Written by
Sidney Lanier |
At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:
"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.
Thus unto thee, O sweetest Shakespeare sole,
A hundred hurts a day I do forgive
('Tis little, but, enchantment! 'tis for thee):
Small curious quibble; Juliet's prurient pun
In the poor, pale face of Romeo's fancied death;
Cold rant of Richard; Henry's fustian roar
Which frights away that sleep he invocates;
Wronged Valentine's unnatural haste to yield;
Too-silly shifts of maids that mask as men
In faint disguises that could ne'er disguise --
Viola, Julia, Portia, Rosalind;
Fatigues most drear, and needless overtax
Of speech obscure that had as lief be plain;
Last I forgive (with more delight, because
'Tis more to do) the labored-lewd discourse
That e'en thy young invention's youngest heir
Besmirched the world with.
Father Homer, thee,
Thee also I forgive thy sandy wastes
Of prose and catalogue, thy drear harangues
That tease the patience of the centuries,
Thy sleazy scrap of story, -- but a rogue's
Rape of a light-o'-love, -- too soiled a patch
To broider with the gods.
Thee, Socrates,
Thou dear and very strong one, I forgive
Thy year-worn cloak, thine iron stringencies
That were but dandy upside-down, thy words
Of truth that, mildlier spoke, had mainlier wrought.
So, Buddha, beautiful! I pardon thee
That all the All thou hadst for needy man
Was Nothing, and thy Best of being was
But not to be.
Worn Dante, I forgive
The implacable hates that in thy horrid hells
Or burn or freeze thy fellows, never loosed
By death, nor time, nor love.
And I forgive
Thee, Milton, those thy comic-dreadful wars
Where, armed with gross and inconclusive steel,
Immortals smite immortals mortalwise
And fill all heaven with folly.
Also thee,
Brave Aeschylus, thee I forgive, for that
Thine eye, by bare bright justice basilisked,
Turned not, nor ever learned to look where Love
Stands shining.
So, unto thee, Lucretius mine
(For oh, what heart hath loved thee like to this
That's now complaining?), freely I forgive
Thy logic poor, thine error rich, thine earth
Whose graves eat souls and all.
Yea, all you hearts
Of beauty, and sweet righteous lovers large:
Aurelius fine, oft superfine; mild Saint
A Kempis, overmild; Epictetus,
Whiles low in thought, still with old slavery tinct;
Rapt Behmen, rapt too far; high Swedenborg,
O'ertoppling; Langley, that with but a touch
Of art hadst sung Piers Plowman to the top
Of English songs, whereof 'tis dearest, now,
And most adorable; Caedmon, in the morn
A-calling angels with the cow-herd's call
That late brought up the cattle; Emerson,
Most wise, that yet, in finding Wisdom, lost
Thy Self, sometimes; tense Keats, with angels' nerves
Where men's were better; Tennyson, largest voice
Since Milton, yet some register of wit
Wanting; -- all, all, I pardon, ere 'tis asked,
Your more or less, your little mole that marks
You brother and your kinship seals to man.
But Thee, but Thee, O sovereign Seer of time,
But Thee, O poets' Poet, Wisdom's Tongue,
But Thee, O man's best Man, O love's best Love,
O perfect life in perfect labor writ,
O all men's Comrade, Servant, King, or Priest, --
What `if' or `yet', what mole, what flaw, what lapse,
What least defect or shadow of defect,
What rumor, tattled by an enemy,
Of inference loose, what lack of grace
Even in torture's grasp, or sleep's, or death's, --
Oh, what amiss may I forgive in Thee,
Jesus, good Paragon, thou Crystal Christ?"
|
Written by
Robert Browning |
I.
Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,
II.
Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.
III.
Dearest, three months ago!
When we lived blocked-up with snow,---
When the wind would edge
In and in his wedge,
In, as far as the point could go---
Not to our ingle, though,
Where we loved each the other so!
IV.
Laughs with so little cause!
We devised games out of straws.
We would try and trace
One another's face
In the ash, as an artist draws;
Free on each other's flaws,
How we chattered like two church daws!
V.
What's in the `Times''?---a scold
At the Emperor deep and cold;
He has taken a bride
To his gruesome side,
That's as fair as himself is bold:
There they sit ermine-stoled,
And she powders her hair with gold.
VI.
Fancy the Pampas' sheen!
Miles and miles of gold and green
Where the sunflowers blow
In a solid glow,
And---to break now and then the screen---
Black neck and eyeballs keen,
Up a wild horse leaps between!
