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Best Famous Lofts Poems

Here is a collection of the all-time best famous Lofts poems. This is a select list of the best famous Lofts poetry. Reading, writing, and enjoying famous Lofts poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of lofts poems.

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Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone 
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence 
Brewed God knows how long. Hatless I take off
My cylce-clips in awkward revrence 

Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly. Back at the door
I sign the book donate an Irish sixpence 
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do 
And always end much at a loss like this 
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show 
Their parchment plate and pyx in locked cases 
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die 
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.

A shape less recognisable each week 
A purpose more obscure. I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique 
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative 

Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth 
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth 
It pleases me to stand in silence here;

A serious house on serious earth it is 
In whose blent air all our compulsions meet 
Are recognisd and robed as destinies.
And that much never can be obsolete 
Since someone will forever be surprising
A hunger in himself to be more serious 
And gravitating with it to this ground 
Which he once heard was proper to grow wise in 
If only that so many dead lie round.

1955


Written by Barry Tebb | Create an image from this poem

To The Sound Of Violins

 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.

The mill girl with her mates asks anxiously

"Are you on your own? Come and join us

What’s your name?" Age has driven my shyness away 

As I join the crowd beneath the turning purple screens 

Bannered ‘****** lasts for ever’ and sip unending 

Halves of bitter, as I circulate among the crowd, 

Being complete in itself and out for a good night out,

A relief from factory, shop floor and market stall

Running from the reality of the ward where my son 

Pounds the ledge with his fist and seems out to blast

My very existence with words like bullets.

The need to anaesthetise the pain resurfaces 

Again and again. In Leeds City Square where 

Pugin’s church, the Black Prince and the Central Post Office

In its Edwardian grandeur are startled by the arching spumes

Or white water fountains and the steel barricades of Novotel

Rise from the ruins of a sixties office block.

I hurry past and join Boar Lane’s Friday crew

From Keighley and Dewsbury’s mills, hesitating

At the thought of being told I’m past my 

Sell-by-date and turned away by the West Indian

Bouncers, black-suited and city-council badged

Who checked my bag but smiled at ‘The Lights of 

Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms-

Was it guns or drugs they were after

I wondered as I crossed the bare boards to the bar.

I stayed near the fruit machine which no-one played,

Where the crowd was thickest, the noise drowned out the pain

‘Sex Bomb, Sex Bomb’ the chorus rang

The girls joined in but the young men knew 

The words no more than me. Dancing as we knew it 

In the sixties has gone, you do your own thing

And follow the beat, hampered by my bag

I just kept going, letting the music and the crowd

Hold me, my camera eye moving in search, in search…

What I’m searching for I don’t know

Searching’s a way of life that has to grow

"All of us who are patients here are searchers after truth"

My son kept saying, his legs shaking from the side effects

Of God-knows- what, pacing the tiny ward kitchen cum smoking room,

Denouncing his ‘illegal section’ and ‘poisonous medication’

To an audience of one.

The prospect of TV, Seroxat and Diazepan fazed me:

I was beyond unravelling Meltzer on differentiation 

Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’

Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’ 

So I went out with West Yorkshire on a Friday night.

Nothing dramatic happened; perhaps I’m a little too used

To acute wards or worse where chairs fly across rooms,

Windows disintegrate and double doors are triple locked

And every nurse carries a white panic button and black pager

To pinpoint the moment’s crisis. Normality was a bit of adrenaline,

A wild therapy that drew me in, sanity had won the night.

"Are you on your own, love? Come and join us"

People kept asking if I was alright and why 

I had that damned great shoulder bag. I was introduced

To three young men about to tie the knot, a handsome lothario

In his midforties winked at me constantly,

Dancing with practised ease with sixteen year olds

Who all seemed to know him and determined to show him.

Three hours passed in as many minutes and then the crowds

Disappeared to catch the last bus home. The young aren’t 

As black as they are painted, one I danced with reminded me

Of how Margaret would have been at sixteen

With straw gold hair Yeats would have immortalised.

People seemed to guess I was haunted by an inner demon

I’d tried to leave in the raftered lofts of City Square

But failed to. Girls from sixteen to twenty six kept grabbing me

And making me dance and I found my teenage inhibitions

Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’

Egged on by the throng by the fruit machine and continuous

Thumbs-up signs from passing men. I had to forgo

A cheerful group of Aussies were intent on taking me clubbing

"I’d get killed or turned into a pumpkin

If I get home after midnight" I quipped to their delight

But being there had somehow put things right.
Written by John Milton | Create an image from this poem

At A Vacation Exercise In The Colledge Part Latin Part English. The Latin Speeches Ended The English Thus Began

 Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad'st imperfect words with childish tripps,
Half unpronounc't, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee: 
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv'd up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight, 
But cull those richest Robes, and gay'st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck't them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly's ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use, 
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav'ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th'touch of golden wires, while Hebe brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire, 
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey'd Neptune raves,
In Heav'ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero's old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest 
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know'st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos'd business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc't upon the hearth; 
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should'st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O're all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them; 
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot? 

The next Quantity and Quality, spake in Prose, then Relation
was call'd by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.
Written by Barry Tebb | Create an image from this poem

A Memory At Sixty

 They have vanished, the pop men with their varnished crates

Of Tizer and dandy, American ice-cream soda and one percent shandy.

The clunk of frothy quarts dumped on donkey-stoned doorsteps

Is heard no more, nor the neighs of restless mares between the shafts.

The shining brass of harness hangs in bar-rooms or droops

From imitation beams.



Gelded stallions no longer chomp and champ

In stalls beneath the slats of shadowed lofts with straw-bales

And hay-ricks as high as houses lazing in lantern light.

The ashes of the carts they pulled have smouldered into silence,

The clatter over cobbles of iron shoes and shouts of “Whoa, lass!”

Hushed in this last weariness.

Book: Reflection on the Important Things