Written by
Alan Seeger |
First, London, for its myriads; for its height,
Manhattan heaped in towering stalagmite;
But Paris for the smoothness of the paths
That lead the heart unto the heart's delight. . . .
Fair loiterer on the threshold of those days
When there's no lovelier prize the world displays
Than, having beauty and your twenty years,
You have the means to conquer and the ways,
And coming where the crossroads separate
And down each vista glories and wonders wait,
Crowning each path with pinnacles so fair
You know not which to choose, and hesitate --
Oh, go to Paris. . . . In the midday gloom
Of some old quarter take a little room
That looks off over Paris and its towers
From Saint Gervais round to the Emperor's Tomb, --
So high that you can hear a mating dove
Croon down the chimney from the roof above,
See Notre Dame and know how sweet it is
To wake between Our Lady and our love.
And have a little balcony to bring
Fair plants to fill with verdure and blossoming,
That sparrows seek, to feed from pretty hands,
And swallows circle over in the Spring.
There of an evening you shall sit at ease
In the sweet month of flowering chestnut-trees,
There with your little darling in your arms,
Your pretty dark-eyed Manon or Louise.
And looking out over the domes and towers
That chime the fleeting quarters and the hours,
While the bright clouds banked eastward back of them
Blush in the sunset, pink as hawthorn flowers,
You cannot fail to think, as I have done,
Some of life's ends attained, so you be one
Who measures life's attainment by the hours
That Joy has rescued from oblivion.
II
Come out into the evening streets. The green light lessens in the west.
The city laughs and liveliest her fervid pulse of pleasure beats.
The belfry on Saint Severin strikes eight across the smoking eaves:
Come out under the lights and leaves
to the Reine Blanche on Saint Germain. . . .
Now crowded diners fill the floor of brasserie and restaurant.
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport."
Where rows of tables from the street are screened with shoots of box and bay,
The ragged minstrels sing and play and gather sous from those that eat.
And old men stand with menu-cards, inviting passers-by to dine
On the bright terraces that line the Latin Quarter boulevards. . . .
But, having drunk and eaten well, 'tis pleasant then to stroll along
And mingle with the merry throng that promenades on Saint Michel.
Here saunter types of every sort. The shoddy jostle with the chic:
Turk and Roumanian and Greek; student and officer and sport;
Slavs with their peasant, Christ-like heads,
and courtezans like powdered moths,
And peddlers from Algiers, with cloths
bright-hued and stitched with golden threads;
And painters with big, serious eyes go rapt in dreams, fantastic shapes
In corduroys and Spanish capes and locks uncut and flowing ties;
And lovers wander two by two, oblivious among the press,
And making one of them no less, all lovers shall be dear to you:
All laughing lips you move among, all happy hearts that, knowing what
Makes life worth while, have wasted not the sweet reprieve of being young.
"Comment ca va!" "Mon vieux!" "Mon cher!"
Friends greet and banter as they pass.
'Tis sweet to see among the mass comrades and lovers everywhere,
A law that's sane, a Love that's free, and men of every birth and blood
Allied in one great brotherhood of Art and Joy and Poverty. . . .
The open cafe-windows frame loungers at their liqueurs and beer,
And walking past them one can hear fragments of Tosca and Boheme.
And in the brilliant-lighted door of cinemas the barker calls,
And lurid posters paint the walls with scenes of Love and crime and war.
But follow past the flaming lights, borne onward with the stream of feet,
Where Bullier's further up the street is marvellous on Thursday nights.
Here all Bohemia flocks apace; you could not often find elsewhere
So many happy heads and fair assembled in one time and place.
Under the glare and noise and heat the galaxy of dancing whirls,
Smokers, with covered heads, and girls dressed in the costume of the street.
From tables packed around the wall the crowds that drink and frolic there
Spin serpentines into the air far out over the reeking hall,
That, settling where the coils unroll, tangle with pink and green and blue
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . .
Here Mimi ventures, at fifteen, to make her debut in romance,
And join her sisters in the dance and see the life that they have seen.
Her hair, a tight hat just allows to brush beneath the narrow brim,
Docked, in the model's present whim, `frise' and banged above the brows.
Uncorseted, her clinging dress with every step and turn betrays,
In pretty and provoking ways her adolescent loveliness,
As guiding Gaby or Lucile she dances, emulating them
In each disturbing stratagem and each lascivious appeal.