VII.
Try, will our table turn?
Lay your hands there light, and yearn
Till the yearning slips
Thro' the finger-tips
In a fire which a few discern,
And a very few feel burn,
And the rest, they may live and learn!
VIII.
Then we would up and pace,
For a change, about the place,
Each with arm o'er neck:
'Tis our quarter-deck,
We are seamen in woeful case.
Help in the ocean-space!
Or, if no help, we'll embrace.
IX.
See, how she looks now, dressed
In a sledging-cap and vest!
'Tis a huge fur cloak---
Like a reindeer's yoke
Falls the lappet along the breast:
Sleeves for her arms to rest,
Or to hang, as my Love likes best.
X.
Teach me to flirt a fan
As the Spanish ladies can,
Or I tint your lip
With a burnt stick's tip
And you turn into such a man!
Just the two spots that span
Half the bill of the young male swan.
XI.
Dearest, three months ago
When the mesmerizer Snow
With his hand's first sweep
Put the earth to sleep:
'Twas a time when the heart could show
All---how was earth to know,
'Neath the mute hand's to-and-fro?
XII.
Dearest, three months ago
When we loved each other so,
Lived and loved the same
Till an evening came
When a shaft from the devil's bow
Pierced to our ingle-glow,
And the friends were friend and foe!
XIII.
Not from the heart beneath---
'Twas a bubble born of breath,
Neither sneer nor vaunt,
Nor reproach nor taunt.
See a word, how it severeth!
Oh, power of life and death
In the tongue, as the Preacher saith!
XIV.
Woman, and will you cast
For a word, quite off at last
Me, your own, your You,---
Since, as truth is true,
I was You all the happy past---
Me do you leave aghast
With the memories We amassed?
XV.
Love, if you knew the light
That your soul casts in my sight,
How I look to you
For the pure and true
And the beauteous and the right,---
Bear with a moment's spite
When a mere mote threats the white!
XVI.
What of a hasty word?
Is the fleshly heart not stirred
By a worm's pin-prick
Where its roots are quick?
See the eye, by a fly's foot blurred---
Ear, when a straw is heard
Scratch the brain's coat of curd!
XVII.
Foul be the world or fair
More or less, how can I care?
'Tis the world the same
For my praise or blame,
And endurance is easy there.
Wrong in the one thing rare---
Oh, it is hard to bear!
XVIII.
Here's the spring back or close,
When the almond-blossom blows:
We shall have the word
In a minor third
There is none but the cuckoo knows:
Heaps of the guelder-rose!
I must bear with it, I suppose.
XIX.
Could but November come,
Were the noisy birds struck dumb
At the warning slash
Of his driver's-lash---
I would laugh like the valiant Thumb
Facing the castle glum
And the giant's fee-faw-fum!
XX.
Then, were the world well stripped
Of the gear wherein equipped
We can stand apart,
Heart dispense with heart
In the sun, with the flowers unnipped,---
Oh, the world's hangings ripped,
We were both in a bare-walled crypt!
XXI.
Each in the crypt would cry
``But one freezes here! and why?
``When a heart, as chill,
``At my own would thrill
``Back to life, and its fires out-fly?
``Heart, shall we live or die?
``The rest.
.
.
.
settle by-and-by!''
XXII.
So, she'd efface the score,
And forgive me as before.
It is twelve o'clock:
I shall hear her knock
In the worst of a storm's uproar,
I shall pull her through the door,
I shall have her for evermore!
|
Written by
Robert William Service |
Pines against the sky,
Pluming the purple hill;
Pines .
.
.
and I wonder why,
Heart, you quicken and thrill?
Wistful heart of a boy,
Fill with a strange sweet joy,
Lifting to Heaven nigh -
Pines against the sky.
Palms against the sky,
Failing the hot, hard blue;
Stark on the beach I lie,
Dreaming horizons new;
Heart of my youth elate,
Scorning a humdrum fate,
Keyed to adventure high -
Palms against the sky.
Oaks against the sky,
Ramparts of leaves high-hurled,
Staunch to stand and defy
All the winds of the world;
Stalwart and proud and free,
Firing the man in me
To try and again to try -
Oaks against the sky.
Olives against the sky
Of evening, limpidly bright;
Tranquil and soft and shy,
Dreaming in amber light;
Breathing the peace of life,
Ease after toil and strife .
.
.
Hark to their silver sigh!
