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Best Famous Madrid Poems

Here is a collection of the all-time best famous Madrid poems. This is a select list of the best famous Madrid poetry. Reading, writing, and enjoying famous Madrid poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of madrid poems.

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Written by Eavan Boland | Create an image from this poem

My Country in Darkness

 After the wolves and before the elms
the bardic order ended in Ireland.
Only a few remained to continue a dead art in a dying land: This is a man on the road from Youghal to Cahirmoyle.
He has no comfort, no food and no future.
He has no fire to recite his friendless measures by.
His riddles and flatteries will have no reward.
His patrons sheath their swords in Flanders and Madrid.
Reader of poems, lover of poetry— in case you thought this was a gentle art follow this man on a moonless night to the wretched bed he will have to make: The Gaelic world stretches out under a hawthorn tree and burns in the rain.
This is its home, its last frail shelter.
All of it— Limerick, the Wild Geese and what went before— falters into cadence before he sleeps: He shuts his eyes.
Darkness falls on it.


Written by Robert William Service | Create an image from this poem

Kings Must Die

 Alphonso Rex who died in Rome
Was quite a fistful as a kid;
For when I visited his home,
That gorgeous palace in Madrid,
The grinning guide-chap showed me where
He rode his bronco up the stair.
That stairway grand of marbled might, The most majestic in the land, In statured splendour, flight on flight, He urged his steed with whip in hand.
No lackey could restrain him for He gained the gilded corridor.
He burst into the Royal suite, And like a cowboy whooped with glee; Dodging the charger's flying feet The Chamberlain was shocked to see: Imagine how it must have been a Grief to Mother Queen Christina! And so through sheer magnificence I roamed from stately room to room, Yet haunted ever by the sense Of tragical dynastic doom.
The walls were wailing: Kings must die, Being plain blokes like you and I.
Well, here's the moral to my rhyme: When memories more worthy fade We find that whimsically Time Conserves some crazy escapade.
So as I left I stood to stare With humorous enjoyment where Alphonso crashed the Palace stair.
Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar, Was keepit for His Honor’s pleasure: His hair, his size, his mouth, his lugs, Shew’d he was nane o’ Scotland’s dogs; But whalpit some place far abroad, Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar Shew’d him the gentleman an’ scholar; But though he was o’ high degree, The fient a pride, nae pride had he; But wad hae spent an hour caressin, Ev’n wi’ al tinkler-gipsy’s messin: At kirk or market, mill or smiddie, Nae tawted tyke, tho’ e’er sae duddie, But he wad stan’t, as glad to see him, An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie— A rhyming, ranting, raving billie, Wha for his friend an’ comrade had him, And in freak had Luath ca’d him, After some dog in Highland Sang, 2 Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke, As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face Aye gat him friends in ilka place; His breast was white, his touzie back Weel clad wi’ coat o’ glossy black; His gawsie tail, wi’ upward curl, Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither, And unco pack an’ thick thegither; Wi’ social nose whiles snuff’d an’ snowkit; Whiles mice an’ moudieworts they howkit; Whiles scour’d awa’ in lang excursion, An’ worry’d ither in diversion; Until wi’ daffin’ weary grown Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
” CÆSAR I’ve aften wonder’d, honest Luath, What sort o’ life poor dogs like you have; An’ when the gentry’s life I saw, What way poor bodies liv’d ava.
Our laird gets in his racked rents, His coals, his kane, an’ a’ his stents: He rises when he likes himsel’; His flunkies answer at the bell; He ca’s his coach; he ca’s his horse; He draws a bonie silken purse, As lang’s my tail, where, thro’ the steeks, The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling At baking, roasting, frying, boiling; An’ tho’ the gentry first are stechin, Yet ev’n the ha’ folk fill their pechan Wi’ sauce, ragouts, an’ sic like trashtrie, That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner, Poor, worthless elf, it eats a dinner, Better than ony tenant-man His Honour has in a’ the lan’: An’ what poor cot-folk pit their painch in, I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh: A cottar howkin in a sheugh, Wi’ dirty stanes biggin a dyke, Baring a quarry, an’ sic like; Himsel’, a wife, he thus sustains, A smytrie o’ wee duddie weans, An’ nought but his han’-daurk, to keep Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters, Like loss o’ health or want o’ masters, Ye maist wad think, a wee touch langer, An’ they maun starve o’ cauld an’ hunger: But how it comes, I never kent yet, They’re maistly wonderfu’ contented; An’ buirdly chiels, an’ clever hizzies, Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit, How huff’d, an’ cuff’d, an’ disrespeckit! Lord man, our gentry care as little For delvers, ditchers, an’ sic cattle; They gang as saucy by poor folk, As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,— An’ mony a time my heart’s been wae,— Poor tenant bodies, scant o’cash, How they maun thole a factor’s snash; He’ll stamp an’ threaten, curse an’ swear He’ll apprehend them, poind their gear; While they maun stan’, wi’ aspect humble, An’ hear it a’, an’ fear an’ tremble! I see how folk live that hae riches; But surely poor-folk maun be wretches! LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink, They’re sae accustom’d wi’ the sight, The view o’t gives them little fright.
