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Best Famous Machines Poems

Here is a collection of the all-time best famous Machines poems. This is a select list of the best famous Machines poetry. Reading, writing, and enjoying famous Machines poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of machines poems.

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Written by Rudyard Kipling | Create an image from this poem

A Song of Travel

 Where's the lamp that Hero lit
 Once to call Leander home?
Equal Time hath shovelled it
 'Neath the wrack of Greece and Rome.
Neither wait we any more
That worn sail which Argo bore.

Dust and dust of ashes close
 All the Vestal Virgin's care;
And the oldest altar shows
 But an older darkness there.
Age-encamped Oblivion
Tenteth every light that shone.

Yet shall we, for Suns that die,
 Wall our wanderings from desire?
Or, because the Moon is high,
 Scorn to use a nearer fire?
Lest some envious Pharaoh stir,
Make our lives our sepulcher?

Nay! Though Time with petty Fate
 Prison us and Emperors,
By our Arts do we create 
 That which Time himself devours--
Such machines as well may run
'Gainst the Horses of the Sun.

When we would a new abode,
 Space, our tyrant King no more,
Lays the long lance of the road 
 At our feet and flees before,
Breathless, ere we overwhelm,
To submit a further realm!


Written by Kathleen Raine | Create an image from this poem

Millenial Hymn to Lord Shiva

 Earth no longer
hymns the Creator,
the seven days of wonder,
the Garden is over —
all the stories are told,
the seven seals broken
all that begins
must have its ending,
our striving, desiring,
our living and dying,
for Time, the bringer
of abundant days
is Time the destroyer —
In the Iron Age
the Kali Yuga
To whom can we pray
at the end of an era
but the Lord Shiva,
the Liberator, the purifier?

Our forests are felled,
our mountains eroded,
the wild places
where the beautiful animals
found food and sanctuary
we have desolated,
a third of our seas,
a third of our rivers
we have polluted
and the sea-creatures dying.
Our civilization’s
blind progress
in wrong courses
through wrong choices
has brought us to nightmare
where what seems,
is, to the dreamer,
the collective mind
of the twentieth century —
this world of wonders
not divine creation
but a big bang
of blind chance,
purposeless accident,
mother earth’s children,
their living and loving,
their delight in being
not joy but chemistry,
stimulus, reflex,
valueless, meaningless,
while to our machines
we impute intelligence,
in computers and robots
we store information
and call it knowledge,
we seek guidance
by dialling numbers,
pressing buttons, 
throwing switches,
in place of family
our companions are shadows,
cast on a screen,
bodiless voices, fleshless faces,
where was the Garden
a Disney-land
of virtual reality,
in place of angels
the human imagination
is peopled with foot-ballers
film-stars, media-men,
experts, know-all
television personalities,
animated puppets
with cartoon faces —
To whom can we pray
for release from illusion,
from the world-cave,
but Time the destroyer,
the liberator, the purifier?

The curse of Midas
has changed at a touch,
a golden handshake
earthly paradise
to lifeless matter,
where once was seed-time,
summer and winter,
food-chain, factory farming,
monocrops for supermarkets,
pesticides, weed-killers
birdless springs, 
endangered species,
battery-hens, hormone injections,
artificial insemination,
implants, transplants, sterilization,
surrogate births, contraception,
cloning, genetic engineering, abortion,
and our days shall be short
in the land we have sown
with the Dragon’s teeth
where our armies arise
fully armed on our killing-fields
with land-mines and missiles,
tanks and artillery,
gas-masks and body-bags,
our air-craft rain down
fire and destruction,
our space-craft broadcast
lies and corruption,
our elected parliaments
parrot their rhetoric
of peace and democracy
while the truth we deny
returns in our dreams
of Armageddon,
the death-wish, the arms-trade,
hatred and slaughter
profitable employment
of our thriving cities,
the arms-race
to the end of the world
of our postmodern, 
post-Christian,
post-human nations,
progress to the nihil
of our spent civilization.
But cause and effect,
just and inexorable
law of the universe
no fix of science,
nor amenable god
can save from ourselves
the selves we have become —
At the end of history
to whom can we pray
but to the destroyer,
the liberator, the purifier?

