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Best Famous Losers Poems

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Siegfried Sassoon | Create an image from this poem

The Old Huntsman

 I’ve never ceased to curse the day I signed 
A seven years’ bargain for the Golden Fleece. 
’Twas a bad deal all round; and dear enough 
It cost me, what with my daft management, 
And the mean folk as owed and never paid me, 
And backing losers; and the local bucks 
Egging me on with whiskys while I bragged 
The man I was when huntsman to the Squire. 

I’d have been prosperous if I’d took a farm 
Of fifty acres, drove my gig and haggled 
At Monday markets; now I’ve squandered all 
My savings; nigh three hundred pound I got 
As testimonial when I’d grown too stiff 
And slow to press a beaten fox. 

The Fleece! 
’Twas the damned Fleece that wore my Emily out, 
The wife of thirty years who served me well; 
(Not like this beldam clattering in the kitchen, 
That never trims a lamp nor sweeps the floor, 
And brings me greasy soup in a foul crock.) 

Blast the old harridan! What’s fetched her now, 
Leaving me in the dark, and short of fire? 
And where’s my pipe? ’Tis lucky I’ve a turn 
For thinking, and remembering all that’s past. 
And now’s my hour, before I hobble to bed, 
To set the works a-wheezing, wind the clock 
That keeps the time of life with feeble tick 
Behind my bleared old face that stares and wonders. 

. . . . 
It’s ***** how, in the dark, comes back to mind 
Some morning of September. We’ve been digging 
In a steep sandy warren, riddled with holes, 
And I’ve just pulled the terrier out and left 
A sharp-nosed cub-face blinking there and snapping, 
Then in a moment seen him mobbed and torn 
To strips in the baying hurly of the pack. 
I picture it so clear: the dusty sunshine 
On bracken, and the men with spades, that wipe 
Red faces: one tilts up a mug of ale. 
And, having stopped to clean my gory hands, 
I whistle the jostling beauties out of the wood. 

I’m but a daft old fool! I often wish 
The Squire were back again—ah! he was a man! 
They don’t breed men like him these days; he’d come 
For sure, and sit and talk and suck his briar 
Till the old wife brings up a dish of tea. 

Ay, those were days, when I was serving Squire! 
I never knowed such sport as ’85, 
The winter afore the one that snowed us silly. 

. . . . 
Once in a way the parson will drop in 
And read a bit o’ the Bible, if I’m bad, 
And pray the Lord to make my spirit whole 
In faith: he leaves some ’baccy on the shelf, 
And wonders I don’t keep a dog to cheer me 
Because he knows I’m mortal fond of dogs! 

I ask you, what’s a gent like that to me 
As wouldn’t know Elijah if I saw him, 
Nor have the wit to keep him on the talk? 
’Tis kind of parson to be troubling still 
With such as me; but he’s a town-bred chap, 
Full of his college notions and Christmas hymns. 

Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching 
Their heads for questions. When I was a lad 
I learned a bit from mother, and never thought 
To educate myself for prayers and psalms. 

But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance 
When young and gay to get the hang of all 
This Hell and Heaven: and when the clergy hoick 
And holloa from their pulpits, I’m asleep, 
However hard I listen; and when they pray
It seems we’re all like children sucking sweets 
In school, and wondering whether master sees. 

I used to dream of Hell when I was first 
Promoted to a huntsman’s job, and scent 
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers 
From barracks over-rode ’em all day long 
On weedy, whistling nags that knocked a hole 
In every fence; good sportsmen to a man 
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport. 

Ay, Hell was thick with captains, and I rode 
The lumbering brute that’s beat in half a mile, 
And blunders into every blind old ditch. 
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds 
Would never get their heads down; and a man 
On a great yawing chestnut trying to cast ’em 
While I was in a corner pounded by 
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts, 
And civil-spoken keepers I couldn’t trust, 
And the main earth unstopp’d. The fox I found 
Was always a three-legged ’un from a bag, 
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture 
And bellowing at me when I rode their beans 
To cast for beaten fox, or galloped on 
With hounds to a lucky view. I’d lost my voice 
Although I shouted fit to burst my guts,
And couldn’t blow my horn. 

And when I woke, 
Emily snored, and barn-cocks started crowing, 
And morn was at the window; and I was glad 
To be alive because I heard the cry 
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven! 
The cry of hounds was Heaven for me: I know 
Parson would call me crazed and wrong to say it, 
But where’s the use of life and being glad 
If God’s not in your gladness? 

I’ve no brains
For book-learned studies; but I’ve heard men say 
There’s much in print that clergy have to wink at: 
Though many I’ve met were jolly chaps, and rode 
To hounds, and walked me puppies; and could pick 
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first. 

