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Best Famous Loitering Poems

Here is a collection of the all-time best famous Loitering poems. This is a select list of the best famous Loitering poetry. Reading, writing, and enjoying famous Loitering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of loitering poems.

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Written by Edgar Allan Poe | Create an image from this poem

Tamerlane

 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.
Know thou the secret of a spirit Bow'd from its wild pride into shame.
O yearning heart! I did inherit Thy withering portion with the fame, The searing glory which hath shone Amid the jewels of my throne, Halo of Hell! and with a pain Not Hell shall make me fear again- O craving heart, for the lost flowers And sunshine of my summer hours! The undying voice of that dead time, With its interminable chime, Rings, in the spirit of a spell, Upon thy emptiness- a knell.
I have not always been as now: The fever'd diadem on my brow I claim'd and won usurpingly- Hath not the same fierce heirdom given Rome to the Caesar- this to me? The heritage of a kingly mind, And a proud spirit which hath striven Triumphantly with human kind.
On mountain soil I first drew life: The mists of the Taglay have shed Nightly their dews upon my head, And, I believe, the winged strife And tumult of the headlong air Have nestled in my very hair.
So late from Heaven- that dew- it fell (Mid dreams of an unholy night) Upon me with the touch of Hell, While the red flashing of the light From clouds that hung, like banners, o'er, Appeared to my half-closing eye The pageantry of monarchy, And the deep trumpet-thunder's roar Came hurriedly upon me, telling Of human battle, where my voice, My own voice, silly child!- was swelling (O! how my spirit would rejoice, And leap within me at the cry) The battle-cry of Victory! The rain came down upon my head Unshelter'd- and the heavy wind Rendered me mad and deaf and blind.
It was but man, I thought, who shed Laurels upon me: and the rush- The torrent of the chilly air Gurgled within my ear the crush Of empires- with the captive's prayer- The hum of suitors- and the tone Of flattery 'round a sovereign's throne.
My passions, from that hapless hour, Usurp'd a tyranny which men Have deem'd, since I have reach'd to power, My innate nature- be it so: But father, there liv'd one who, then, Then- in my boyhood- when their fire Burn'd with a still intenser glow, (For passion must, with youth, expire) E'en then who knew this iron heart In woman's weakness had a part.
I have no words- alas!- to tell The loveliness of loving well! Nor would I now attempt to trace The more than beauty of a face Whose lineaments, upon my mind, Are- shadows on th' unstable wind: Thus I remember having dwelt Some page of early lore upon, With loitering eye, till I have felt The letters- with their meaning- melt To fantasies- with none.
O, she was worthy of all love! Love- as in infancy was mine- 'Twas such as angel minds above Might envy; her young heart the shrine On which my every hope and thought Were incense- then a goodly gift, For they were childish and upright- Pure- as her young example taught: Why did I leave it, and, adrift, Trust to the fire within, for light? We grew in age- and love- together, Roaming the forest, and the wild; My breast her shield in wintry weather- And when the friendly sunshine smil'd, And she would mark the opening skies, I saw no Heaven- but in her eyes.
Young Love's first lesson is- the heart: For 'mid that sunshine, and those smiles, When, from our little cares apart, And laughing at her girlish wiles, I'd throw me on her throbbing breast, And pour my spirit out in tears- There was no need to speak the rest- No need to quiet any fears Of her- who ask'd no reason why, But turn'd on me her quiet eye! Yet more than worthy of the love My spirit struggled with, and strove, When, on the mountain peak, alone, Ambition lent it a new tone- I had no being- but in thee: The world, and all it did contain In the earth- the air- the sea- Its joy- its little lot of pain That was new pleasure- the ideal, Dim vanities of dreams by night- And dimmer nothings which were real- (Shadows- and a more shadowy light!) Parted upon their misty wings, And, so, confusedly, became Thine image, and- a name- a name! Two separate- yet most intimate things.
