Written by
Rudyard Kipling |
BOMBAY
Royal and Dower-royal, I the Queen
Fronting thy richest sea with richer hands --
A thousand mills roar through me where I glean
All races from all lands.
CALCUTTA
Me the Sea-captain loved, the River built,
Wealth sought and Kings adventured life to hold.
Hail, England! I am Asia -- Power on silt,
Death in my hands, but Gold!
MADRAS
Clive kissed me on the mouth and eyes and brow,
Wonderful kisses, so that I became
Crowned above Queens -- a withered beldame now,
Brooding on ancient fame.
RANGOON
Hail, Mother! Do they call me rich in trade?
Little care I, but hear the shorn priest drone,
And watch my silk-clad lovers, man by maid,
Laugh 'neath my Shwe Dagon.
SINGAPORE
Hail, Mother! East and West must seek my aid
Ere the spent gear may dare the ports afar.
The second doorway of the wide world's trade
Is mine to loose or bar.
HONG-KONG
Hail, Mother! Hold me fast; my Praya sleeps
Under innumerable keels to-day.
Yet guard (and landward), or to-morrow sweeps
Thy war-ships down the bay!
HALIFAX
Into the mist my guardian prows put forth,
Behind the mist my virgin ramparts lie,
The Warden of the Honour of the North,
Sleepless and veiled am I!
QUEBEC AND MONTREAL
Peace is our portion.
Yet a whisper rose,
Foolish and causeless, half in jest, half hate.
Now wake we and remember mighty blows,
And, fearing no man, wait!
VICTORIA
From East to West the circling word has passed,
Till West is East beside our land-locked blue;
From East to West the tested chain holds fast,
The well-forged link rings true!
CAPE TOWN
Hail! Snatched and bartered oft from hand to hand,
I dream my dream, by rock and heath and pine,
Of Empire to the northward.
Ay, one land
From Lion's Head to Line!
MELBOURNE
Greeting! Nor fear nor favour won us place,
Got between greed of gold and dread of drouth,
Loud-voiced and reckless as the wild tide-race
That whips our harbour-mouth!
SYDNEY
Greeting! My birth-stain have I turned to good;
Forcing strong wills perverse to steadfastness:
The first flush of the tropics in my blood,
And at my feet Success!
BRISBANE
The northern stirp beneath the southern skies --
I build a Nation for an Empire's need,
Suffer a little, and my land shall rise,
Queen over lands indeed!
HOBART
Man's love first found me; man's hate made me Hell;
For my babes' sake I cleansed those infamies.
Earnest for leave to live and labour well,
God flung me peace and ease.
AUCKLAND
Last, loneliest, loveliest, exquisite, apart --
On us, on us the unswerving season smiles,
Who wonder 'mid our fern why men depart
To seek the Happy Isles!
|
Written by
Robert Pinsky |
The back, the yoke, the yardage.
Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians
Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band
Of cuff I button at my wrist.
The presser, the cutter,
The wringer, the mangle.
The needle, the union,
The treadle, the bobbin.
The code.
The infamous blaze
At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--
The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out
Away from the masonry wall and let her drop.
And then another.
As if he were helping them up
To enter a streetcar, and not eternity.
A third before he dropped her put her arms
Around his neck and kissed him.
Then he held
Her into space, and dropped her.
Almost at once
He stepped up to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--
Like Hart Crane's Bedlamite, "shrill shirt ballooning.
"
Wonderful how the patern matches perfectly
Across the placket and over the twin bar-tacked
Corners of both pockets, like a strict rhyme
Or a major chord.
Prints, plaids, checks,
Houndstooth, Tattersall, Madras.
The clan tartans
Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,
Bailey, MacMartin.
The kilt, devised for workers
to wear among the dusty clattering looms.
Weavers, carders, spinners.
The loader,
The docker, the navvy.
The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:
George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt.
Its color and fit
And feel and its clean smell have satisfied
both her and me.
We have culled its cost and quality
Down to the buttons of simulated bone,
The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail.
The shape,
The label, the labor, the color, the shade.
The shirt.
|
Written by
T Wignesan |
for Eric Mottram
"Nur wenn das Herz erschlossen,
Dann ist die Erde schön.
"
Goethe.
I
An important thing in living
Is to know when to go;
He who does not know this
Has not far to go,
Though death may come and go
When you do not know.
Come, give me your hand,
Together shoulder and cheek to shoulder
We'll go, sour kana in cheeks
And in the mornings cherry sticks
To gum: the infectious chilli smiles
Over touch-me-not thorns, crushing snails
From banana leaves, past
Clawing outstretched arms of the bougainvilias
To stone the salt-bite mangoes.
