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Best Famous Lodges Poems

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Childhood

 Downward through the evening twilight, 
In the days that are forgotten, 
In the unremembered ages, 
From the full moon fell Nokomis, 
Fell the beautiful Nokomis, 
She a wife, but not a mother.
She was sporting with her women, Swinging in a swing of grape-vines, When her rival the rejected, Full of jealousy and hatred, Cut the leafy swing asunder, Cut in twain the twisted grape-vines, And Nokomis fell affrighted Downward through the evening twilight, On the Muskoday, the meadow, On the prairie full of blossoms.
"See! a star falls!" said the people; "From the sky a star is falling!" There among the ferns and mosses, There among the prairie lilies, On the Muskoday, the meadow, In the moonlight and the starlight, Fair Nokomis bore a daughter.
And she called her name Wenonah, As the first-born of her daughters.
And the daughter of Nokomis Grew up like the prairie lilies, Grew a tall and slender maiden, With the beauty of the moonlight, With the beauty of the starlight.
And Nokomis warned her often, Saying oft, and oft repeating, "Oh, beware of Mudjekeewis, Of the West-Wind, Mudjekeewis; Listen not to what he tells you; Lie not down upon the meadow, Stoop not down among the lilies, Lest the West-Wind come and harm you!" But she heeded not the warning, Heeded not those words of wisdom, And the West-Wind came at evening, Walking lightly o'er the prairie, Whispering to the leaves and blossoms, Bending low the flowers and grasses, Found the beautiful Wenonah, Lying there among the lilies, Wooed her with his words of sweetness, Wooed her with his soft caresses, Till she bore a son in sorrow, Bore a son of love and sorrow.
Thus was born my Hiawatha, Thus was born the child of wonder; But the daughter of Nokomis, Hiawatha's gentle mother, In her anguish died deserted By the West-Wind, false and faithless, By the heartless Mudjekeewis.
For her daughter long and loudly Wailed and wept the sad Nokomis; "Oh that I were dead!" she murmured, "Oh that I were dead, as thou art! No more work, and no more weeping, Wahonowin! Wahonowin!" By the shores of Gitche Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis.
Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them; Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, "Hush! the Naked Bear will hear thee!" Lulled him into slumber, singing, "Ewa-yea! my little owlet! Who is this, that lights the wigwam? With his great eyes lights the wigwam? Ewa-yea! my little owlet!" Many things Nokomis taught him Of the stars that shine in heaven; Showed him Ishkoodah, the comet, Ishkoodah, with fiery tresses; Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights of Winter; Showed the broad white road in heaven, Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts, the shadows.
At the door on summer evenings Sat the little Hiawatha; Heard the whispering of the pine-trees, Heard the lapping of the waters, Sounds of music, words of wonder; 'Minne-wawa!" said the Pine-trees, Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evening, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang the song Nokomis taught him: "Wah-wah-taysee, little fire-fly, Little, flitting, white-fire insect, Little, dancing, white-fire creature, Light me with your little candle, Ere upon my bed I lay me, Ere in sleep I close my eyelids!" Saw the moon rise from the water Rippling, rounding from the water, Saw the flecks and shadows on it, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "Once a warrior, very angry, Seized his grandmother, and threw her Up into the sky at midnight; Right against the moon he threw her; 'T is her body that you see there.
" Saw the rainbow in the heaven, In the eastern sky, the rainbow, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "'T is the heaven of flowers you see there; All the wild-flowers of the forest, All the lilies of the prairie, When on earth they fade and perish, Blossom in that heaven above us.
" When he heard the owls at midnight, Hooting, laughing in the forest, 'What is that?" he cried in terror, "What is that," he said, "Nokomis?" And the good Nokomis answered: "That is but the owl and owlet, Talking in their native language, Talking, scolding at each other.
" Then the little Hiawatha Learned of every bird its language, Learned their names and all their secrets, How they built their nests in Summer, Where they hid themselves in Winter, Talked with them whene'er he met them, Called them "Hiawatha's Chickens.
" Of all beasts he learned the language, Learned their names and all their secrets, How the beavers built their lodges, Where the squirrels hid their acorns, How the reindeer ran so swiftly, Why the rabbit was so timid, Talked with them whene'er he met them, Called them "Hiawatha's Brothers.
" Then Iagoo, the great boaster, He the marvellous story-teller, He the traveller and the talker, He the friend of old Nokomis, Made a bow for Hiawatha; From a branch of ash he made it, From an oak-bough made the arrows, Tipped with flint, and winged with feathers, And the cord he made of deer-skin.
Then he said to Hiawatha: "Go, my son, into the forest, Where the red deer herd together, Kill for us a famous roebuck, Kill for us a deer with antlers!" Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows; And the birds sang round him, o'er him, "Do not shoot us, Hiawatha!" Sang the robin, the Opechee, Sang the bluebird, the Owaissa, "Do not shoot us, Hiawatha!" Up the oak-tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak-tree, Laughed, and said between his laughing, "Do not shoot me, Hiawatha!" And the rabbit from his pathway Leaped aside, and at a distance Sat erect upon his haunches, Half in fear and half in frolic, Saying to the little hunter, "Do not shoot me, Hiawatha!" But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he.
Hidden in the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow.
And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway.
Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses.
From the red deer's hide Nokomis Made a cloak for Hiawatha, From the red deer's flesh Nokomis Made a banquet to his honor.
All the village came and feasted, All the guests praised Hiawatha, Called him Strong-Heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!


