Written by
William Butler Yeats |
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
|
Written by
Robert William Service |
"The North has got him." --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls."
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day. (Was ever so welcome the light?)
I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"
* * * * *
They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
|
Written by
Erin Belieu |
Ferdinand was systematic when
he drove his daughter mad.
With a Casanova's careful art,
he moved slowly,
stole only one child at a time
through tunnels specially dug
behind the walls of her royal
chamber, then paid the Duenna
well to remember nothing
but his appreciation.
Imagine how quietly
the servants must have worked,
loosening the dirt, the muffled
ring of pick-ends against
the castle stone. The Duenna,
one eye gauging the drugged girl's
sleep, each night handing over
another light parcel, another
small body vanished
through the mouth of a hole.
Once you were a daughter, too,
then a wife and now the mother
of a baby with a Spanish name.
Paloma, you call her, little dove;
she sleeps in a room beyond you.
Your husband, too, works late,
drinks too much at night, comes
home lit, wanting sex and dinner.
You feign sleep, shrunk
in the corner of the queen-sized bed.
You've confessed, you can't feel things
when they touch you;
take Prozac for depression, Ativan
for the buzz. Drunk, you call your father
who doesn't want to claim
a ha!fsand-niggergrandkid.
He says he never loved your mother.
No one remembers Juana; almost
everything's forgotten in time,
and if I tell her story,
it's only when guessing
what she loved, what she dreamed
about, the lost details of a life
that barely survives history.
God and Latin, I suppose, what she loved.
And dreams of mice pouring out
from a hole. The Duenna, in spite
of her black, widow's veil, leaning
to kiss her, saying Juana, don't listen...
|
Written by
Edward Taylor |
The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship,
very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak
beginning in just a few minutes, and if you'd care
to join us we'd be most honored. However, I understand
you have your obligations and responsibilities,
and if you would prefer to simply visit with us
from time to time, between patients, our invitation
is nothing if not flexible. And, we shan't be the least slighted
or offended in any way if, due to your heavy load,
we are altogether deprived of the pleasure
of exchanging a few anecdotes, regarding the mentally ill,
depraved, diseased, the purely knavish, you in your bughouse,
if you'll pardon my vernacular, O yes, and we in our crackbrain
daily rounds, there are so many gone potty everywhere we roam,
not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare
if you could find the time to join us after your injections."
My invitation was spoken in the evenest tones,
but midway though it I began to suspect I was addressing
an imposter. I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind,
be doing with a cordscrew in his pocket?
This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously,
and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses
down by the duck pond, and my grip on the situation
was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps,
I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this?
But, then again, what's a picnic without pathos?
Lacking a way home, I adjusted the flap in my head and duck-walked
down to the pond and into the pond and began gliding
around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began
recycling like a sorry whim, sincerest regrets
are always best.
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing. It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological...Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world....
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds... But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 ... Oaks: the organization of this tree is difficult. Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd. roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points. But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces. And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end. However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh. it is possible to see composition in dips, etc.
But I shall study them further. It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry. What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe."
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
Charles Baudelaire |
Reubens, river of forgetfulness, garden of sloth,
Pillow of wet flesh that one cannot love,
But where life throngs and seethes without cease
Like the air in the sky and the water in the sea.
Leonardo da Vinci, sinister mirror,
Where these charming angels with sweet smiles
Charged with mystery, appear in shadows
Of glaciers and pines that close off the country.
Rembrandt, sad hospital full of murmurs
Decorated only with a crucifix,
Where tearful prayers arise from filth
And a ray of winter light crosses brusquely.
Michelangelo, a wasteland where one sees Hercules
Mingling with Christ, and rising in a straight line
Powerful phantoms that in the twilight
Tear their shrouds with stretching fingers.
Rage of a boxer, impudence of a faun,
You who gather together the beauty of the boor,
Your big heart swelling with pride at man defective and yellow,
Puget, melancholy emperor of the poor.
Watteau, this carnival of illustrious hearts
Like butterflies, errant and flamboyant,
In the cool decor, with delicate lightning in the chandeliers
Crossing the madness of the twirling ball.
Goya, nightmare of unknown things,
Fetuses roasting on the spit,
Harridans in the mirror and naked children
Tempting demons by loosening their stockings.