Then chance and fortune are sae guided, They’re aye in less or mair provided: An’ tho’ fatigued wi’ close employment, A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives, Their grushie weans an’ faithfu’ wives; The prattling things are just their pride, That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy Can mak the bodies unco happy: They lay aside their private cares, To mind the Kirk and State affairs; They’ll talk o’ patronage an’ priests, Wi’ kindling fury i’ their breasts, Or tell what new taxation’s comin, An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns, They get the jovial, rantin kirns, When rural life, of ev’ry station, Unite in common recreation; Love blinks, Wit slaps, an’ social Mirth Forgets there’s Care upo’ the earth.
That merry day the year begins, They bar the door on frosty win’s; The nappy reeks wi’ mantling ream, An’ sheds a heart-inspiring steam; The luntin pipe, an’ sneeshin mill, Are handed round wi’ right guid will; The cantie auld folks crackin crouse, The young anes rantin thro’ the house— My heart has been sae fain to see them, That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said, Sic game is now owre aften play’d; There’s mony a creditable stock O’ decent, honest, fawsont folk, Are riven out baith root an’ branch, Some rascal’s pridefu’ greed to quench, Wha thinks to knit himsel the faster In favour wi’ some gentle master, Wha, aiblins, thrang a parliamentin, For Britain’s guid his saul indentin— CÆSAR Haith, lad, ye little ken about it: For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him: An’ saying ay or no’s they bid him: At operas an’ plays parading, Mortgaging, gambling, masquerading: Or maybe, in a frolic daft, To Hague or Calais takes a waft, To mak a tour an’ tak a whirl, To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles, He rives his father’s auld entails; Or by Madrid he takes the rout, To thrum guitars an’ fecht wi’ nowt; Or down Italian vista startles, Wh-re-hunting amang groves o’ myrtles: Then bowses drumlie German-water, To mak himsel look fair an’ fatter, An’ clear the consequential sorrows, Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction! Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate They waste sae mony a braw estate! Are we sae foughten an’ harass’d For gear to gang that gate at last? O would they stay aback frae courts, An’ please themsels wi’ country sports, It wad for ev’ry ane be better, The laird, the tenant, an’ the cotter! For thae frank, rantin, ramblin billies, Feint haet o’ them’s ill-hearted fellows; Except for breakin o’ their timmer, Or speakin lightly o’ their limmer, Or shootin of a hare or moor-cock, The ne’er-a-bit they’re ill to poor folk, But will ye tell me, Master C&æsar, Sure great folk’s life’s a life o’ pleasure? Nae cauld nor hunger e’er can steer them, The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am, The gentles, ye wad ne’er envy them! It’s true, they need na starve or sweat, Thro’ winter’s cauld, or simmer’s heat: They’ve nae sair wark to craze their banes, An’ fill auld age wi’ grips an’ granes: But human bodies are sic fools, For a’ their colleges an’ schools, That when nae real ills perplex them, They mak enow themsel’s to vex them; An’ aye the less they hae to sturt them, In like proportion, less will hurt them.
A country fellow at the pleugh, His acre’s till’d, he’s right eneugh; A country girl at her wheel, Her dizzen’s dune, she’s unco weel; But gentlemen, an’ ladies warst, Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy; Tho’ deil-haet ails them, yet uneasy; Their days insipid, dull, an’ tasteless; Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races, Their galloping through public places, There’s sic parade, sic pomp, an’ art, The joy can scarcely reach the heart.
The men cast out in party-matches, Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring, Niest day their life is past enduring.
The ladies arm-in-arm in clusters, As great an’ gracious a’ as sisters; But hear their absent thoughts o’ ither, They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie, They sip the scandal-potion pretty; Or lee-lang nights, wi’ crabbit leuks Pore owre the devil’s pictur’d beuks; Stake on a chance a farmer’s stackyard, An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman; But this is gentry’s life in common.
By this, the sun was out of sight, An’ darker gloamin brought the night; The bum-clock humm’d wi’ lazy drone; The kye stood rowtin i’ the loan; When up they gat an’ shook their lugs, Rejoic’d they werena men but dogs; An’ each took aff his several way, Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
[back] Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
[back]
Written by Robert Browning | Create an image from this poem

