Get Your Premium Membership

Best Famous Lunacy Poems

Here is a collection of the all-time best famous Lunacy poems. This is a select list of the best famous Lunacy poetry. Reading, writing, and enjoying famous Lunacy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of lunacy poems.

Search and read the best famous Lunacy poems, articles about Lunacy poems, poetry blogs, or anything else Lunacy poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Emily Dickinson | Create an image from this poem

I think I was enchanted

 I think I was enchanted
When first a sombre Girl --
I read that Foreign Lady --
The Dark -- felt beautiful --

And whether it was noon at night --
Or only Heaven -- at Noon --
For very Lunacy of Light
I had not power to tell --

The Bees -- became as Butterflies --
The Butterflies -- as Swans --
Approached -- and spurned the narrow Grass --
And just the meanest Tunes

That Nature murmured to herself
To keep herself in Cheer --
I took for Giants -- practising
Titanic Opera --

The Days -- to Mighty Metres stept --
The Homeliest -- adorned
As if unto a Jubilee
'Twere suddenly confirmed --

I could not have defined the change --
Conversion of the Mind
Like Sanctifying in the Soul --
Is witnessed -- not explained --

'Twas a Divine Insanity --
The Danger to be Sane
Should I again experience --
'Tis Antidote to turn --

To Tomes of solid Witchcraft --
Magicians be asleep --
But Magic -- hath an Element
Like Deity -- to keep --


Written by Edwin Arlington Robinson | Create an image from this poem

Lancelot

 Gawaine, aware again of Lancelot 
In the King’s garden, coughed and followed him; 
Whereat he turned and stood with folded arms 
And weary-waiting eyes, cold and half-closed— 
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend? 
Few live that have too many,” Gawaine said, 
And wished unsaid, so thinly came the light 
Between the narrowing lids at which he gazed. 
“And who of us are they that name their friends?” 
Lancelot said. “They live that have not any. 
Why do they live, Gawaine? Ask why, and answer.” 

Two men of an elected eminence, 
They stood for a time silent. Then Gawaine, 
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask? 
If I be not the friend of Lancelot, 
May I be nailed alive along the ground 
And emmets eat me dead. If I be not 
The friend of Lancelot, may I be fried
With other liars in the pans of hell. 
What item otherwise of immolation 
Your Darkness may invent, be it mine to endure 
And yours to gloat on. For the time between, 
Consider this thing you see that is my hand.
If once, it has been yours a thousand times; 
Why not again? Gawaine has never lied 
To Lancelot; and this, of all wrong days— 
This day before the day when you go south 
To God knows what accomplishment of exile—
Were surely an ill day for lies to find 
An issue or a cause or an occasion. 
King Ban your father and King Lot my father, 
Were they alive, would shake their heads in sorrow 
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no? 
Strong as I am, I do not hold it out 
For ever and on air. You see—my hand.” 
Lancelot gave his hand there to Gawaine, 
Who took it, held it, and then let it go,
Chagrined with its indifference. 
“Yes, Gawaine, 
I go tomorrow, and I wish you well; 
You and your brothers, Gareth, Gaheris,— 
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain 
More lies than yet have hatched of Modred’s envy. 
You say that you have never lied to me, 
And I believe it so. Let it be so. 
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went, 
But not for Merlin’s end. I go, Gawaine, 
And leave you to your ways. There are ways left.” 
“There are three ways I know, three famous ways, 
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two, 
And then we have a man’s way with a maid— 
Or with a woman who is not a maid. 
Your late way is to send all women scudding, 
To the last flash of the last cramoisy,
While you go south to find the fires of God. 
Since we came back again to Camelot 
From our immortal Quest—I came back first— 
No man has known you for the man you were 
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends 
Thereafter. Modred? Agravaine? My brothers? 
And what if they be brothers? What are brothers, 
If they be not our friends, your friends and mine? 
You turn away, and my words are no mark
On you affection or your memory? 
So be it then, if so it is to be. 
God save you, Lancelot; for by Saint Stephen, 
You are no more than man to save yourself.” 

“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness; 
You say that all you know is what you saw, 
And on your own averment you saw nothing. 
Your spoken word, Gawaine, I have not weighed 
In those unhappy scales of inference
That have no beam but one made out of hates 
And fears, and venomous conjecturings; 
Your tongue is not the sword that urges me 
Now out of Camelot. Two other swords 
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot. 
Yet I go not away for fear of them, 
But for a sharper care. You say the truth, 
But not when you contend the fires of God 
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well.” 