Each turn a challenge, every pose an invitation to compete,
Along the maze of whirling feet the grave-eyed little wanton goes,
And, flaunting all the hue that lies in childish cheeks and nubile waist,
She passes, charmingly unchaste, illumining ignoble eyes. . . .
But now the blood from every heart leaps madder through abounding veins
As first the fascinating strains of "El Irresistible" start.
Caught in the spell of pulsing sound, impatient elbows lift and yield
The scented softnesses they shield to arms that catch and close them round,
Surrender, swift to be possessed, the silken supple forms beneath
To all the bliss the measures breathe and all the madness they suggest.
Crowds congregate and make a ring. Four deep they stand and strain to see
The tango in its ecstasy of glowing lives that clasp and cling.
Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem
To float upon the perfumed stream of some voluptuous Paradise,
Or, rapt in some Arabian Night, to rock there, cradled and subdued,
In a luxurious lassitude of rhythm and sensual delight.
And only when the measures cease and terminate the flowing dance
They waken from their magic trance and join the cries that clamor "Bis!" . . .
Midnight adjourns the festival. The couples climb the crowded stair,
And out into the warm night air go singing fragments of the ball.
Close-folded in desire they pass, or stop to drink and talk awhile
In the cafes along the mile from Bullier's back to Montparnasse:
The "Closerie" or "La Rotonde", where smoking, under lamplit trees,
Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . .
Make one of them and come to know sweet Paris -- not as many do,
Seeing but the folly of the few, the froth, the tinsel, and the show --
But taking some white proffered hand that from Earth's barren every day
Can lead you by the shortest way into Love's florid fairyland.
And that divine enchanted life that lurks under Life's common guise --
That city of romance that lies within the City's toil and strife --
Shall, knocking, open to your hands, for Love is all its golden key,
And one's name murmured tenderly the only magic it demands.
And when all else is gray and void in the vast gulf of memory,
Green islands of delight shall be all blessed moments so enjoyed:
When vaulted with the city skies, on its cathedral floors you stood,
And, priest of a bright brotherhood, performed the mystic sacrifice,
At Love's high altar fit to stand, with fire and incense aureoled,
The celebrant in cloth of gold with Spring and Youth on either hand.
III
Choral Song
Have ye gazed on its grandeur
Or stood where it stands
With opal and amber
Adorning the lands,
And orcharded domes
Of the hue of all flowers?
Sweet melody roams
Through its blossoming bowers,
Sweet bells usher in from its belfries the train of the honey-sweet hour.
A city resplendent,
Fulfilled of good things,
On its ramparts are pendent
The bucklers of kings.
Broad banners unfurled
Are afloat in its air.
The lords of the world
Look for harborage there.
None finds save he comes as a bridegroom, having roses and vine in his hair.
'Tis the city of Lovers,
There many paths meet.
Blessed he above others,
With faltering feet,
Who past its proud spires
Intends not nor hears
The noise of its lyres
Grow faint in his ears!
Men reach it through portals of triumph, but leave through a postern of tears.
It was thither, ambitious,
We came for Youth's right,
When our lips yearned for kisses
As moths for the light,
When our souls cried for Love
As for life-giving rain
Wan leaves of the grove,
Withered grass of the plain,
And our flesh ached for Love-flesh beside it with bitter, intolerable pain.
Under arbor and trellis,
Full of flutes, full of flowers,
What mad fortunes befell us,
What glad orgies were ours!
In the days of our youth,
In our festal attire,
When the sweet flesh was smooth,
When the swift blood was fire,
And all Earth paid in orange and purple to pavilion the bed of Desire!
|
Written by
Robert Southey |
Why dost thou beat thy breast and rend thine hair,
And to the deaf sea pour thy frantic cries?
Before the gale the laden vessel flies;
The Heavens all-favoring smile, the breeze is fair;
Hark to the clamors of the exulting crew!
Hark how their thunders mock the patient skies!
Why dost thou shriek and strain thy red-swoln eyes
As the white sail dim lessens from thy view?
Go pine in want and anguish and despair,
There is no mercy found in human-kind--
Go Widow to thy grave and rest thee there!