Olives against the sky.
Cypresses glooming the sky,
Stark at the end of the road;
Failing and faint am I,
Lief to be eased of my load;
There where the stones peer white
in the last of the silvery light,
Quiet and cold I'll lie -
Cypresses etching the sky.
Trees, trees against the sky -
O I have loved them well!
There are pleasures you cannot buy,
Treasurers you cannot sell,
And not the smallest of these
Is the gift and glory of trees.
.
.
.
So I gaze and I know now why
It is good to live - and to die.
.
.
.
Trees and the Infinite Sky.
|
Written by
William Carlos (WCW) Williams |
Of asphodel, that greeny flower,
like a buttercup
upon its branching stem-
save that it's green and wooden-
I come, my sweet,
to sing to you.
We lived long together
a life filled,
if you will,
with flowers.
So that
I was cheered
when I came first to know
that there were flowers also
in hell.
Today
I'm filled with the fading memory of those flowers
that we both loved,
even to this poor
colorless thing-
I saw it
when I was a child-
little prized among the living
but the dead see,
asking among themselves:
What do I remember
that was shaped
as this thing is shaped?
while our eyes fill
with tears.
Of love, abiding love
it will be telling
though too weak a wash of crimson
colors it
to make it wholly credible.
There is something
something urgent
I have to say to you
and you alone
but it must wait
while I drink in
the joy of your approach,
perhaps for the last time.
And so
with fear in my heart
I drag it out
and keep on talking
for I dare not stop.
Listen while I talk on
against time.
It will not be
for long.
I have forgot
and yet I see clearly enough
something
central to the sky
which ranges round it.
An odor
springs from it!
A sweetest odor!
Honeysuckle! And now
there comes the buzzing of a bee!
and a whole flood
of sister memories!
Only give me time,
time to recall them
before I shall speak out.
Give me time,
time.
When I was a boy
I kept a book
to which, from time
to time,
I added pressed flowers
until, after a time,
I had a good collection.
The asphodel,
forebodingly,
among them.
I bring you,
reawakened,
a memory of those flowers.
They were sweet
when I pressed them
and retained
something of their sweetness
a long time.
It is a curious odor,
a moral odor,
that brings me
near to you.
The color
was the first to go.
There had come to me
a challenge,
your dear self,
mortal as I was,
the lily's throat
to the hummingbird!
Endless wealth,
I thought,
held out its arms to me.
A thousand tropics
in an apple blossom.
The generous earth itself
gave us lief.
The whole world
became my garden!
But the sea
which no one tends
is also a garden
when the sun strikes it
and the waves
are wakened.
I have seen it
and so have you
when it puts all flowers
to shame.
Too, there are the starfish
stiffened by the sun
and other sea wrack
and weeds.
We knew that
along with the rest of it
for we were born by the sea,
knew its rose hedges
to the very water's brink.
There the pink mallow grows
and in their season
strawberries
and there, later,
we went to gather
the wild plum.
I cannot say
that I have gone to hell
for your love
but often
found myself there
in your pursuit.
I do not like it
and wanted to be
in heaven.
Hear me out.
Do not turn away.
I have learned much in my life
from books
and out of them
about love.
Death
is not the end of it.
There is a hierarchy
which can be attained,
I think,
in its service.
Its guerdon
is a fairy flower;
a cat of twenty lives.
If no one came to try it
the world
would be the loser.
It has been
for you and me
as one who watches a storm
come in over the water.
We have stood
from year to year
before the spectacle of our lives
with joined hands.
The storm unfolds.
Lightning
plays about the edges of the clouds.
The sky to the north
is placid,
blue in the afterglow
as the storm piles up.
It is a flower
that will soon reach
the apex of its bloom.
We danced,
in our minds,
and read a book together.
You remember?
It was a serious book.
And so books
entered our lives.
The sea! The sea!
Always
when I think of the sea
there comes to mind
the Iliad
and Helen's public fault
that bred it.
Were it not for that
there would have been
no poem but the world
if we had remembered,
those crimson petals
spilled among the stones,
would have called it simply
murder.
The sexual orchid that bloomed then
sending so many
disinterested
men to their graves
has left its memory
to a race of fools
or heroes
if silence is a virtue.
The sea alone
with its multiplicity
holds any hope.
The storm
has proven abortive
but we remain
after the thoughts it roused
to
re-cement our lives.
It is the mind
the mind
that must be cured
short of death's
intervention,
and the will becomes again
a garden.
