Written by
Robert Herrick |
1 Among thy fancies, tell me this,
What is the thing we call a kiss?
2 I shall resolve ye what it is:--
It is a creature born and bred
Between the lips, all cherry-red,
By love and warm desires fed,--
CHOR. And makes more soft the bridal bed.
2 It is an active flame, that flies
First to the babies of the eyes,
And charms them there with lullabies,--
CHOR. And stills the bride, too, when she cries.
2 Then to the chin, the cheek, the ear,
It frisks and flies, now here, now there:
'Tis now far off, and then 'tis near,--
CHOR. And here, and there, and every where.
1 Has it a speaking virtue? 2 Yes.
1 How speaks it, say? 2 Do you but this,--
Part your join'd lips, then speaks your kiss;
CHOR. And this Love's sweetest language is.
1 Has it a body? 2 Ay, and wings,
With thousand rare encolourings;
And as it flies, it gently sings--
CHOR. Love honey yields, but never stings.
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Written by
William Lisle Bowles |
AS slow I climb the cliff's ascending side,
Much musing on the track of terror past
When o'er the dark wave rode the howling blast
Pleas'd I look back, and view the tranquil tide,
That laves the pebbled shore; and now the beam
Of evening smiles on the grey battlement,
And yon forsaken tow'r, that time has rent.
The lifted oar far off with silver gleam
Is touch'd and the hush'd billows seem to sleep.
Sooth'd by the scene, ev'n thus on sorrow's breast
A kindred stillness steals and bids her rest;
Whilst the weak winds that sigh along the deep,
The ear, like lullabies of pity, meet,
Singing the saddest notes of farewell sweet.
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Written by
Louise Gluck |
My mother's an expert in one thing:
sending people she loves into the other world.
The little ones, the babies--these
she rocks, whispering or singing quietly. I can't say
what she did for my father;
whatever it was, I'm sure it was right.
It's the same thing, really, preparing a person
for sleep, for death. The lullabies--they all say
don't be afraid, that's how they paraphrase
the heartbeat of the mother.
So the living grow slowly calm; it's only
the dying who can't, who refuse.
The dying are like tops, like gyroscopes--
they spin so rapidly they seem to be still.
Then they fly apart: in my mother's arms,
my sister was a cloud of atoms, of particles--that's the difference.
When a child's asleep, it's still whole.
My mother's seen death; she doesn't talk about the soul's integrity.
She's held an infant, an old man, as by comparison the dark grew
solid around them, finally changing to earth.
The soul's like all matter:
why would it stay intact, stay faithful to its one form,
when it could be free?
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Written by
Anne Bradstreet |
HERE a pretty baby lies
Sung asleep with lullabies:
Pray be silent and not stir
Th' easy earth that covers her.
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Written by
Eugene Field |
The mountain brook sung lonesomelike, and loitered on its way
Ez if it waited for a child to jine it in its play;
The wild-flowers uv the hillside bent down their heads to hear
The music uv the little feet that had somehow grown so dear;
The magpies, like winged shadders, wuz a-flutterin' to an' fro
Among the rocks an' holler stumps in the ragged gulch below;
The pines an' hemlocks tosst their boughs (like they wuz arms) and made
Soft, sollum music on the slope where he had often played;
But for these lonesome, sollum voices on the mountain-side,
There wuz no sound the summer day that Marthy's younkit died.
We called him Marthy's younkit, for Marthy wuz the name
Uv her ez wuz his mar, the wife uv Sorry Tom,--the same
Ez taught the school-house on the hill, way back in '69,
When she marr'd Sorry Tom, wich owned the Gosh-all-Hemlock mine!
And Marthy's younkit wuz their first, wich, bein' how it meant
The first on Red Hoss Mountain, wuz truly a' event!
The miners sawed off short on work ez soon ez they got word
That Dock Devine allowed to Casey what had just occurred;
We loaded up an' whooped around until we all wuz hoarse
Salutin' the arrival, wich weighed ten pounds, uv course!
Three years, and sech a pretty child!--his mother's counterpart!
Three years, an' sech a holt ez he had got on every heart!
A peert an' likely little tyke with hair ez red ez gold,
A-laughin', toddlin' everywhere,--'nd only three years old!
Up yonder, sometimes, to the store, an' sometimes down the hill
He kited (boys is boys, you know,--you couldn't keep him still!)
An' there he'd play beside the brook where purpul wild-flowers grew,
An' the mountain pines an' hemlocks a kindly shadder threw,
An' sung soft, sollum toons to him, while in the gulch below
The magpies, like strange sperrits, went flutterin' to an' fro.