Some hounds I’ve known were wise as half your saints, 
And better hunters. That old dog of the Duke’s, 
Harlequin; what a dog he was to draw! 
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy! 
And that light lemon ***** of the Squire’s, old Dorcas— 
She were a marvellous hunter, were old Dorcas! 
Ay, oft I’ve thought, ‘If there were hounds in Heaven, 
With God as master, taking no subscription; 
And all His bless?d country farmed by tenants, 
And a straight-necked old fox in every gorse!’ 
But when I came to work it out, I found 
There’d be too many huntsmen wanting places, 
Though some I’ve known might get a job with Nick! 

. . . . 
I’ve come to think of God as something like 
The figure of a man the old Duke was 
When I was turning hounds to Nimrod King, 
Before his Grace was took so bad with gout 
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled, 
And easy walk; who, when he gave good words, 
Gave them whole-hearted; and would never blame 
Without just cause. Lord God might be like that, 
Sitting alone in a great room of books
Some evening after hunting. 

Now I’m tired 
With hearkening to the tick-tack on the shelf; 
And pondering makes me doubtful. 

Riding home 
On a moonless night of cloud that feels like frost 
Though stars are hidden (hold your feet up, horse!) 
And thinking what a task I had to draw 
A pack with all those lame ’uns, and the lot 
Wanting a rest from all this open weather; 
That’s what I’m doing now. 

And likely, too, 
The frost’ll be a long ’un, and the night 
One sleep. The parsons say we’ll wake to find 
A country blinding-white with dazzle of snow. 

The naked stars make men feel lonely, wheeling 
And glinting on the puddles in the road. 

And then you listen to the wind, and wonder 
If folk are quite such bucks as they appear 
When dressed by London tailors, looking down 
Their boots at covert side, and thinking big. 

. . . . 
This world’s a funny place to live in. Soon 
I’ll need to change my country; but I know 
’Tis little enough I’ve understood my life, 
And a power of sights I’ve missed, and foreign marvels. 

I used to feel it, riding on spring days 
In meadows pied with sun and chasing clouds, 
And half forget how I was there to catch
The foxes; lose the angry, eager feeling 
A huntsman ought to have, that’s out for blood, 
And means his hounds to get it! 

Now I know 
It’s God that speaks to us when we’re bewitched, 
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought, 
Lying awake and listening to the rain. 

. . . . 
I’d like to be the simpleton I was 
In the old days when I was whipping-in 
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it 
Until she’d wed another. So I’ve loved 
My life; and when the good years are gone down, 
Discover what I’ve lost. 

I never broke 
Out of my blundering self into the world,
But let it all go past me, like a man 
Half asleep in a land that’s full of wars. 

What a grand thing ’twould be if I could go 
Back to the kennels now and take my hounds 
For summer exercise; be riding out
With forty couple when the quiet skies 
Are streaked with sunrise, and the silly birds 
Grown hoarse with singing; cobwebs on the furze 
Up on the hill, and all the country strange, 
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again. 

. . . . 
You’ve brought the lamp, then, Martha? I’ve no mind 
For newspaper to-night, nor bread and cheese. 
Give me the candle, and I’ll get to bed.
Written by Carl Sandburg | Create an image from this poem

Cool Tombs

 WHEN Abraham Lincoln was shoveled into the tombs, he forgot the copperheads and the assassin … in the dust, in the cool tombs.

And Ulysses Grant lost all thought of con men and Wall Street, cash and collateral turned ashes … in the dust, in the cool tombs.

Pocahontas’ body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May, did she wonder? does she remember? … in the dust, in the cool tombs?

Take any streetful of people buying clothes and groceries, cheering a hero or throwing confetti and blowing tin horns … tell me if the lovers are losers … tell me if any get more than the lovers … in the dust … in the cool tombs.
Written by George Herbert | Create an image from this poem

A Dialogue-Anthem

 Alas, poor Death! Where is thy glory?
Where is thy famous force, thy ancient sting?

Alas, poor mortal, void of story!
Go spell and read how I have killed thy King.

Poor Death! And who was hurt thereby?
Thy curse being laid on Him makes thee accurst.

Let losers talk, yet thou shalt die;
These arms shall crush thee.

Spare not, do thy worst.
I shall be one day better than before;
Thou so much worse, that thou shalt be no more.
Written by James Tate | Create an image from this poem

Success Comes To Cow Creek

 I sit on the tracks,
a hundred feet from
earth, fifty from the
water. Gerald is
inching toward me
as grim, slow, and
determined as a
season, because he
has no trade and wants
none. It's been nine months
since I last listened
to his fate, but I
know what he will say:
he's the fire hydrant
of the underdog.