In the beginning
the stars sang together
the cosmic harmony,
but Time, imperceptible
taker-away
of all that has been,
all that will be,
our heart-beat your drum,
our dance of life
your dance of death
in the crematorium,
our high-rise dreams,
Valhalla, Utopia,
Xanadu, Shangri-la, world revolution
Time has taken, and soon will be gone
Cambridge, Princeton and M.I.T.,
Nalanda, Athens and Alexandria
all for the holocaust
of civilization —
To whom shall we pray
when our vision has faded
but the world-destroyer,
the liberator, the purifier?

But great is the realm
of the world-creator,
the world-sustainer
from whom we come,
in whom we move
and have our being,
about us, within us
the wonders of wisdom,
the trees and the fountains,
the stars and the mountains,
all the children of joy,
the loved and the known,
the unknowable mystery
to whom we return
through the world-destroyer, —
Holy, holy
at the end of the world
the purging fire
of the purifier, the liberator!
Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields. 

A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; 
A song tasting of new wheat, and of fresh-husk’d maize.

2
For the lands, and for these passionate days, and for myself, 
Now I awhile return to thee, O soil of Autumn fields, 
Reclining on thy breast, giving myself to thee, 
Answering the pulses of thy sane and equable heart, 
Tuning a verse for thee.

O Earth, that hast no voice, confide to me a voice! 
O harvest of my lands! O boundless summer growths! 
O lavish, brown, parturient earth! O infinite, teeming womb! 
A verse to seek, to see, to narrate thee. 

3
Ever upon this stage,
Is acted God’s calm, annual drama, 
Gorgeous processions, songs of birds, 
Sunrise, that fullest feeds and freshens most the soul, 
The heaving sea, the waves upon the shore, the musical, strong waves, 
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass, 
The heat, the showers, the measureless pasturages, 
The scenery of the snows, the winds’ free orchestra, 
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
 silvery
 fringes, 
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows, 
The shows of all the varied lands, and all the growths and products. 

4
Fecund America! To-day, 
Thou art all over set in births and joys! 
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions! 
A myriad-twining life, like interlacing vines, binds all thy vast demesne! 
As some huge ship, freighted to water’s edge, thou ridest into port! 
As rain falls from the heaven, and vapors rise from earth, so have the precious values
 fallen
 upon thee, and risen out of thee! 
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty! 
Thou lucky Mistress of the tranquil barns! 
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
 East,
 and lookest West! 
Dispensatress, that by a word givest a thousand miles—that giv’st a million
 farms,
 and missest nothing! 
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
 hospitable.)

5
When late I sang, sad was my voice; 
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; 
In the midst of the armies, the Heroes, I stood, 
Or pass’d with slow step through the wounded and dying. 

But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps, 
Nor the regiments hastily coming up, deploying in line of battle. 

No more the dead and wounded; 
No more the sad, unnatural shows of War. 

Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d. 

6
(Pass—pass, ye proud brigades! 
So handsome, dress’d in blue—with your tramping, sinewy legs; 
With your shoulders young and strong—with your knapsacks and your muskets; 
—How elate I stood and watch’d you, where, starting off, you march’d!

Pass;—then rattle, drums, again! 
Scream, you steamers on the river, out of whistles loud and shrill, your salutes! 
For an army heaves in sight—O another gathering army! 
Swarming, trailing on the rear—O you dread, accruing army! 
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! 
Lo! your pallid army follow’d!) 

7
But on these days of brightness, 
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
 farm-wagons, and
 the fruits and barns, 
Shall the dead intrude?

Ah, the dead to me mar not—they fit well in Nature; 
They fit very well in the landscape, under the trees and grass, 
And along the edge of the sky, in the horizon’s far margin. 

Nor do I forget you, departed; 
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
 phantoms, 
Your dear memories, rising, glide silently by me. 

8
I saw the day, the return of the Heroes; 
(Yet the Heroes never surpass’d, shall never return; 
Them, that day, I saw not.)