Tread carefully through this durian kampong
For the ripe season has pricked many a sole.
II
la la la tham'-pong
Let's go running intermittent
To the spitting, clucking rubber fruit
And bamboo lashes through the silent graves,
Fresh sod, red mounds, knee stuck, incensing joss sticks
All night long burning, exhuming, expelling the spirit.
Let's scour, hiding behind the lowing boughs of the hibiscus
Skirting the school-green parapet thorny fields.
Let us now squawk, piercing the sultry, humid blanket
In the shrill wakeful tarzan tones,
Paddle high on.
the swings
Naked thighs, testicles dry.
Let us now vanish panting on the climbing slopes
Bare breasted, steaming rolling with perspiration,
Biting with lalang burn.
Let us now go and stand under the school
Water tap, thrashing water to and fro.
Then steal through the towkay's
Barbed compound to pluck the hairy
Eyeing rambutans, blood red, parang in hand,
And caoutchouc pungent with peeling.
Now scurrying through the estate glades
Crunching, kicking autumnal rubber leavings,
Kneading, rolling milky latex balls,
Now standing to water by the corner garden post.
III
This is the land of the convectional rains
Which vie on the monsoon back scrubbing streets
This is the land at half-past four
The rainbow rubs the chilli face of the afternoon
And an evening-morning pervades the dripping, weeping
Rain tree, and gushing, tumbling, sewerless rain drains
Sub-cutaneously eddy sampan fed, muddy, fingerless rivers
Down with crocodile logs to the Malacca Sea.
This is the land of stately dipterocarp, casuarina
And coco-palms reeding north easterly over ancient rites
Of turtle bound breeding sands.
This is the land of the chignoned swaying bottoms
Of sarong-kebaya, sari and cheongsam.
The residual perch of promises
That threw the meek in within
The legs of the over-eager fledgelings.
The land since the Carnatic conquerors
Shovelling at the bottom of the offering mountains
The bounceable verdure brought to its bowers
The three adventurers.
A land frozen in a thousand
Climatic, communal ages
Wags its primordial bushy tail to the Himalayas
Within a three cornered monsoon sea -
In reincarnate churches
And cracker carousels.
The stranglehold of boasting strutting pedigrees
And infidel hordes of marauding thieves,
Where pullulant ideals
Long rocketed in other climes
Ride flat-foot on flat tyres.
IV
Let us go then, hurrying by
Second show nights and jogget parks
Listening to the distant whinings of wayangs
Down the sidewalk frying stalls on Campbell Road
Cheong-Kee mee and queh teow plates
Sateh, rojak and kachang puteh
(rediffusion vigil plates)
Let us then dash to the Madras stalls
To the five cent lye chee slakes.
la la la step stepping
Each in his own inordinate step
Shuffling the terang bulan.
Blindly buzzes the bee
Criss-crossing
Weep, rain tree, weep
The grass untrampled with laughter
In the noonday sobering shade.
Go Cheena-becha Kling-qui Sakai
V
Has it not occurred to you how I sat with you
dear sister, counting the chicking back of the
evening train by the window sill and then
got up to wind my way down the snake infested rail
to shoo shoo the cows home to brood
while you gee geaed the chicks to coop
and did we not then plan of a farm
a green milking farm to warm the palm
then turned to scratch the itch over in our minds
lay down on the floors, mat aside
our thoughts to cushion heads
whilst dug tapioca roots heaped the dream
and we lay scrapping the kernel-less
fiber shelled coconuts
O Bhama, my goatless daughter kid
how I nursed you with the callow calves
those mutual moments forced in these common lives
and then, that day when they sold you
the blistering shirtless sun never flinching
an eye, defiant I stood caressing your creamy coat
and all you could say was a hopeless baaa.
.
a.
.
aa
and then, then, that day as we came over the mountains
two kids you led to the thorny brush, business bent
the eye-balling bharata natyam
VI
O masters of my fading August dream
For should you take this life from me
Know you any better
Than when children we have joyously romped
Down and deep in the August river
Washing on the mountain tin.
Now on the growing granite's precipitous face
In our vigilant wassail
Remember the children downstream playing
Where your own little voices are speechless lingering
Let it not be simply said that a river flows
to flourish a land
More than that he who is high at the source
take heed:
For a river putrid in the cradle is worse
than the plunging flooding rain.
And the eclectic monsoons may have come
Have gathered and may have gone
While the senses still within torrid membranes
thap-po-ng
thap-pong
thap-pong
|
Written by
Edward Lear |
There was an Old Man of Madras,
Who rode on a cream-colored Ass;
But the length of its ears so promoted his fears,
That it killed that Old Man of Madras.
|