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Best Famous Light Within Poems

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Written by Edwin Markham | Create an image from this poem

The Man With The Hoe

 BOWED by the weight of centuries he leans 
Upon his hoe and gazes on the ground, 
The emptiness of ages in his face, 
And on his back the burden of the world. 
Who made him dead to rapture and despair, 
A thing that grieves not and that never hopes, 
Stolid and stunned, a brother to the ox? 
Who loosened and let down this brutal jaw? 
Whose was the hand that slanted back this brow? 
Whose breath blew out the light within this brain? 
Is this the Thing the Lord God made and gave 
To have dominion over sea and land; 
To trace the stars and search the heavens for power. 
To feel the passion of Eternity? 
Is this the Dream He dreamed who shaped the suns 
And marked their ways upon the ancient deep? 
Down all the stretch of Hell to its last gulf 
There is no shape more terrible than this-- 
More tongued with censure of the world’s blind greed-- 
More filled with signs and portents for the soul-- 
More fraught with menace to the universe. 

What gulfs between him and the seraphim! 
Slave of the wheel of labor, what to him 
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song, 
The rift of dawn, the reddening of the rose? 
Through this dread shape the suffering ages look; 
Time’s tragedy is in that aching stoop; 
Through this dread shape humanity betrayed, 
Plundered, profaned and disinherited, 
Cries protest to the Judges of the World, 
A protest that is also prophecy. 

O masters, lords and rulers in all lands, 
Is this the handiwork you give to God, 
This monstrous thing distorted and soul-quenched? 
How will you ever straighten up this shape; 
Touch it again with immortality; 
Give back the upward looking and the light; 
Rebuild in it the music and the dream; 
Make right the immemorial infamies, 
Perfidious wrongs, immedicable woes? 

O masters, lords and rulers in all lands, 
How will the Future reckon with this Man? 
How answer his brute question in that hour 
When whirlwinds of rebellion shake the world? 
How will it be with kingdoms and with kings-- 
With those who shaped him to the thing he is-- 
When this dumb Terror shall reply to God, 
After the silence of the centuries?


Written by Robert William Service | Create an image from this poem

The Ballad Of Lenins Tomb

 This is the yarn he told me
 As we sat in Casey's Bar,
 That Rooshun mug who scammed from the jug
 In the Land of the Crimson Star;
 That Soviet guy with the single eye,
 And the face like a flaming scar.

Where Lenin lies the red flag flies, and the rat-grey workers wait
To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm;
For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red,
And pilgrims from the Sour Lands say: "He sleeps and is not dead."
Before their eyes in peace he lies, a symbol and a sign,
And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust,
So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me . . . a secret I'll disclose,
For I did see what none did see; I know what no one knows.

I was a Cheko terrorist - Oh I served the Soviets well,
Till they put me down on the bone-yard list, for the fear that I might tell;
That I might tell the thing I saw, and that only I did see,
They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you;
Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine;
Ten thousand men of Muscovy, Mongol and Turkoman,
Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp,
Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray,
As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain,
For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host,
When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin -
A man I knew, a man I slew, Prince Boris Mazarin.

Now do not think because I drink I love the flowing bowl;
But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen,
Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far
Is the death of Boris Mazarin, that soldier of the Czar.

A mighty nobleman was he; we took him by surprise;
His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore,
Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew!
I'd die with joy could I destroy a hundred dogs like you."
I thrust my sword into his throat; the blade was gay with blood;
We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race....
And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?)
He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go;
I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim;
Into the bowels of the Tomb I followed, followed him.

The light within was weird and dim, and icy cold the air;
My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm;
For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own,
This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay . . .
And so we came to the crystal frame where lonely Lenin lay.

Without a sound we shuffled round> I sought to make a sign,
But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest,
We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart,
And from the hollow of his ribs he drew his blackened heart. . . .
Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread,
With fiendish cry he raised it high, and . . . swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar,
And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again
The leprous light 'twas in a cell, and I was racked with pain;
And ringèd around by shapes of gloom, who hoped that I would die;
For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed,
But by their eyes of evil gleam I knew my doom was sealed.

I need not tell how from my cell in Lubianka gaol,
I broke away, but listen, here's the point of all my tale. . . .
Outside the "Gay Pay Oo" none knew of that grim scene of gore;
They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign,
And rancid races come to thrill and wonder at his Shrine;
And hold the thought: if Lenin rot the Soviets will decay;
And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz,
So stern and firm it mocks the worm, it looks like wax . . . and is.
They tell you he's a mummy - don't you make that bright mistake:
I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet . . . there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be?
But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both . . . Well, I don't care a damn:
I tell you this: their Lenin is a waxen, show-case SHAM.