I saw the interminable Corps—I saw the processions of armies, 
I saw them approaching, defiling by, with divisions, 
Streaming northward, their work done, camping awhile in clusters of mighty camps. 

No holiday soldiers!—youthful, yet veterans; 
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march, 
Inured on many a hard-fought, bloody field. 

9
A pause—the armies wait; 
A million flush’d, embattled conquerors wait; 
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear. 

Exult, indeed, O lands! victorious lands! 
Not there your victory, on those red, shuddering fields; 
But here and hence your victory. 

Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms; 
Other the arms, the fields henceforth for you, or South or North, or East or West, 
With saner wars—sweet wars—life-giving wars. 

10
Loud, O my throat, and clear, O soul! 
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility. 

All till’d and untill’d fields expand before me; 
I see the true arenas of my race—or first, or last, 
Man’s innocent and strong arenas. 

I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons. 

11
I see where America, Mother of All, 
Well-pleased, with full-spanning eye, gazes forth, dwells long, 
And counts the varied gathering of the products. 

Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North, 
Cotton and rice of the South, and Louisianian cane; 
Open, unseeded fallows, rich fields of clover and timothy, 
Kine and horses feeding, and droves of sheep and swine, 
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes, 
And the good green grass—that delicate miracle, the ever-recurring grass. 

12
Toil on, Heroes! harvest the products! 
Not alone on those warlike fields, the Mother of All, 
With dilated form and lambent eyes, watch’d you.

Toil on, Heroes! toil well! Handle the weapons well! 
The Mother of All—yet here, as ever, she watches you. 

Well-pleased, America, thou beholdest, 
Over the fields of the West, those crawling monsters, 
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, 
The steam-power reaping-machines, and the horse-power machines, 
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
 nimble work of the patent pitch-fork; 
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser. 

Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest. 

All gather, and all harvest; 
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security; 
Not a maize-stalk dangle, as now, its silken tassels in peace.) 

13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; 
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
 sheath, 
Gather the hay to its myriad mows, in the odorous, tranquil barns, 
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; 
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
 potato of
 Georgia and the Carolinas,
Clip the wool of California or Pennsylvania, 
Cut the flax in the Middle States, or hemp, or tobacco in the Borders, 
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
 vines, 
Or aught that ripens in all These States, or North or South, 
Under the beaming sun, and under Thee.
Written by Charles Bukowski | Create an image from this poem

We Aint Got No Money Honey But We Got Rain

 call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the 
depression era.
there wasn't any money but there was
plenty of rain.
it wouldn't rain for just a night or
a day,
it would RAIN for 7 days and 7
nights
and in Los Angeles the storm drains
weren't built to carry off taht much
water
and the rain came down THICK and 
MEAN and
STEADY
and you HEARD it banging against
the roofs and into the ground
waterfalls of it came down
from roofs
and there was HAIL
big ROCKS OF ICE
bombing
exploding smashing into things
and the rain 
just wouldn't
STOP
and all the roofs leaked-
dishpans,
cooking pots
were placed all about;
they dripped loudly
and had to be emptied
again and
again.
the rain came up over the street curbings,
across the lawns, climbed up the steps and
entered the houses.
there were mops and bathroom towels,
and the rain often came up through the 
toilets:bubbling, brown, crazy,whirling,
and all the old cars stood in the streets,
cars that had problems starting on a 
sunny day,
and the jobless men stood
looking out the windows
at the old machines dying
like living things out there.
the jobless men,
failures in a failing time
were imprisoned in their houses with their
wives and children
and their
pets.
the pets refused to go out
and left their waste in 
strange places.
the jobless men went mad 
confined with
their once beautiful wives.
there were terrible arguments
as notices of foreclosure
fell into the mailbox.
rain and hail, cans of beans,
bread without butter;fried
eggs, boiled eggs, poached
eggs; peanut butter
sandwiches, and an invisible 
chicken in every pot.
my father, never a good man
at best, beat my mother
when it rained
as I threw myself
between them,
the legs, the knees, the
screams
until they
seperated.
"I'll kill you," I screamed
at him. "You hit her again
and I'll kill you!"
"Get that son-of-a-bitching
kid out of here!"
"no, Henry, you stay with
your mother!"
all the households were under 
seige but I believe that ours
held more terror than the
average.
and at night
as we attempted to sleep
the rains still came down
and it was in bed
in the dark
watching the moon against 
the scarred window
so bravely
holding out 
most of the rain,
I thought of Noah and the
Ark
and I thought, it has come
again.
we all thought
that.
and then, at once, it would 
stop.
and it always seemed to 
stop
around 5 or 6 a.m.,
peaceful then,
but not an exact silence
because things continued to
drip
 drip
 drip


