Written by
Amy Lowell |
Slowly, without force, the rain drops into the
city. It stops a moment
on the carved head of Saint John, then slides on again, slipping
and trickling
over his stone cloak. It splashes from the lead conduit
of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about
in the sky?
Boom! The sound swings against the rain. Boom,
again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence. Ripples and mutters. Boom!
The room is damp, but warm. Little flashes swarm about
from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere'. Her hands
are restless,
but the white masses of her hair are quite still. Boom! Will
it never cease
to torture, this iteration! Boom! The vibration
shatters a glass
on the `etagere'. It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing
red,
blood-red. A thin bell-note pricks through the silence. A
door creaks.
The old lady speaks: "Victor, clear away that broken
glass." "Alas!
Madame, the bohemian glass!" "Yes, Victor, one hundred
years ago
my father brought it --" Boom! The room shakes,
the servitor quakes.
Another goblet shivers and breaks. Boom!
It rustles at the window-pane, the smooth, streaming rain, and he
is shut
within its clash and murmur. Inside is his candle, his
table, his ink,
his pen, and his dreams. He is thinking, and the walls
are pierced with
beams of sunshine, slipping through young green. A fountain
tosses itself
up at the blue sky, and through the spattered water in the basin
he can see
copper carp, lazily floating among cold leaves. A wind-harp
in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher. Boom!
The flame-flowers snap on their slender stems. The fountain
rears up
in long broken spears of dishevelled water and flattens into the
earth. Boom!
And there is only the room, the table, the candle, and the sliding
rain.
Again, Boom! -- Boom! -- Boom! He stuffs his fingers
into his ears.
He sees corpses, and cries out in fright. Boom! It
is night,
and they are shelling the city! Boom! Boom!
A child wakes and is afraid, and weeps in the darkness. What
has made
the bed shake? "Mother, where are you? I am
awake." "Hush, my Darling,
I am here." "But, Mother, something so ***** happened,
the room shook."
Boom! "Oh! What is it? What is
the matter?" Boom! "Where is Father?
I am so afraid." Boom! The child sobs and
shrieks. The house
trembles and creaks. Boom!
Retorts, globes, tubes, and phials lie shattered. All
his trials
oozing across the floor. The life that was his choosing,
lonely, urgent,
goaded by a hope, all gone. A weary man in a ruined laboratory,
that is his story. Boom! Gloom and ignorance,
and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of
slime.
Wails from people burying their dead. Through the window,
he can see
the rocking steeple. A ball of fire falls on the lead
of the roof,
and the sky tears apart on a spike of flame. Up the spire,
behind the lacings of stone, zigzagging in and out of the carved
tracings,
squirms the fire. It spouts like yellow wheat from the
gargoyles, coils round
the head of Saint John, and aureoles him in light. It
leaps into the night
and hisses against the rain. The Cathedral is a burning
stain on the white,
wet night.
Boom! The Cathedral is a torch, and the houses next to
it begin to scorch.
Boom! The bohemian glass on the `etagere' is no longer
there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk. She watches the creeping stalk
and counts.
Boom! -- Boom! -- Boom!
The poet rushes into the street, and the rain wraps him in a sheet
of silver.
But it is threaded with gold and powdered with scarlet beads. The
city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls. Smearing
its gold on the sky,
the fire dances, lances itself through the doors, and lisps and
chuckles
along the floors.
The child wakes again and screams at the yellow petalled flower
flickering at the window. The little red lips of flame
creep along
the ceiling beams.
The old man sits among his broken experiments and looks at
the burning Cathedral. Now the streets are swarming with
people.
They seek shelter and crowd into the cellars. They shout
and call,
and over all, slowly and without force, the rain drops into the
city.
Boom! And the steeple crashes down among the people. Boom! Boom,
again!
The water rushes along the gutters. The fire roars and
mutters. Boom!
|
Written by
Amy Lowell |
I
Over the yawning chimney hangs the fog. Drip
-- hiss -- drip -- hiss --
fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams. Drip -- hiss -- the rain
never stops.
The wide, state bed shivers beneath its velvet coverlet. Above,
dim,
in the smoke, a tarnished coronet gleams dully. Overhead
hammers and chinks
the rain. Fearfully wails the wind down distant corridors,
and there comes
the swish and sigh of rushes lifted off the floors. The
arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to
swaling.
The fire flutters and drops. Drip -- hiss -- the rain
never stops.
He shuts the door. The rushes fall again to stillness
along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold. Above,
in the firelight, winks the coronet of tarnished gold. The
knight shivers
in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette. He will wait
for her.
How the log hisses and drips! How warm
and satisfying will be her lips!
It is wide and cold, the state bed; but when her head lies under
the coronet,
and her eyes are full and wet with love, and when she holds out
her arms,
and the velvet counterpane half slips from her, and alarms
her trembling modesty, how eagerly he will leap to cover her, and
blot himself
beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord,
absent and fighting,
terribly abhorred?
He stirs a booted heel and kicks a rolling coal. His
spur clinks
on the hearth. Overhead, the rain hammers and chinks. She
is so pure
and whole. Only because he has her soul will she resign
herself to him,
for where the soul has gone, the body must be given as a sign. He
takes her
by the divine right of the only lover. He has sworn to
fight her lord,
and wed her after. Should he be overborne, she will die
adoring him, forlorn,
shriven by her great love.
Above, the coronet winks in the darkness. Drip
-- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off
hall.
The candles swale. In the gale the moat below plunges
and spatters.
Will the lady lose courage and not come?
The rain claps on a loosened rafter.
Is that laughter?
The room is filled with lisps and whispers. Something
mutters.
One candle drowns and the other gutters. Is that the
rain
which pads and patters, is it the wind through the winding entries
which chatters?
The state bed is very cold and he is alone. How
far from the wall
the arras is blown!
Christ's Death! It is no storm which makes these little
chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing
and
clasping someone! Through the sobbing storm he hears
her love take form
and flutter out in words. They prick into his ears and
stun his desire,
which lies within him, hard and dead, like frozen fire. And
the little noise
never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
II
The state bed shivers in the watery dawn. Drip
-- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped
and fair in the cold,
grey air. Drip -- hiss -- fall the blood-drops, for the
bleeding never stops.
The bodies lie quietly. At each side of the bed, on the
floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes
along
the rush mat.
A wisp of paper is twisted carefully into the strands
of the dead man's hair.
It says, "My Lord: Your wife's paramour has paid with
his life
for the high favour."
Through the lady's silver fillet is wound another
paper. It reads,
"Most noble Lord: Your wife's misdeeds are as a double-stranded
necklace of beads. But I have engaged that, on your return,
she shall welcome you here. She will not spurn your love
as before,
you have still the best part of her. Her blood was red,
her body white,
they will both be here for your delight. The soul inside
was a lump of dirt,
I have rid you of that with a spurt of my sword point. Good
luck
to your pleasure. She will be quite complaisant, my friend,
I wager."
The end was a splashed flourish of ink.
Hark! In the passage is heard the clink
of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering
in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog. Drip -- hiss
-- drip -- hiss --
fall the raindrops. Overhead hammers and chinks the rain
which never stops.
The velvet coverlet is sodden and wet, yet the
roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and
blinking.
Among the rushes three corpses are growing cold.
III
In the castle church you may see them stand,
Two sumptuous tombs on either hand
Of the choir, my Lord's and my Lady's, grand
In sculptured filigrees. And where the transepts of the
church expand,
A crusader, come from the Holy Land,
Lies with crossed legs and embroidered band.
The page's name became a brand
For shame. He was buried in crawling sand,
After having been burnt by royal command.
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