 Such was the yarn he handed me,
 Down there in Casey's Bar,
 That Rooshun bug with the scrambled mug
 From the land of the Commissar.
 It may be true, I leave it you
 To figger out how far.
Written by John Donne | Create an image from this poem

Elegy IX: The Autumnal

 No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that's a rape,
This doth but counsel, yet you cannot 'scape.
If 'twere a shame to love, here 'twere no shame,
Affection here takes Reverence's name.
Were her first years the Golden Age; that's true,
But now she's gold oft tried, and ever new.
That was her torrid and inflaming time,
This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence,
He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
They were Love's graves; for else he is no where.
Yet lies not Love dead here, but here doth sit
Vowed to this trench, like an Anachorit.

And here, till hers, which must be his death, come,
He doth not dig a grave, but build a tomb.
Here dwells he, though he sojourn ev'ry where,
In progress, yet his standing house is here.
Here, where still evening is; not noon, nor night;
Where no voluptuousness, yet all delight
In all her words, unto all hearers fit,
You may at revels, you at counsel, sit.
This is Love's timber, youth his under-wood;
There he, as wine in June enrages blood,
Which then comes seasonabliest, when our taste
And appetite to other things is past.
Xerxes' strange Lydian love, the Platane tree,
Was loved for age, none being so large as she,
Or else because, being young, nature did bless
Her youth with age's glory, Barrenness.
If we love things long sought, Age is a thing
Which we are fifty years in compassing;
If transitory things, which soon decay,
Age must be loveliest at the latest day.
But name not winter-faces, whose skin's slack;
Lank, as an unthrift's purse; but a soul's sack;
Whose eyes seek light within, for all here's shade;
Whose mouths are holes, rather worn out than made;
Whose every tooth to a several place is gone,
To vex their souls at Resurrection;
Name not these living deaths-heads unto me,
For these, not ancient, but antique be.
I hate extremes; yet I had rather stay
With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still
My love descend, and journey down the hill,
Not panting after growing beauties so,
I shall ebb out with them, who homeward go.
Written by Victor Hugo | Create an image from this poem

How Good Are The Poor

 ("Il est nuit. La cabane est pauvre.") 
 
 {Bk. LII. iii.} 
 
 'Tis night—within the close stout cabin door, 
 The room is wrapped in shade save where there fall 
 Some twilight rays that creep along the floor, 
 And show the fisher's nets upon the wall. 
 
 In the dim corner, from the oaken chest, 
 A few white dishes glimmer; through the shade 
 Stands a tall bed with dusky curtains dressed, 
 And a rough mattress at its side is laid. 
 
 Five children on the long low mattress lie— 
 A nest of little souls, it heaves with dreams; 
 In the high chimney the last embers die, 
 And redden the dark room with crimson gleams. 
 
 The mother kneels and thinks, and pale with fear, 
 She prays alone, hearing the billows shout: 
 While to wild winds, to rocks, to midnight drear, 
 The ominous old ocean sobs without. 
 
 Poor wives of fishers! Ah! 'tis sad to say, 
 Our sons, our husbands, all that we love best, 
 Our hearts, our souls, are on those waves away, 
 Those ravening wolves that know not ruth, nor rest. 
 
 Think how they sport with these beloved forms; 
 And how the clarion-blowing wind unties 
 Above their heads the tresses of the storms: 
 Perchance even now the child, the husband, dies. 
 
 For we can never tell where they may be 
 Who, to make head against the tide and gale, 
 Between them and the starless, soulless sea 
 Have but one bit of plank, with one poor sail. 
 
 Terrible fear! We seek the pebbly shore, 
 Cry to the rising billows, "Bring them home." 
 Alas! what answer gives their troubled roar, 
 To the dark thought that haunts us as we roam. 
 
 Janet is sad: her husband is alone, 
 Wrapped in the black shroud of this bitter night: 
 
 His children are so little, there is none 
 To give him aid. "Were they but old, they might." 
 Ah, mother! when they too are on the main, 
 How wilt thou weep: "Would they were young again!" 
 
 She takes his lantern—'tis his hour at last 
 She will go forth, and see if the day breaks, 
 And if his signal-fire be at the mast; 
 Ah, no—not yet—no breath of morning wakes. 
 
 No line of light o'er the dark water lies; 
 It rains, it rains, how black is rain at morn: 
 The day comes trembling, and the young dawn cries— 
 Cries like a baby fearing to be born. 
 