Written by Henry Wadsworth Longfellow | Create an image from this poem

Introduction To The Song Of Hiawatha

 Should you ask me, 
whence these stories? 
Whence these legends and traditions, 
With the odors of the forest 
With the dew and damp of meadows,
With the curling smoke of wigwams,
With the rushing of great rivers,
With their frequent repetitions,
And their wild reverberations
As of thunder in the mountains?
I should answer, I should tell you,
"From the forests and the prairies,
From the great lakes of the Northland,
From the land of the Ojibways,
From the land of the Dacotahs,
From the mountains, moors, and fen-lands
Where the heron, the Shuh-shuh-gah,
Feeds among the reeds and rushes.
I repeat them as I heard them From the lips of Nawadaha, The musician, the sweet singer.
" Should you ask where Nawadaha Found these songs so wild and wayward, Found these legends and traditions, I should answer, I should tell you, "In the bird's-nests of the forest, In the lodges of the beaver, In the hoofprint of the bison, In the eyry of the eagle! "All the wild-fowl sang them to him, In the moorlands and the fen-lands, In the melancholy marshes; Chetowaik, the plover, sang them, Mahng, the loon, the wild-goose, Wawa, The blue heron, the Shuh-shuh-gah, And the grouse, the Mushkodasa!" If still further you should ask me, Saying, "Who was Nawadaha? Tell us of this Nawadaha," I should answer your inquiries Straightway in such words as follow.
"In the vale of Tawasentha, In the green and silent valley, By the pleasant water-courses, Dwelt the singer Nawadaha.
Round about the Indian village Spread the meadows and the corn-fields, And beyond them stood the forest, Stood the groves of singing pine-trees, Green in Summer, white in Winter, Ever sighing, ever singing.
"And the pleasant water-courses, You could trace them through the valley, By the rushing in the Spring-time, By the alders in the Summer, By the white fog in the Autumn, By the black line in the Winter; And beside them dwelt the singer, In the vale of Tawasentha, In the green and silent valley.
"There he sang of Hiawatha, Sang the Song of Hiawatha, Sang his wondrous birth and being, How he prayed and how be fasted, How he lived, and toiled, and suffered, That the tribes of men might prosper, That he might advance his people!" Ye who love the haunts of Nature, Love the sunshine of the meadow, Love the shadow of the forest, Love the wind among the branches, And the rain-shower and the snow-storm, And the rushing of great rivers Through their palisades of pine-trees, And the thunder in the mountains, Whose innumerable echoes Flap like eagles in their eyries;- Listen to these wild traditions, To this Song of Hiawatha! Ye who love a nation's legends, Love the ballads of a people, That like voices from afar off Call to us to pause and listen, Speak in tones so plain and childlike, Scarcely can the ear distinguish Whether they are sung or spoken;- Listen to this Indian Legend, To this Song of Hiawatha! Ye whose hearts are fresh and simple, Who have faith in God and Nature, Who believe that in all ages Every human heart is human, That in even savage bosoms There are longings, yearnings, strivings For the good they comprehend not, That the feeble hands and helpless, Groping blindly in the darkness, Touch God's right hand in that darkness And are lifted up and strengthened;- Listen to this simple story, To this Song of Hiawatha! Ye, who sometimes, in your rambles Through the green lanes of the country, Where the tangled barberry-bushes Hang their tufts of crimson berries Over stone walls gray with mosses, Pause by some neglected graveyard, For a while to muse, and ponder On a half-effaced inscription, Written with little skill of song-craft, Homely phrases, but each letter Full of hope and yet of heart-break, Full of all the tender pathos Of the Here and the Hereafter; Stay and read this rude inscription, Read this Song of Hiawatha!
Written by Rudyard Kipling | Create an image from this poem

