Written by
Emily Brontë |
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night's decay
Ushers in a drearier day.
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Written by
William Cullen Bryant |
COME let us plant the apple-tree.
Cleave the tough greensward with the spade;
Wide let its hollow bed be made;
There gently lay the roots and there
Sift the dark mould with kindly care 5
And press it o'er them tenderly
As round the sleeping infant's feet
We softly fold the cradle sheet;
So plant we the apple-tree.
What plant we in this apple-tree? 10
Buds which the breath of summer days
Shall lengthen into leafy sprays;
Boughs where the thrush with crimson breast
Shall haunt and sing and hide her nest;
We plant upon the sunny lea 15
A shadow for the noontide hour
A shelter from the summer shower
When we plant the apple-tree.
What plant we in this apple-tree?
Sweets for a hundred flowery springs 20
To load the May-wind's restless wings
When from the orchard row he pours
Its fragrance through our open doors;
A world of blossoms for the bee
Flowers for the sick girl's silent room 25
For the glad infant sprigs of bloom
We plant with the apple-tree.
What plant we in this apple-tree!
Fruits that shall swell in sunny June
And redden in the August noon 30
And drop when gentle airs come by
That fan the blue September sky
While children come with cries of glee
And seek them where the fragrant grass
Betrays their bed to those who pass 35
At the foot of the apple-tree.
And when above this apple-tree
The winter stars are quivering bright
And winds go howling through the night
Girls whose young eyes o'erflow with mirth 40
Shall peel its fruit by cottage-hearth
And guests in prouder homes shall see
Heaped with the grape of Cintra's vine
And golden orange of the line
The fruit of the apple-tree. 45
The fruitage of this apple-tree
Winds and our flag of stripe and star
Shall bear to coasts that lie afar
Where men shall wonder at the view
And ask in what fair groves they grew; 50
And sojourners beyond the sea
Shall think of childhood's careless day
And long long hours of summer play
In the shade of the apple-tree.
Each year shall give this apple-tree 55
A broader flush of roseate bloom
A deeper maze of verdurous gloom
And loosen when the frost-clouds lower
The crisp brown leaves in thicker shower;
The years shall come and pass but we 60
Shall hear no longer where we lie
The summer's songs the autumn's sigh
In the boughs of the apple-tree.
And time shall waste this apple-tree.
Oh when its aged branches throw 65
Thin shadows on the ground below
Shall fraud and force and iron will
Oppress the weak and helpless still?
What shall the tasks of mercy be
Amid the toils the strifes the tears 70
Of those who live when length of years
Is wasting this little apple-tree?
Who planted this old apple-tree?
The children of that distant day
Thus to some aged man shall say; 75
And gazing on its mossy stem
The gray-haired man shall answer them:
A poet of the land was he,
Born in the rude but good old times;
'T is said he made some quaint old rhymes 80
On planting the apple-tree.
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Written by
Sara Teasdale |
I thought of you and how you love this beauty,
And walking up the long beach all alone
I heard the waves breaking in measured thunder
As you and I once heard their monotone.
Around me were the echoing dunes, beyond me
The cold and sparkling silver of the sea --
We two will pass through death and ages lengthen
Before you hear that sound again with me.
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Written by
George (Lord) Byron |
Thou Power! who hast ruled me through Infancy's days,
Young offspring of Fancy, 'tis time we should part;
Then rise on the gale this the last of my lays,
The coldest effusion which springs from my heart.
This bosom, responsive to rapture no more,
Shall hush thy wild notes, nor implore thee to sing;
The feelings of childhood, which taught thee to soar,
Are wafted far distant on Apathy's wing.
Though simple the themes of my rude flowing Lyre,
Yet even these themes are departed for ever;
No more beam the eyes which my dream could inspire,
My visions are flown, to return,---alas, never!
When drain'd is the nectar which gladdens the bowl,
How vain is the effort delight to prolong!
When cold is the beauty which dwelt in my soul,
What magic of Fancy can lengthen my song?
Can the lips sing of Love in the desert alone,
Of kisses and smiles which they now must resign ?
Or dwell with delight on the hours that are flown ?
Ah, no! for those hours can no longer be mine.
Can they speak of the friends that I lived but to love?
Ah, surely Affection ennobles the strain!
But how can my numbers in sympathy move,
When I scarcely can hope to behold them again?
Can I sing of the deeds which my Fathers have done,
And raise my loud harp to the fame of my Sires?
For glories like theirs, oh, how faint is my tone!
For Heroes' exploits how unequal my fires!
Untouch'd, then, my Lyre shall reply to the blast---
'Tis hush'd; and my feeble endeavors are o'er;
And those who have heard it will pardon the past,
When they know that its murmurs shall vibrate no more.