and there was no smog then
and by 8 a.m.
there was a
blazing yellow sunlight,
Van Gogh yellow-
crazy, blinding!
and then
the roof drains
relieved of the rush of 
water
began to expand in the warmth:
PANG!PANG!PANG!
and everybody got up and looked outside
and there were all the lawns
still soaked
greener than green will ever
be
and there were birds
on the lawn
CHIRPING like mad,
they hadn't eaten decently 
for 7 days and 7 nights
and they were weary of 
berries
and
they waited as the worms
rose to the top,
half drowned worms.
the birds plucked them 
up
and gobbled them
down;there were
blackbirds and sparrows.
the blackbirds tried to
drive the sparrows off
but the sparrows,
maddened with hunger,
smaller and quicker,
got their
due.
the men stood on their porches
smoking cigarettes,
now knowing
they'd have to go out
there
to look for that job
that probably wasn't 
there, to start that car 
that probably wouldn't
start.
and the once beautiful
wives
stood in their bathrooms
combing their hair,
applying makeup,
trying to put their world back
together again,
trying to forget that
awful sadness that
gripped them,
wondering what they could
fix for 
breakfast.
and on the radio
we were told that
school was now
open.
and
soon
there I was
on the way to school,
massive puddles in the 
street,
the sun like a new
world,
my parents back in that
house,
I arrived at my classroom
on time.
Mrs. Sorenson greeted us
with, "we won't have our
usual recess, the grounds 
are too wet."
"AW!" most of the boys 
went.
"but we are going to do
something special at
recess," she went on,
"and it will be
fun!"
well, we all wondered
what that would
be
and the two hour wait
seemed a long time
as Mrs.Sorenson
went about
teaching her
lessons.
I looked at the little
girls, they looked so 
pretty and clean and
alert,
they sat still and
straight
and their hair was 
beautiful
in the California
sunshine.
the the recess bells rang 
and we all waited for the 
fun.
then Mrs. Sorenson told us:
"now, what we are going to
do is we are going to tell
each other what we did 
during the rainstorm!
we'll begin in the front row
and go right around!
now, Michael, you're first!. . ."
well, we all began to tell
our stories, Michael began
and it went on and on,
and soon we realized that
we were all lying, not
exactly lying but mostly
lying and some of the boys
began to snicker and some 
of the girls began to give
them dirty looks and
Mrs.Sorenson said,
"all right! I demand a
modicum of silence
here!
I am interested in what
you did
during the rainstorm
even if you
aren't!"
so we had to tell our 
stories and they were
stories.
one girl said that
when the rainbow first
came 
she saw God's face
at the end of it.
only she didn't say which end.
one boy said he stuck
his fishing pole
out the window
and caught a little
fish
and fed it to his
cat.
almost everybody told
a lie.
the truth was just
too awful and
embarassing to tell.
then the bell rang
and recess was 
over.
"thank you," said Mrs.
Sorenson, "that was very
nice.
and tomorrow the grounds 
will be dry
and we will put them
to use
again."
most of the boys
cheered
and the little girls 
sat very straight and
still,
looking so pretty and 
clean and
alert,
their hair beautiful in a sunshine that 
the world might never see 
again.
and
Written by Marge Piercy | Create an image from this poem

What Are Big Girls Made Of?