The Mother-Lodge

 There was Rundle, Station Master,
 An' Beazeley of the Rail,
An' 'Ackman, Commissariat,
 An' Donkin' o' the Jail;
An' Blake, Conductor-Sargent,
 Our Master twice was 'e,
With 'im that kept the Europe-shop,
 Old Framjee Eduljee.
Outside -- "Sergeant! Sir! Salute! Salaam!" Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square, An' I was Junior Deacon in my Mother-Lodge out there! We'd Bola Nath, Accountant, An' Saul the Aden Jew, An' Din Mohammed, draughtsman Of the Survey Office too; There was Babu Chuckerbutty, An' Amir Singh the Sikh, An' Castro from the fittin'-sheds, The Roman Catholick! We 'adn't good regalia, An' our Lodge was old an' bare, But we knew the Ancient Landmarks, An' we kep' 'em to a hair; An' lookin' on it backwards It often strikes me thus, There ain't such things as infidels, Excep', per'aps, it's us.
For monthly, after Labour, We'd all sit down and smoke (We dursn't give no banquits, Lest a Brother's caste were broke), An' man on man got talkin' Religion an' the rest, An' every man comparin' Of the God 'e knew the best.
So man on man got talkin', An' not a Brother stirred Till mornin' waked the parrots An' that dam' brain-fever-bird; We'd say 'twas 'ighly curious, An' we'd all ride 'ome to bed, With Mo'ammed, God, an' Shiva Changin' pickets in our 'ead.
Full oft on Guv'ment service This rovin' foot 'ath pressed, An' bore fraternal greetin's To the Lodges east an' west, Accordin' as commanded From Kohat to Singapore, But I wish that I might see them In my Mother-Lodge once more! I wish that I might see them, My Brethren black an' brown, With the trichies smellin' pleasant An' the hog-darn passin' down; [Cigar-lighter.
] An' the old khansamah snorin' [Butler.
] On the bottle-khana floor, [Pantry.
] Like a Master in good standing With my Mother-Lodge once more! Outside -- "Sergeant! Sir! Salute! Salaam!" Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square, An' I was Junior Deacon in my Mother-Lodge out there!
Written by Donald Hall | Create an image from this poem

The Man In The Dead Machine

 High on a slope in New Guinea
The Grumman Hellcat
lodges among bright vines
as thick as arms.
In 1943, the clenched hand of a pilot glided it here where no one has ever been.
In the cockpit, the helmeted skeleton sits upright, held by dry sinews at neck and shoulder, and webbing that straps the pelvic cross to the cracked leather of the seat, and the breastbone to the canvas cover of the parachute.
Or say the shrapnel missed him, he flew back to the carrier, and every morning takes the train, his pale hands on the black case, and sits upright, held by the firm webbing.
Written by Robert Browning | Create an image from this poem

