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Best Famous Lineage Poems

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Delmira Agustini | Create an image from this poem

Mi Musa Triste (My Sad Muse)

SpanishVagos preludios. En la noche espléndidaSu voz de perlas una fuente calla,Cuelgan las brisas sus celestes pifanosEn el follaje. Las cabezas pardasDe los búhos acechan.Las flores se abren más, como asombradas.Los cisnes de marfil tienden los cuellosEn las lagunas pálidas.Selene mira del azul. Las frondasTiemblan… y todo! hasta el silencio, calla…Es que ella pasa con su boca tristeY el gran misterio de sus ojos de ámbar,A través de la noche, hacia el olvido,Como una estrella fugitiva y blanca.Como una destronada reina exóticaDe bellos gestos y palabras raras.Horizontes violados sus ojerasDentro sus ojos–dos estrellas de ámbar–Se abren cansados y húmedos y tristesComo llagas de luz que quejaran.Es un dolor que vive y que no espera,Es una aurora gris que se levantaDel gran lecho de sombras de la noche,Cansada ya, sin esplendor, sin ansiasY sus canciones son como hadas tristesAlhajadas de lágrimas…              EnglishMurmuring preludes. On this resplendent nightHer pearled voice quiets a fountain.The breezes hang their celestial fifesIn the foliage. The gray headsOf the owls keep watch.Flowers open themselves, as if surprised.Ivory swans extend their necksIn the pallid lakes.Selene watches from the blue. FrondsTremble…and everything! Even the silence, quiets.She wanders with her sad mouthAnd the grand mystery of amber eyes,Across the night, toward forgetfulnessLike a star, fugitive and white.Like a dethroned exotic queenWith comely gestures and rare utterings.Her undereyes are violated horizonsAnd her irises–two stars of amber–Open wet and weary and sadLike ulcers of light that weep.She is a grief which thrives and does not hope,She is a gray aurora risingFrom the shadowy bed of night,Exhausted, without splendor, without anxiousness.And her songs are like dolorous fairiesJeweled in teardrops…                          The strings of lyres                          Are the souls' fibers.–The blood of bitter vineyards, noble vineyards,In goblets of regal beauty, risesTo her marble hands, to lips carvedLike the blazon of a great lineage.Strange Princes of Fantasy! TheyHave seen her languid head, once erect,And heard her laugh, for her eyesTremble with the flower of aristocracies!And her soul clean as fire, like a star,Burns in those pupils of amber.But with a mere glance, scarcely an intimacy,Perhaps the echo of a profane voice,This white and pristine soul shrinksLike a luminous flower, folding herself up!

Written by Charlotte Bronte | Create an image from this poem

Pilates Wifes Dream

 I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream. 

It sunk, and I am wrapt in utter gloom; 
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ? 
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread! 

I'd call my women, but to break their sleep, 
Because my own is broken, were unjust; 

They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust; 
Let me my feverish watch with patience bear, 
Thankful that none with me its sufferings share. 

Yet, Oh, for light ! one ray would tranquilise 
My nerves, my pulses, more than effort can; 
I'll draw my curtain and consult the skies: 
These trembling stars at dead of night look wan, 
Wild, restless, strange, yet cannot be more drear 
Than this my couch, shared by a nameless fear. 

All black­one great cloud, drawn from east to west, 
Conceals the heavens, but there are lights below; 
Torches burn in Jerusalem, and cast 
On yonder stony mount a lurid glow. 
I see men stationed there, and gleaming spears; 
A sound, too, from afar, invades my ears. 

Dull, measured, strokes of axe and hammer ring 
From street to street, not loud, but through the night 
Distinctly heard­and some strange spectral thing 
Is now upreared­and, fixed against the light 
Of the pale lamps; defined upon that sky, 
It stands up like a column, straight and high. 

I see it all­I know the dusky sign­
A cross on Calvary, which Jews uprear 

While Romans watch; and when the dawn shall shine 
Pilate, to judge the victim will appear, 
Pass sentence­yield him up to crucify; 
And on that cross the spotless Christ must die. 