The poem
is complex and the place made
in our lives
for the poem.
Silence can be complex too,
but you do not get far
with silence.
Begin again.
It is like Homer's
catalogue of ships:
it fills up the time.
I speak in figures,
well enough, the dresses
you wear are figures also,
we could not meet
otherwise.
When I speak
of flowers
it is to recall
that at one time
we were young.
All women are not Helen,
I know that,
but have Helen in their hearts.
My sweet,
you have it also, therefore
I love you
and could not love you otherwise.
Imagine you saw
a field made up of women
all silver-white.
What should you do
but love them?
The storm bursts
or fades! it is not
the end of the world.
Love is something else,
or so I thought it,
a garden which expands,
though I knew you as a woman
and never thought otherwise,
until the whole sea
has been taken up
and all its gardens.
It was the love of love,
the love that swallows up all else,
a grateful love,
a love of nature, of people,
of animals,
a love engendering
gentleness and goodness
that moved me
and that I saw in you.
I should have known,
though I did not,
that the lily-of-the-valley
is a flower makes many ill
who whiff it.
We had our children,
rivals in the general onslaught.
I put them aside
though I cared for them.
as well as any man
could care for his children
according to my lights.
You understand
I had to meet you
after the event
and have still to meet you.
Love
to which you too shall bow
along with me-
a flower
a weakest flower
shall be our trust
and not because
we are too feeble
to do otherwise
but because
at the height of my power
I risked what I had to do,
therefore to prove
that we love each other
while my very bones sweated
that I could not cry to you
in the act.
Of asphodel, that greeny flower,
I come, my sweet,
to sing to you!
My heart rouses
thinking to bring you news
of something
that concerns you
and concerns many men.
Look at
what passes for the new.
You will not find it there but in
despised poems.
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
Hear me out
for I too am concerned
and every man
who wants to die at peace in his bed
besides.
|
Written by
A E Housman |
Could man be drunk for ever
With liquor, love, or fights,
Lief should I rouse at morning
And lief lie down of nights.
But men at whiles are sober
And think by fits and starts,
And if they think, they fasten
Their hands upon their hearts.
|
Written by
Countee Cullen |
Then call me traitor if you must,
Shout reason and default!
Say I betray a sacred trust
Aching beyond this vault.
I'll bear your censure as your praise,
For never shall the clan
Confine my singing to its ways
Beyond the ways of man.
No racial option narrows grief,
Pain is not patriot,
And sorrow plaits her dismal leaf
For all as lief as not.
With blind sheep groping every hill,
Searching an oriflamme,
How shall the shpherd heart then thrill
To only the darker lamb?
|
Written by
Robert William Service |
I strolled up old Bonanza, where I staked in ninety-eight,
A-purpose to revisit the old claim.
I kept thinking mighty sadly of the funny ways of Fate,
And the lads who once were with me in the game.
Poor boys, they're down-and-outers, and there's scarcely one to-day
Can show a dozen colors in his poke;
And me, I'm still prospecting, old and battered, gaunt and gray,
And I'm looking for a grub-stake, and I'm broke.
I strolled up old Bonanza.
The same old moon looked down;
The same old landmarks seemed to yearn to me;
But the cabins all were silent, and the flat, once like a town,
Was mighty still and lonesome-like to see.
There were piles and piles of tailings where we toiled with pick and pan,
And turning round a bend I heard a roar,
And there a giant gold-ship of the very newest plan
Was tearing chunks of pay-dirt from the shore.
It wallowed in its water-bed; it burrowed, heaved and swung;
It gnawed its way ahead with grunts and sighs;
Its bill of fare was rock and sand; the tailings were its dung;
It glared around with fierce electric eyes.
Full fifty buckets crammed its maw; it bellowed out for more;
It looked like some great monster in the gloom.
With two to feed its sateless greed, it worked for seven score,
And I sighed: "Ah, old-time miner, here's your doom!"
The idle windlass turns to rust; the sagging sluice-box falls;
The holes you digged are water to the brim;
Your little sod-roofed cabins with the snugly moss-chinked walls
Are deathly now and mouldering and dim.
The battle-field is silent where of old you fought it out;
The claims you fiercely won are lost and sold;
But there's a little army that they'll never put to rout--
The men who simply live to seek the gold.
The men who can't remember when they learned to swing a pack,
Or in what lawless land the quest began;
The solitary seeker with his grub-stake on his back,
The restless buccaneer of pick and pan.