Waring

 I

What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf— 
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken, Written, bustled? Who's to blame If your silence kept unbroken? "True, but there were sundry jottings, Stray-leaves, fragments, blurrs and blottings, Certain first steps were achieved Already which—(is that your meaning?) Had well borne out whoe'er believed In more to come!" But who goes gleaning Hedge-side chance-blades, while full-sheaved Stand cornfields by him? Pride, o'erweening Pride alone, puts forth such claims O'er the day's distinguished names.
Meantime, how much I loved him, I find out now I've lost him: I, who cared not if I moved him, Henceforth never shall get free Of his ghostly company, His eyes that just a little wink As deep I go into the merit Of this and that distinguished spirit— His cheeks' raised colour, soon to sink, As long I dwell on some stupendous And tremendous (Heaven defend us!) Monstr'-inform'-ingens-horrend-ous Demoniaco-seraphic Penman's latest piece of graphic.
Nay, my very wrist grows warm With his dragging weight of arm! E'en so, swimmingly appears, Through one's after-supper musings, Some lost Lady of old years, With her beauteous vain endeavour, And goodness unrepaid as ever; The face, accustomed to refusings, We, puppies that we were.
.
.
Oh never Surely, nice of conscience, scrupled Being aught like false, forsooth, to? Telling aught but honest truth to? What a sin, had we centupled Its possessor's grace and sweetness! No! she heard in its completeness Truth, for truth's a weighty matter, And, truth at issue, we can't flatter! Well, 'tis done with: she's exempt From damning us through such a sally; And so she glides, as down a valley, Taking up with her contempt, Past our reach; and in, the flowers Shut her unregarded hours.
Oh, could I have him back once more, This Waring, but one half-day more! Back, with the quiet face of yore, So hungry for acknowledgment Like mine! I'd fool him to his bent! Feed, should not he, to heart's content? I'd say, "to only have conceived Your great works, though they ne'er make progress, Surpasses all we've yet achieved!" I'd lie so, I should be believed.
I'd make such havoc of the claims Of the day's distinguished names To feast him with, as feasts an ogress Her sharp-toothed golden-crowned child! Or, as one feasts a creature rarely Captured here, unreconciled To capture; and completely gives Its pettish humours licence, barely Requiring that it lives.
Ichabod, Ichabod, The glory is departed! Travels Waring East away? Who, of knowledge, by hearsay, Reports a man upstarted Somewhere as a God, Hordes grown European-hearted, Millions of the wild made tame On a sudden at his fame? In Vishnu-land what Avatar? Or who, in Moscow, toward the Czar, With the demurest of footfalls Over the Kremlin's pavement, bright With serpentine and syenite, Steps, with five other generals, That simultaneously take snuff, For each to have pretext enough To kerchiefwise unfurl his sash Which, softness' self, is yet the stuff To hold fast where a steel chain snaps, And leave the grand white neck no gash? Waring, in Moscow, to those rough Cold northern natures borne, perhaps, Like the lambwhite maiden dear From the circle of mute kings, Unable to repress the tear, Each as his sceptre down he flings, To Dian's fane at Taurica, Where now a captive priestess, she alway Mingles her tender grave Hellenic speech With theirs, tuned to the hailstone-beaten beach, As pours some pigeon, from the myrrhy lands Rapt by the whirlblast to fierce Scythian strands Where bred the swallows, her melodious cry Amid their barbarous twitter! In Russia? Never! Spain were fitter! Ay, most likely, 'tis in Spain That we and Waring meet again— Now, while he turns down that cool narrow lane Into the blackness, out of grave Madrid All fire and shine—abrupt as when there's slid Its stiff gold blazing pall From some black coffin-lid.