Dreams, then, are true­for thus my vision ran; 
Surely some oracle has been with me,
The gods have chosen me to reveal their plan, 
To warn an unjust judge of destiny: 
I, slumbering, heard and saw; awake I know, 
Christ's coming death, and Pilate's life of woe. 

I do not weep for Pilate­who could prove 
Regret for him whose cold and crushing sway 
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay, 
Yet with a faltering, an uncertain tread, 
That might stir up reprisal in the dead. 

Forced to sit by his side and see his deeds; 
Forced to behold that visage, hour by hour, 
In whose gaunt lines, the abhorrent gazer reads 
A triple lust of gold, and blood, and power; 
A soul whom motives, fierce, yet abject, urge 
Rome's servile slave, and Judah's tyrant scourge. 

How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung; 

I, who for grief have wept my eye-sight dim; 
Because, while life for me was bright and young, 
He robbed my youth­he quenched my life's fair ray­
He crushed my mind, and did my freedom slay. 


And at this hour­although I be his wife­ 
He has no more of tenderness from me 
Than any other wretch of guilty life; 
Less, for I know his household privacy­ 
I see him as he is­without a screen; 
And, by the gods, my soul abhors his mien ! 

Has he not sought my presence, dyed in blood­ 
Innocent, righteous blood, shed shamelessly ? 
And have I not his red salute withstood ? 
Aye,­when, as erst, he plunged all Galilee 
In dark bereavement­in affliction sore, 
Mingling their very offerings with their gore. 

Then came he­in his eyes a serpent-smile, 
Upon his lips some false, endearing word, 
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword­ 
And I, to see a man cause men such woe, 
Trembled with ire­I did not fear to show. 

And now, the envious Jewish priests have brought
Jesus­whom they in mockery call their king­ 

To have, by this grim power, their vengeance wrought; 
By this mean reptile, innocence to sting. 
Oh ! could I but the purposed doom avert, 
And shield the blameless head from cruel hurt! 

Accessible is Pilate's heart to fear, 
Omens will shake his soul, like autumn leaf; 
Could he this night's appalling vision hear, 
This just man's bonds were loosed, his life were safe, 
Unless that bitter priesthood should prevail, 
And make even terror to their malice quail. 

Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brain­at once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;­
Not what will be, but what, long since, has been. 

I suffered many things, I heard foretold 
A dreadful doom for Pilate,­lingering woes, 
In far, barbarian climes, where mountains cold 
Built up a solitude of trackless snows, 
There, he and grisly wolves prowled side by side, 
There he lived famished­there methought he died; 

But not of hunger, nor by malady;
I saw the snow around him, stained with gore; 

I said I had no tears for such as he, 
And, lo ! my cheek is wet­mine eyes run o'er; 
I weep for mortal suffering, mortal guilt, 
I weep the impious deed­the blood self-spilt. 

More I recall not, yet the vision spread 
Into a world remote, an age to come­ 
And still the illumined name of Jesus shed 
A light, a clearness, through the enfolding gloom­ 
And still I saw that sign, which now I see, 
That cross on yonder brow of Calvary. 

What is this Hebrew Christ ? To me unknown, 
His lineage­doctrine­mission­yet how clear, 
Is God-like goodness, in his actions shewn ! 
How straight and stainless is his life's career ! 
The ray of Deity that rests on him, 
In my eyes makes Olympian glory dim. 

The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light 
To guide it on its upward, onward way;
Ashamed of sculptured gods­Religion turns 
To where the unseen Jehovah's altar burns. 

Our faith is rotten­all our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan 

And sever from the wheat; but will his faith 
Survive the terrors of to-morrow's death ? 

* * * * * 

I feel a firmer trust­a higher hope 
Rise in my soul­it dawns with dawning day; 
Lo ! on the Temple's roof­on Moriah's slope 
Appears at length that clear, and crimson ray, 
Which I so wished for when shut in by night; 
Oh, opening skies, I hail, I bless your light ! 

Part, clouds and shadows ! glorious Sun appear ! 
Part, mental gloom ! Come insight from on high ! 
Dusk dawn in heaven still strives with daylight clear, 
The longing soul, doth still uncertain sigh. 
Oh ! to behold the truth­that sun divine, 
How doth my bosom pant, my spirit pine ! 