I was ambitious- have you known The passion, father? You have not: A cottager, I mark'd a throne Of half the world as all my own, And murmur'd at such lowly lot- But, just like any other dream, Upon the vapour of the dew My own had past, did not the beam Of beauty which did while it thro' The minute- the hour- the day- oppress My mind with double loveliness.
We walk'd together on the crown Of a high mountain which look'd down Afar from its proud natural towers Of rock and forest, on the hills- The dwindled hills! begirt with bowers, And shouting with a thousand rills.
I spoke to her of power and pride, But mystically- in such guise That she might deem it nought beside The moment's converse; in her eyes I read, perhaps too carelessly- A mingled feeling with my own- The flush on her bright cheek, to me Seem'd to become a queenly throne Too well that I should let it be Light in the wilderness alone.
I wrapp'd myself in grandeur then, And donn'd a visionary crown- Yet it was not that Fantasy Had thrown her mantle over me- But that, among the rabble- men, Lion ambition is chained down- And crouches to a keeper's hand- Not so in deserts where the grand- The wild- the terrible conspire With their own breath to fan his fire.
Look 'round thee now on Samarcand! Is not she queen of Earth? her pride Above all cities? in her hand Their destinies? in all beside Of glory which the world hath known Stands she not nobly and alone? Falling- her veriest stepping-stone Shall form the pedestal of a throne- And who her sovereign? Timour- he Whom the astonished people saw Striding o'er empires haughtily A diadem'd outlaw! O, human love! thou spirit given On Earth, of all we hope in Heaven! Which fall'st into the soul like rain Upon the Siroc-wither'd plain, And, failing in thy power to bless, But leav'st the heart a wilderness! Idea! which bindest life around With music of so strange a sound, And beauty of so wild a birth- Farewell! for I have won the Earth.
When Hope, the eagle that tower'd, could see No cliff beyond him in the sky, His pinions were bent droopingly- And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part There comes a sullenness of heart To him who still would look upon The glory of the summer sun.
That soul will hate the ev'ning mist, So often lovely, and will list To the sound of the coming darkness (known To those whose spirits hearken) as one Who, in a dream of night, would fly But cannot from a danger nigh.
What tho' the moon- the white moon Shed all the splendour of her noon, Her smile is chilly, and her beam, In that time of dreariness, will seem (So like you gather in your breath) A portrait taken after death.
And boyhood is a summer sun Whose waning is the dreariest one- For all we live to know is known, And all we seek to keep hath flown- Let life, then, as the day-flower, fall With the noon-day beauty- which is all.
I reach'd my home- my home no more For all had flown who made it so.
I pass'd from out its mossy door, And, tho' my tread was soft and low, A voice came from the threshold stone Of one whom I had earlier known- O, I defy thee, Hell, to show On beds of fire that burn below, A humbler heart- a deeper woe.
Father, I firmly do believe- I know- for Death, who comes for me From regions of the blest afar, Where there is nothing to deceive, Hath left his iron gate ajar, And rays of truth you cannot see Are flashing thro' Eternity- I do believe that Eblis hath A snare in every human path- Else how, when in the holy grove I wandered of the idol, Love, Who daily scents his snowy wings With incense of burnt offerings From the most unpolluted things, Whose pleasant bowers are yet so riven Above with trellis'd rays from Heaven, No mote may shun- no tiniest fly- The lightning of his eagle eye- How was it that Ambition crept, Unseen, amid the revels there, Till growing bold, he laughed and leapt In the tangles of Love's very hair?


