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Best Famous Life Or Death Poems

Here is a collection of the all-time best famous Life Or Death poems. This is a select list of the best famous Life Or Death poetry. Reading, writing, and enjoying famous Life Or Death poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of life or death poems.

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it


Written by Delmira Agustini | Create an image from this poem

Plegaria (Prayer)

Spanish    –Eros: acaso no sentiste nuncaPiedad de las estatuas?Se dirían crisálidas de piedraDe yo no sé qué formidable razaEn una eterna espera inenarrable.
Los cráteres dormidos de sus bocasDan la ceniza negra del Silencio,Mana de las columnas de sus hombrosLa mortaja copiosa de la CalmaY fluye de sus órbitas la noche;Victimas del Futuro o del Misterio,En capullos terribles y magníficosEsperan a la Vida o a la Muerte.
Eros: acaso no sentiste nuncaPiedad de las estatuas?–    Piedad para las vidasQue no doran a fuego tus bonanzasNi riegan o desgajan tus tormentas;Piedad para los cuerpos revestidosDel armiño solemne de la Calma,Y las frentes en luz que sobrellevanGrandes lirios marmóreos de pureza,Pesados y glaciales como témpanos;Piedad para las manos enguantadasDe hielo, que no arrancanLos frutos deleitosos de la CarneNi las flores fantásticas del alma;Piedad para los ojos que aleteanEspirituales párpados:Escamas de misterio,Negros telones de visiones rosas…Nunca ven nada por mirar tan lejos!    Piedad para las pulcras cabelleras–Misticas aureolas–Peinadas como lagosQue nunca airea el abanico *****,***** y enorme de la tempestad;Piedad para los ínclitos espiritusTallados en diamante,Altos, claros, extáticosPararrayos de cúpulas morales;Piedad para los labios como engarcesCelestes donde fulgeInvisible la perla de la Hostia;–Labios que nunca fueron,Que no apresaron nuncaUn vampiro de fuegoCon más sed y más hambre que un abismo.
–Piedad para los sexos sacrosantosQue acoraza de unaHoja de viña astral la Castidad;Piedad para las plantas imantadasDe eternidad que arrastranPor el eterno azurLas sandalias quemantes de sus llagas;Piedad, piedad, piedadPara todas las vidas que defiendeDe tus maravillosas intemperiesEl mirador enhiesto del Orgullo;Apuntales tus soles o tus rayos!Eros: acaso no sentiste nuncaPiedad de las estatuas?…              English    –Eros: have you never feltPiety for the statues?These chrysalides of stone,Some formidable raceIn an eternal, unutterable hope.
The sleeping craters of their mouthsUtter the black ash of silence;A copious shroud of CalmFalls from the columns of their arms,And night flows from their eyesockets;Victims of Destiny or Mystery,In magnificent and terrible cocoons,They wait for Life or Death.
Eros: have you never perhaps feltPiety for the statues?    Piety for the livesThat will not strew nor rend your battlesNor gild your fiery truces;Piety for the bodies clothedIn the solemn ermine of Calm,The luminous foreheads that endureTheir marble wreaths, grand and pure,Weighty and glacial as icebergs;Piety for the gloved hands of iceThat cannot uprootThe delicious fruits of the Flesh,The fantastic flowers of the soul;Piety for the eyes that flutterTheir spiritual eyelids:Mysterious fish scales,Dark curtains on rose visions…For looking so far, they never see!    Piety for the tidy heads of hair–Mystical haloes–Gently combed like lakesWhich the storm’s black fan,Black and enormous, never thrashes;Piety for the spirits, illustrious,Carved of diamonds,High, clear, ecstaticLightning rods on pious domes;Piety for the lips like celestial settingsWhere the invisible pearls of the Host gleam;–Lips that never existed,Never seized anything,A fiery vampireWith more thirst and hunger than an abyss.
Piety for the sacrosanct sexesThat armor themselves with sheathsFrom the astral vineyards of Chastity;Piety for the magnetized footsolesWho eternally dragSandals burning with soresThrough the eternal azure;Piety, piety, pityFor all the lives defendedBy the lighthouse of PrideFrom your marvelous raw weathers:Aim your suns and rays at them!Eros: have you never perhaps feltPity for the statues?