Or, best of all, I love to think The leaving us was just a feint; Back here to London did he slink; And now works on without a wink Of sleep, and we are on the brink Of something great in fresco-paint: Some garret's ceiling, walls and floor, Up and down and o'er and o'er He splashes, as none splashed before Since great Caldara Polidore: Or Music means this land of ours Some favour yet, to pity won By Purcell from his Rosy Bowers,— "Give me my so long promised son, Let Waring end what I begun!" Then down he creeps and out he steals Only when the night conceals His face—in Kent 'tis cherry-time, Or, hops are picking; or, at prime Of March, he wanders as, too happy, Years ago when he was young, Some mild eve when woods grew sappy, And the early moths had sprung To life from many a trembling sheath Woven the warm boughs beneath; While small birds said to themselves What should soon be actual song, And young gnats, by tens and twelves, Made as if they were the throng That crowd around and carry aloft The sound they have nursed, so sweet and pure, Out of a myriad noises soft, Into a tone that can endure Amid the noise of a July noon, When all God's creatures crave their boon, All at once and all in tune, And get it, happy as Waring then, Having first within his ken What a man might do with men, And far too glad, in the even-glow, To mix with your world he meant to take Into his hand, he told you, so— And out of it his world to make, To contract and to expand As he shut or oped his hand.
Oh, Waring, what's to really be? A clear stage and a crowd to see! Some Garrick—say—out shall not he The heart of Hamlet's mystery pluck Or, where most unclean beasts are rife, Some Junius—am I right?—shall tuck His sleeve, and out with flaying-knife! Some Chatterton shall have the luck Of calling Rowley into life! Some one shall somehow run amuck With this old world, for want of strife Sound asleep: contrive, contrive To rouse us, Waring! Who's alive? Our men scarce seem in earnest now: Distinguished names!—but 'tis, somehow As if they played at being names Still more distinguished, like the games Of children.
Turn our sport to earnest With a visage of the sternest! Bring the real times back, confessed Still better than our very best! II "When I last saw Waring.
.
.
" (How all turned to him who spoke— You saw Waring? Truth or joke? In land-travel, or seafaring?) ".
.
.
We were sailing by Triest, Where a day or two we harboured: A sunset was in the West, When, looking over the vessel's side, One of our company espied A sudden speck to larboard.
And, as a sea-duck flies and swins At once, so came the light craft up, With its sole lateen sail that trims And turns (the water round its rims Dancing, as round a sinking cup) And by us like a fish it curled, And drew itself up close beside, Its great sail on the instant furled, And o'er its planks, a shrill voice cried (A neck as bronzed as a Lascar's) 'Buy wine of us, you English Brig? Or fruit, tobacco and cigars? A Pilot for you to Triest? Without one, look you ne'er so big, They'll never let you up the bay! We natives should know best.
' I turned, and 'just those fellows' way,' Our captain said, 'The long-shore thieves Are laughing at us in their sleeves.
' "In truth, the boy leaned laughing back; And one, half-hidden by his side Under the furled sail, soon I spied, With great grass hat, and kerchief black, Who looked up, with his kingly throat, Said somewhat, while the other shook His hair back from his eyes to look Their longest at us; then the boat, I know not how, turned sharply round, Laying her whole side on the sea As a leaping fish does; from the lee Into the weather, cut somehow Her sparkling path beneath our bow; And so went off, as with a bound, Into the rose and golden half Of the sky, to overtake the sun, And reach the shore, like the sea-calf Its singing cave; yet I caught one Glance ere away the boat quite passed, And neither time nor toil could mar Those features: so I saw the last Of Waring!"—You? Oh, never star Was lost here, but it rose afar! Look East, where whole new thousands are! In Vishnu-land what Avatar?
Written by Louise Gluck | Create an image from this poem