 Sudden her humane eyes that peer and watch 
 Through the deep shade, a mouldering dwelling find, 
 No light within—the thin door shakes—the thatch 
 O'er the green walls is twisted of the wind, 
 
 Yellow, and dirty, as a swollen rill, 
 "Ah, me," she saith, "here does that widow dwell; 
 Few days ago my good man left her ill: 
 I will go in and see if all be well." 
 
 She strikes the door, she listens, none replies, 
 And Janet shudders. "Husbandless, alone, 
 And with two children—they have scant supplies. 
 Good neighbor! She sleeps heavy as a stone." 
 
 She calls again, she knocks, 'tis silence still; 
 No sound—no answer—suddenly the door, 
 As if the senseless creature felt some thrill 
 Of pity, turned—and open lay before. 
 
 She entered, and her lantern lighted all 
 The house so still, but for the rude waves' din. 
 Through the thin roof the plashing rain-drops fall, 
 But something terrible is couched within. 
 


 




Written by George William Russell | Create an image from this poem

On a Hill-top

 BEARDED with dewy grass the mountains thrust
Their blackness high into the still grey light,
Deepening to blue: far up the glimmering height
In silver transience shines the starry dust.


Silent the sheep about me; fleece by fleece
They sleep and stir not: I with awe around
Wander uncertain o’er the giant mound,
A fire that moves between their peace and peace.


The city myriads dream or sleep below;
Aloft another day has but begun:
Under the radiance of the Midnight Sun
The Tree of Life put forth its leaves to grow.


Wiser than they below who dream or sleep?
I know not; but their day is dream to me,
And in their darkness I awake to see
A Thought that moves like light within the deep.


Only from dream to dream our spirits pass:
Well, let us rise and fly from sphere to sphere;
Some one of all unto the light more near
Mirrors the Dreamer in its glowing glass.


Written by Paul Laurence Dunbar | Create an image from this poem

Inspiration

At the golden gate of song
Stood I, knocking all day long,
But the Angel, calm and cold,
Still refused and bade me, "Hold."
Then a breath of soft perfume,
Then a light within the gloom;
Thou, Love, camest to my side,
And the gates flew open wide.
Long I dwelt in this domain,
Knew no sorrow, grief, or pain;
Now you bid me forth and free,
Will you shut these gates on me?[Pg 180]
Written by Paul Laurence Dunbar | Create an image from this poem

Just Whistle A Bit

Just whistle a bit, if the day be dark,
And the sky be overcast:
If mute be the voice of the piping lark,
Why, pipe your own small blast.
And it's wonderful how o'er the gray sky-track
The truant warbler comes stealing back.
But why need he come? for your soul's at rest,
And the song in the heart,—ah, that is best.[Pg 99]
Just whistle a bit, if the night be drear
And the stars refuse to shine:
And a gleam that mocks the starlight clear
Within you glows benign.
Till the dearth of light in the glooming skies
Is lost to the sight of your soul-lit eyes.
What matters the absence of moon or star?
The light within is the best by far.
Just whistle a bit, if there 's work to do,
With the mind or in the soil.
And your note will turn out a talisman true
To exorcise grim Toil.
It will lighten your burden and make you feel
That there 's nothing like work as a sauce for a meal.
And with song in your heart and the meal in—its place,
There 'll be joy in your bosom and light in your face.
Just whistle a bit, if your heart be sore;
'Tis a wonderful balm for pain.
Just pipe some old melody o'er and o'er
Till it soothes like summer rain.
And perhaps 't would be best in a later day,
When Death comes stalking down the way,
To knock at your bosom and see if you 're fit,
Then, as you wait calmly, just whistle a bit.
Written by Anonymous | Create an image from this poem

How Beautiful The Setting Sun

How beautiful the setting sun!The clouds, how bright and gay!The stars, appearing one by one,How beautiful are they!And when the moon climbs up the sky,And sheds her gentle light,And hangs her crystal lamp on high,How beautiful is night!And can it be, that I’m possessedOf something brighter far?Glows there a light within this breast,Out-shining every star?Yes, should the sun and stars turn pale,The mountains melt away,This flame within shall never fail,But live in endless day.[Pg 026]
Written by George William Russell | Create an image from this poem

Reflections

 HOW shallow is this mere that gleams!
Its depth of blue is from the skies,
And from a distant sun the dreams
And lovely light within your eyes.


We deem our love so infinite
Because the Lord is everywhere,
And love awakening is made bright
And bathed in that diviner air.


We go on our enchanted way
And deem our hours immortal hours,
Who are but shadow kings that play
With mirrored majesties and powers.

Book: Radiant Verses: A Journey Through Inspiring Poetry