks.
Then, we decided to to seek gainful employment.
We got hired on as part time maids at the Holiday Inn while a maid strike was happening.
We were scab maids on speed and we were coming to clean your room.
We were subsequently fired for pilfering a Holiday Inn guest's quaalude stash which we did only because we never thought someone would have the nerve to call the front desk and say; THE MAIDS STOLE MY LUUDES MAN.
But someone did - or so we surmised - because we were fired.
I supppose maybe we were fired because we never actually CLEANED but rather just turned on the vacuum so it SOUNDED like we were cleaning as we picked the pubic hairs off the sheets and out of the tub then passed out on the bed and caught up on the sleep we'd missed from being up all night speeding.
When we got fired, we became waitresses at an International House of Pancakes.
We were much happier there.

Book: Reflection on the Important Things