 The construction of a woman:
a woman is not made of flesh 
of bone and sinew 
belly and breasts, elbows and liver and toe. 
She is manufactured like a sports sedan. 
She is retooled, refitted and redesigned 
every decade. 
Cecile had been seduction itself in college. 
She wriggled through bars like a satin eel, 
her hips and ass promising, her mouth pursed 
in the dark red lipstick of desire. 

She visited in '68 still wearing skirts 
tight to the knees, dark red lipstick, 
while I danced through Manhattan in mini skirt, 
lipstick pale as apricot milk, 
hair loose as a horse's mane. Oh dear, 
I thought in my superiority of the moment, 
whatever has happened to poor Cecile? 
She was out of fashion, out of the game, 
disqualified, disdained, dis- 
membered from the club of desire. 

Look at pictures in French fashion 
magazines of the 18th century: 
century of the ultimate lady 
fantasy wrought of silk and corseting. 
Paniers bring her hips out three feet 
each way, while the waist is pinched 
and the belly flattened under wood. 
The breasts are stuffed up and out 
offered like apples in a bowl. 
The tiny foot is encased in a slipper 
never meant for walking. 
On top is a grandiose headache: 
hair like a museum piece, daily 
ornamented with ribbons, vases, 
grottoes, mountains, frigates in full 
sail, balloons, baboons, the fancy 
of a hairdresser turned loose. 
The hats were rococo wedding cakes 
that would dim the Las Vegas strip. 
Here is a woman forced into shape 
rigid exoskeleton torturing flesh: 
a woman made of pain. 

How superior we are now: see the modern woman 
thin as a blade of scissors. 
She runs on a treadmill every morning, 
fits herself into machines of weights 
and pulleys to heave and grunt, 
an image in her mind she can never 
approximate, a body of rosy 
glass that never wrinkles, 
never grows, never fades. She 
sits at the table closing her eyes to food 
hungry, always hungry: 
a woman made of pain. 

A cat or dog approaches another, 
they sniff noses. They sniff asses. 
They bristle or lick. They fall 
in love as often as we do, 
as passionately. But they fall 
in love or lust with furry flesh, 
not hoop skirts or push up bras 
rib removal or liposuction. 
It is not for male or female dogs 
that poodles are clipped 
to topiary hedges. 

If only we could like each other raw. 
If only we could love ourselves 
like healthy babies burbling in our arms. 
If only we were not programmed and reprogrammed 
to need what is sold us. 
Why should we want to live inside ads? 
Why should we want to scourge our softness 
to straight lines like a Mondrian painting? 
Why should we punish each other with scorn 
as if to have a large ass
were worse than being greedy or mean?

When will women not be compelled
to view their bodies as science projects,
gardens to be weeded,
dogs to be trained?
When will a woman cease
to be made of pain?


Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are deaths like witches of Arc Scarey deaths like Boris Karloff
 No-feeling deaths like birth-death sadless deaths like old pain Bowery
 Abandoned deaths like Capital Punishment stately deaths like senators
 And unthinkable deaths like Harpo Marx girls on Vogue covers my own
 I do not know just how horrible Bombdeath is I can only imagine
 Yet no other death I know has so laughable a preview I scope
 a city New York City streaming starkeyed subway shelter 
 Scores and scores A fumble of humanity High heels bend
 Hats whelming away Youth forgetting their combs
 Ladies not knowing what to do with their shopping bags
 Unperturbed gum machines Yet dangerous 3rd rail
 Ritz Brothers from the Bronx caught in the A train
 The smiling Schenley poster will always smile
 Impish death Satyr Bomb Bombdeath
 Turtles exploding over Istanbul
 The jaguar's flying foot
 soon to sink in arctic snow
 Penguins plunged against the Sphinx
 The top of the Empire state
 arrowed in a broccoli field in Sicily
 Eiffel shaped like a C in Magnolia Gardens
 St. Sophia peeling over Sudan
 O athletic Death Sportive Bomb
 the temples of ancient times
 their grand ruin ceased
 Electrons Protons Neutrons 
 gathering Hersperean hair
 walking the dolorous gulf of Arcady
 joining marble helmsmen
 entering the final ampitheater
 with a hymnody feeling of all Troys
 heralding cypressean torches
 racing plumes and banners
 and yet knowing Homer with a step of grace
 Lo the visiting team of Present
 the home team of Past
 Lyre and tube together joined
 Hark the hotdog soda olive grape
 gala galaxy robed and uniformed 
 commissary O the happy stands
 Ethereal root and cheer and boo
 The billioned all-time attendance
 The Zeusian pandemonium
 Hermes racing Owens
 The Spitball of Buddha
 Christ striking out
 Luther stealing third
 Planeterium Death Hosannah Bomb
 Gush the final rose O Spring Bomb
 Come with thy gown of dynamite green
 unmenace Nature's inviolate eye
 Before you the wimpled Past
 behind you the hallooing Future O Bomb
 Bound in the grassy clarion air
 like the fox of the tally-ho
 thy field the universe thy hedge the geo
 Leap Bomb bound Bomb frolic zig and zag
 The stars a swarm of bees in thy binging bag
 Stick angels on your jubilee feet
 wheels of rainlight on your bunky seat
 You are due and behold you are due
 and the heavens are with you
 hosanna incalescent glorious liaison
 BOMB O havoc antiphony molten cleft BOOM
 Bomb mark infinity a sudden furnace
 spread thy multitudinous encompassed Sweep
 set forth awful agenda
 Carrion stars charnel planets carcass elements
 Corpse the universe tee-hee finger-in-the-mouth hop
 over its long long dead Nor
 From thy nimbled matted spastic eye
 exhaust deluges of celestial ghouls
 From thy appellational womb
 spew birth-gusts of of great worms
 Rip open your belly Bomb
 from your belly outflock vulturic salutations
 Battle forth your spangled hyena finger stumps
 along the brink of Paradise
 O Bomb O final Pied Piper
 both sun and firefly behind your shock waltz
 God abandoned mock-nude
 beneath His thin false-talc's apocalypse
 He cannot hear thy flute's
 happy-the-day profanations
 He is spilled deaf into the Silencer's warty ear
 His Kingdom an eternity of crude wax
 Clogged clarions untrumpet Him
 Sealed angels unsing Him
 A thunderless God A dead God
 O Bomb thy BOOM His tomb
 That I lean forward on a desk of science
 an astrologer dabbling in dragon prose
 half-smart about wars bombs especially bombs
 That I am unable to hate what is necessary to love 
 That I can't exist in a world that consents
 a child in a park a man dying in an electric-chair
 That I am able to laugh at all things
 all that I know and do not know thus to conceal my pain
 That I say I am a poet and therefore love all man
 knowing my words to be the acquainted prophecy of all men
 and my unwords no less an acquaintanceship
 That I am manifold
 a man pursuing the big lies of gold
 or a poet roaming in bright ashes
 or that which I imagine myself to be 
 a shark-toothed sleep a man-eater of dreams
 I need not then be all-smart about bombs
 Happily so for if I felt bombs were caterpillars
 I'd doubt not they'd become butterflies
 There is a hell for bombs
 They're there I see them there
 They sit in bits and sing songs
  mostly German songs
 And two very long American songs
 and they wish there were more songs
 especially Russian and Chinese songs
 and some more very long American songs
 Poor little Bomb that'll never be 
 an Eskimo song I love thee 
 I want to put a lollipop
 in thy furcal mouth
 A wig of Goldilocks on thy baldy bean
 and have you skip with me Hansel and Gretel
 along the Hollywoodian screen
 O Bomb in which all lovely things
 moral and physical anxiously participate
  O fairylike plucked from the 
 grandest universe tree 
 O piece of heaven which gives
 both mountain and anthill a sun
 I am standing before your fantastic lily door
 I bring you Midgardian roses Arcadian musk
 Reputed cosmetics from the girls of heaven
 Welcome me fear not thy opened door
 nor thy cold ghost's grey memory
 nor the pimps of indefinite weather
 their cruel terrestial thaw
 Oppenheimer is seated
 in the dark pocket of Light
 Fermi is dry in Death's Mozambique
 Einstein his mythmouth
 a barnacled wreath on the moon-squid's head
 Let me in Bomb rise from that pregnant-rat corner
 nor fear the raised-broom nations of the world
 O Bomb I love you
 I want to kiss your clank eat your boom
 You are a paean an acme of scream
 a lyric hat of Mister Thunder
 O resound thy tanky knees
 BOOM BOOM BOOM BOOM BOOM
 BOOM ye skies and BOOM ye suns
 BOOM BOOM ye moons ye stars BOOM
 nights ye BOOM ye days ye BOOM
 BOOM BOOM ye winds ye clouds ye rains
 go BANG ye lakes ye oceans BING
 Barracuda BOOM and cougar BOOM
 Ubangi BOOM orangutang 
 BING BANG BONG BOOM bee bear baboon
 ye BANG ye BONG ye BING
 the tail the fin the wing
 Yes Yes into our midst a bomb will fall
 Flowers will leap in joy their roots aching
 Fields will kneel proud beneath the halleluyahs of the wind
 Pinkbombs will blossom Elkbombs will perk their ears
 Ah many a bomb that day will awe the bird a gentle look
 Yet not enough to say a bomb will fall
 or even contend celestial fire goes out
 Know that the earth will madonna the Bomb
 that in the hearts of men to come more bombs will be born
 magisterial bombs wrapped in ermine all beautiful
 and they'll sit plunk on earth's grumpy empires
 fierce with moustaches of gold
Written by Wendell Berry | Create an image from this poem