And soon shall its wild erring notes be forgot,
Since early affection and love is o'ercast:
Oh! blest had my Fate been, and happy my lot,
Had the first strain of love been the dearest, the last.
Farewell, my young Muse! since we now can ne'er meet;
If our songs have been languid, they surely are few:
Let us hope that the present at least will be sweet---
The present---which seals our eternal Adieu.
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Written by
Thomas Hardy |
UPON a noon I pilgrimed through
A pasture, mile by mile,
Unto the place where I last saw
My dead Love's living smile.
And sorrowing I lay me down
Upon the heated sod:
It seemed as if my body pressed
The very ground she trod.
I lay, and thought; and in a trance
She came and stood me by--
The same, even to the marvellous ray
That used to light her eye.
"You draw me, and I come to you,
My faithful one," she said,
In voice that had the moving tone
It bore in maidenhead.
She said: "'Tis seven years since I died:
Few now remember me;
My husband clasps another bride;
My children mothers she.
My brethren, sisters, and my friends
Care not to meet my sprite:
Who prized me most I did not know
Till I passed down from sight."
I said: "My days are lonely here;
I need thy smile alway:
I'll use this night my ball or blade,
And join thee ere the day."
A tremor stirred her tender lips,
Which parted to dissuade:
"That cannot be, O friend," she cried;
"Think, I am but a Shade!
"A Shade but in its mindful ones
Has immortality;
By living, me you keep alive,
By dying you slay me.
"In you resides my single power
Of sweet continuance here;
On your fidelity I count
Through many a coming year."
--I started through me at her plight,
So suddenly confessed:
Dismissing late distaste for life,
I craved its bleak unrest.
"I will not die, my One of all!--
To lengthen out thy days
I'll guard me from minutest harms
That may invest my ways!"
She smiled and went. Since then she comes
Oft when her birth-moon climbs,
Or at the seasons' ingresses
Or anniversary times;
But grows my grief. When I surcease,
Through whom alone lives she,
Ceases my Love, her words, her ways,
Never again to be!
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Written by
George (Lord) Byron |
Why, Pigot, complain of this damsel's disdain,
Why thus in despair do you fret?
For months you may try, yet, believe me, a sigh
Will never obtain a coquette.
Would you teach her to love? for a time seem to rove;
At first she may frown in a pet;
But leave her awhile, she shortly will smile,
And then you may kiss your coquette.
For such are the airs of these fanciful fairs,
They think all our homage a debt:
Yet a partial neglect soon takes an effect,
And humbles the proudest coquette.
Dissemble your pain, and lengthen your chain,
And seem her hauteur to regret;
If again you shall sigh, she no more will deny,
That yours is the rosy coquette.
If still, from false pride, your pangs she deride,
This whimsical virgin forget;
Some other adiaiire, who will melt with your fire,
And laugh at the little coquette.
For me I adore some twenty or more,
And love them most dearly but yet
Though my heart they enthral, I'd abandon them all,
Did they act like your blooming coquette.
No longer repine, adopt this design,
And break through her slight-woven net;
Away with despair, no longer forbear
To fly from the captious coquette.
Then quit her, my friend your bosom defend,
Ere quite with her snares you're beset;
Lest your deep-wounded heart, when incensed by the smart, Should lead you to curse the coquette.
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Written by
Marianne Moore |
Strong and slippery,
built for the midnight grass-party
confronted by four cats, he sleeps his time away--
the detached first claw on the foreleg corresponding
to the thumb, retracted to its tip; the small tuft of fronds
or katydid-legs above each eye numbering all units
in each group; the shadbones regularly set about the mouth
to droop or rise in unison like porcupine-quills.
He lets himself be flattened out by gravity,
as seaweed is tamed and weakened by the sun,
compelled when extended, to lie stationary.
Sleep is the result of his delusion that one must do as well
as one can for oneself,
sleep--epitome of what is to him the end of life.
Demonstrate on him how the lady placed a forked stick
on the innocuous neck-sides of the dangerous southern snake.
One need not try to stir him up; his prune-shaped head
and alligator-eyes are not party to the joke.
Lifted and handled, he may be dangled like an eel
or set up on the forearm like a mouse;
his eyes bisected by pupils of a pin's width,
are flickeringly exhibited, then covered up.
May be? I should have said might have been;
when he has been got the better of in a dream--
as in a fight with nature or with cats, we all know it.
Profound sleep is not with him a fixed illusion.