Written by John Keats | Create an image from this poem

La Belle Dame sans Merci

'O WHAT can ail thee knight-at-arms  
Alone and palely loitering? 
The sedge is wither'd from the lake  
And no birds sing.
'O what can ail thee knight-at-arms 5 So haggard and so woe-begone? The squirrel's granary is full And the harvest 's done.
'I see a lily on thy brow With anguish moist and fever dew; 10 And on thy cheeks a fading rose Fast withereth too.
' 'I met a lady in the meads Full beautiful¡ªa faery's child Her hair was long her foot was light 15 And her eyes were wild.
'I made a garland for her head And bracelets too and fragrant zone; She look'd at me as she did love And made sweet moan.
20 'I set her on my pacing steed And nothing else saw all day long For sideways would she lean and sing A faery's song.
'She found me roots of relish sweet 25 And honey wild and manna dew And sure in language strange she said I love thee true! 'She took me to her elfin grot And there she wept and sigh'd fill sore; 30 And there I shut her wild wild eyes With kisses four.
'And there she lull¨¨d me asleep And there I dream'd¡ªAh! woe betide! The latest dream I ever dream'd 35 On the cold hill's side.
'I saw pale kings and princes too Pale warriors death-pale were they all; They cried¡ª"La belle Dame sans Merci Hath thee in thrall!" 40 'I saw their starved lips in the gloam With horrid warning gap¨¨d wide And I awoke and found me here On the cold hill's side.
'And this is why I sojourn here 45 Alone and palely loitering Though the sedge is wither'd from the lake And no birds sing.
'
Written by George (Lord) Byron | Create an image from this poem

Ode to Napoleon Bonaparte

 I 
'Tis done -- but yesterday a King! 
And arm'd with Kings to strive -- 
And now thou art a nameless thing: 
So abject -- yet alive! 
Is this the man of thousand thrones, 
Who strew'd our earth with hostile bones, 
And can he thus survive? 
Since he, miscall'd the Morning Star, 
Nor man nor fiend hath fallen so far.
II Ill-minded man! why scourge thy kind Who bow'd so low the knee? By gazing on thyself grown blind, Thou taught'st the rest to see.
With might unquestion'd, -- power to save, -- Thine only gift hath been the grave, To those that worshipp'd thee; Nor till thy fall could mortals guess Ambition's less than littleness! III Thanks for that lesson -- It will teach To after-warriors more, Than high Philosophy can preach, And vainly preach'd before.
That spell upon the minds of men Breaks never to unite again, That led them to adore Those Pagod things of sabre sway With fronts of brass, and feet of clay.
IV The triumph and the vanity, The rapture of the strife -- The earthquake voice of Victory, To thee the breath of life; The sword, the sceptre, and that sway Which man seem'd made but to obey, Wherewith renown was rife -- All quell'd! -- Dark Spirit! what must be The madness of thy memory! V The Desolator desolate! The Victor overthrown! The Arbiter of others' fate A Suppliant for his own! Is it some yet imperial hope That with such change can calmly cope? Or dread of death alone? To die a prince -- or live a slave -- Thy choice is most ignobly brave! VI He who of old would rend the oak, Dream'd not of the rebound: Chain'd by the trunk he vainly broke -- Alone -- how look'd he round? Thou, in the sternness of thy strength, An equal deed hast done at length, And darker fate hast found: He fell, the forest prowler's prey; But thou must eat thy heart away! VII The Roman, when his burning heart Was slaked with blood of Rome, Threw down the dagger -- dared depart, In savage grandeur, home -- He dared depart in utter scorn Of men that such a yoke had borne, Yet left him such a doom! His only glory was that hour Of self-upheld abandon'd power.
VIII The Spaniard, when the lust of sway Had lost its quickening spell, Cast crowns for rosaries away, An empire for a cell; A strict accountant of his beads, A subtle disputant on creeds, His dotage trifled well: Yet better had he neither known A bigot's shrine, nor despot's throne.
IX But thou -- from thy reluctant hand The thunderbolt is wrung -- Too late thou leav'st the high command To which thy weakness clung; All Evil Spirit as thou art, It is enough to grieve the heart To see thine own unstrung; To think that God's fair world hath been The footstool of a thing so mean; X And Earth hath spilt her blood for him, Who thus can hoard his own! And Monarchs bow'd the trembling limb, And thank'd him for a throne! Fair Freedom! we may hold thee dear, When thus thy mightiest foes their fear In humblest guise have shown.
Oh! ne'er may tyrant leave behind A brighter name to lure mankind! XI Thine evil deeds are writ in gore, Nor written thus in vain -- Thy triumphs tell of fame no more, Or deepen every stain: If thou hadst died as honour dies, Some new Napoleon might arise, To shame the world again -- But who would soar the solar height, To set in such a starless night? XII Weigh'd in the balance, hero dust Is vile as vulgar clay; Thy scales, Mortality! are just To all that pass away: But yet methought the living great Some higher sparks should animate, To dazzle and dismay: Nor deem'd Contempt could thus make mirth Of these, the Conquerors of the earth.
XIII And she, proud Austria's mournful flower, Thy still imperial bride; How bears her breast the torturing hour? Still clings she to thy side? Must she too bend, must she too share Thy late repentance, long despair, Thou throneless Homicide? If still she loves thee, hoard that gem, -- 'Tis worth thy vanish'd diadem! XIV Then haste thee to thy sullen Isle, And gaze upon the sea; That element may meet thy smile -- It ne'er was ruled by thee! Or trace with thine all idle hand In loitering mood upon the sand That Earth is now as free! That Corinth's pedagogue hath now Transferr'd his by-word to thy brow.
XV Thou Timour! in his captive's cage What thought will there be thine, While brooding in thy prison'd rage? But one -- "The word was mine!" Unless, like he of Babylon, All sense is with thy sceptre gone, Life will not long confine That spirit pour'd so widely forth-- So long obey'd -- so little worth! XVI Or, like the thief of fire from heaven, Wilt thou withstand the shock? And share with him, the unforgiven, His vulture and his rock! Foredoom'd by God -- by man accurst, And that last act, though not thy worst, The very Fiend's arch mock; He in his fall preserved his pride, And, if a mortal, had as proudly died! XVII There was a day -- there was an hour, While earth was Gaul's -- Gaul thine -- When that immeasurable power Unsated to resign Had been an act of purer fame Than gathers round Marengo's name, And gilded thy decline, Through the long twilight of all time, Despite some passing clouds of crime.
XVIII But thou forsooth must be a king, And don the purple vest, As if that foolish robe could wring Remembrance from thy breast.
Where is that faded garment? where The gewgaws thou wert fond to wear, The star, the string, the crest? Vain froward child of empire! say, Are all thy playthings snatched away? XIX Where may the wearied eye repose When gazing on the Great; Where neither guilty glory glows, Nor despicable state? Yes --one--the first--the last--the best-- The Cincinnatus of the West, Whom envy dared not hate, Bequeath'd the name of Washington, To make man blush there was but one!
Written by Rupert Brooke | Create an image from this poem

