Written by
Alexander Pushkin |
When the loud day for men who sow and reap
Grows still, and on the silence of the town
The unsubstantial veils of night and sleep,
The meed of the day's labour, settle down,
Then for me in the stillness of the night
The wasting, watchful hours drag on their course,
And in the idle darkness comes the bite
Of all the burning serpents of remorse;
Dreams seethe; and fretful infelicities
Are swarming in my over-burdened soul,
And Memory before my wakeful eyes
With noiseless hand unwinds her lengthy scroll.
Then, as with loathing I peruse the years,
I tremble, and I curse my natal day,
Wail bitterly, and bitterly shed tears,
But cannot wash the woeful script away.
|
Written by
Joseph Brodsky |
About a year has passed.
I've returned to the place of the battle
to its birds that have learned their unfolding of wings
from a subtle
lift of a surprised eyebrow or perhaps from a razor blade
- wings now the shade of early twilight now of state
bad blood.
Now the place is abuzz with trading
in your ankles's remanants bronzes
of sunburnt breastplates dying laughter bruises
rumors of fresh reserves memories of high treason
laundered banners with imprints of the many
who since have risen.
All's overgrown with people.
A ruin's a rather stubborn
architectural style.
And the hearts's distinction
from a pitch-black cavern
isn't that great; not great enough to fear
that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often
set out on foot to a monument cast in molten
lengthy bad dreams.
And it says on the plinth "commander
in chief.
" But it reads "in grief " or "in brief "
or "in going under.
"
1985 translated by the author.
|
Written by
Anne Sexton |
I have a pack of letters,
I have a pack of memories.
I could cut out the eyes of both.
I could wear them like a patchwork apron.
I could stick them in the washer, the drier,
and maybe some of the pain would float off like dirt?
Perhaps down the disposal I could grind up the loss.
Besides -- what a bargain -- no expensive phone calls.
No lengthy trips on planes in the fog.
No manicky laughter or blessing from an odd-lot priest.
That priest is probably still floating on a fog pillow.
Blessing us.
Blessing us.
Am I to bless the lost you,
sitting here with my clumsy soul?
Propaganda time is over.
I sit here on the spike of truth.
No one to hate except the slim fish of memory
that slides in and out of my brain.
No one to hate except the acute feel of my nightgown
brushing my body like a light that has gone out.
It recalls the kiss we invented, tongues like poems,
meeting, returning, inviting, causing a fever of need.
Laughter, maps, cassettes, touch singing its path -
all to be broken and laid away in a tight strongbox.
The monotonous dead clog me up and there is only
black done in black that oozes from the strongbox.
I must disembowel it and then set the heart, the legs,
of two who were one upon a large woodpile
and ignite, as I was once ignited, and let it whirl
into flame, reaching the sky
making it dangerous with its red.
|
Written by
Craig Raine |
A pair of blackbirds
warring in the roses,
one or two poppies
losing their heads,
the trampled lawn
a battlefield of dolls.
Branch by pruned branch,
a child has climbed
the family tree
to queen it over us:
we groundlings search
the flowering cherry
till we find her face,
its pale prerogative
to rule our hearts.
Sir Walter Raleigh
trails his comforter
about the muddy garden,
a full-length Hilliard
in miniature hose
and padded pants.
How rakishly upturned
his fine moustache
of oxtail soup,
foreshadowing, perhaps,
some future time
of altered favour,
stuck in the high chair
like a pillory, features
pelted with food.
So many expeditions
to learn the history
of this little world:
I watch him grub
in the vegetable patch
and ponder the potato
in its natural state
for the very first time,
or found a settlement
of leaves and sticks,
cleverly protected
by a circle of stones.
But where on earth
did he manage to find
that cigarette end?
Rain and wind.
The day disintegrates.
I observe the lengthy
inquisition of a worm
then go indoors to face
a scattered armada
of picture hooks
on the dining room floor,
the remains of a ruff
on my glass of beer,
Sylvia Plath's Ariel
drowned in the bath.
