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Best Famous Letting Down Poems

Here is a collection of the all-time best famous Letting Down poems. This is a select list of the best famous Letting Down poetry. Reading, writing, and enjoying famous Letting Down poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of letting down poems.

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Written by Robert Frost | Create an image from this poem

Wild Grapes

 What tree may not the fig be gathered from?  
The grape may not be gathered from the birch?
It's all you know the grape, or know the birch.
As a girl gathered from the birch myself Equally with my weight in grapes, one autumn, I ought to know what tree the grape is fruit of.
I was born, I suppose, like anyone, And grew to be a little boyish girl My brother could not always leave at home.
But that beginning was wiped out in fear The day I swung suspended with the grapes, And was come after like Eurydice And brought down safely from the upper regions; And the life I live now's an extra life I can waste as I please on whom I please.
So if you see me celebrate two birthdays, And give myself out of two different ages, One of them five years younger than I look- One day my brother led me to a glade Where a white birch he knew of stood alone, Wearing a thin head-dress of pointed leaves, And heavy on her heavy hair behind, Against her neck, an ornament of grapes.
Grapes, I knew grapes from having seen them last year.
One bunch of them, and there began to be Bunches all round me growing in white birches, The way they grew round Leif the Lucky's German; Mostly as much beyond my lifted hands, though, As the moon used to seem when I was younger, And only freely to be had for climbing.
My brother did the climbing; and at first Threw me down grapes to miss and scatter And have to hunt for in sweet fern and hardhack; Which gave him some time to himself to eat, But not so much, perhaps, as a boy needed.
So then, to make me wholly self-supporting, He climbed still higher and bent the tree to earth And put it in my hands to pick my own grapes.
"Here, take a tree-top, I'll get down another.
Hold on with all your might when I let go.
" I said I had the tree.
It wasn't true.
The opposite was true.
The tree had me.
The minute it was left with me alone It caught me up as if I were the fish And it the fishpole.
So I was translated To loud cries from my brother of "Let go! Don't you know anything, you girl? Let go!" But I, with something of the baby grip Acquired ancestrally in just such trees When wilder mothers than our wildest now Hung babies out on branches by the hands To dry or wash or tan, I don't know which, (You'll have to ask an evolutionist)- I held on uncomplainingly for life.
My brother tried to make me laugh to help me.
"What are you doing up there in those grapes? Don't be afraid.
A few of them won't hurt you.
I mean, they won't pick you if you don't them.
" Much danger of my picking anything! By that time I was pretty well reduced To a philosophy of hang-and-let-hang.
"Now you know how it feels," my brother said, "To be a bunch of fox-grapes, as they call them, That when it thinks it has escaped the fox By growing where it shouldn't-on a birch, Where a fox wouldn't think to look for it- And if he looked and found it, couldn't reach it- Just then come you and I to gather it.
Only you have the advantage of the grapes In one way: you have one more stem to cling by, And promise more resistance to the picker.
" One by one I lost off my hat and shoes, And still I clung.
I let my head fall back, And shut my eyes against the sun, my ears Against my brother's nonsense; "Drop," he said, "I'll catch you in my arms.
It isn't far.
" (Stated in lengths of him it might not be.
) "Drop or I'll shake the tree and shake you down.
" Grim silence on my part as I sank lower, My small wrists stretching till they showed the banjo strings.
"Why, if she isn't serious about it! Hold tight awhile till I think what to do.
I'll bend the tree down and let you down by it.
" I don't know much about the letting down; But once I felt ground with my stocking feet And the world came revolving back to me, I know I looked long at my curled-up fingers, Before I straightened them and brushed the bark off.
My brother said: "Don't you weigh anything? Try to weigh something next time, so you won't Be run off with by birch trees into space.
" It wasn't my not weighing anything So much as my not knowing anything- My brother had been nearer right before.
I had not taken the first step in knowledge; I had not learned to let go with the hands, As still I have not learned to with the heart, And have no wish to with the heart-nor need, That I can see.
The mind-is not the heart.
I may yet live, as I know others live, To wish in vain to let go with the mind- Of cares, at night, to sleep; but nothing tells me That I need learn to let go with the heart.


Written by Victor Hugo | Create an image from this poem

THE MARBLE FAUN

 ("Il semblait grelotter.") 
 