“Well-wishing in a way is well enough; 
So, in a way, is caution; so, in a way, 
Are leeches, neatherds, and astrologers. 
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment. 
Two swords, you say; Modred and Agravaine, 
You mean. Had you meant Gaheris and Gareth, 
Or willed an evil on them, I should welcome 
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s. 
The King is Modred’s father, and the Queen 
A prepossession of Modred’s lunacy. 
So much for my two brothers whom you fear, 
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise 
And amiable again as heretofore; 
Let Modred have his humor, and Agravaine 
His tongue. The two of them have done their worst, 
And having done their worst, what have they done?
A whisper now and then, a chirrup or so 
In corners,—and what else? Ask what, and answer.” 

Still with a frown that had no faith in it, 
Lancelot, pitying Gawaine’s lost endeavour 
To make an evil jest of evidence,
Sat fronting him with a remote forbearance— 
Whether for Gawaine blind or Gawaine false, 
Or both, or neither, he could not say yet, 
If ever; and to himself he said no more 
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say; 
Destruction, dissolution, desolation, 
I say,—should I compound with jeopardy now. 
For there are more than whispers here, Gawaine: 
The way that we have gone so long together
Has underneath our feet, without our will, 
Become a twofold faring. Yours, I trust, 
May lead you always on, as it has led you, 
To praise and to much joy. Mine, I believe, 
Leads off to battles that are not yet fought,
And to the Light that once had blinded me. 
When I came back from seeing what I saw, 
I saw no place for me in Camelot. 
There is no place for me in Camelot. 
There is no place for me save where the Light
May lead me; and to that place I shall go. 
Meanwhile I lay upon your soul no load 
Of counsel or of empty admonition; 
Only I ask of you, should strife arise 
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason, 
Also a glamour that outshines your guile; 
And you are a strange hater. I know that; 
And I’m in fortune that you hate not me. 
Yet while we have our sins to dream about,
Time has done worse for time than in our making; 
Albeit there may be sundry falterings 
And falls against us in the Book of Man.” 

“Praise Adam, you are mellowing at last! 
I’ve always liked this world, and would so still;
And if it is your new Light leads you on 
To such an admirable gait, for God’s sake, 
Follow it, follow it, follow it, Lancelot; 
Follow it as you never followed glory. 
Once I believed that I was on the way
That you call yours, but I came home again 
To Camelot—and Camelot was right, 
For the world knows its own that knows not you; 
You are a thing too vaporous to be sharing 
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing 
For one more sight of you; but they do wrong. 
You are a man of mist, and have no shadow. 
God save you, Lancelot. If I laugh at you, 
I laugh in envy and in admiration.”

The joyless evanescence of a smile, 
Discovered on the face of Lancelot 
By Gawaine’s unrelenting vigilance, 
Wavered, and with a sullen change went out; 
And then there was the music of a woman
Laughing behind them, and a woman spoke: 
“Gawaine, you said ‘God save you, Lancelot.’ 
Why should He save him any more to-day 
Than on another day? What has he done, 
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes 
And one gay jewel in her golden hair, 
Had come upon the two of them unseen, 
Till now she was a russet apparition 
At which the two arose—one with a dash
Of easy leisure in his courtliness, 
One with a stately calm that might have pleased 
The Queen of a strange land indifferently. 
The firm incisive languor of her speech, 
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you? 
What has he done, Gawaine, that God should save him? 
I grieve that you two pinks of chivalry 
Should be so near me in my desolation, 
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?” 

With all her poise, 
To Gawaine’s undeceived urbanity 
She was less queen than woman for the nonce, 
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly 
With any mask of mannered nonchalance. 
“What has he done? Madam, attend your nephew; 
And learn from him, in your incertitude, 
That this inordinate man Lancelot,
This engine of renown, this hewer down daily 
Of potent men by scores in our late warfare, 
Has now inside his head a foreign fever 
That urges him away to the last edge 
Of everything, there to efface himself
In ecstasy, and so be done with us. 
Hereafter, peradventure certain birds 
Will perch in meditation on his bones, 
Quite as if they were some poor sailor’s bones, 
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones. 
In fine, this flower of men that was our comrade 
Shall be for us no more, from this day on, 
Than a much remembered Frenchman far away. 
Magnanimously I leave you now to prize
Your final sight of him; and leaving you, 
I leave the sun to shine for him alone, 
Whiles I grope on to gloom. Madam, farewell; 
And you, contrarious Lancelot, farewell.”
Written by Rudyard Kipling | Create an image from this poem

Natural Theology

  Primitive
I ate my fill of a whale that died
 And stranded after a month at sea. . . .
There is a pain in my inside.
 Why have the Gods afflicted me?
Ow! I am purged till I am a wraith!
 Wow! I am sick till I cannot see!
What is the sense of Religion and Faith :
 Look how the Gods have afflicted me!


 Pagan

How can the skin of rat or mouse hold
 Anything more than a harmless flea?. . .
The burning plague has taken my household.
 Why have my Gods afflicted me?
All my kith and kin are deceased,
 Though they were as good as good could be,
I will out and batter the family priest,
 Because my Gods have afflicted me!