Written by Aleister Crowley | Create an image from this poem

The Garden of Janus

 I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun Writhing above the West, brave hippodrome Whose gladiators shock and shun As the blue night devours them, crested comb Of sleep's dead sea That eats the shores of life, rings round eternity! II So, he is gone whose giant sword shed flame Into my bowels; my blood's bewitched; My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched By his life-spasm; but he being gone, the same Myself is gone Sucked by the dragon down below death's horizon.
III I woke from this.
I lay upon the lawn; They had thrown roses on the moss With all their thorns; we came there at the dawn, My lord and I; God sailed across The sky in's galleon of amber, drawn By singing winds While we wove garlands of the flowers of our minds.
IV All day my lover deigned to murder me, Linking his kisses in a chain About my neck; demon-embroidery! Bruises like far-ff mountains stain The valley of my body of ivory! Then last came sleep.
I wake, and he is gone; what should I do but weep? V Nay, for I wept enough --- more sacred tears! --- When first he pinned me, gripped My flesh, and as a stallion that rears, Sprang, hero-thewed and satyr-lipped; Crushed, as a grape between his teeth, my fears; Sucked out my life And stamped me with the shame, the monstrous word of wife.
VI I will not weep; nay, I will follow him Perchance he is not far, Bathing his limbs in some delicious dim Depth, where the evening star May kiss his mouth, or by the black sky's rim He makes his prayer To the great serpent that is coiled in rapture there.
VII I rose to seek him.
First my footsteps faint Pressed the starred moss; but soon I wandered, like some sweet sequestered saint, Into the wood, my mind.
The moon Was staggered by the trees; with fierce constraint Hardly one ray Pierced to the ragged earth about their roots that lay.
VIII I wandered, crying on my Lord.
I wandered Eagerly seeking everywhere.
The stories of life that on my lips he squandered Grew into shrill cries of despair, Until the dryads frightened and dumfoundered Fled into space --- Like to a demon-king's was grown my maiden face! XI At last I came unto the well, my soul In that still glass, I saw no sign Of him, and yet --- what visions there uproll To cloud that mirror-soul of mine? Above my head there screams a flying scroll Whose word burnt through My being as when stars drop in black disastrous dew.
X For in that scroll was written how the globe Of space became; of how the light Broke in that space and wrapped it in a robe Of glory; of how One most white Withdrew that Whole, and hid it in the lobe Of his right Ear, So that the Universe one dewdrop did appear.
IX Yea! and the end revealed a word, a spell, An incantation, a device Whereby the Eye of the Most Terrible Wakes from its wilderness of ice To flame, whereby the very core of hell Bursts from its rind, Sweeping the world away into the blank of mind.
XII So then I saw my fault; I plunged within The well, and brake the images That I had made, as I must make - Men spin The webs that snare them - while the knee Bend to the tyrant God - or unto Sin The lecher sunder! Ah! came that undulant light from over or from under? XIII It matters not.
Come, change! come, Woe! Come, mask! Drive Light, Life, Love into the deep! In vain we labour at the loathsome task Not knowing if we wake or sleep; But in the end we lift the plumed casque Of the dead warrior; Find no chaste corpse therein, but a soft-smiling whore.
XIV Then I returned into myself, and took All in my arms, God's universe: Crushed its black juice out, while His anger shook His dumbness pregnant with a curse.
I made me ink, and in a little book I wrote one word That God himself, the adder of Thought, had never heard.
XV It detonated.
Nature, God, mankind Like sulphur, nitre, charcoal, once Blended, in one annihilation blind Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind Stood in the abyss, Belching a Law for "That" more awful than for "This.
" XVI Vain was the toil.
So then I left the wood And came unto the still black sea, That oily monster of beatitude! ('Hath "Thee" for "Me," and "Me" for "Thee!") There as I stood, a mask of solitude Hiding a face Wried as a satyr's, rolled that ocean into space.