The Funeral of Youth: Threnody

 The Day that Youth had died,
There came to his grave-side, 
In decent mourning, from the country’s ends, 
Those scatter’d friends 
Who had lived the boon companions of his prime,
And laughed with him and sung with him and wasted, 
In feast and wine and many-crown’d carouse, 
The days and nights and dawnings of the time 
When Youth kept open house, 
Nor left untasted
Aught of his high emprise and ventures dear, 
No quest of his unshar’d— 
All these, with loitering feet and sad head bar’d, 
Followed their old friend’s bier.
Folly went first, With muffled bells and coxcomb still revers’d; And after trod the bearers, hat in hand— Laughter, most hoarse, and Captain Pride with tanned And martial face all grim, and fussy Joy Who had to catch a train, and Lust, poor, snivelling boy; These bore the dear departed.
Behind them, broken-hearted, Came Grief, so noisy a widow, that all said, “Had he but wed Her elder sister Sorrow, in her stead!” And by her, trying to soothe her all the time, The fatherless children, Colour, Tune, and Rhyme (The sweet lad Rhyme), ran all-uncomprehending.
Then, at the way’s sad ending, Round the raw grave they stay’d.
Old Wisdom read, In mumbling tone, the Service for the Dead.
There stood Romance, The furrowing tears had mark’d her roug?d cheek; Poor old Conceit, his wonder unassuaged; Dead Innocency’s daughter, Ignorance; And shabby, ill-dress’d Generosity; And Argument, too full of woe to speak; Passion, grown portly, something middle-aged; And Friendship—not a minute older, she; Impatience, ever taking out his watch; Faith, who was deaf, and had to lean, to catch Old Wisdom’s endless drone.
Beauty was there, Pale in her black; dry-eyed; she stood alone.
Poor maz’d Imagination; Fancy wild; Ardour, the sunlight on his greying hair; Contentment, who had known Youth as a child And never seen him since.
And Spring came too, Dancing over the tombs, and brought him flowers— She did not stay for long.
And Truth, and Grace, and all the merry crew, The laughing Winds and Rivers, and lithe Hours; And Hope, the dewy-eyed; and sorrowing Song;— Yes, with much woe and mourning general, At dead Youth’s funeral, Even these were met once more together, all, Who erst the fair and living Youth did know; All, except only Love.
Love had died long ago.
Written by Elizabeth Barrett Browning | Create an image from this poem