Three years, an' then the fever come,--it wuzn't right, you know,
With all us old ones in the camp, for that little child to go;
It's right the old should die, but that a harmless little child
Should miss the joy uv life an' love,--that can't be reconciled!
That's what we thought that summer day, an' that is what we said
Ez we looked upon the piteous face uv Marthy's younkit dead.
But for his mother's sobbin', the house wuz very still,
An' Sorry Tom wuz lookin', through the winder, down the hill,
To the patch beneath the hemlocks where his darlin' used to play,
An' the mountain brook sung lonesomelike an' loitered on its way.
A preacher come from Roarin' Crick to comfort 'em an' pray,
'Nd all the camp wuz present at the obsequies next day;
A female teacher staged it twenty miles to sing a hymn,
An' we jined her in the chorus,--big, husky men an' grim
Sung "Jesus, Lover uv my Soul," an' then the preacher prayed,
An' preacht a sermon on the death uv that fair blossom laid
Among them other flowers he loved,--wich sermon set sech weight
On sinners bein' always heeled against the future state,
That, though it had been fashionable to swear a perfec' streak,
There warn't no swearin' in the camp for pretty nigh a week!
Last thing uv all, four strappin' men took up the little load
An' bore it tenderly along the windin', rocky road,
To where the coroner had dug a grave beside the brook,
In sight uv Marthy's winder, where the same could set an' look
An' wonder if his cradle in that green patch, long an' wide,
Wuz ez soothin' ez the cradle that wuz empty at her side;
An' wonder if the mournful songs the pines wuz singin' then
Wuz ez tender ez the lullabies she'd never sing again,
'Nd if the bosom of the earth in wich he lay at rest
Wuz half ez lovin' 'nd ez warm ez wuz his mother's breast.
The camp is gone; but Red Hoss Mountain rears its kindly head,
An' looks down, sort uv tenderly, upon its cherished dead;
'Nd I reckon that, through all the years, that little boy wich died
Sleeps sweetly an' contentedly upon the mountain-side;
That the wild-flowers uv the summer-time bend down their heads to hear
The footfall uv a little friend they know not slumbers near;
That the magpies on the sollum rocks strange flutterin' shadders make,
An' the pines an' hemlocks wonder that the sleeper doesn't wake;
That the mountain brook sings lonesomelike an' loiters on its way
Ez if it waited for a child to jine it in its play.
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Written by
Carl Sandburg |
I DON’T blame the kettle drums—they are hungry.
And the snare drums—I know what they want—they are empty too.
And the harring booming bass drums—they are hungriest of all.. . .
The howling spears of the Northwest die down.
The lullabies of the Southwest get a chance, a mother song.
A cradle moon rides out of a torn hole in the ragbag top of the sky.
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Written by
James Wright |
for J.L.D.
Why should we do this? What good is it to us? Above all,
how can we do such a thing? How can it possibly be done?
--Freud
1.
My name is James A. Wright, and I was born
Twenty-five miles from this infected grave,
In Martins Ferry, Ohio, where one slave
To Hazel-Atlas Glass became my father.
He tried to teach me kindness. I return
Only in memory now, aloof, unhurried,
To dead Ohio, where I might lie buried,
Had I not run away before my time.
Ohio caught George Doty. Clean as lime,
His skull rots empty here. Dying's the best
Of all the arts men learn in a dead place.
I walked here once. I made my loud display,
Leaning for language on a dead man's voice.
Now sick of lies, I turn to face the past.
I add my easy grievance to the rest:
2.
Doty, if I confess I do not love you,
Will you let me alone? I burn for my own lies.
The nights electrocute my fugitive,
My mind. I run like the bewildered mad
At St. Clair Sanitarium, who lurk,
Arch and cunning, under the maple trees,
Pleased to be playing guilty after dark.
Staring to bed, they croon self-lullabies.
Doty, you make me sick. I am not dead.
I croon my tears at fifty cents per line.
3.
Idiot, he demanded love from girls,
And murdered one. Also, he was a thief.
He left two women, and a ghost with child.
The hair, foul as a dog's upon his head,
Made such revolting Ohio animals
Fitter for vomit than a kind man's grief.
I waste no pity on the dead that stink,
And no love's lost between me and the crying
Drunks of Belaire, Ohio, where police
Kick at their kidneys till they die of drink.
Christ may restore them whole, for all of me.
Alive and dead, those giggling muckers who
Saddled my nighmares thirty years ago
Can do without my widely printed sighing.
Over their pains with paid sincerity.
I do not pity the dead, I pity the dying.
4.
I pity myself, because a man is dead.
If Belmont County killed him, what of me?
His victims never loved him. Why should we?
And yet, nobody had to kill him either.