Master Hugues Of Saxe-Gotha

 An imaginary composer.
] I.
Hist, but a word, fair and soft! Forth and be judged, Master Hugues! Answer the question I've put you so oft: What do you mean by your mountainous fugues? See, we're alone in the loft,--- II.
I, the poor organist here, Hugues, the composer of note, Dead though, and done with, this many a year: Let's have a colloquy, something to quote, Make the world prick up its ear! III.
See, the church empties apace: Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace! Here's a crank pedal wants setting to rights, Baulks one of holding the base.
IV.
See, our huge house of the sounds, Hushing its hundreds at once, Bids the last loiterer back to his bounds! O you may challenge them, not a response Get the church-saints on their rounds! V.
(Saints go their rounds, who shall doubt? ---March, with the moon to admire, Up nave, down chancel, turn transept about, Supervise all betwixt pavement and spire, Put rats and mice to the rout--- VI.
Aloys and Jurien and Just--- Order things back to their place, Have a sharp eye lest the candlesticks rust, Rub the church-plate, darn the sacrament-lace, Clear the desk-velvet of dust.
) VII.
Here's your book, younger folks shelve! Played I not off-hand and runningly, Just now, your masterpiece, hard number twelve? Here's what should strike, could one handle it cunningly: HeIp the axe, give it a helve! VIII.
Page after page as I played, Every bar's rest, where one wipes Sweat from one's brow, I looked up and surveyed, O'er my three claviers yon forest of pipes Whence you still peeped in the shade.
IX.
Sure you were wishful to speak? You, with brow ruled like a score, Yes, and eyes buried in pits on each cheek, Like two great breves, as they wrote them of yore, Each side that bar, your straight beak! X.
Sure you said---``Good, the mere notes! ``Still, couldst thou take my intent, ``Know what procured me our Company's votes--- ``A master were lauded and sciolists shent, ``Parted the sheep from the goats!'' XI.
Well then, speak up, never flinch! Quick, ere my candle's a snuff ---Burnt, do you see? to its uttermost inch--- _I_ believe in you, but that's not enough: Give my conviction a clinch! XII.
First you deliver your phrase ---Nothing propound, that I see, Fit in itself for much blame or much praise--- Answered no less, where no answer needs be: Off start the Two on their ways.
XIII.
Straight must a Third interpose, Volunteer needlessly help; In strikes a Fourth, a Fifth thrusts in his nose, So the cry's open, the kennel's a-yelp, Argument's hot to the close.
XIV.
One dissertates, he is candid; Two must discept,--has distinguished; Three helps the couple, if ever yet man did; Four protests; Five makes a dart at the thing wished: Back to One, goes the case bandied.
XV.
One says his say with a difference More of expounding, explaining! All now is wrangle, abuse, and vociferance; Now there's a truce, all's subdued, self-restraining: Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive: Two retorts, nettled, curt, crepitant; Three makes rejoinder, expansive, explosive; Four overbears them all, strident and strepitant, Five .
.
.
O Danaides, O Sieve! XVII.
Now, they ply axes and crowbars; Now, they prick pins at a tissue Fine as a skein of the casuist Escobar's Worked on the bone of a lie.
To what issue? Where is our gain at the Two-bars? XVIII.
_Est fuga, volvitur rota.
_ On we drift: where looms the dim port? One, Two, Three, Four, Five, contribute their quota; Something is gained, if one caught but the import--- Show it us, Hugues of Saxe-Gotha! XIX.
What with affirming, denying, Holding, risposting, subjoining, All's like .
.
.
it's like .
.
.
for an instance I'm trying .
.
.
There! See our roof, its gilt moulding and groining Under those spider-webs lying! XX.
So your fugue broadens and thickens, Greatens and deepens and lengthens, Till we exclaim---``But where's music, the dickens? ``Blot ye the gold, while your spider-web strengthens ``---Blacked to the stoutest of tickens?'' XXI.
I for man's effort am zealous: Prove me such censure unfounded! Seems it surprising a lover grows jealous--- Hopes 'twas for something, his organ-pipes sounded, Tiring three boys at the bellows? XXII.
Is it your moral of Life? Such a web, simple and subtle, Weave we on earth here in impotent strife, Backward and forward each throwing his shuttle, Death ending all with a knife? XXIII.
Over our heads truth and nature--- Still our life's zigzags and dodges, Ins and outs, weaving a new legislature--- God's gold just shining its last where that lodges, Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses, Cherub and trophy and garland; Nothings grow something which quietly closes Heaven's earnest eye: not a glimpse of the far land Gets through our comments and glozes.
XXV.
Ah but traditions, inventions, (Say we and make up a visage) So many men with such various intentions, Down the past ages, must know more than this age! Leave we the web its dimensions! XXVI.
Who thinks Hugues wrote for the deaf, Proved a mere mountain in labour? Better submit; try again; what's the clef? 'Faith, 'tis no trifle for pipe and for tabor--- Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger Learning it once, who would lose it? Yet all the while a misgiving will linger, Truth's golden o'er us although we refuse it--- Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise _Me Pn_ (Counterpoint glares like a Gorgon) Bid One, Two, Three, Four, Five, clear the arena! Say the word, straight I unstop the full-organ, Blare out the _mode Palestrina.
_ XXIX.
While in the roof, if I'm right there, .
.
.
Lo you, the wick in the socket! Hallo, you sacristan, show us a light there! Down it dips, gone like a rocket.
What, you want, do you, to come unawares, Sweeping the church up for first morning-prayers, And find a poor devil has ended his cares At the foot of your rotten-runged rat-riddled stairs? Do I carry the moon in my pocket? * 1 A fugue is a short melody.
* 2 Keyboard of organ.
* 3 A note in music.
* 4 The daughters of Danaus, condemned to pour water * into a sieve.
* 5 The Spanish casuist, so severely mauled by Pascal.
* 6 A quick return in fencing.
* 7 A closely woven fabric.
* 8 _Giovanni P.
da Palestrina_, celebrated musician (1524-1594).