A Mans Requirements

 I 

Love me Sweet, with all thou art, 
Feeling, thinking, seeing; 
Love me in the lightest part, 
Love me in full being.
II Love me with thine open youth In its frank surrender; With the vowing of thy mouth, With its silence tender.
III Love me with thine azure eyes, Made for earnest grantings; Taking colour from the skies, Can Heaven's truth be wanting? IV Love me with their lids, that fall Snow-like at first meeting; Love me with thine heart, that all Neighbours then see beating.
V Love me with thine hand stretched out Freely -- open-minded: Love me with thy loitering foot, -- Hearing one behind it.
VI Love me with thy voice, that turns Sudden faint above me; Love me with thy blush that burns When I murmur 'Love me!' VII Love me with thy thinking soul, Break it to love-sighing; Love me with thy thoughts that roll On through living -- dying.
VIII Love me in thy gorgeous airs, When the world has crowned thee; Love me, kneeling at thy prayers, With the angels round thee.
IX Love me pure, as muses do, Up the woodlands shady: Love me gaily, fast and true, As a winsome lady.
X Through all hopes that keep us brave, Farther off or nigher, Love me for the house and grave, And for something higher.
XI Thus, if thou wilt prove me, Dear, Woman's love no fable, I will love thee -- half a year -- As a man is able.


Written by Rupert Brooke | Create an image from this poem

Funeral Of Youth The: Threnody

 The day that YOUTH had died,
There came to his grave-side,
In decent mourning, from the country's ends,
Those scatter'd friends
Who had lived the boon companions of his prime,
And laughed with him and sung with him and wasted,
In feast and wine and many-crown'd carouse,
The days and nights and dawnings of the time
When YOUTH kept open house,
Nor left untasted
Aught of his high emprise and ventures dear,
No quest of his unshar'd --
All these, with loitering feet and sad head bar'd,
Followed their old friend's bier.
FOLLY went first, With muffled bells and coxcomb still revers'd; And after trod the bearers, hat in hand -- LAUGHTER, most hoarse, and Captain PRIDE with tanned And martial face all grim, and fussy JOY, Who had to catch a train, and LUST, poor, snivelling boy; These bore the dear departed.
Behind them, broken-hearted, Came GRIEF, so noisy a widow, that all said, "Had he but wed Her elder sister SORROW, in her stead!" And by her, trying to soothe her all the time, The fatherless children, COLOUR, TUNE, and RHYME (The sweet lad RHYME), ran all-uncomprehending.
Then, at the way's sad ending, Round the raw grave they stay'd.
Old WISDOM read, In mumbling tone, the Service for the Dead.
There stood ROMANCE, The furrowing tears had mark'd her rouged cheek; Poor old CONCEIT, his wonder unassuaged; Dead INNOCENCY's daughter, IGNORANCE; And shabby, ill-dress'd GENEROSITY; And ARGUMENT, too full of woe to speak; PASSION, grown portly, something middle-aged; And FRIENDSHIP -- not a minute older, she; IMPATIENCE, ever taking out his watch; FAITH, who was deaf, and had to lean, to catch Old WISDOM's endless drone.
BEAUTY was there, Pale in her black; dry-eyed; she stood alone.
Poor maz'd IMAGINATION; FANCY wild; ARDOUR, the sunlight on his greying hair; CONTENTMENT, who had known YOUTH as a child And never seen him since.
And SPRING came too, Dancing over the tombs, and brought him flowers -- She did not stay for long.
And TRUTH, and GRACE, and all the merry crew, The laughing WINDS and RIVERS, and lithe HOURS; And HOPE, the dewy-eyed; and sorrowing SONG; -- Yes, with much woe and mourning general, At dead YOUTH's funeral, Even these were met once more together, all, Who erst the fair and living YOUTH did know; All, except only LOVE.
LOVE had died long ago.
Written by Kahlil Gibran | Create an image from this poem