Springing about with froglike accuracy, with jerky cries
when taken in hand, he is himself again;
to sit caged by the rungs of a domestic chair
would be unprofitable--human. What is the good of hypocrisy?
it is permissible to choose one's employment,
to abandon the nail, or roly-poly,
when it shows signs of being no longer a pleasure,
to score the nearby magazine with a double line of strokes.
He can talk but insolently says nothing. What of it?
When one is frank, one's very presence is a compliment.
It is clear that he can see the virtue of naturalness,
that he does not regard the published fact as a surrender.
As for the disposition invariably to affront,
an animal with claws should have an opportunity to use them.
The eel-like extension of trunk into tail is not an accident.
To leap, to lengthen out, divide the air, to purloin, to pursue.
To tell the hen: fly over the fence, go in the wrong way
in your perturbation--this is life;
to do less would be nothing but dishonesty.
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Written by
Randall Jarrell |
A bird that I don't know,
Hunched on his light-pole like a scarecrow,
Looks sideways out into the wheat
The wind waves under the waves of heat.
The field is yellow as egg-bread dough
Except where (just as though they'd let
It live for looks) a locust billows
In leaf-green and shade-violet,
A standing mercy.
The bird calls twice, "Red clay, red clay";
Or else he's saying, "Directly, directly."
If someone came by I could ask,
Around here all of them must know --
And why they live so and die so --
Or why, for once, the lagging heron
Flaps from the little creek's parched cresses
Across the harsh-grassed, gullied meadow
To the black, rowed evergreens below.
They know and they don't know.
To ask, a man must be a stranger --
And asking, much more answering, is dangerous;
Asked about it, who would not repent
Of all he ever did and never meant,
And think a life and its distresses,
Its random, clutched-for, homefelt blisses,
The circumstances of an accident?
The farthest farmer in a field,
A gaunt plant grown, for seed, by farmers,
Has felt a longing, lorn urbanity
Jailed in his breast; and, just as I,
Has grunted, in his old perplexity,
A standing plea.
From the tar of the blazing square
The eyes shift, in their taciturn
And unavowing, unavailable sorrow.
Yet the intonation of a name confesses
Some secrets that they never meant
To let out to a soul; and what words would not dim
The bowed and weathered heads above the denim
Or the once-too-often washed wash dresses?
They are subdued to their own element.
One day
The red, clay face
Is lowered to the naked clay;
After some words, the body is forsaken
The shadows lengthen, and a dreaming hope
Breathes, from the vague mound, Life;
From the grove under the spire
Stars shine, and a wandering light
Is kindled for the mourner, man.
The angel kneeling with the wreath
Sees, in the moonlight, graves.
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Written by
Rabindranath Tagore |
O you shaggy-headed banyan tree standing on the bank of the pond,
have you forgotten the little chile, like the birds that have
nested in your branches and left you?
Do you not remember how he sat at the window and wondered at
the tangle of your roots and plunged underground?
The women would come to fill their jars in the pond, and your
huge black shadow would wriggle on the water like sleep struggling
to wake up.
Sunlight danced on the ripples like restless tiny shuttles
weaving golden tapestry.
Two ducks swam by the weedy margin above their shadows, and
the child would sit still and think.
He longed to be the wind and blow through your resting
branches, to be your shadow and lengthen with the day on the water,
to be a bird and perch on your topmost twig, and to float like
those ducks among the weeds and shadows.
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Written by
William Topaz McGonagall |
Bonnie Kilmany, in the County of Fife,
Is a healthy spot to reside in to lengthen one's life.
The scenery there in the summer time is truly grand,
Especially the beautiful hills and the woodland.
Chorus --
Then, bonnie Annie, will you go with me
And leave the crowded city of Dundee,
And breathe the pure, fragrant air
In the Howe of Kilmany, so lovely and fair?
And the little village in the Howe is lovely to see,
In the midst of green trees and shrubbery;
And the little rivulet, as it wimples along,
Can be heard singing aloud an aquatic song.
Chorus
And the old church there is built on a knoll,
And on the Sabbath mornings the church bell does toll,
Inviting the people to join in prayer,
While the echoes of the bell is heard in mid-air.
Chorus
Then there's a little schoolroom, surrounded by trees,
A favourite haunt for butterflies and busy bees,
And an old red-tiled smithy near by,
And the clink of the hammers can be heard sounding high.
Chorus
And thew's a wood sawmill by the roadway,
And the noise can be heard by night and day,
As the circular saw wheels round and round,
Making the village with its echoes resound.
Chorus
And in the harvest time on a fine summer morn
The Howe looks most beautiful when the corn is shorn;
And to hear the beautiful lark singing on high
Will make you exclaim, "Dull care, good-bye."
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