This day, time travails with a mighty birth, 
This day, Truth stoops from heaven and visits earth, 
Ere night descends, I shall more surely know 
What guide to follow, in what path to go; 
I wait in hope­I wait in solemn fear, 
The oracle of God­the sole­true God­to hear.
Written by Friedrich von Schiller | Create an image from this poem

The Gods Of Greece

 Ye in the age gone by,
Who ruled the world--a world how lovely then!--
And guided still the steps of happy men
In the light leading-strings of careless joy!
Ah, flourished then your service of delight!
How different, oh, how different, in the day
When thy sweet fanes with many a wreath were bright,
O Venus Amathusia!

Then, through a veil of dreams
Woven by song, truth's youthful beauty glowed,
And life's redundant and rejoicing streams
Gave to the soulless, soul--where'r they flowed
Man gifted nature with divinity
To lift and link her to the breast of love;
All things betrayed to the initiate eye
The track of gods above!

Where lifeless--fixed afar,
A flaming ball to our dull sense is given,
Phoebus Apollo, in his golden car,
In silent glory swept the fields of heaven!
On yonder hill the Oread was adored,
In yonder tree the Dryad held her home;
And from her urn the gentle Naiad poured
The wavelet's silver foam.

Yon bay, chaste Daphne wreathed,
Yon stone was mournful Niobe's mute cell,
Low through yon sedges pastoral Syrinx breathed,
And through those groves wailed the sweet Philomel,
The tears of Ceres swelled in yonder rill--
Tears shed for Proserpine to Hades borne;
And, for her lost Adonis, yonder hill
Heard Cytherea mourn!--

Heaven's shapes were charmed unto
The mortal race of old Deucalion;
Pyrrha's fair daughter, humanly to woo,
Came down, in shepherd-guise, Latona's son
Between men, heroes, gods, harmonious then
Love wove sweet links and sympathies divine;
Blest Amathusia, heroes, gods, and men,
Equals before thy shrine!

Not to that culture gay,
Stern self-denial, or sharp penance wan!
Well might each heart be happy in that day--
For gods, the happy ones, were kin to man!
The beautiful alone the holy there!
No pleasure shamed the gods of that young race;
So that the chaste Camoenae favoring were,
And the subduing grace!

A palace every shrine;
Your sports heroic;--yours the crown
Of contests hallowed to a power divine,
As rushed the chariots thundering to renown.
Fair round the altar where the incense breathed,
Moved your melodious dance inspired; and fair
Above victorious brows, the garland wreathed
Sweet leaves round odorous hair!

The lively Thyrsus-swinger,
And the wild car the exulting panthers bore,
Announced the presence of the rapture-bringer--
Bounded the Satyr and blithe Faun before;
And Maenads, as the frenzy stung the soul,
Hymned in their maddening dance, the glorious wine--
As ever beckoned to the lusty bowl
The ruddy host divine!

Before the bed of death
No ghastly spectre stood--but from the porch
Of life, the lip--one kiss inhaled the breath,
And the mute graceful genius lowered a torch.
The judgment-balance of the realms below,
A judge, himself of mortal lineage, held;
The very furies at the Thracian's woe,
Were moved and music-spelled.

In the Elysian grove
The shades renewed the pleasures life held dear:
The faithful spouse rejoined remembered love,
And rushed along the meads the charioteer;
There Linus poured the old accustomed strain;
Admetus there Alcestis still could greet; his
Friend there once more Orestes could regain,
His arrows--Philoctetes!

More glorious than the meeds
That in their strife with labor nerved the brave,
To the great doer of renowned deeds
The Hebe and the heaven the Thunderer gave.
Before the rescued rescuer [10] of the dead,
Bowed down the silent and immortal host;
And the twain stars [11] their guiding lustre shed,
On the bark tempest-tossed!