Good and Evil XXII

 And one of the elders of the city said, "Speak to us of Good and Evil.
" And he answered: Of the good in you I can speak, but not of the evil.
For what is evil but good tortured by its own hunger and thirst? Verily when good is hungry it seeks food even in dark caves, and when it thirsts, it drinks even of dead waters.
You are good when you are one with yourself.
Yet when you are not one with yourself you are not evil.
For a divided house is not a den of thieves; it is only a divided house.
And a ship without rudder may wander aimlessly among perilous isles yet sink not to the bottom.
You are good when you strive to give of yourself.
Yet you are not evil when you seek gain for yourself.
For when you strive for gain you are but a root that clings to the earth and sucks at her breast.
Surely the fruit cannot say to the root, "Be like me, ripe and full and ever giving of your abundance.
" For to the fruit giving is a need, as receiving is a need to the root.
You are good when you are fully awake in your speech, Yet you are not evil when you sleep while your tongue staggers without purpose.
And even stumbling speech may strengthen a weak tongue.
You are good when you walk to your goal firmly and with bold steps.
Yet you are not evil when you go thither limping.
Even those who limp go not backward.
But you who are strong and swift, see that you do not limp before the lame, deeming it kindness.
You are good in countless ways, and you are not evil when you are not good, You are only loitering and sluggard.
Pity that the stags cannot teach swiftness to the turtles.
In your longing for your giant self lies your goodness: and that longing is in all of you.
But in some of you that longing is a torrent rushing with might to the sea, carrying the secrets of the hillsides and the songs of the forest.
And in others it is a flat stream that loses itself in angles and bends and lingers before it reaches the shore.
But let not him who longs much say to him who longs little, "Wherefore are you slow and halting?" For the truly good ask not the naked, "Where is your garment?" nor the houseless, "What has befallen your house?"
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