Written by Henry Wadsworth Longfellow | Create an image from this poem

The White Mans Foot

 In his lodge beside a river,
Close beside a frozen river,
Sat an old man, sad and lonely.
White his hair was as a snow-drift; Dull and low his fire was burning, And the old man shook and trembled, Folded in his Waubewyon, In his tattered white-skin-wrapper, Hearing nothing but the tempest As it roared along the forest, Seeing nothing but the snow-storm, As it whirled and hissed and drifted.
All the coals were white with ashes, And the fire was slowly dying, As a young man, walking lightly, At the open doorway entered.
Red with blood of youth his cheeks were, Soft his eyes, as stars In Spring-time, Bound his forehead was with grasses; Bound and plumed with scented grasses, On his lips a smile of beauty, Filling all the lodge with sunshine, In his hand a bunch of blossoms Filling all the lodge with sweetness.
"Ah, my son!" exclaimed the old man, "Happy are my eyes to see you.
Sit here on the mat beside me, Sit here by the dying embers, Let us pass the night together, Tell me of your strange adventures, Of the lands where you have travelled; I will tell you of my prowess, Of my many deeds of wonder.
" From his pouch he drew his peace-pipe, Very old and strangely fashioned; Made of red stone was the pipe-head, And the stem a reed with feathers; Filled the pipe with bark of willow, Placed a burning coal upon it, Gave it to his guest, the stranger, And began to speak in this wise: "When I blow my breath about me, When I breathe upon the landscape, Motionless are all the rivers, Hard as stone becomes the water!" And the young man answered, smiling: "When I blow my breath about me, When I breathe upon the landscape, Flowers spring up o'er all the meadows, Singing, onward rush the rivers!" "When I shake my hoary tresses," Said the old man darkly frowning, "All the land with snow is covered; All the leaves from all the branches Fall and fade and die and wither, For I breathe, and lo! they are not.
From the waters and the marshes, Rise the wild goose and the heron, Fly away to distant regions, For I speak, and lo! they are not.
And where'er my footsteps wander, All the wild beasts of the forest Hide themselves in holes and caverns, And the earth becomes as flintstone!" "When I shake my flowing ringlets," Said the young man, softly laughing, "Showers of rain fall warm and welcome, Plants lift up their heads rejoicing, Back Into their lakes and marshes Come the wild goose and the heron, Homeward shoots the arrowy swallow, Sing the bluebird and the robin, And where'er my footsteps wander, All the meadows wave with blossoms, All the woodlands ring with music, All the trees are dark with foliage!" While they spake, the night departed: From the distant realms of Wabun, From his shining lodge of silver, Like a warrior robed and painted, Came the sun, and said, "Behold me Gheezis, the great sun, behold me!" Then the old man's tongue was speechless And the air grew warm and pleasant, And upon the wigwam sweetly Sang the bluebird and the robin, And the stream began to murmur, And a scent of growing grasses Through the lodge was gently wafted.
And Segwun, the youthful stranger, More distinctly in the daylight Saw the icy face before him; It was Peboan, the Winter! From his eyes the tears were flowing, As from melting lakes the streamlets, And his body shrunk and dwindled As the shouting sun ascended, Till into the air it faded, Till into the ground it vanished, And the young man saw before him, On the hearth-stone of the wigwam, Where the fire had smoked and smouldered, Saw the earliest flower of Spring-time, Saw the Beauty of the Spring-time, Saw the Miskodeed in blossom.
Thus it was that in the North-land After that unheard-of coldness, That intolerable Winter, Came the Spring with all its splendor, All its birds and all its blossoms, All its flowers and leaves and grasses.
Sailing on the wind to northward, Flying in great flocks, like arrows, Like huge arrows shot through heaven, Passed the swan, the Mahnahbezee, Speaking almost as a man speaks; And in long lines waving, bending Like a bow-string snapped asunder, Came the white goose, Waw-be-wawa; And in pairs, or singly flying, Mahng the loon, with clangorous pinions, The blue heron, the Shuh-shuh-gah, And the grouse, the Mushkodasa.
In the thickets and the meadows Piped the bluebird, the Owaissa, On the summit of the lodges Sang the robin, the Opechee, In the covert of the pine-trees Cooed the pigeon, the Omemee; And the sorrowing Hiawatha, Speechless in his infinite sorrow, Heard their voices calling to him, Went forth from his gloomy doorway, Stood and gazed into the heaven, Gazed upon the earth and waters.
From his wanderings far to eastward, From the regions of the morning, From the shining land of Wabun, Homeward now returned Iagoo, The great traveller, the great boaster, Full of new and strange adventures, Marvels many and many wonders.
And the people of the village Listened to him as he told them Of his marvellous adventures, Laughing answered him in this wise: "Ugh! it is indeed Iagoo! No one else beholds such wonders!" He had seen, he said, a water Bigger than the Big-Sea-Water, Broader than the Gitche Gumee, Bitter so that none could drink it! At each other looked the warriors, Looked the women at each other, Smiled, and said, "It cannot be so!" Kaw!" they said, it cannot be so!" O'er it, said he, o'er this water Came a great canoe with pinions, A canoe with wings came flying, Bigger than a grove of pine-trees, Taller than the tallest tree-tops! And the old men and the women Looked and tittered at each other; "Kaw!" they said, "we don't believe it!" From its mouth, he said, to greet him, Came Waywassimo, the lightning, Came the thunder, Annemeekee! And the warriors and the women Laughed aloud at poor Iagoo; "Kaw!" they said, "what tales you tell us!" In it, said he, came a people, In the great canoe with pinions Came, he said, a hundred warriors; Painted white were all their faces And with hair their chins were covered! And the warriors and the women Laughed and shouted in derision, Like the ravens on the tree-tops, Like the crows upon the hemlocks.
"Kaw!" they said, "what lies you tell us! Do not think that we believe them!" Only Hiawatha laughed not, But he gravely spake and answered To their jeering and their jesting: "True is all Iagoo tells us; I have seen it in a vision, Seen the great canoe with pinions, Seen the people with white faces, Seen the coming of this bearded People of the wooden vessel From the regions of the morning, From the shining land of Wabun.
"Gitche Manito, the Mighty, The Great Spirit, the Creator, Sends them hither on his errand.
Sends them to us with his message.
Wheresoe'er they move, before them Swarms the stinging fly, the Ahmo, Swarms the bee, the honey-maker; Wheresoe'er they tread, beneath them Springs a flower unknown among us, Springs the White-man's Foot in blossom.
"Let us welcome, then, the strangers, Hail them as our friends and brothers, And the heart's right hand of friendship Give them when they come to see us.
Gitche Manito, the Mighty, Said this to me in my vision.
"I beheld, too, in that vision All the secrets of the future, Of the distant days that shall be.
I beheld the westward marches Of the unknown, crowded nations.
All the land was full of people, Restless, struggling, toiling, striving, Speaking many tongues, yet feeling But one heart-beat in their bosoms.
In the woodlands rang their axes, Smoked their towns in all the valleys, Over all the lakes and rivers Rushed their great canoes of thunder.
"Then a darker, drearier vision Passed before me, vague and cloud-like; I beheld our nation scattered, All forgetful of my counsels, Weakened, warring with each other: Saw the remnants of our people Sweeping westward, wild and woful, Like the cloud-rack of a tempest, Like the withered leaves of Autumn!"
Written by Thomas Hardy | Create an image from this poem

