Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace.
He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable.
But everything is getting choked to the point of
Silence.
Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover.
Suddenly all is
Loathing.
I don't want to go back inside any more.
You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run.
"Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes.
Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep.
Farewell bocages,
Tanneries, water-meadows.
The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes.
I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language.
Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours.
While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways.
Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone.
What happened to creative evolution?"
Sighed Aglavaine.
Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time.
In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us.
And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement.
We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product.
True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St.
Petersburg.
Somewhere
Ravens pray for us.
" The storm finished brewing.
And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love.
Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it.
Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums.
Morning is
Impermanent.
Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition.
No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it.
This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space.
Life, our
Life anyway, is between.
We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
Written by
Edwin Markham |
WHEN the Norn Mother saw the Whirlwind Hour
Greatening and darkening as it hurried on,
She left the Heaven of Heroes and came down
To make a man to meet the mortal need.
She took the tried clay of the common road--
Clay warm yet with the genial heat of earth,
Dashed through it all a strain of prophecy;
Tempered the heap with thrill of human tears;
Then mixed a laughter with the serious stuff.
Into the shape she breathed a flame to light
That tender, tragic, ever-changing face.
Here was a man to hold against the world,
A man to match the mountains and the sea.
The color of the ground was in him, the red earth;
The smack and tang of elemental things:
The rectitude and patience of the cliff;
The good-will of the rain that loves all leaves;
The friendly welcome of the wayside well;
The courage of the bird that dares the sea;
The gladness of the wind that shakes the corn;
The pity of the snow that hides all scars;
The secrecy of streams that make their way
Beneath the mountain to the rifted rock;
The tolerance and equity of light
That gives as freely to the shrinking flower
As to the great oak flaring to the wind--
To the grave's low hill as to the Matterhorn
That shoulders out the sky.
Sprung from the West,
The strength of virgin forests braced his mind,
The hush of spacious prairies stilled his soul.
Up from log cabin to the Capitol,
One fire was on his spirit, one resolve:--
To send the keen axe to the root of wrong,
Clearing a free way for the feet of God.
And evermore he burned to do his deed
With the fine stroke and gesture of a king:
He built the rail-pile as he built the State,
Pouring his splendid strength through every blow;
The conscience of him testing every stroke,
To make his deed the measure of a man.
So came the Captain with the mighty heart;
And when the judgment thunders split the house,
Wrenching the rafters from their ancient rest,
He held the ridgepole up, and spiked again
The rafters of the Home.
He held his place--
Held the long purpose like a growing tree--
Held on through blame and faltered not at praise.
And when he fell in whirlwind, he went down
As when a lordly cedar, green with boughs,
Goes down with a great shout upon the hills,
And leaves a lonesome place against the sky.
|
Written by
Robert William Service |
There's a four-pronged buck a-swinging in the shadow of my cabin,
And it roamed the velvet valley till to-day;
But I tracked it by the river, and I trailed it in the cover,
And I killed it on the mountain miles away.
Now I've had my lazy supper, and the level sun is gleaming
On the water where the silver salmon play;
And I light my little corn-cob, and I linger, softly dreaming,
In the twilight, of a land that's far away.
Far away, so faint and far, is flaming London, fevered Paris,
That I fancy I have gained another star;
Far away the din and hurry, far away the sin and worry,
Far away -- God knows they cannot be too far.
Gilded galley-slaves of Mammon -- how my purse-proud brothers taunt me!
I might have been as well-to-do as they
Had I clutched like them my chances, learned their wisdom, crushed my fancies,
Starved my soul and gone to business every day.
Well, the cherry bends with blossom and the vivid grass is springing,
And the star-like lily nestles in the green;
And the frogs their joys are singing, and my heart in tune is ringing,
And it doesn't matter what I might have been.
While above the scented pine-gloom, piling heights of golden glory,
The sun-god paints his canvas in the west,
I can couch me deep in clover, I can listen to the story
Of the lazy, lapping water -- it is best.
While the trout leaps in the river, and the blue grouse thrills the cover,
And the frozen snow betrays the panther's track,
And the robin greets the dayspring with the rapture of a lover,
I am happy, and I'll nevermore go back.
For I know I'd just be longing for the little old log cabin,
With the morning-glory clinging to the door,
Till I loathed the city places, cursed the care on all the faces,
Turned my back on lazar London evermore.
So send me far from Lombard Street, and write me down a failure;
Put a little in my purse and leave me free.
Say: "He turned from Fortune's offering to follow up a pale lure,
He is one of us no longer -- let him be.
"
I am one of you no longer; by the trails my feet have broken,
The dizzy peaks I've scaled, the camp-fire's glow;
By the lonely seas I've sailed in -- yea, the final word is spoken,
I am signed and sealed to nature.
Be it so.
|
Written by
Robert William Service |
When a man gits on his uppers in a hard-pan sort of town,
An' he ain't got nothin' comin' an' he can't afford ter eat,
An' he's in a fix for lodgin' an' he wanders up an' down,
An' you'd fancy he'd been boozin', he's so locoed 'bout the feet;
When he's feelin' sneakin' sorry an' his belt is hangin' slack,
An' his face is peaked an' gray-like an' his heart gits down an' whines,
Then he's apt ter git a-thinkin' an' a-wishin' he was back
In the little ol' log cabin in the shadder of the pines.
When he's on the blazin' desert an' his canteen's sprung a leak,
An' he's all alone an' crazy an' he's crawlin' like a snail,
An' his tongue's so black an' swollen that it hurts him fer to speak,
An' he gouges down fer water an' the raven's on his trail;
When he's done with care and cursin' an' he feels more like to cry,
An' he sees ol' Death a-grinnin' an' he thinks upon his crimes,
Then he's like ter hev' a vision, as he settles down ter die,
Of the little ol' log cabin an' the roses an' the vines.
Oh, the little ol' log cabin, it's a solemn shinin' mark,
When a feller gits ter sinnin' an' a-goin' ter the wall,
An' folks don't understand him an' he's gropin' in the dark,
An' he's sick of bein' cursed at an' he's longin' fer his call!
When the sun of life's a-sinkin' you can see it 'way above,
On the hill from out the shadder in a glory 'gin the sky,
An' your mother's voice is callin', an' her arms are stretched in love,
An' somehow you're glad you're goin', an' you ain't a-scared to die;
When you'll be like a kid again an' nestle to her breast,
An' never leave its shelter, an' forget, an' love, an' rest.
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