THE FIRE SERMON

  The river's tent is broken: the last fingers of leaf
  Clutch and sink into the wet bank.
The wind Crosses the brown land, unheard.
The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights.
The nymphs are departed.
And their friends, the loitering heirs of city directors; 180 Departed, have left no addresses.
Line 161 ALRIGHT.
This spelling occurs also in the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept .
.
.
Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation Dragging its slimy belly on the bank While I was fishing in the dull canal On a winter evening round behind the gashouse 190 Musing upon the king my brother's wreck And on the king my father's death before him.
White bodies naked on the low damp ground And bones cast in a little low dry garret, Rattled by the rat's foot only, year to year.
But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs.
Porter in the spring.
O the moon shone bright on Mrs.
Porter And on her daughter 200 They wash their feet in soda water Et O ces voix d'enfants, chantant dans la coupole! Twit twit twit Jug jug jug jug jug jug So rudely forc'd.
Tereu Unreal City Under the brown fog of a winter noon Mr.
Eugenides, the Smyrna merchant Unshaven, with a pocket full of currants 210 C.
i.
f.
London: documents at sight, Asked me in demotic French To luncheon at the Cannon Street Hotel Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back Turn upward from the desk, when the human engine waits Like a taxi throbbing waiting, I Tiresias, though blind, throbbing between two lives, Old man with wrinkled female breasts, can see At the violet hour, the evening hour that strives 220 Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins.
Out of the window perilously spread Her drying combinations touched by the sun's last rays, On the divan are piled (at night her bed) Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs Perceived the scene, and foretold the rest— I too awaited the expected guest.
230 He, the young man carbuncular, arrives, A small house agent's clerk, with one bold stare, One of the low on whom assurance sits As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses, The meal is ended, she is bored and tired, Endeavours to engage her in caresses Which still are unreproved, if undesired.
Flushed and decided, he assaults at once; Exploring hands encounter no defence; 240 His vanity requires no response, And makes a welcome of indifference.
(And I Tiresias have foresuffered all Enacted on this same divan or bed; I who have sat by Thebes below the wall And walked among the lowest of the dead.
) Bestows one final patronising kiss, And gropes his way, finding the stairs unlit .
.
.
She turns and looks a moment in the glass, Hardly aware of her departed lover; 250 Her brain allows one half-formed thought to pass: "Well now that's done: and I'm glad it's over.
" When lovely woman stoops to folly and Paces about her room again, alone, She smoothes her hair with automatic hand, And puts a record on the gramophone.
"This music crept by me upon the waters" And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear Beside a public bar in Lower Thames Street, 260 The pleasant whining of a mandoline And a clatter and a chatter from within Where fishmen lounge at noon: where the walls Of Magnus Martyr hold Inexplicable splendour of Ionian white and gold.
The river sweats Oil and tar The barges drift With the turning tide Red sails 270 Wide To leeward, swing on the heavy spar.
The barges wash Drifting logs Down Greenwich reach Past the Isle of Dogs.
Weialala leia Wallala leialala Elizabeth and Leicester Beating oars 280 The stern was formed A gilded shell Red and gold The brisk swell Rippled both shores Southwest wind Carried down stream The peal of bells White towers Weialala leia 290 Wallala leialala "Trams and dusty trees.
Highbury bore me.
Richmond and Kew Undid me.
By Richmond I raised my knees Supine on the floor of a narrow canoe.
" "My feet are at Moorgate, and my heart Under my feet.
After the event He wept.
He promised 'a new start'.
I made no comment.
What should I resent?" "On Margate Sands.
300 I can connect Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect Nothing.
" la la To Carthage then I came Burning burning burning burning O Lord Thou pluckest me out O Lord Thou pluckest 310 burning
Written by William Allingham | Create an image from this poem

After Sunset

 The vast and solemn company of clouds 
Around the Sun's death, lit, incarnadined, 
Cool into ashy wan; as Night enshrouds 
The level pasture, creeping up behind 
Through voiceless vales, o'er lawn and purpled hill 
And hazéd mead, her mystery to fulfil.
Cows low from far-off farms; the loitering wind Sighs in the hedge, you hear it if you will,-- Tho' all the wood, alive atop with wings Lifting and sinking through the leafy nooks, Seethes with the clamour of a thousand rooks.
Now every sound at length is hush'd away.
These few are sacred moments.
One more Day Drops in the shadowy gulf of bygone things.
Written by Robert Browning | Create an image from this poem

Any Wife To Any Husband

 I

My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say— 
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!