Washing hair, I kneel
to supervise a second rinse
and act the courtier:
tiny seed pearls,
tingling into sight,
confer a kind of majesty.
And I am author
of this toga'd tribune
on my aproned lap,
who plays his part
to an audience of two,
repeating my words.
|
Written by
Du Fu |
Continuous wind long rain autumn numerous and confused
Four seas eight wastes together one cloud
Go horse come ox no longer distinguish
Muddy Jing clear Wei how now distinguish
Grain head grow ear millet ear black
Farmer field wife without news
City in ten litres rice exchange quilt silk
Agree better consider both mutual worth Ceaseless wind and lengthy rain swirl together this autumn,
The four seas and eight deserts are covered by one cloud.
A horse going, an ox coming, cannot be distinguished,
How now can the muddy Jing and clear Wei be told apart?
The standing grain begins to sprout, the millet's ears turn black,
Farmers and the farmers' wives have no hopeful news.
In the city, a bucket of rice can cost a silken quilt,
And both the buyer and seller have to agree the bargain is fair.
|
Written by
Aleksandr Blok |
The river stretched.
It flows, idly grieves,
And washes both banks.
In steppe, above light clay of cliffs
Rinks mourn in ranks.
O Russia! Dear wife! With clearness and pain
We see the lengthy way!
It sent an arrow of ancient Tartar reign -
In breast it lay.
The way through steppes and an incessant plight,
Through your, o Russia, lot!
And alien dark and dark of night
I fear not.
Let be the night.
We'll ride and light in gloom
Camp-fires late.
The holy flag will flash in fume,
And Khan's steel blade .
.
.
And endless battle! We only dream of peace
Through blood and dust .
.
.
The mare of steppes flies on and flees,
And tramples the grass .
.
.
There's no end! The miles and cliffs flash past
Stop crazy flood!
The frightened clouds go fast,
Sun sets in blood!
Sun sets in blood! Blood streams from heart away!
O cry, my heart .
.
.
There's no peace! Through steppe the bay
Prolongs the flight!
|
Written by
Andrew Barton Paterson |
Now is the law of the Overland that all in the West obey --
A man must cover with travelling sheep a six-mile stage a day;
But this is the law which the drovers make, right easily understood,
They travel their stage where the grass is bad, but they camp where the grass is good;
They camp, and they ravage the squatter's grass till never a blade remains.
Then they drift away as the white clouds drift on the edge of the saltbush plains:
From camp to camp and from run to run they battle it hand to hand
For a blade of grass and the right to pass on the track of the Overland.
For this is the law of the Great Stock Routes, 'tis written in white and black --
The man that goes with a travelling mob must keep to a half-mile track;
And the drovers keep to a half-mile track on the runs where the grass is dead,
But they spread their sheep on a well-grassed run till they go with a two-mile spread.
So the squatters hurry the drovers on from dawn till the fall of night,
And the squatters' dogs and the drovers' dogs get mixed in a deadly fight.
Yet the squatters' men, thought they haunt the mob, are willing the peace to keep,
For the drovers learn how to use their hands when they go with the travelling sheep;
But this is the tale of a Jackaroo that came from a foreign strand,
And the fight that he fought with Saltbush Bill, the King of the Overland.
Now Saltbush Bill was a drover tough as ever the country knew,
He had fought his way on the Great Stock Routes from the sea to the big Barcoo;
He could tell when he came to a friendly run that gave him a chance to spread,
And he knew where the hungry owners were that hurried his sheep ahead;
He was drifting down in the Eighty drought with a mob that could scarcely creep
(When the kangaroos by the thousand starve, it is rough on the travelling sheep),
And he camped one night at the crossing-place on the edge of the Wilga run;
"We must manage a feed for them here," he said, "or half of the mob are done!"
So he spread them out when they left the camp wherever they liked to go,
Till he grew aware of a Jackaroo with a station-hand in tow.