Sabbaths 2001

 I

He wakes in darkness. All around
are sounds of stones shifting, locks
unlocking. As if some one had lifted
away a great weight, light
falls on him. He has been asleep or simply
gone. He has known a long suffering
of himself, himself sharpen by the pain
of his wound of separation he now
no longer minds, for the pain is only himself
now, grown small, become a little growing
longing joy. Something teaches him
to rise, to stand and move out through
the opening the light has made.
He stands on the green hilltop amid
the cedars, the skewed stones, the earth all
opened doors. Half blind with light, he
traces with a forefinger the moss-grown
furrows of his name, hearing among the others
one woman's cry. She is crying and laughing,
her voice a stream of silver he seems to see:
"Oh William, honey, is it you? Oh!"

II
Surely it will be for this: the redbud
pink, the wild plum white, yellow
trout lilies in the morning light,
the trees, the pastures turning green.
On the river, quiet at daybreak,
the reflections of the trees, as in
another world, lie across
from shore to shore. Yes, here
is where they will come, the dead,
when they rise from the grave.

III
White
dogwood flowers
afloat
in leafing woods
untrouble
my mind.

IV
Ask the world to reveal its quietude—
not the silence of machines when they are still,
but the true quiet by which birdsongs,
trees, bellows, snails, clouds, storms
become what they are, and are nothing else.

V
A mind that has confronted ruin for years
Is half or more a ruined mind. Nightmares
Inhabit it, and daily evidence
Of the clean country smeared for want of sense,
Of freedom slack and dull among the free,
Of faith subsumed in idiot luxury,
And beauty beggared in the marketplace
And clear-eyed wisdom bleary with dispraise.

VI
Sit and be still
until in the time
of no rain you hear
beneath the dry wind's
commotion in the trees
the sound of flowing
water among the rocks,
a stream unheard before,
and you are where
breathing is prayer.

VII
The wind of the fall is here.
It is everywhere. It moves
every leaf of every 
tree. It is the only motion
of the river. Green leaves
grow weary of their color.
Now evening too is in the air.
The bright hawks of the day
subside. The owls waken.
Small creatures die because
larger creatures are hungry.
How superior to this
human confusion of greed
and creed, blood and fire.