XVII Then did I build an altar on the shore Of oyster-shells, and ringed it round With star-fish.
Thither a green flame I bore Of phosphor foam, and strewed the ground With dew-drops, children of my wand, whose core Was trembling steel Electric that made spin the universal Wheel.
XVIII With that a goat came running from the cave That lurked below the tall white cliff.
Thy name! cried I.
The answer that gave Was but one tempest-whisper - "If!" Ah, then! his tongue to his black palate clave; For on soul's curtain Is written this one certainty that naught is certain! XIX So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan! Then all this body's wealth of ambergris, (Narcissus-scented flesh of man!) I burnt before him in the sacrifice; For he was sure - Being the Doubt of Things, the one thing to endure! XX Wherefore, when madness took him at the end, He, doubt-goat, slew the goat of doubt; And that which inward did for ever tend Came at the last to have come out; And I who had the World and God to friend Found all three foes! Drowned in that sea of changes, vacancies, and woes! XXI Yet all that Sea was swallowed up therein; So they were not, and it was not.
As who should sweat his soul out through the skin And find (sad fool!) he had begot All that without him that he had left in, And in himself All he had taken out thereof, a mocking elf! XXII But now that all was gone, great Pan appeared.
Him then I strove to woo, to win, Kissing his curled lips, playing with his beard, Setting his brain a-shake, a-spin, By that strong wand, and muttering of the weird That only I Knew of all souls alive or dead beneath the sky.
XXIII So still I conquered, and the vision passed.
Yet still was beaten, for I knew Myself was He, Himself, the first and last; And as an unicorn drinks dew From under oak-leaves, so my strength was cast Into the mire; For all I did was dream, and all I dreamt desire.
XXIV More; in this journey I had clean forgotten The quest, my lover.
But the tomb Of all these thoughts, the rancid and the rotten, Proved in the end to be my womb Wherein my Lord and lover had begotten A little child To drive me, laughing lion, into the wanton wild! XXV This child hath not one hair upon his head, But he hath wings instead of ears.
No eyes hath he, but all his light is shed Within him on the ordered sphere Of nature that he hideth; and in stead Of mouth he hath One minute point of jet; silence, the lightning path! XXVI Also his nostrils are shut up; for he Hath not the need of any breath; Nor can the curtain of eternity Cover that head with life or death.
So all his body, a slim almond-tree, Knoweth no bough Nor branch nor twig nor bud, from never until now.
XXVII This thought I bred within my bowels, I am.
I am in him, as he in me; And like a satyr ravishing a lamb So either seems, or as the sea Swallows the whale that swallows it, the ram Beats its own head Upon the city walls, that fall as it falls dead.
XXVIII Come, let me back unto the lilied lawn! Pile me the roses and the thorns, Upon this bed from which he hath withdrawn! He may return.
A million morns May follow that first dire daemonic dawn When he did split My spirit with his lightnings and enveloped it! XXIX So I am stretched out naked to the knife, My whole soul twitching with the stress Of the expected yet surprising strife, A martyrdom of blessedness.
Though Death came, I could kiss him into life; Though Life came, I Could kiss him into death, and yet nor live nor die! *** Yet I that am the babe, the sire, the dam, Am also none of these at all; For now that cosmic chaos of I AM Bursts like a bubble.
Mystical The night comes down, a soaring wedge of flame Woven therein To be a sign to them who yet have never been.
XXXI The universe I measured with my rod.
The blacks were balanced with the whites; Satan dropped down even as up soared God; Whores prayed and danced with anchorites.
So in my book the even matched the odd: No word I wrote Therein, but sealed it with the signet of the goat.
XXXII This also I seal up.
Read thou herein Whose eyes are blind! Thou may'st behold Within the wheel (that alway seems to spin All ways) a point of static gold.
Then may'st thou out therewith, and fit it in That extreme spher Whose boundless farness makes it infinitely near.
Written by George William Russell | Create an image from this poem