In A Museum

 I

Here's the mould of a musical bird long passed from light, 
Which over the earth before man came was winging; 
There's a contralto voice I heard last night, 
That lodges with me still in its sweet singing.
II Such a dream is Time that the coo of this ancient bird Has perished not, but is blent, or will be blending Mid visionless wilds of space with the voice that I heard, In the full-fuged song of the universe unending.
Written by Alfred Lord Tennyson | Create an image from this poem

The Lord of Burleigh

 IN her ear he whispers gaily, 
'If my heart by signs can tell, 
Maiden, I have watch'd thee daily, 
And I think thou lov'st me well.
' She replies, in accents fainter, 'There is none I love like thee.
' He is but a landscape-painter, And a village maiden she.
He to lips, that fondly falter, Presses his without reproof: Leads her to the village altar, And they leave her father's roo£ 'I can make no marriage present: Little can I give my wife.
Love will make our cottage pleasant, And I love thee more than life.
' They by parks and lodges going See the lordly castles stand: Summer woods, about them blowing, Made a murmur in the land.
From deep thought himself he rouses, Says to her that loves him well, 'Let us see these handsome houses Where the wealthy nobles dwell.
' So she goes by him attended, Hears him lovingly converse, Sees whatever fair and splendid Lay betwixt his home and hers; Parks with oak and chestnut shady, Parks and order'd gardens great, Ancient homes of lord and lady, Built for pleasure and for state.
All he shows her makes him dearer: Evermore she seems to gaze On that cottage growing nearer, Where they twain will spend their days.
O but she will love him truly ! He shall have a cheerful home; She will order all things duly, When beneath his roof they come.
Thus her heart rejoices greatly, Till a gateway she discerns With armorial bearings stately, And beneath the gate she turns; Sees a mansion more majestic Than all those she saw before: Many a gallant gay domestic Bows before him at the door.
And they speak in gentle murmur, When they answer to his call, While he treads with footstep firmer, Leading on from hall to hall.
And, while now she wonders blindly, Nor the meaning can divine, Proudly turns he round and kindly, 'All of this is mine and thine.
' Here he lives in state and bounty, Lord of Burleigh, fair and free, Not a lord in all the county Is so great a lord as he.
All at once the colour flushes Her sweet face from brow to chin: As it were with shame she blushes, And her spirit changed within.
Then her countenance all over Pale again as death did prove: But he clasp'd her like a lover, And he cheer'd her soul with love.
So she strove against her weakness, Tho' at times her spirit sank: Shaped her heart with woman's meekness To all duties of her rank: And a gentle consort made he, And her gentle mind was such That she grew a noble lady, And the people loved her much.
But a trouble weigh'd upon her, And perplex'd her, night and morn, With the burthen of an honour Unto which she was not born.
Faint she grew, and ever fainter, And she murmur'd, 'Oh, that he Were once more that landscape-painter, Which did win my heart from me!' So she droop'd and droop'd before him, Fading slowly from his side: Three fair children first she bore him, Then before her time she died.
Weeping, weeping late and early, Walking up and pacing down, Deeply mourn'd the Lord of Burleigh, Burleigh-house by Stamford-town.
And he came to look upon her, And he look'd at her and said, 'Bring the dress and put it on her, That she wore when she was wed.
' Then her people, softly treading, Bore to earth her body, drest In the dress that she was wed in, That her spirit might have rest.
Written by John Berryman | Create an image from this poem