When he reaches my
point above the creek,
he sits down without
salutation, and
spits profoundly out
past the edge, and peeks
for meaning in the
ripple it brings. He
scowls. He speaks: when you
walk down any street
you see nothing but
coagulations
of **** and vomit,
and I'm sick of it.
I suggest suicide;
he prefers murder,
and spits again for
the sake of all the
great devout losers.

A conductor's horn
concerto breaks the
air, and we, two doomed
pennies on the track,
shove off and somersault
like anesthetized
fleas, ruffling the
ideal locomotive
poised on the water
with our light, dry bodies.
Gerald shouts
terrifically as
he sails downstream like
a young man with a
destination. I
swim toward shore as
fast as my boots will
allow; as always,
neglecting to drown.


Written by Edward Taylor | Create an image from this poem

Success Comes To Cow Creek

 I sit on the tracks,
a hundred feet from
earth, fifty from the
water. Gerald is
inching toward me
as grim, slow, and
determined as a
season, because he
has no trade and wants
none. It's been nine months
since I last listened
to his fate, but I
know what he will say:
he's the fire hydrant
of the underdog.

When he reaches my
point above the creek,
he sits down without
salutation, and
spits profoundly out
past the edge, and peeks
for meaning in the
ripple it brings. He
scowls. He speaks: when you
walk down any street
you see nothing but
coagulations
of **** and vomit,
and I'm sick of it.
I suggest suicide;
he prefers murder,
and spits again for
the sake of all the
great devout losers.

A conductor's horn
concerto breaks the
air, and we, two doomed
pennies on the track,
shove off and somersault
like anesthetized
fleas, ruffling the
ideal locomotive
poised on the water
with our light, dry bodies.
Gerald shouts
terrifically as
he sails downstream like
a young man with a
destination. I
swim toward shore as
fast as my boots will
allow; as always,
neglecting to drown.
Written by Carl Sandburg | Create an image from this poem

Losers

 IF I should pass the tomb of Jonah
I would stop there and sit for awhile;
Because I was swallowed one time deep in the dark
And came out alive after all.

If I pass the burial spot of Nero
I shall say to the wind, “Well, well!”—
I who have fiddled in a world on fire,
I who have done so many stunts not worth doing.

I am looking for the grave of Sinbad too.
I want to shake his ghost-hand and say,
“Neither of us died very early, did we?”

And the last sleeping-place of Nebuchadnezzar—
When I arrive there I shall tell the wind:
“You ate grass; I have eaten crow—
Who is better off now or next year?”

Jack Cade, John Brown, Jesse James,
There too I could sit down and stop for awhile.
I think I could tell their headstones:
“God, let me remember all good losers.”

I could ask people to throw ashes on their heads
In the name of that sergeant at Belleau Woods,
Walking into the drumfires, calling his men,
“Come on, you … Do you want to live forever?”
Written by George Herbert | Create an image from this poem

The Pulley

 When God at first made man,
Having a glass of blessings standing by,
Let us (said He) pour on him all we can:
Let the world's riches, which dispersed lie,
Contract into a span.

So strength first made a way;
Then beauty flowed, then wisdom, honour, pleasure:
When almost all was out, God made a stay,
Perceiving that alone of all His treasure
Rest in the bottom lay.

For if I should (said He)
Bestow this jewel also on my creature,
He would adore My gifts instead of Me,
And rest in Nature, not the God of Nature:
So both should losers be.

Yet let him keep the rest,
But keep them with repining restlessness:
Let him be rich and weary, that, at least,
If goodness lead him not, yet weariness
May toss him to My breast.
Written by Edgar Lee Masters | Create an image from this poem

Hiram Scates

 I tried to win the nomination
For president of the County-board
And I made speeches all over the County
Denouncing Solomon Purple, my rival,
As an enemy of the people,
In league with the master-foes of man.
Young idealists, broken warriors,
Hobbling on one crutch of hope,
Souls that stake their all on the truth,
Losers of worlds at heaven's bidding,
Flocked about me and followed my voice
As the savior of the County.
But Solomon won the nomination;
And then I faced about,
And rallied my followers to his standard,
And made him victor, made him King
Of the Golden Mountain with the door
Which closed on my heels just as I entered,
Flattered by Solomon's invitation,
To be the County -- board's secretary.
And out in the cold stood all my followers:
Young idealists, broken warriors
Hobbling on one crutch of hope --
Souls that staked their all on the truth,
Losers of worlds at heaven's bidding,
Watching the Devil kick the Millennium
Over the Golden Mountain.

Book: Reflection on the Important Things