Art thou, fair world, no more?
Return, thou virgin-bloom on Nature's face;
Ah, only on the minstrel's magic shore,
Can we the footstep of sweet fable trace!
The meadows mourn for the old hallowing life;
Vainly we search the earth of gods bereft;
Where once the warm and living shapes were rife,
Shadows alone are left!

Cold, from the north, has gone
Over the flowers the blast that killed their May;
And, to enrich the worship of the one,
A universe of gods must pass away!
Mourning, I search on yonder starry steeps,
But thee no more, Selene, there I see!
And through the woods I call, and o'er the deeps,
And--Echo answers me!

Deaf to the joys she gives--
Blind to the pomp of which she is possessed--
Unconscious of the spiritual power that lives
Around, and rules her--by our bliss unblessed--
Dull to the art that colors or creates,
Like the dead timepiece, godless nature creeps
Her plodding round, and, by the leaden weights,
The slavish motion keeps.

To-morrow to receive
New life, she digs her proper grave to-day;
And icy moons with weary sameness weave
From their own light their fulness and decay.
Home to the poet's land the gods are flown,
Light use in them that later world discerns,
Which, the diviner leading-strings outgrown,
On its own axle turns.

Home! and with them are gone
The hues they gazed on and the tones they heard;
Life's beauty and life's melody:--alone
Broods o'er the desolate void, the lifeless word;
Yet rescued from time's deluge, still they throng
Unseen the Pindus they were wont to cherish:
All, that which gains immortal life in song,
To mortal life must perish!
Written by Matthew Prior | Create an image from this poem

Jinny the Just

 Releas'd from the noise of the butcher and baker 
Who, my old friends be thanked, did seldom forsake her, 
And from the soft duns of my landlord the Quaker, 

From chiding the footmen and watching the lasses, 
From Nell that burn'd milk, and Tom that broke glasses 
(Sad mischiefs thro' which a good housekeeper passes!) 

From some real care but more fancied vexation, 
From a life parti-colour'd half reason half passion, 
Here lies after all the best wench in the nation. 

From the Rhine to the Po, from the Thames to the Rhone, 
Joanna or Janneton, Jinny or Joan, 
'Twas all one to her by what name she was known. 

For the idiom of words very little she heeded, 
Provided the matter she drove at succeeded, 
She took and gave languages just as she needed. 

So for kitchen and market, for bargain and sale, 
She paid English or Dutch or French down on the nail, 
But in telling a story she sometimes did fail; 

Then begging excuse as she happen'd to stammer, 
With respect to her betters but none to her grammar, 
Her blush helped her out and her jargon became her. 

Her habit and mien she endeavor'd to frame 
To the different gout of the place where she came; 
Her outside still chang'd, but her inside the same: 

At the Hague in her slippers and hair as the mode is, 
At Paris all falbalow'd fine as a goddess, 
And at censuring London in smock sleeves and bodice. 

She order'd affairs that few people could tell 
In what part about her that mixture did dwell 
Of Frow, or Mistress, or Mademoiselle. 

For her surname and race let the herald's e'en answer; 
Her own proper worth was enough to advance her, 
And he who liked her, little value her grandsire. 

But from what house so ever her lineage may come 
I wish my own Jinny but out of her tomb, 
Tho' all her relations were there in her room. 

Of such terrible beauty she never could boast 
As with absolute sway o'er all hearts rules the roast 
When J___ bawls out to the chair for a toast; 

But of good household features her person was made, 
Nor by faction cried up nor of censure afraid, 
And her beauty was rather for use than parade. 

Her blood so well mix't and flesh so well pasted 
That, tho' her youth faded, her comeliness lasted; 
The blue was wore off, but the plum was well tasted. 

Less smooth than her skin and less white than her breast 
Was this polished stone beneath which she lies pressed: 
Stop, reader, and sigh while thou thinkst on the rest. 

With a just trim of virtue her soul was endued, 
Not affectedly pious nor secretly lewd 
She cut even between the coquette and the prude. 

Her will with her duty so equally stood 
That, seldom oppos'd, she was commonly good, 
And did pretty well, doing just what she would. 

Declining all power she found means to persuade, 
Was then most regarded when most she obey'd, 
The mistress in truth when she seem'd but the maid. 