Endurance

 HE bent above: so still her breath
What air she breathed he could not say,
Whether in worlds of life or death:
So softly ebbed away, away,
The life that had been light to him,
So fled her beauty leaving dim
The emptying chambers of his heart
Thrilled only by the pang and smart,
The dull and throbbing agony
That suffers still, yet knows not why.
Love’s immortality so blind Dreams that all things with it conjoined Must share with it immortal day: But not of this—but not of this— The touch, the eyes, the laugh, the kiss, Fall from it and it goes its way.
So blind he wept above her clay, “I did not think that you could die.
Only some veil would cover you Our loving eyes could still pierce through; And see through dusky shadows still Move as of old your wild sweet will, Impatient every heart to win And flash its heavenly radiance in.
” Though all the worlds were sunk in rest The ruddy star within his breast Would croon its tale of ancient pain, Its sorrow that would never wane, Its memory of the days of yore Moulded in beauty evermore.
Ah, immortality so blind, To dream all things with it conjoined Must follow it from star to star And share with it immortal years.
The memory, yearning, grief, and tears, Fall from it and it goes afar.
He walked at night along the sands, He saw the stars dance overhead, He had no memory of the dead, But lifted up exultant hands To hail the future like a boy, The myriad paths his feet might press.
Unhaunted by old tenderness He felt an inner secret joy— A spirit of unfettered will Through light and darkness moving still Within the All to find its own, To be immortal and alone.
Written by Robert Browning | Create an image from this poem

The Last Ride Together

 I.
I said---Then, dearest, since 'tis so, Since now at length my fate I know, Since nothing all my love avails, Since all, my life seemed meant for, fails, Since this was written and needs must be--- My whole heart rises up to bless Your name in pride and thankfulness! Take back the hope you gave,---I claim ---Only a memory of the same, ---And this beside, if you will not blame, Your leave for one more last ride with me.
II.
My mistress bent that brow of hers; Those deep dark eyes where pride demurs When pity would be softening through, Fixed me, a breathing-while or two, With life or death in the balance: right! The blood replenished me again; My last thought was at least not vain: I and my mistress, side by side Shall be together, breathe and ride, So, one day more am I deified.
Who knows but the world may end tonight? III.
Hush! if you saw some western cloud All billowy-bosomed, over-bowed By many benedictions---sun's And moon's and evening-star's at once--- And so, you, looking and loving best, Conscious grew, your passion drew Cloud, sunset, moonrise, star-shine too, Down on you, near and yet more near, Till flesh must fade for heaven was here!--- Thus leant she and lingered---joy and fear! Thus lay she a moment on my breast.
IV.
Then we began to ride.
My soul Smoothed itself out, a long-cramped scroll Freshening and fluttering in the wind.
Past hopes already lay behind.
What need to strive with a life awry? Had I said that, had I done this, So might I gain, so might I miss.
Might she have loved me? just as well She might have hated, who can tell! Where had I been now if the worst befell? And here we are riding, she and I.
V.
Fail I alone, in words and deeds? Why, all men strive and who succeeds? We rode; it seemed my spirit flew, Saw other regions, cities new, As the world rushed by on either side.
I thought,---All labour, yet no less Bear up beneath their unsuccess.
Look at the end of work, contrast The petty done, the undone vast, This present of theirs with the hopeful past! I hoped she would love me; here we ride.
VI.
What hand and brain went ever paired? What heart alike conceived and dared? What act proved all its thought had been? What will but felt the fleshly screen? We ride and I see her bosom heave.
There's many a crown for who can reach, Ten lines, a statesman's life in each! The flag stuck on a heap of bones, A soldier's doing! what atones? They scratch his name on the Abbey-stones.
My riding is better, by their leave.
VII.
What does it all mean, poet? Well, Your brains beat into rhythm, you tell What we felt only; you expressed You hold things beautiful the best, And pace them in rhyme so, side by side.
'Tis something, nay 'tis much: but then, Have you yourself what's best for men? Are you---poor, sick, old ere your time--- Nearer one whit your own sublime Than we who never have turned a rhyme? Sing, riding's a joy! For me, I ride.
VIII.
And you, great sculptor---so, you gave A score of years to Art, her slave, And that's your Venus, whence we turn To yonder girl that fords the burn! You acquiesce, and shall I repine? What, man of music, you grown grey With notes and nothing else to say, Is this your sole praise from a friend, ``Greatly his opera's strains intend, ``Put in music we know how fashions end!'' I gave my youth; but we ride, in fine.
IX.
Who knows what's fit for us? Had fate Proposed bliss here should sublimate My being---had I signed the bond--- Still one must lead some life beyond, Have a bliss to die with, dim-descried.
This foot once planted on the goal, This glory-garland round my soul, Could I descry such? Try and test! I sink back shuddering from the quest.
Earth being so good, would heaven seem best? Now, heaven and she are beyond this ride.
X.
And yet---she has not spoke so long! What if heaven be that, fair and strong At life's best, with our eyes upturned Whither life's flower is first discerned, We, fixed so, ever should so abide? What if we still ride on, we two With life for ever old yet new, Changed not in kind but in degree, The instant made eternity,--- And heaven just prove that I and she Ride, ride together, for ever ride?