But may the God of Justice bid the wind
Whelm that curst bark beneath the mountain wave,
And bless with Liberty and Death the Slave!
|
Written by
Victor Hugo |
("Jersey dort dans les flots.")
{Bk. III. xiv., Oct. 8, 1854.}
Dear Jersey! jewel jubilant and green,
'Midst surge that splits steel ships, but sings to thee!
Thou fav'rest Frenchmen, though from England seen,
Oft tearful to that mistress "North Countree";
Returned the third time safely here to be,
I bless my bold Gibraltar of the Free.
Yon lighthouse stands forth like a fervent friend,
One who our tempest buffets back with zest,
And with twin-steeple, eke our helmsman's end,
Forms arms that beckon us upon thy breast;
Rose-posied pillow, crystallized with spray,
Where pools pellucid mirror sunny ray.
A frigate fretting yonder smoothest sky,
Like pauseless petrel poising o'er a wreck,
Strikes bright athwart the dearly dazzled eye,
Until it lessens to scarce certain speck,
'Neath Venus, sparkling on the agate-sprinkled beach,
For fisher's sailing-signal, just and true,
Until Aurora frights her from the view.
In summer, steamer-smoke spreads as thy veil,
And mists in winter sudden screen thy sight,
When at thy feet the galley-breakers wail
And toss their tops high o'er the lofty flight
Of horrid storm-worn steps with shark-like bite,
That only ope to swallow up in spite.
L'ENVOY.
But penitent in calm, thou givest a balm,
To many a man who's felt thy rage,
And many a sea-bird—thanks be heard!—
Thou shieldest—sea-bird—exiled bard and sage.
|
Written by
Adela Florence Cory Nicolson |
The Desert is parched in the burning sun
And the grass is scorched and white.
But the sand is passed, and the march is done,
We are camping here to-night.
I sit in the shade of the Temple walls,
While the cadenced water evenly falls,
And a peacock out of the Jungle calls
To another, on yonder tomb.
Above, half seen, in the lofty gloom,
Strange works of a long dead people loom,
Obscene and savage and half effaced—
An elephant hunt, a musicians' feast—
And curious matings of man and beast;
What did they mean to the men who are long since dust?
Whose fingers traced,
In this arid waste,
These rioting, twisted, figures of love and lust.
Strange, weird things that no man may say,
Things Humanity hides away;—
Secretly done,—
Catch the light of the living day,
Smile in the sun.
Cruel things that man may not name,
Naked here, without fear or shame,
Laughed in the carven stone.
Deep in the Temple's innermost Shrine is set,
Where the bats and shadows dwell,
The worn and ancient Symbol of Life, at rest
In its oval shell,
By which the men, who, of old, the land possessed,
Represented their Great Destroying Power.
I cannot forget
That, just as my life was touching its fullest flower,
Love came and destroyed it all in a single hour,
Therefore the dual Mystery suits me well.
Sitting alone,
The tank's deep water is cool and sweet,
Soothing and fresh to the wayworn feet,
Dreaming, under the Tamarind shade,
One silently thanks the men who made
So green a place in this bitter land
Of sunburnt sand.
The peacocks scream and the grey Doves coo,
Little green, talkative Parrots woo,
And small grey Squirrels, with fear askance,
At alien me, in their furtive glance,
Come shyly, with quivering fur, to see
The stranger under their Tamarind tree.
Daylight dies,
The Camp fires redden like angry eyes,
The Tents show white,
In the glimmering light,
Spirals of tremulous smoke arise, to the purple skies,
And the hum of the Camp sounds like the sea,
Drifting over the sand to me.
Afar, in the Desert some wild voice sings
To a jangling zither with minor strings,
And, under the stars growing keen above,
I think of the thing that I love.
A beautiful thing, alert, serene,
With passionate, dreaming, wistful eyes,
Dark and deep as mysterious skies,
Seen from a vessel at sea.
Alas, you drifted away from me,
And Time and Space have rushed in between,
But they cannot undo the Thing-that-has-been,
Though it never again may be.
You were mine, from dusk until dawning light,
For the perfect whole of that bygone night
You belonged to me!
They say that Love is a light thing,
A foolish thing and a slight thing,
A ripe fruit, rotten at core;
They speak in this futile fashion
To me, who am wracked with passion,
Tormented beyond compassion,
For ever and ever more.
They say that Possession lessens a lover's delight,
As radiant mornings fade into afternoon.