II

I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone? When cry for the old comfort and find none? Never, I know! Thy soul is in thy face.
III Oh, I should fade—'tis willed so! might I save, Galdly I would, whatever beauty gave Joy to thy sense, for that was precious too.
It is not to be granted.
But the soul Whence the love comes, all ravage leaves that whole; Vainly the flesh fades—soul makes all things new.
IV And 'twould not be because my eye grew dim Thou couldst not find the love there, thanks to Him Who never is dishonoured in the spark He gave us from his fire of fires, and bade Remember whence it sprang nor be afraid While that burns on, though all the rest grow dark.
V So, how thou wouldst be perfect, white and clean Outside as inside, soul and soul's demesne Alike, this body given to show it by! Oh, three-parts through the worst of life's abyss, What plaudits from the next world after this, Couldst thou repeat a stroke and gain the sky! VI And is it not the bitterer to think That, disengage our hands and thou wilt sink Although thy love was love in very deed? I know that nature! Pass a festive day Thou dost not throw its relic-flower away Nor bid its music's loitering echo speed.
VII Thou let'st the stranger's glove lie where it fell; If old things remain old things all is well, For thou art grateful as becomes man best: And hadst thou only heard me play one tune, Or viewed me from a window, not so soon With thee would such things fade as with the rest.
VIII I seem to see! we meet and part: 'tis brief: The book I opened keeps a folded leaf, The very chair I sat on, breaks the rank; That is a portrait of me on the wall— Three lines, my face comes at so slight a call; And for all this, one little hour's to thank.
IX But now, because the hour through years was fixed, Because our inmost beings met amd mixed, Because thou once hast loved me—wilt thou dare Say to thy soul and Who may list beside, "Therefore she is immortally my bride, Chance cannot change that love, nor time impair.
X "So, what if in the dusk of life that's left, I, a tired traveller, of my sun bereft, Look from my path when, mimicking the same, The fire-fly glimpses past me, come and gone? - Where was it till the sunset? where anon It will be at the sunrise! what's to blame?" XI Is it so helpful to thee? canst thou take The mimic up, nor, for the true thing's sake, Put gently by such efforts at at beam? Is the remainder of the way so long Thou need'st the little solace, thou the strong? Watch out thy watch, let weak ones doze and dream! XII "—Ah, but the fresher faces! Is it true," Thou'lt ask, "some eyes are beautiful and new? Some hair,—how can one choose but grasp such wealth? And if a man would press his lips to lips Fresh as the wilding hedge-rose-cup there slips The dew-drop out of, must it be by stealth? XIII "It cannot change the love kept still for Her, Much more than, such a picture to prefer Passing a day with, to a room's bare side.
The painted form takes nothing she possessed, Yet while the Titian's Venus lies at rest A man looks.
Once more, what is there to chide?" XIV So must I see, from where I sit and watch, My own self sell myself, my hand attach Its warrant to the very thefts from me— Thy singleness of soul that made me proud, Thy purity of heart I loved aloud, Thy man's truth I was bold to bid God see! XV Love so, then, if thou wilt! Give all thou canst Away to the new faces—disentranced— (Say it and think it) obdurate no more, Re-issue looks and words from the old mint— Pass them afresh, no matter whose the print Image and superscription once they bore! XVI Re-coin thyself and give it them to spend,— It all comes to the same thing at the end, Since mine thou wast, mine art, and mine shalt be, Faithful or faithless, sealing up the sum Or lavish of my treasure, thou must come Back to the heart's place here I keep for thee! XVII Only, why should it be with stain at all? Why must I, 'twixt the leaves of coronal, Put any kiss of pardon on thy brow? Why need the other women know so much And talk together, "Such the look and such The smile he used to love with, then as now!" XVIII Might I die last and shew thee! Should I find Such hardship in the few years left behind, If free to take and light my lamp, and go Into thy tomb, and shut the door and sit Seeing thy face on those four sides of it The better that they are so blank, I know! XIX Why, time was what I wanted, to turn o'er Within my mind each look, get more and more By heart each word, too much to learn at first, And join thee all the fitter for the pause 'Neath the low door-way's lintel.
That were cause For lingering, though thou called'st, If I durst! XX And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do, Outstripping my ten small steps with one stride? I'll say then, here's a trial and a task— Is it to bear?—if easy, I'll not ask— Though love fail, I can trust on in thy pride.
XXI Pride?—when those eyes forestall the life behind The death I have to go through!—when I find, Now that I want thy help most, all of thee! What did I fear? Thy love shall hold me fast Until the little minute's sleep is past And I wake saved.
—And yet, it will not be!

Book: Shattered Sighs