Dream Song 86: Op. posth. no. 9

 The conclusion is growing .
.
.
I feel sure, my lord, this august court will entertain the plea Not Guilty by reason of death.
I can say no more except that for the record I add that all the crimes since all the times he died will be due to the breath of unknown others, sweating in theri guilt while my client Henry's brow of stainless steel rests free, as well it may, of all such turbulence, whereof not built Henry lies clear as any onion-peel in any sandwich, say.
He spiced us: there, my lord, the wicked fault lodges: we judged him when we did not know and we did judge him wrong, lying incapable of crime save salt preservative in cases here below adduced.
Not to prolong
Written by D. H. Lawrence | Create an image from this poem

Whether or Not

I

Dunna thee tell me its his'n, mother,
      Dunna thee, dunna thee.
--Oh ay! he'll be comin' to tell thee his-sèn
      Wench, wunna he?

Tha doesna mean to say to me, mother,
      He's gone wi that--
--My gel, owt'll do for a man i' the dark,
      Tha's got it flat.

But 'er's old, mother, 'er's twenty year
      Older nor him--
--Ay, an' yaller as a crowflower, an' yet i' the dark
      Er'd do for Tim.

Tha niver believes it, mother, does ter?
      It's somebody's lies.
--Ax him thy-sèn wench--a widder's lodger;
      It's no surprise.


II

A widow of forty-five
With a bitter, swarthy skin,
To ha' 'ticed a lad o' twenty-five
An' 'im to have been took in!

A widow of forty-five
As has sludged like a horse all her life,
Till 'er's tough as whit-leather, to slive
Atween a lad an' 'is wife!

A widow of forty-five.
A tough old otchel wi' long
Witch teeth, an' 'er black hawk-eyes as I've
Mistrusted all along!

An' me as 'as kep my-sen
Shut like a daisy bud,
Clean an' new an' nice, so's when
He wed he'd ha'e summat good!

An' 'im as nice an' fresh
As any man i' the force,
To ha'e gone an' given his white young flesh
To a woman that coarse!


III

You're stout to brave this snow, Miss Stainwright,
    Are you makin' Brinsley way?
--I'm off up th' line to Underwood
    Wi' a dress as is wanted to-day.

Oh are you goin' to Underwood?
    'Appen then you've 'eered?
--What's that as 'appen I've 'eered-on, Missis,
    Speak up, you nedna be feared.

Why, your young man an' Widow Naylor,
    Her as he lodges wi',
They say he's got her wi' childt; but there,
    It's nothing to do wi' me.

Though if it's true they'll turn him out
    O' th' p'lice force, without fail;
An' if it's not true, I'd back my life
    They'll listen to _her_ tale.

Well, I'm believin' no tale, Missis,
    I'm seein' for my-sen;
An' when I know for sure, Missis,
    I'll talk _then_.


IV

Nay robin red-breast, tha nedna
    Sit noddin' thy head at me;
My breast's as red as thine, I reckon,
    Flayed red, if tha could but see.

Nay, you blessed pee-whips,
    You nedna screet at me!
I'm screetin' my-sen, but are-na goin'
    To let iv'rybody see.

Tha _art_ smock-ravelled, bunny,
    Larropin' neck an' crop
I' th' snow: but I's warrant thee, bunny,
    _I'm_ further ower th' top.


V

Now sithee theer at th' railroad crossin'
Warmin' his-sen at the stool o' fire
Under the tank as fills the ingines,
If there isn't my dearly-beloved liar!

My constable wi' 'is buttoned breast
As stout as the truth, my sirs!--An' 'is face
As bold as a robin! It's much he cares
For this nice old shame and disgrace.

Oh but he drops his flag when 'e sees me,
Yes, an' 'is face goes white ... oh yes
Tha can stare at me wi' thy fierce blue eyes,
But tha doesna stare me out, I guess!


VI

Whativer brings thee out so far
    In a' this depth o' snow?
--I'm takin' 'ome a weddin' dress
    If tha maun know.

Why, is there a weddin' at Underwood,
    As tha ne'd trudge up here?
--It's Widow Naylor's weddin'-dress,
    An' 'er's wantin it, I hear.

_'Er_ doesna want no weddin-dress ...
    What--but what dost mean?
--Doesn't ter know what I mean, Tim?--Yi,
    Tha must' a' been hard to wean!

Tha'rt a good-un at suckin-in yet, Timmy;
    But tell me, isn't it true
As 'er'll be wantin' _my_ weddin' dress
    In a week or two?

Tha's no occasions ter ha'e me on
    Lizzie--what's done is done!
--_Done_, I should think so--Done! But might
    I ask when tha begun?

It's thee as 'as done it as much as me,
    Lizzie, I tell thee that.
--"Me gotten a childt to thy landlady--!"
    Tha's gotten thy answer pat,

As tha allers hast--but let me tell thee
    Hasna ter sent me whoam, when I
Was a'most burstin' mad o' my-sen
    An' walkin' in agony;

After thy kisses, Lizzie, after
    Tha's lain right up to me Lizzie, an' melted
Into me, melted into me, Lizzie,
    Till I was verily swelted.