Written by Duncan Campbell Scott | Create an image from this poem

The Half-breed Girl

 She is free of the trap and the paddle,
The portage and the trail,
But something behind her savage life
Shines like a fragile veil.
Her dreams are undiscovered, Shadows trouble her breast, When the time for resting cometh Then least is she at rest.
Oft in the morns of winter, When she visits the rabbit snares, An appearance floats in the crystal air Beyond the balsam firs.
Oft in the summer mornings When she strips the nets of fish, The smell of the dripping net-twine Gives to her heart a wish.
But she cannot learn the meaning Of the shadows in her soul, The lights that break and gather, The clouds that part and roll, The reek of rock-built cities, Where her fathers dwelt of yore, The gleam of loch and shealing, The mist on the moor, Frail traces of kindred kindness, Of feud by hill and strand, The heritage of an age-long life In a legendary land.
She wakes in the stifling wigwam, Where the air is heavy and wild, She fears for something or nothing With the heart of a frightened child.
She sees the stars turn slowly Past the tangle of the poles, Through the smoke of the dying embers, Like the eyes of dead souls.
Her heart is shaken with longing For the strange, still years, For what she knows and knows not, For the wells of ancient tears.
A voice calls from the rapids, Deep, careless and free, A voice that is larger than her life Or than her death shall be.
She covers her face with her blanket, Her fierce soul hates her breath, As it cries with a sudden passion For life or death.
Written by Emily Dickinson | Create an image from this poem

How dare the robins sing

 How dare the robins sing,
When men and women hear
Who since they went to their account
Have settled with the year! --
Paid all that life had earned
In one consummate bill,
And now, what life or death can do
Is immaterial.
Insulting is the sun To him whose mortal light Beguiled of immortality Bequeaths him to the night.
Extinct be every hum In deference to him Whose garden wrestles with the dew, At daybreak overcome!
Written by Alexander Pope | Create an image from this poem

Universal Prayer

 Father of all! In every age, 
 In ev'ry clime ador'd, 
By saint, by savage, and by sage, 
 Jehovah, Jove, or Lord! 

Thou Great First Cause, least understood, 
 Who all my sense confin'd 
To know but this, that Thou art good, 
 And that myself am blind: 

Yet gave me, in this dark estate, 
 To see the good from ill; 
And, binding Nature fast in Fate, 
 Left free the human Will.
What Conscience dictates to be done, Or warns me not to do; This teach me more than Hell to shun, That more than Heav'n pursue.
What blessings thy free bounty gives Let me not cast away; For God is paid when man receives; T' enjoy is to obey.
Yet not to earth's contracted span Thy goodness let me bound, Or think thee Lord alone of man, When thousand worlds are round.
Let not this weak, unknowing hand Presume thy bolts to throw, And teach damnation round the land On each I judge thy foe.
If I am right, thy grace impart, Still in the right to stay; If I am wrong, O teach my heart To find that better way.
Save me alike from foolish Pride Or impious Discontent, At aught thy wisdom has denied, Or aught that goodness lent.
Teach me to feel another's woe, To right the fault I see: That mercy I to others show, That mercy show to me.
Mean tho' I am, not wholly so, Since quicken'd by thy breath; O lead me whereso'er I go, Thro' this day's life or death! This day be bread and peace my lot: All else beneath the sun Though know'st if best bestow'd or not, And let Thy will be done.
To Thee, whose temple is of Space, Whose altar earth, sea, skies, One chorus let all Beings raise! All Nature's incense rise!
Written by Amy Levy | Create an image from this poem