They set to work on the straggling sheep, and with many a stockwhip crack
The forced them in where the grass was dead in the space of the half-mile track;
And William prayed that the hand of Fate might suddenly strike him blue
But he'd get some grass for his starving sheep in the teeth of that Jackaroo.
So he turned and cursed the Jackaroo; he cursed him, alive or dead,
From the soles of his great unwieldly feet to the crown of his ugly head,
With an extra curse on the moke he rode and the cur at his heels that ran,
Till the Jackaroo from his horse got down and went for the drover-man;
With the station-hand for his picker-up, though the sheep ran loose the while,
They battled it out on the well-grassed plain in the regular prize-ring style.
Now, the new chum fought for his honour's sake and the pride of the English race,
But the drover fought for his daily bread with a smile on his bearded face;
So he shifted ground, and he sparred for wind, and he made it a lengthy mill,
And from time to time as his scouts came in they whispered to Saltbush Bill --
"We have spread the sheep with a two-mile spread, and the grass it is something grand;
You must stick to him, Bill, for another round for the pride of the Overland.
"
The new chum made it a rushing fight, though never a blow got home,
Till the sun rode high in the cloudless sky and glared on the brick-red loam,
Till the sheep drew in to the shelter-trees and settled them down to rest;
Then the drover said he would fight no more, and gave his opponent best.
So the new chum rode to the homestead straight, and told them a story grand
Of the desperate fight that he fought that day with the King of the Overland;
And the tale went home to the Public Schools of the pluck of the English swell --
How the drover fought for his very life, but blood in the end must tell.
But the travelling sheep and the Wilga sheep were boxed on the Old Man Plain;
'Twas a full week's work ere they drafted out and hunted them off again;
A week's good grass in their wretched hides, with a curse and a stockwhip crack
They hunted them off on the road once more to starve on the half-mile track.
And Saltbush Bill, on the Overland, will many a time recite
How the best day's work that he ever did was the day that he lost the fight.
|
Written by
Badger Clark |
Wrangle up your mouth-harps, drag your banjo out,
Tune your old guitarra till she twangs right stout,
For the snow is on the mountains and the wind is on the plain,
But we'll cut the chimney's moanin' with a livelier refrain.
_Shinin' 'dobe fireplace, shadows on the wall--_
_(See old Shorty's friv'lous toes a-twitchin' at the call:)_
_It's the best grand high that there is within the law_
_When seven jolly punchers tackle "Turkey in the Straw."_
Freezy was the day's ride, lengthy was the trail,
Ev'ry steer was haughty with a high arched tail,
But we held 'em and we shoved 'em, for our longin' hearts were tried
By a yearnin' for tobacker and our dear fireside.
_Swing 'er into stop-time, don't you let 'er droop!_
_(You're about as tuneful as a coyote with the croup!)_
_Ay, the cold wind bit when we drifted down the draw,_
_But we drifted on to comfort and to "Turkey in the Straw."_
Snarlin' when the rain whipped, cussin' at the ford--
Ev'ry mile of twenty was a long discord,
But the night is brimmin' music and its glory is complete
When the eye is razzle-dazzled by the flip o' Shorty's feet!
_Snappy for the dance, now, fill she up and shoots!_
_(Don't he beat the devil's wife for jiggin' in 'is boots?)_
_Shorty got throwed high and we laughed till he was raw,_
_But tonight he's done forgot it prancin' "Turkey in the Straw."_
Rainy dark or firelight, bacon rind or pie,
Livin' is a luxury that don't come high;
Oh, be happy and onruly while our years and luck allow,
For we all must die or marry less than forty years from now!
_Lively on the last turn! lope 'er to the death!_
_(Reddy's soul is willin' but he's gettin' short o' breath.)_
_Ay, the storm wind sings and old trouble sucks his paw_
_When we have an hour of firelight set to "Turkey in the Straw!"_
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