An' if my landlady seed me like it,
    An' if 'er clawkin', tiger's eyes
Went through me just as the light went out
    Is it any cause for surprise?

No cause for surprise at all, my lad,
    After lickin' and snuffin' at me, tha could
Turn thy mouth on a woman like her--
    Did ter find her good?

Ay, I did, but afterwards
    I should like to ha' killed her!
--Afterwards!--an' after how long
    Wor it tha'd liked to 'a killed her?

Say no more, Liz, dunna thee,
    I might lose my-sen.
--I'll only say good-bye to thee, Timothy,
    An' gi'e her thee back again.

I'll ta'e thy word 'Good-bye,' Liz,
    But I shonna marry her,
I shonna for nobody.--It is
    Very nice on you, Sir.

The childt maun ta'e its luck, it maun,
    An' she maun ta'e _her_ luck,
For I tell ye I shonna marry her--
    What her's got, her took.

That's spoken like a man, Timmy,
    That's spoken like a man ...
"He up an' fired off his pistol
    An' then away he ran."

I damn well shanna marry 'er,
    So chew at it no more,
Or I'll chuck the flamin' lot of you--
    --You nedn't have swore.


VII

That's his collar round the candle-stick
An' that's the dark blue tie I bought 'im,
An' these is the woman's kids he's so fond on,
An' 'ere comes the cat that caught 'im.

I dunno where his eyes was--a gret
Round-shouldered hag! My sirs, to think
Of him stoopin' to her! You'd wonder he could
Throw hisself in that sink.

I expect you know who I am, Mrs Naylor!
    --Who yer are?--yis, you're Lizzie Stainwright.
'An 'appen you might guess what I've come for?
    --'Appen I mightn't, 'appen I might.

You knowed as I was courtin' Tim Merfin.
    --Yis, I knowed 'e wor courtin' thee.
An' yet you've been carryin' on wi' him.
    --Ay, an' 'im wi' me.

Well, now you've got to pay for it,
    --An' if I han, what's that to thee?
For 'e isn't goin' to marry you.
    --Is it a toss-up 'twixt thee an' me?

It's no toss-up 'twixt thee an' me.
    --Then what art colleyfoglin' for?
I'm not havin' your orts an' slarts.
    --Which on us said you wor?

I want you to know 'e's non _marryin'_ you.
    --Tha wants 'im thy-sen too bad.
Though I'll see as 'e pays you, an' comes to the scratch.
    --Tha'rt for doin' a lot wi' th' lad.


VIII

To think I should ha'e to haffle an' caffle
    Wi' a woman, an' pay 'er a price
For lettin' me marry the lad as I thought
    To marry wi' cabs an' rice.

But we'll go unbeknown to the registrar,
    An' give _'er_ what money there is,
For I won't be beholden to such as her
    For anythink of his.


IX

Take off thy duty stripes, Tim,
    An' come wi' me in here,
Ta'e off thy p'lice-man's helmet
    An' look me clear.

I wish tha hadna done it, Tim,
    I do, an' that I do!
For whenever I look thee i' th' face, I s'll see
    Her face too.

I wish tha could wesh 'er off'n thee,
    For I used to think that thy
Face was the finest thing that iver
    Met my eye....


X

Twenty pound o' thy own tha hast, and fifty pound ha'e I,
Thine shall go to pay the woman, an' wi' my bit we'll buy
All as we shall want for furniture when tha leaves this place,
An' we'll be married at th' registrar--now lift thy face.

Lift thy face an' look at me, man, up an' look at me:
Sorry I am for this business, an' sorry if I ha'e driven thee
To such a thing: but it's a poor tale, that I'm bound to say,
Before I can ta'e thee I've got a widow of forty-five to pay.

Dunnat thee think but what I love thee--I love thee well,
But 'deed an' I wish as this tale o' thine wor niver my tale to tell;
Deed an' I wish as I could stood at the altar wi' thee an' been proud
o' thee,
That I could ha' been first woman to thee, as thou'rt first man to me.

But we maun ma'e the best on't--I'll rear thy childt if 'er'll yield
it to me,
An' then wi' that twenty pound we gi'e 'er I s'd think 'er wunna be
So very much worser off than 'er wor before--An' now look up
An' answer me--for I've said my say, an' there's no more sorrow to sup.

Yi, tha'rt a man, tha'rt a fine big man, but niver a baby had eyes
As sulky an' ormin' as thine. Hast owt to say otherwise
From what I've arranged wi' thee? Eh man, what a stubborn jackass thou
art,
Kiss me then--there!--ne'er mind if I scraight--I wor fond o' thee,
Sweetheart.

Book: Shattered Sighs