Magdalen

 All things I can endure, save one.
The bare, blank room where is no sun; The parcelled hours; the pallet hard; The dreary faces here within; The outer women's cold regard; The Pastor's iterated "sin";-- These things could I endure, and count No overstrain'd, unjust amount; No undue payment for such bliss-- Yea, all things bear, save only this: That you, who knew what thing would be, Have wrought this evil unto me.
It is so strange to think on still-- That you, that you should do me ill! Not as one ignorant or blind, But seeing clearly in your mind How this must be which now has been, Nothing aghast at what was seen.
Now that the tale is told and done, It is so strange to think upon.
You were so tender with me, too! One summer's night a cold blast blew, Closer about my throat you drew That half-slipt shawl of dusky blue.
And once my hand, on summer's morn, I stretched to pluck a rose; a thorn Struck through the flesh and made it bleed (A little drop of blood indeed!) Pale grew your cheek you stoopt and bound Your handkerchief about the wound; Your voice came with a broken sound; With the deep breath your breast was riven; I wonder, did God laugh in Heaven? How strange, that you should work my woe! How strange! I wonder, do you know How gladly, gladly I had died (And life was very sweet that tide) To save you from the least, light ill? How gladly I had borne your pain.
With one great pulse we seem'd to thrill,-- Nay, but we thrill'd with pulses twain.
Even if one had told me this, "A poison lurks within your kiss, Gall that shall turn to night his day:" Thereon I straight had turned away-- Ay, tho' my heart had crack'd with pain-- And never kiss'd your lips again.
At night, or when the daylight nears, I hear the other women weep; My own heart's anguish lies too deep For the soft rain and pain of tears.
I think my heart has turn'd to stone, A dull, dead weight that hurts my breast; Here, on my pallet-bed alone, I keep apart from all the rest.
Wide-eyed I lie upon my bed, I often cannot sleep all night; The future and the past are dead, There is no thought can bring delight.
All night I lie and think and think; If my heart were not made of stone, But flesh and blood, it needs must shrink Before such thoughts.
Was ever known A woman with a heart of stone? The doctor says that I shall die.
It may be so, yet what care I? Endless reposing from the strife? Death do I trust no more than life.
For one thing is like one arrayed, And there is neither false nor true; But in a hideous masquerade All things dance on, the ages through.
And good is evil, evil good; Nothing is known or understood Save only Pain.
I have no faith In God, or Devil, Life or Death.
The doctor says that I shall die.
You, that I knew in days gone by, I fain would see your face once more, Con well its features o'er and o'er; And touch your hand and feel your kiss, Look in your eyes and tell you this: That all is done, that I am free; That you, through all eternity, Have neither part nor lot in me.
Written by Philip Freneau | Create an image from this poem

On the Universality and Other Attributes of the God of Nature

 ALL that we see, about, abroad,
What is it all, but nature's God?
In meaner works discovered here
No less than in the starry sphere.
In seas, on earth, this God is seen; All that exist, upon Him lean; He lives in all, and never strayed A moment from the works He made: His system fixed on general laws Bespeaks a wise creating cause; Impartially He rules mankind And all that on this globe we find.
Unchanged in all that seems to change, Unbounded space is His great range; To one vast purpose always true, No time, with Him, is old or new.
In all the attributes divine Unlimited perfectings shine; In these enwrapt, in these complete, All virtues in that centre meet.
This power doth all powers transcend, To all intelligence a friend, Exists, the greatest and the best Throughout all the worlds, to make them blest.
All that He did He first approved, He all things into being loved; O'er all He made He still presides, For them in life, or death provides.

Book: Reflection on the Important Things