Delacroix, haunted lake of blood and evil angels,
Shaded by evergreen forests of dark firs,
Where, under a grieving sky, strange fanfares
Pass, like a gasping breath of Weber.
These curses, these blasphemies, these moans,
These ecstasies, these tears, these cries of "Te Deum"
Are an echo reiterated in a thousand mazes;
It is for mortal hearts a divine opium!
It is a cry repeated by a thousand sentinels,
An order returned by a thousand megaphones,
A beacon lighting a thousand citadels
A summons to hunters lost in the wide woods.
For truly, O Lord, what better testimony
Can we give to our dignity
Than this burning sob that rolls from age to age
And comes to die on the shore of Your eternity?
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Written by
Lewis Carroll |
"DON'T they consult the 'Victims,' though?"
I said. "They should, by rights,
Give them a chance - because, you know,
The tastes of people differ so,
Especially in Sprites."
The Phantom shook his head and smiled.
"Consult them? Not a bit!
'Twould be a job to drive one wild,
To satisfy one single child -
There'd be no end to it!"
"Of course you can't leave CHILDREN free,"
Said I, "to pick and choose:
But, in the case of men like me,
I think 'Mine Host' might fairly be
Allowed to state his views."
He said "It really wouldn't pay -
Folk are so full of fancies.
We visit for a single day,
And whether then we go, or stay,
Depends on circumstances.
"And, though we don't consult 'Mine Host'
Before the thing's arranged,
Still, if he often quits his post,
Or is not a well-mannered Ghost,
Then you can have him changed.
"But if the host's a man like you -
I mean a man of sense;
And if the house is not too new - "
"Why, what has THAT," said I, "to do
With Ghost's convenience?"
"A new house does not suit, you know -
It's such a job to trim it:
But, after twenty years or so,
The wainscotings begin to go,
So twenty is the limit."
"To trim" was not a phrase I could
Remember having heard:
"Perhaps," I said, "you'll be so good
As tell me what is understood
Exactly by that word?"
"It means the loosening all the doors,"
The Ghost replied, and laughed:
"It means the drilling holes by scores
In all the skirting-boards and floors,
To make a thorough draught.
"You'll sometimes find that one or two
Are all you really need
To let the wind come whistling through -
But HERE there'll be a lot to do!"
I faintly gasped "Indeed!
"If I 'd been rather later, I'll
Be bound," I added, trying
(Most unsuccessfully) to smile,
"You'd have been busy all this while,
Trimming and beautifying?"
"Why, no," said he; "perhaps I should
Have stayed another minute -
But still no Ghost, that's any good,
Without an introduction would
Have ventured to begin it.
"The proper thing, as you were late,
Was certainly to go:
But, with the roads in such a state,
I got the Knight-Mayor's leave to wait
For half an hour or so."
"Who's the Knight-Mayor?" I cried. Instead
Of answering my question,
"Well, if you don't know THAT," he said,
"Either you never go to bed,
Or you've a grand digestion!
"He goes about and sits on folk
That eat too much at night:
His duties are to pinch, and poke,
And squeeze them till they nearly choke."
(I said "It serves them right!")
"And folk who sup on things like these - "
He muttered, "eggs and bacon -
Lobster - and duck - and toasted cheese -
If they don't get an awful squeeze,
I'm very much mistaken!
"He is immensely fat, and so
Well suits the occupation:
In point of fact, if you must know,
We used to call him years ago,
THE MAYOR AND CORPORATION!
"The day he was elected Mayor
I KNOW that every Sprite meant
To vote for ME, but did not dare -
He was so frantic with despair
And furious with excitement.
"When it was over, for a whim,
He ran to tell the King;
And being the reverse of slim,
A two-mile trot was not for him
A very easy thing.
"So, to reward him for his run
(As it was baking hot,
And he was over twenty stone),
The King proceeded, half in fun,
To knight him on the spot."
"'Twas a great liberty to take!"
(I fired up like a rocket).
"He did it just for punning's sake:
'The man,' says Johnson, 'that would make
A pun, would pick a pocket!'"
"A man," said he, "is not a King."
I argued for a while,
And did my best to prove the thing -
The Phantom merely listening
With a contemptuous smile.