It does no good to woo the grass, to veil
The quicklime hole of a man's defeat and shame.
Nature-lovers are gone. To hell with them.
I kick the clods away, and speak my name.
5.
This grave's gash festers. Maybe it will heal,
When all are caught with what they had to do
In fear of love, when every man stands still
By the last sea,
And the princes of the sea come down
To lay away their robes, to judge the earth
And its dead, and we dead stand undefended everywhere,
And my bodies--father and child and unskilled criminal--
Ridiculously kneel to bare my scars,
My sneaking crimes, to God's unpitying stars.
6.
Staring politely, they will not mark my face
From any murderer's, buried in this place.
Why should they? We are nothing but a man.
7.
Doty, the rapist and the murderer,
Sleeps in a ditch of fire, and cannot hear;
And where, in earth or hell's unholy peace,
Men's suicides will stop, God knows, not I.
Angels and pebbles mock me under trees.
Earth is a door I cannot even face.
Order be damned, I do not want to die,
Even to keep Belaire, Ohio, safe.
The hackles on my neck are fear, not grief.
(Open, dungeon! Open, roof of the ground!)
I hear the last sea in the Ohio grass,
Heaving a tide of gray disastrousness.
Wrinkles of winter ditch the rotted face
Of Doty, killer, imbecile, and thief:
Dirt of my flesh, defeated, underground.
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Written by
Eugene Field |
There's a dear little home in Good-Children street -
My heart turneth fondly to-day
Where tinkle of tongues and patter of feet
Make sweetest of music at play;
Where the sunshine of love illumines each face
And warms every heart in that old-fashioned place.
For dear little children go romping about
With dollies and tin tops and drums,
And, my! how they frolic and scamper and shout
Till bedtime too speedily comes!
Oh, days they are golden and days they are fleet
With little folk living in Good-Children street.
See, here comes an army with guns painted red,
And swords, caps, and plumes of all sorts;
The captain rides gaily and proudly ahead
On a stick-horse that prances and snorts!
Oh, legions of soldiers you're certain to meet -
Nice make-believe soldiers - in Good-Children street.
And yonder Odette wheels her dolly about -
Poor dolly! I'm sure she is ill,
For one of her blue china eyes has dropped out
And her voice is asthmatic'ly shrill.
Then, too, I observe she is minus her feet,
Which causes much sorrow in Good-Children street.
'T is so the dear children go romping about
With dollies and banners and drums,
And I venture to say they are sadly put out
When an end to their jubilee comes:
Oh, days they are golden and days they are fleet
With little folk living in Good-Children street!
But when falleth night over river and town,
Those little folk vanish from sight,
And an angel all white from the sky cometh down
And guardeth the babes through the night,
And singeth her lullabies tender and sweet
To the dear little people in Good-Children Street.
Though elsewhere the world be o'erburdened with care,
Though poverty fall to my lot,
Though toil and vexation be always my share,
What care I - they trouble me not!
This thought maketh life ever joyous and Sweet:
There's a dear little home in Good-Children street.
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Written by
James Henry Leigh Hunt |
Open the window, and let the air
Freshly blow upon face and hair,
And fill the room, as it fills the night,
With the breath of the rain's sweet might.
Hark! the burthen, swift and prone!
And how the odorous limes are blown!
Stormy Love's abroad, and keeps
Hopeful coil for gentle sleeps.
Not a blink shall burn to-night
In my chamber, of sordid light;
Nought will I have, not a window-pane,
'Twixt me and the air and the great good rain,
Which ever shall sing me sharp lullabies;
And God's own darkness shall close mine eyes;
And I will sleep, with all things blest,
In the pure earth-shadow of natural rest.
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Written by
Eugene Field |
A moonbeam floateth from the skies,
Whispering, "Heigho, my dearie!
I would spin a web before your eyes,--
A beautiful web of silver light,
Wherein is many a wondrous sight
Of a radiant garden leagues away,
Where the softly tinkling lilies sway,
And the snow-white lambkins are at play,--
Heigho, my dearie!"
A brownie stealeth from the vine
Singing, "Heigho, my dearie!
And will you hear this song of mine,--
A song of the land of murk and mist
Where bideth the bud the dew hath kist?
Then let the moonbeam's web of light
Be spun before thee silvery white,
And I shall sing the livelong night,--
Heigho, my dearie!"
The night wind speedeth from the sea,
Murmuring, "Heigho, my dearie!
I bring a mariner's prayer for thee;
So let the moonbeam veil thine eyes,
And the brownie sing thee lullabies;
But I shall rock thee to and fro,
Kissing the brow he loveth so,
And the prayer shall guard thy bed, I trow,--
Heigho, my dearie!"
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