 {XXXVI., December, 1837.} 


 He seemed to shiver, for the wind was keen. 
 'Twas a poor statue underneath a mass 
 Of leafless branches, with a blackened back 
 And a green foot—an isolated Faun 
 In old deserted park, who, bending forward, 
 Half-merged himself in the entangled boughs, 
 Half in his marble settings. He was there, 
 Pensive, and bound to earth; and, as all things 
 Devoid of movement, he was there—forgotten. 
 
 Trees were around him, whipped by icy blasts— 
 Gigantic chestnuts, without leaf or bird, 
 And, like himself, grown old in that same place. 
 Through the dark network of their undergrowth, 
 Pallid his aspect; and the earth was brown. 
 Starless and moonless, a rough winter's night 
 Was letting down her lappets o'er the mist. 
 This—nothing more: old Faun, dull sky, dark wood. 
 
 Poor, helpless marble, how I've pitied it! 
 Less often man—the harder of the two. 
 
 So, then, without a word that might offend 
 His ear deformed—for well the marble hears 
 The voice of thought—I said to him: "You hail 
 From the gay amorous age. O Faun, what saw you 
 When you were happy? Were you of the Court? 
 
 "Speak to me, comely Faun, as you would speak 
 To tree, or zephyr, or untrodden grass. 
 Have you, O Greek, O mocker of old days, 
 Have you not sometimes with that oblique eye 
 Winked at the Farnese Hercules?—Alone, 
 Have you, O Faun, considerately turned 
 From side to side when counsel-seekers came, 
 And now advised as shepherd, now as satyr?— 
 Have you sometimes, upon this very bench, 
 Seen, at mid-day, Vincent de Paul instilling 
 Grace into Gondi?—Have you ever thrown 
 That searching glance on Louis with Fontange, 
 On Anne with Buckingham; and did they not 
 Start, with flushed cheeks, to hear your laugh ring forth 
 From corner of the wood?—Was your advice 
 As to the thyrsis or the ivy asked, 
 When, in grand ballet of fantastic form, 
 God Phoebus, or God Pan, and all his court, 
 Turned the fair head of the proud Montespan, 
 Calling her Amaryllis?—La Fontaine, 
 Flying the courtiers' ears of stone, came he, 
 Tears on his eyelids, to reveal to you 
 The sorrows of his nymphs of Vaux?—What said 
 Boileau to you—to you—O lettered Faun, 
 Who once with Virgil, in the Eclogue, held 
 That charming dialogue?—Say, have you seen 
 Young beauties sporting on the sward?—Have you 
 Been honored with a sight of Molière 
 In dreamy mood?—Has he perchance, at eve, 
 When here the thinker homeward went, has he, 
 Who—seeing souls all naked—could not fear 
 Your nudity, in his inquiring mind, 
 Confronted you with Man?" 
 
 Under the thickly-tangled branches, thus 
 Did I speak to him; he no answer gave. 
 
 I shook my head, and moved myself away; 
 Then, from the copses, and from secret caves 
 Hid in the wood, methought a ghostly voice 
 Came forth and woke an echo in my souls 
 As in the hollow of an amphora. 
 
 "Imprudent poet," thus it seemed to say, 
 "What dost thou here? Leave the forsaken Fauns 
 In peace beneath their trees! Dost thou not know, 
 Poet, that ever it is impious deemed, 
 In desert spots where drowsy shades repose— 
 Though love itself might prompt thee—to shake down 
 The moss that hangs from ruined centuries, 
 And, with the vain noise of throe ill-timed words, 
 To mar the recollections of the dead?" 
 
 Then to the gardens all enwrapped in mist 
 I hurried, dreaming of the vanished days, 
 And still behind me—hieroglyph obscure 
 Of antique alphabet—the lonely Faun 
 Held to his laughter, through the falling night. 
 
 I went my way; but yet—in saddened spirit 
 Pondering on all that had my vision crossed, 
 Leaves of old summers, fair ones of old time— 
 Through all, at distance, would my fancy see, 
 In the woods, statues; shadows in the past! 
 
 WILLIAM YOUNG 


 A LOVE FOR WINGED THINGS. 
 
 {XXXVII., April 12, 1840.} 


 My love flowed e'er for things with wings. 
 When boy I sought for forest fowl, 
 And caged them in rude rushes' mesh, 
 And fed them with my breakfast roll; 
 So that, though fragile were the door, 
 They rarely fled, and even then 
 Would flutter back at faintest call! 
 
 Man-grown, I charm for men. 


 





Book: Shattered Sighs