VIII
The question before me, now that I
am old, is not how to be dead,
which I know from enough practice,
but how to be alive, as these worn
hills still tell, and some paintings
of Paul Cezanne, and this mere
singing wren, who thinks he's alive
forever, this instant, and may be.
Written by Robinson Jeffers | Create an image from this poem

The Purse-Seine

 Our sardine fishermen work at night in the dark
 of the moon; daylight or moonlight
They could not tell where to spread the net, 
 unable to see the phosphorescence of the 
 shoals of fish.
They work northward from Monterey, coasting 
 Santa Cruz; off New Year's Point or off 
 Pigeon Point
The look-out man will see some lakes of milk-color 
 light on the sea's night-purple; he points, 
 and the helmsman
Turns the dark prow, the motorboat circles the 
 gleaming shoal and drifts out her seine-net. 
 They close the circle
And purse the bottom of the net, then with great 
 labor haul it in.

 I cannot tell you
How beautiful the scene is, and a little terrible, 
 then, when the crowded fish
Know they are caught, and wildly beat from one wall 
 to the other of their closing destiny the 
 phosphorescent
Water to a pool of flame, each beautiful slender body 
 sheeted with flame, like a live rocket
A comet's tail wake of clear yellow flame; while outside 
 the narrowing
Floats and cordage of the net great sea-lions come up 
 to watch, sighing in the dark; the vast walls 
 of night
Stand erect to the stars.

 Lately I was looking from a night mountain-top
On a wide city, the colored splendor, galaxies of light: 
 how could I help but recall the seine-net
Gathering the luminous fish? I cannot tell you how 
 beautiful the city appeared, and a little terrible.
I thought, We have geared the machines and locked all together 
 into inter-dependence; we have built the great cities; now
There is no escape. We have gathered vast populations incapable 
 of free survival, insulated
From the strong earth, each person in himself helpless, on all 
 dependent. The circle is closed, and the net
Is being hauled in. They hardly feel the cords drawing, yet 
 they shine already. The inevitable mass-disasters
Will not come in our time nor in our children's, but we 
 and our children
Must watch the net draw narrower, government take all 
 powers--or revolution, and the new government
Take more than all, add to kept bodies kept souls--or anarchy, 
 the mass-disasters.
 These things are Progress;
Do you marvel our verse is troubled or frowning, while it keeps 
 its reason? Or it lets go, lets the mood flow
In the manner of the recent young men into mere hysteria, 
 splintered gleams, crackled laughter. But they are 
 quite wrong.
There is no reason for amazement: surely one always knew 
 that cultures decay, and life's end is death.
Written by Lewis Carroll | Create an image from this poem

Fit the Second ( Hunting of the Snark )

 The Bellman's Speech 

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face! 
He had bought a large map representing the sea, 
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand. 

"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs! 

"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!" 

This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell. 

He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do? 

Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked". 

But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West! 

But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags. 

The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan. 

He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech. 

"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations). 

"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark! 

"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now! 

"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks. 

"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp. 

"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day. 

"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun. 

"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt. 

"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch. 

"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.
Written by Barry Tebb | Create an image from this poem

Aubade

 Dawn’s my Mr Right, already

Cocks have crowed, birds flown from nests,

The neon lights of Leeds last night still

Sovereign in my sights, limousines and

Pink baloons, tee shirts with green stencilled

Dates of wedding days to come, the worn dance floor,

Jingling arcades where chrome fendered fruit machines

Rest on plush carpets like the ghosts of fifties Chevies,

Dreams for sale on boulevards where forget-me-nots

Are flowing through the hyaline summer air.

I stood with you in Kings Cross on Thursday night

Waiting for a bus we saw the lighthouse on top

Of a triangle of empty shops and seedy bedsits,

Some relic of a nineteenth century’s eccentric’s dream come true.

But posing now the question "What to do with a listed building

And the Channel Tunnel coming through?" Its welded slats,

Timber frame and listing broken windows blew our minds-

Like discovering a Tintoretto in a gallery of fakes.

Leeds takes away the steely glare of Sutton

Weighing down on me like breeze-blocks by the ton,

When all I want to do is run away and make a home

In Keighley, catch a bus to Haworth and walk and walk

Till human talk is silenced by the sun.

Book: Radiant Verses: A Journey Through Inspiring Poetry