Such care of her own proper actions she took 
That on other folk's lives she had not time to look, 
So censure and praise were struck out of her book. 

Her thought still confin'd to its own little sphere, 
She minded not who did excel or did err 
But just as the matter related to her. 

Then too when her private tribunal was rear'd 
Her mercy so mix'd with her judgment appear'd 
That her foes were condemn'd and her friends always clear'd. 

Her religion so well with her learning did suit 
That in practice sincere, and in controverse mute, 
She showed she knew better to live than dispute. 

Some parts of the Bible by heart she recited, 
And much in historical chapters delighted, 
But in points about Faith she was something short sighted; 

So notions and modes she refer'd to the schools, 
And in matters of conscience adher'd to two rules, 
To advise with no bigots, and jest with no fools. 

And scrupling but little, enough she believ'd, 
By charity ample small sins she retriev'd, 
And when she had new clothes she always receiv'd. 

Thus still whilst her morning unseen fled away 
In ord'ring the linen and making the tea 
That scarce could have time for the psalms of the day; 

And while after dinner the night came so soon 
That half she propos'd very seldom was done; 
With twenty God bless me's, how this day is gone! -- 

While she read and accounted and paid and abated, 
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated, 
As answer'd the end of her being created: 

In the midst of her age came a cruel disease 
Which neither her juleps nor receipts could appease; 
So down dropp'd her clay -- may her Soul be at peace! 

Retire from this sepulchre all the profane, 
You that love for debauch, or that marry for gain, 
Retire lest ye trouble the Manes of J___. 

But thou that know'st love above int'rest or lust, 
Strew the myrle and rose on this once belov'd dust, 
And shed one pious tear upon Jinny the Just. 

Tread soft on her grave, and do right to her honor, 
Let neither rude hand nor ill tongue light upon her, 
Do all the small favors that now can be done her. 

And when what thou lik'd shall return to her clay, 
For so I'm persuaded she must do one day 
-- Whatever fantastic John Asgill may say -- 

When as I have done now, thou shalt set up a stone 
For something however distinguished or known, 
May some pious friend the misfortune bemoan, 
And make thy concern by reflexion his own.


Written by A E Housman | Create an image from this poem

Diffugere Nives (Horace Odes 4.7)

 The snows are fled away, leaves on the shaws
 And grasses in the mead renew their birth,
The river to the river-bed withdraws,
 And altered is the fashion of the earth.

The Nymphs and Graces three put off their fear
 And unapparelled in the woodland play.
The swift hour and the brief prime of the year
 Say to the soul, Thou wast not born for aye.

Thaw follows frost; hard on the heel of spring
 Treads summer sure to die, for hard on hers
Comes autumn with his apples scattering;
 Then back to wintertide, when nothing stirs.

But oh, whate'er the sky-led seasons mar,
 Moon upon moon rebuilds it with her beams;
Come we where Tullus and where Ancus are
 And good Aeneas, we are dust and dreams.

Torquatus, if the gods in heaven shall add
 The morrow to the day, what tongue has told?
Feast then thy heart, for what thy heart has had
 The fingers of no heir will ever hold.

When thou descendest once the shades among,
 The stern assize and equal judgment o'er,
Not thy long lineage nor thy golden tongue,
 No, nor thy righteousness, shall friend thee more.

Night holds Hippolytus the pure of stain,
 Diana steads him nothing, he must stay;
And Theseus leaves Pirithous in the chain
 The love of comrades cannot take away.
Written by William Butler Yeats | Create an image from this poem

Two Songs From A Play

 I

I saw a staring virgin stand
Where holy Dionysus died,
And tear the heart out of his side.
And lay the heart upon her hand
And bear that beating heart away;
Of Magnus Annus at the spring,
As though God's death were but a play.

Another Troy must rise and set,
Another lineage feed the crow,
Another Argo's painted prow
Drive to a flashier bauble yet.
The Roman Empire stood appalled:
It dropped the reins of peace and war
When that fierce virgin and her Star
Out of the fabulous darkness called.