 Medi/Eval

My privy and well drain into each other
 After the custom of Christendie. . . .
Fevers and fluxes are wasting my mother.
 Why has the Lord afflicted me?
The Saints are helpless for all I offer--
 So are the clergy I used to fee.
Henceforward I keep my cash in my coffer,
 Because the Lord has afflicted me.


 Material

I run eight hundred hens to the acre
 They die by dozens mysteriously. . . .
I am more than doubtful concerning my Maker,
 Why has the Lord afflicted me?
What a return for all my endeavour--
 Not to mention the L. S. D!
I am an atheist now and for ever,
 Because this God has afflicted me!


 Progressive

Money spent on an Army or Fleet
 Is homicidal lunacy. . . .
My son has been killed in the Mons retreat,
 Why is the Lord afflicting me?
Why are murder, pillage and arson
 And rape allowed by the Deity?
I will write to the Times, deriding our parson
 Because my God has afflicted me.


 Chorus

We had a kettle: we let it leak:
 Our not repairing it made it worse.
We haven't had any tea for a week. . .
 The bottom is out of the Universe!


 Conclusion

This was none of the good Lord's pleasure,
 For the Spirit He breathed in Man is free;
But what comes after is measure for measure,
 And not a God that afflicteth thee.
As was the sowing so the reaping
 Is now and evermore shall be.
Thou art delivered to thine own keeping.
 Only Thyself hath afflicted thee!
Written by Joaquin Miller | Create an image from this poem

The Yukon

 THE moon resumed all heaven now, 
She shepherded the stars below 
Along her wide, white steeps of snow, 
Nor stooped nor rested, where or how. 

She bared her full white breast, she dared 
The sun e'er show his face again. 
She seemed to know no change, she kept 
Carousal constantly, nor slept, 
Nor turned aside a breath, nor spared 
The fearful meaning, the mad pain, 
The weary eyes, the poor dazed brain, 
That came at last to feel, to see 
The dread, dead touch of lunacy. 

How loud the silence! Oh, how loud! 
How more than beautiful the shroud 
Of dead Light in the moon-mad north 
When great torch-tipping stars stand forth 
Above the black, slow-moving pall 
As at some fearful funeral! 

The moon blares as mad trumpets blare 
To marshaled warriors long and loud; 
The cobalt blue knows not a cloud, 
But oh, beware that moon, beware 
Her ghostly, graveyard, moon-mad stare! 

Beware white silence more than white! 
Beware the five-horned starry rune; 
Beware the groaning gorge below; 
Beware the wide, white world of snow, 
Where trees hang white as hooded nun-- 
No thing not white, not one, not one! 
But most beware that mad white moon. 

All day, all day, all night, all night 
Nay, nay, not yet or night or day. 
Just whiteness, whiteness, ghastly white, 
Made doubly white by that mad moon 
And strange stars jangled out of tune! 

At last, he saw, or seemed to see, 
Above, beyond, another world. 
Far up the ice-hung path there curled 
A red-veined cloud, a canopy 
That topt the fearful ice-built peak 
That seemed to prop the very porch 
Of God's house; then, as if a torch 
Burned fierce, there flushed a fiery streak, 
A flush, a blush, on heaven's cheek! 

The dogs sat down, men sat the sled 
And watched the flush, the blush of red. 
The little wooly dogs, they knew, 
Yet scarcely knew what they were about. 
They thrust their noses up and out, 
They drank the Light, what else to do? 
Their little feet, so worn, so true, 
Could scarcely keep quiet for delight. 
They knew, they knew, how much they knew 
The mighty breaking up of night! 
Their bright eyes sparkled with such joy 
That they at last should see loved Light! 
The tandem sudden broke all rule; 
Swung back, each leaping like a boy 
Let loose from some dark, ugly school-- 
Leaped up and tried to lick his hand-- 
Stood up as happy children stand. 

How tenderly God's finger set 
His crimson flower on that height 
Above the battered walls of night! 
A little space it flourished yet, 
And then His angel, His first-born, 
Burst through, as on that primal morn!
Written by Michael Drayton | Create an image from this poem

Sonnet XLI: Why Do I Speak of Joy

 Love's Lunacy

Why do I speak of joy, or write of love, 
When my heart is the very den of horror, 
And in my soul the pains of Hell I prove, 
With all his torments and infernal terror? 
What should I say? What yet remains to do? 
My brain is dry with weeping all too long, 
My sighs be spent in uttering my woe, 
And I want words wherewith to tell my wrong; 
But, still distracted in Love's lunacy, 
And, bedlam-like, thus raging in my grief, 
Now rail upon her hair, then on her eye, 
Now call her Goddess, then I call her thief, 
Now I deny her, then I do confess her, 
Now do I curse her, then again I bless her.



Book: Radiant Verses: A Journey Through Inspiring Poetry