I held what I loved in my arms for many a night,
Yet ever the morning lightened the sky too soon.
Beyond our tents the sands stretch level and far,
Around this little oasis of Tamarind trees.
A curious, Eastern fragrance fills the breeze
From the ruinous Temple garden where roses are.
I dream of the rose-like perfume that fills your hair,
Of times when my lips were free of your soft closed eyes,
While down in the tank the waters ripple and rise
And the flying foxes silently cleave the air.
The present is subtly welded into the past,
My love of you with the purple Indian dusk,
With its clinging scent of sandal incense and musk,
And withering jasmin flowers.
My eyes grow dim and my senses fail at last,
While the lonely hours
Follow each other, silently, one by one,
Till the night is almost done.
Then weary, and drunk with dreams, with my garments damp
And heavy with dew, I wander towards the camp.
Tired, with a brain in which fancy and fact are blent,
I stumble across the ropes till I reach my tent
And then to rest. To ensweeten my sleep with lies,
To dream I lie in the light of your long lost eyes,
My lips set free.
To love and linger over your soft loose hair—
To dream I lay your delicate beauty bare
To solace my fevered eyes.
Ah,—if my life might end in a night like this—
Drift into death from dreams of your granted kiss!
|
Written by
Francesco Petrarch |
SONNET CCIII. L' alto signor, dinanzi a cui non vale. HIS SORROW FOR THE ILLNESS OF LAURA INCREASES, NOT LESSENS, HIS FLAME. The sovereign Lord, 'gainst whom of no availConcealment, or resistance is, or flight,My mind had kindled to a new delightBy his own amorous and ardent ail:[Pg 213]Though his first blow, transfixing my best mailWere mortal sure, to push his triumph quiteHe took a shaft of sorrow in his right,So my soft heart on both sides to assail.A burning wound the one shed fire and flame,The other tears, which ever grief distils,Through eyes for your weak health that are as rills.But no relief from either fountain cameMy bosom's conflagration to abate,Nay, passion grew by very pity great.
|
Written by
Adela Florence Cory Nicolson |
Softly the feathery Palm-trees fade in the violet Distance,
Faintly the lingering light touches the edge of the sea,
Sadly the Music of Waves, drifts, faint as an Anthem's insistence,
Heard in the aisles of a dream, over the sandhills, to me.
Now that the Lights are reversed, and the Singing changed into sighing,
Now that the wings of our fierce, fugitive passion are furled,
Take I unto myself, all alone in the light that is dying,
Much of the sorrow that lies hid at the Heart of the World.
Sad am I, sad for your loss: for failing the charm of your presence,
Even the sunshine has paled, leaving the Zenith less blue.
Even the ocean lessens the light of its green opalescence,
Since, to my sorrow I loved, loved and grew weary of, you.
Why was our passion so fleeting, why had the flush of your beauty
Only so slender a spell, only so futile a power?
Yet, even thus ever is life, save when long custom or duty
Moulds into sober fruit Love's fragile and fugitive flower.
Fain would my soul have been faithful; never an alien pleasure
Lured me away from the light lit in your luminous eyes,
But we have altered the World as pitiful man has leisure
To criticise, balance, take counsel, assuredly lies.
All through the centuries Man has gathered his flower, and fenced it,
—Infinite strife to attain; infinite struggle to keep,—
Holding his treasure awhile, all Fate and all forces against it,
Knowing it his no more, if ever his vigilance sleep.
But we have altered the World as pitiful man has grown stronger,
So that the things we love are as easily kept as won,
Therefore the ancient fight can engage and detain us no longer,
And all too swiftly, alas, passion is over and done.
Far too speedily now we can gather the coveted treasure,
Enjoy it awhile, be satiated, begin to tire;
And what shall be done henceforth with the profitless after-leisure,
Who has the breath to kindle the ash of a faded fire?
Ah, if it only had lasted! After my ardent endeavour
Came the delirious Joy, flooding my life like a sea,
Days of delight that are burnt on the brain for ever and ever,
Days and nights when you loved, before you grew weary of me.
Softly the sunset decreases dim in the violet Distance,
Even as Love's own fervour has faded away from me,
Leaving the weariness, the monotonous Weight of Existence,—
All the farewells in the world weep in the sound of the sea.
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