On the mesas of the Southland, on the tundras of the North,
You will find us, changed in face but still the same;
And it isn't need, it isn't greed that sends us faring forth--
It's the fever, it's the glory of the game.
For once you've panned the speckled sand and seen the bonny dust,
Its peerless brightness blinds you like a spell;
It's little else you care about; you go because you must,
And you feel that you could follow it to hell.
You'd follow it in hunger, and you'd follow it in cold;
You'd follow it in solitude and pain;
And when you're stiff and battened down let someone whisper "Gold",
You're lief to rise and follow it again.
Yet look you, if I find the stuff it's just like so much dirt;
I fling it to the four winds like a child.
It's wine and painted women and the things that do me hurt,
Till I crawl back, beggared, broken, to the Wild.
Till I crawl back, sapped and sodden, to my grub-stake and my tent--
There's a city, there's an army (hear them shout).
There's the gold in millions, millions, but I haven't got a cent;
And oh, it's me, it's me that found it out.
It was my dream that made it good, my dream that made me go
To lands of dread and death disprized of man;
But oh, I've known a glory that their hearts will never know,
When I picked the first big nugget from my pan.
It's still my dream, my dauntless dream, that drives me forth once more
To seek and starve and suffer in the Vast;
That heaps my heart with eager hope, that glimmers on before--
My dream that will uplift me to the last.
Perhaps I am stark crazy, but there's none of you too sane;
It's just a little matter of degree.
My hobby is to hunt out gold; it's fortressed in my brain;
It's life and love and wife and home to me.
And I'll strike it, yes, I'll strike it; I've a hunch I cannot fail;
I've a vision, I've a prompting, I've a call;
I hear the hoarse stampeding of an army on my trail,
To the last, the greatest gold camp of them all.
Beyond the shark-tooth ranges sawing savage at the sky
There's a lowering land no white man ever struck;
There's gold, there's gold in millions, and I'll find it if I die,
And I'm going there once more to try my luck.
Maybe I'll fail--what matter? It's a mandate, it's a vow;
And when in lands of dreariness and dread
You seek the last lone frontier, far beyond your frontiers now,
You will find the old prospector, silent, dead.
You will find a tattered tent-pole with a ragged robe below it;
You will find a rusted gold-pan on the sod;
You will find the claim I'm seeking, with my bones as stakes to show it;
But I've sought the last Recorder, and He's--God.
|
Written by
Emily Dickinson |
I tend my flowers for thee --
Bright Absentee!
My Fuchsia's Coral Seams
Rip -- while the Sower -- dreams --
Geraniums -- tint -- and spot --
Low Daisies -- dot --
My Cactus -- splits her Beard
To show her throat --
Carnations -- tip their spice --
And Bees -- pick up --
A Hyacinth -- I hid --
Puts out a Ruffled Head --
And odors fall
From flasks -- so small --
You marvel how they held --
Globe Roses -- break their satin glake --
Upon my Garden floor --
Yet -- thou -- not there --
I had as lief they bore
No Crimson -- more --
Thy flower -- be gay --
Her Lord -- away!
It ill becometh me --
I'll dwell in Calyx -- Gray --
How modestly -- alway --
Thy Daisy --
Draped for thee!
|
Written by
A E Housman |
"Clunton and Clunbury,
Clungunford and Clun,
Are the quietest places
Under the sun.
"
In valleys of springs and rivers,
By Ony and Teme and Clun,
The country for easy livers,
The quietest under the sun,
We still had sorrows to lighten,
One could not be always glad,
And lads knew trouble at Knighton
When I was a Knighton lad.
By bridges that Thames runs under,
In London, the town built ill,
'Tis sure small matter for wonder
If sorrow is with one still.
And if as a lad grows older
The troubles he bears are more,
He carries his griefs on a shoulder
That handselled them long before.
Where shall one halt to deliver
This luggage I'd lief set down?
Not Thames, not Teme is the river,
Nor London nor Knighton the town:
'Tis a long way further than Knighton,
A quieter place than Clun,
Where doomsday may thunder and lighten
And little 'twill matter to one.
|
Written by
Carl Sandburg |
GRIEG being dead we may speak of him and his art.
Grieg being dead we can talk about whether he was any good or not.
Grieg being with Ibsen, Björnson, Lief Ericson and the rest,
Grieg being dead does not care a hell’s hoot what we say.
Morning, Spring, Anitra’s Dance,
He dreams them at the doors of new stars.
|