Castile

 Orange blossoms blowing over Castile
children begging for coins

I met my love under an orange tree
or was it an acacia tree
or was he not my love?

I read this, then I dreamed this:
can waking take back what happened to me?
Bells of San Miguel
ringing in the distance
his hair in the shadows blond-white

I dreamed this,
does that mean it didn't happen?
Does it have to happen in the world to be real?

I dreamed everything, the story
became my story:

he lay beside me,
my hand grazed the skin of his shoulder

Mid-day, then early evening:
in the distance, the sound of a train

But it was not the world:
in the world, a thing happens finally, absolutely,
the mind cannot reverse it.
Castile: nuns walking in pairs through the dark garden.
Outside the walls of the Holy Angels children begging for coins When I woke I was crying, has that no reality? I met my love under an orange tree: I have forgotten only the facts, not the inference— there were children, somewhere, crying, begging for coins I dreamed everything, I gave myself completely and for all time And the train returned us first to Madrid then to the Basque country


Written by Antonio Machado | Create an image from this poem

Guadarrama

 Guadarrama, is it you, old friend,
mountains white and gray
that I used to see painted against the blue
those afternoons of the old days in Madrid?
Up your deep ravines
and past your bristling peaks
a thousand Guadarramas and a thousand suns
come riding with me, riding to your heart.
Written by Robert William Service | Create an image from this poem

Spanish Men

 The Men of Seville are, they say,
The laziest of Spain.
Consummate artists in delay, Allergical to strain; Fr if you have a job for them, And beg them to be spry, They only look at you with phlegm: "Mañana," they reply.
The Men of gay Madrid, I'm told, Siesta's law revere; The custom is so ages old, And to tradition dear; So if you want a job done soon, And shyly ask them: "When?" They say: "Come back this afternoon: We'll hope to do it them.
" The Men of Barcelona are Such mostly little caps, That when you see them from afar They make you think of Japs; Yet they can take life on the run, Quite peppy, I'll allow, For when there's something to be done, They shout: "We'll do it NOW.
"
Written by Robert William Service | Create an image from this poem

The Cat With Wings

 You never saw a cat with wings,
I'll bet a dollar -- well, I did;
'Twas one of those fantastic things
One runs across in old Madrid.
A walloping big tom it was, (Maybe of the Angora line), With silken ears and velvet paws, And silver hair, superbly fine.
It sprawled upon a crimson mat, Yet though crowds came to gaze on it, It was a supercilious cat, And didn't seem to mind a bit.
It looked at us with dim disdain, And indolently seemed to sigh: "There's not another cat in Spain One half so marvelous as I.
" Its owner gently stroked its head, And tickled it with fingers light.
"Ah no, it cannot fly," he said; "But see - it has the wings all right.
" Then tenderly from off its back He raised, despite its feline fears, Appendages that seemed to lack Vitality - like rabbit's ears.
And then the vision that I had Of Tabbie soaring through the night, Quick vanished, and I felt so sad For that poor pussy's piteous plight.
For though frustration has it stings, Its mockeries in Hope's despite, The hell of hells is to have wings Yet be denied the bliss of flight.
Written by Robert William Service | Create an image from this poem

Toledo

 Three widows of the Middle West
We're grimly chewing gum;
The Lido chef a quail had dressed
With garlic and with rum,
And they were painfully oppressed
For they had eaten some.
Said One: "This famed El Greco guy Gives me the blessed pip; Them Saints look like they want to die - Let's give our guide the slip, And in some bodega close by A glass of vino sip.
" Said Two: "It's this Cathedral stuff That fairly gets me down.
I think one church is quite enough In any Spanish town; But here there's four - that's pretty tough No matter their renown.
" Said Three: "It's that Alcázar show That simply knocked me out; That dismal dungeon down below, Then ruins all about; That funny, fat old Moscardo Who put the Reds to rout.
" Hey, Mister Guide! implored the Three, "Return to gay Madrid.
" The guide was shocked, but trained was he To do as he was bid.
So three dames of the Middle West, Dyspeptically glum Went back to town, and quite depressed The guide was chewing gum.
Written by Barry Tebb | Create an image from this poem

THE COLOSSUS

 (Goya, an old man in exile, looks at his self-portrait)



A bull’s neck, still much needed,

Deserving exile or the guillotine,

‘Because you are an artist we forgave you’,

Thus his royal highness gave thanks,

My fingers itching for brush and canvas,

Floury cheeks and rouge, legs a donkey would be ashamed of,

A wife who’s been to bed with everything in Madrid.
First I was ‘untalented’, then ‘mad and deaf’ Still I painted, my pain drew me on, My kingdom had majas nude or veiled Always with dark eyes like her Whom I loved and they poisoned, Duchess of Alba, dressed in silver grey, A white pekinese at her feet with the world: On the sand my name with hers And ‘always’.
Old men easily grow afraid; Spain and her blood are distant.
Alba dead I paint my ‘Milkmaid of Bordeaux’ In lingering silver-grey.

Book: Shattered Sighs