At last, when, breath and patience spent,
I had recourse to smoking -
"Your AIM," he said, "is excellent:
But - when you call it ARGUMENT -
Of course you're only joking?"
Stung by his cold and snaky eye,
I roused myself at length
To say "At least I do defy
The veriest sceptic to deny
That union is strength!"
"That's true enough," said he, "yet stay - "
I listened in all meekness -
"UNION is strength, I'm bound to say;
In fact, the thing's as clear as day;
But ONIONS are a weakness."
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Written by
James Tate |
The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship,
very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak
beginning in just a few minutes, and if you'd care
to join us we'd be most honored. However, I understand
you have your obligations and responsibilities,
and if you would prefer to simply visit with us
from time to time, between patients, our invitation
is nothing if not flexible. And, we shan't be the least slighted
or offended in any way if, due to your heavy load,
we are altogether deprived of the pleasure
of exchanging a few anecdotes, regarding the mentally ill,
depraved, diseased, the purely knavish, you in your bughouse,
if you'll pardon my vernacular, O yes, and we in our crackbrain
daily rounds, there are so many gone potty everywhere we roam,
not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare
if you could find the time to join us after your injections."
My invitation was spoken in the evenest tones,
but midway though it I began to suspect I was addressing
an imposter. I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind,
be doing with a cordscrew in his pocket?
This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously,
and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses
down by the duck pond, and my grip on the situation
was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps,
I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this?
But, then again, what's a picnic without pathos?
Lacking a way home, I adjusted the flap in my head and duck-walked
down to the pond and into the pond and began gliding
around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began
recycling like a sorry whim, sincerest regrets
are always best.
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Written by
Carl Sandburg |
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.
The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.
Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.
Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.
The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.
Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.
Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.
The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.
The mob? A jag of lightning, a geyser, a gravel mass loosening…
The mob … kills or builds … the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.
I am born in the mob—I die in the mob—the same goes for you—I don’t care who you are.
I cross the sheets of fire in No Man’s land for you, my brother—I slip a steel tooth into your throat, you my brother—I die for you and I kill you—It is a twisted and gnarled thing, a crimson wool:
One more arch of stars,
In the night of our mist,
In the night of our tears.
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Written by
Thomas Hardy |
A forward rush by the lamp in the gloom,
And we clasped, and almost kissed;
But she was not the woman whom
I had promised to meet in the thawing brume
On that harbour-bridge; nor was I he of her tryst.
So loosening from me swift she said:
"O why, why feign to be
The one I had meant - to whom I have sped
To fly with, being so sorrily wed,"
'Twas thus and thus that she upbraided me.
My assignation had struck upon
Some others' like it, I found.
And her lover rose on the night anon;
And then her husband entered on
The lamplit, snowflaked, sloppiness around.
"Take her and welcome, man!" he cried:
"I wash my hands of her.
I'll find me twice as good a bride!"
- All this to me, whom he had eyed,
Plainly, as his wife's planned deliverer.
And next the lover: "Little I knew,
Madam, you had a third!
Kissing here in my very view!"
- Husband and lover then withdrew.
I let them; and I told them not they erred.
Why not? Well, there faced she and I -
Two strangers who'd kissed, or near,
Chancewise. To see stand weeping by
A woman once embraced, will try
The tension of a man the most austere.
So it began; and I was young,
She pretty, by the lamp,
As flakes came waltzing down among
The waves of her clinging hair, that hung
Heavily on her temples, dark and damp.
And there alone still stood we two;
She once cast off for me,
Or so it seemed: while night ondrew,
Forcing a parley what should do
We twain hearts caught in one catastrophe.
In stranded souls a common strait
Wakes latencies unknown,
Whose impulse may precipitate
A life-long leap. The hour was late,
And there was the Jersey boat with its funnel agroan.
"Is wary walking worth much pother?"
It grunted, as still it stayed.
"One pairing is as good as another
Where is all venture! Take each other,
And scrap the oaths that you have aforetime made."
- Of the four involved there walks but one
On earth at this late day.
And what of the chapter so begun?
In that odd complex what was done?
Well; happiness comes in full to none:
Let peace lie on lulled lips: I will not say.
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