 II

In pity for man's darkening thought
He walked that room and issued thence
In Galilean turbulence;
The Babylonian starlight brought
A fabulous, formless darkness in;
Odour of blood when Christ was slain
Made all platonic tolerance vain
And vain all Doric discipline.

Everything that man esteems
Endures a moment or a day.
Love's pleasure drives his love away,
The painter's brush consumes his dreams;
The herald's cry, the soldier's tread
Exhaust his glory and his might:
Whatever flames upon the night
Man's own resinous heart has fed.
Written by Victor Hugo | Create an image from this poem

The Three Glorious Days

 ("Frères, vous avez vos journées.") 
 
 {I., July, 1830.} 


 Youth of France, sons of the bold, 
 Your oak-leaf victor-wreaths behold! 
 Our civic-laurels—honored dead! 
 So bright your triumphs in life's morn, 
 Your maiden-standards hacked and torn, 
 On Austerlitz might lustre shed. 
 
 All that your fathers did re-done— 
 A people's rights all nobly won— 
 Ye tore them living from the shroud! 
 Three glorious days bright July's gift, 
 The Bastiles off our hearts ye lift! 
 Oh! of such deeds be ever proud! 
 
 Of patriot sires ye lineage claim, 
 Their souls shone in your eye of flame; 
 Commencing the great work was theirs; 
 On you the task to finish laid 
 Your fruitful mother, France, who bade 
 Flow in one day a hundred years. 
 
 E'en chilly Albion admires, 
 The grand example Europe fires; 
 America shall clap her hands, 
 When swiftly o'er the Atlantic wave, 
 Fame sounds the news of how the brave, 
 In three bright days, have burst their bands! 
 
 With tyrant dead your fathers traced 
 A circle wide, with battles graced; 
 Victorious garland, red and vast! 
 Which blooming out from home did go 
 To Cadiz, Cairo, Rome, Moscow, 
 From Jemappes to Montmirail passed! 
 
 Of warlike Lyceums{1} ye are 
 The favored sons; there, deeds of war 
 Formed e'en your plays, while o'er you shook 
 The battle-flags in air aloft! 
 Passing your lines, Napoleon oft 
 Electrified you with a look! 
 
 Eagle of France! whose vivid wing 
 Did in a hundred places fling 
 A bloody feather, till one night 
 The arrow whelmed thee 'neath the wave! 
 Look up—rejoice—for now thy brave 
 And worthy eaglets dare the light. 
 
 ELIZABETH COLLINS. 
 
 {Footnote 1: The pupils of the Polytechnic Military School distinguished 
 themselves by their patriotic zeal and military skill, through all the 
 troubles.} 


 




Written by Ted Hughes | Create an image from this poem

Lineage

 In the beginning was Scream
Who begat Blood
Who begat Eye
Who begat Fear
Who begat Wing
Who begat Bone
Who begat Granite
Who begat Violet
Who begat Guitar
Who begat Sweat
Who begat Adam
Who begat Mary
Who begat God
Who begat Nothing
Who begat Never
Never Never Never

Who begat Crow

Screaming for Blood
Grubs, crusts

Anything

Trembling featherless elbows in the nest's filth
Written by Edgar Lee Masters | Create an image from this poem

Indignation Jones

 You would not believe, would you
That I came from good Welsh stock?
That I was purer blooded than the white trash here?
And of more direct lineage than the New Englanders
And Virginians of Spoon River?
You would not believe that I had been to school
And read some books.
You saw me only as a run-down man,
With matted hair and beard
And ragged clothes.
Sometimes a man's life turns into a cancer
From being bruised and continually bruised,
And swells into a purplish mass,
Like growths on stalks of corn.
Here was I, a carpenter, mired in a bog of life
Into which I walked, thinking it was a meadow,
With a slattern for a wife, and poor Minerva, my daughter,
Whom you tormented and drove to death.
So I crept, crept, like a snail through the days
Of my life.
No more you hear my footsteps in the morning,
Resounding on the hollow sidewalk,
Going to the grocery store for a little corn meal
And a nickel's worth of bacon.

Book: Radiant Verses: A Journey Through Inspiring Poetry