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Best Famous Leafless Poems

Here is a collection of the all-time best famous Leafless poems. This is a select list of the best famous Leafless poetry. Reading, writing, and enjoying famous Leafless poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of leafless poems.

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Written by Robert Burns | Create an image from this poem

395. Sonnet on the Author's Birthday

 SING on, sweet thrush, upon the leafless bough,
 Sing on, sweet bird, I listen to thy strain,
 See aged Winter, ’mid his surly reign,
At thy blythe carol, clears his furrowed brow.
So in lone Poverty’s dominion drear, Sits meek Content with light, unanxious heart; Welcomes the rapid moments, bids them part, Nor asks if they bring ought to hope or fear.
I thank thee, Author of this opening day! Thou whose bright sun now gilds yon orient skies! Riches denied, thy boon was purer joys— What wealth could never give nor take away! Yet come, thou child of poverty and care, The mite high heav’n bestow’d, that mite with thee I’ll share.


Written by Victor Hugo | Create an image from this poem

THE MARBLE FAUN

 ("Il semblait grelotter.") 
 
 {XXXVI., December, 1837.} 


 He seemed to shiver, for the wind was keen. 
 'Twas a poor statue underneath a mass 
 Of leafless branches, with a blackened back 
 And a green foot—an isolated Faun 
 In old deserted park, who, bending forward, 
 Half-merged himself in the entangled boughs, 
 Half in his marble settings. He was there, 
 Pensive, and bound to earth; and, as all things 
 Devoid of movement, he was there—forgotten. 
 
 Trees were around him, whipped by icy blasts— 
 Gigantic chestnuts, without leaf or bird, 
 And, like himself, grown old in that same place. 
 Through the dark network of their undergrowth, 
 Pallid his aspect; and the earth was brown. 
 Starless and moonless, a rough winter's night 
 Was letting down her lappets o'er the mist. 
 This—nothing more: old Faun, dull sky, dark wood. 
 
 Poor, helpless marble, how I've pitied it! 
 Less often man—the harder of the two. 
 
 So, then, without a word that might offend 
 His ear deformed—for well the marble hears 
 The voice of thought—I said to him: "You hail 
 From the gay amorous age. O Faun, what saw you 
 When you were happy? Were you of the Court? 
 
 "Speak to me, comely Faun, as you would speak 
 To tree, or zephyr, or untrodden grass. 
 Have you, O Greek, O mocker of old days, 
 Have you not sometimes with that oblique eye 
 Winked at the Farnese Hercules?—Alone, 
 Have you, O Faun, considerately turned 
 From side to side when counsel-seekers came, 
 And now advised as shepherd, now as satyr?— 
 Have you sometimes, upon this very bench, 
 Seen, at mid-day, Vincent de Paul instilling 
 Grace into Gondi?—Have you ever thrown 
 That searching glance on Louis with Fontange, 
 On Anne with Buckingham; and did they not 
 Start, with flushed cheeks, to hear your laugh ring forth 
 From corner of the wood?—Was your advice 
 As to the thyrsis or the ivy asked, 
 When, in grand ballet of fantastic form, 
 God Phoebus, or God Pan, and all his court, 
 Turned the fair head of the proud Montespan, 
 Calling her Amaryllis?—La Fontaine, 
 Flying the courtiers' ears of stone, came he, 
 Tears on his eyelids, to reveal to you 
 The sorrows of his nymphs of Vaux?—What said 
 Boileau to you—to you—O lettered Faun, 
 Who once with Virgil, in the Eclogue, held 
 That charming dialogue?—Say, have you seen 
 Young beauties sporting on the sward?—Have you 
 Been honored with a sight of Molière 
 In dreamy mood?—Has he perchance, at eve, 
 When here the thinker homeward went, has he, 
 Who—seeing souls all naked—could not fear 
 Your nudity, in his inquiring mind, 
 Confronted you with Man?" 
 
 Under the thickly-tangled branches, thus 
 Did I speak to him; he no answer gave. 
 
 I shook my head, and moved myself away; 
 Then, from the copses, and from secret caves 
 Hid in the wood, methought a ghostly voice 
 Came forth and woke an echo in my souls 
 As in the hollow of an amphora. 
 
 "Imprudent poet," thus it seemed to say, 
 "What dost thou here? Leave the forsaken Fauns 
 In peace beneath their trees! Dost thou not know, 
 Poet, that ever it is impious deemed, 
 In desert spots where drowsy shades repose— 
 Though love itself might prompt thee—to shake down 
 The moss that hangs from ruined centuries, 
 And, with the vain noise of throe ill-timed words, 
 To mar the recollections of the dead?" 
 
 Then to the gardens all enwrapped in mist 
 I hurried, dreaming of the vanished days, 
 And still behind me—hieroglyph obscure 
 Of antique alphabet—the lonely Faun 
 Held to his laughter, through the falling night. 
 
 I went my way; but yet—in saddened spirit 
 Pondering on all that had my vision crossed, 
 Leaves of old summers, fair ones of old time— 
 Through all, at distance, would my fancy see, 
 In the woods, statues; shadows in the past! 
 
 WILLIAM YOUNG 


 A LOVE FOR WINGED THINGS. 
 
 {XXXVII., April 12, 1840.} 


 My love flowed e'er for things with wings. 
 When boy I sought for forest fowl, 
 And caged them in rude rushes' mesh, 
 And fed them with my breakfast roll; 
 So that, though fragile were the door, 
 They rarely fled, and even then 
 Would flutter back at faintest call! 
 
 Man-grown, I charm for men. 


 




Written by Henry Van Dyke | Create an image from this poem

The Foolish Fir-Tree

 A tale that the poet Rückert told
To German children, in days of old;
Disguised in a random, rollicking rhyme
Like a merry mummer of ancient time,
And sent, in its English dress, to please
The little folk of the Christmas trees.
A little fir grew in the midst of the wood Contented and happy, as young trees should.
His body was straight and his boughs were clean; And summer and winter the bountiful sheen Of his needles bedecked him, from top to root, In a beautiful, all-the-year, evergreen suit.
But a trouble came into his heart one day, When he saw that the other trees were gay In the wonderful raiment that summer weaves Of manifold shapes and kinds of leaves: He looked at his needles so stiff and small, And thought that his dress was the poorest of all.
Then jealousy clouded the little tree's mind, And he said to himself, "It was not very kind "To give such an ugly old dress to a tree! "If the fays of the forest would only ask me, "I'd tell them how I should like to be dressed,— "In a garment of gold, to bedazzle the rest!" So he fell asleep, but his dreams were bad.
When he woke in the morning, his heart was glad; For every leaf that his boughs could hold Was made of the brightest beaten gold.
I tell you, children, the tree was proud; He was something above the common crowd; And he tinkled his leaves, as if he would say To a pedlar who happened to pass that way, "Just look at me! don't you think I am fine? "And wouldn't you like such a dress as mine?" "Oh, yes!" said the man, "and I really guess I must fill my pack with your beautiful dress.
" So he picked the golden leaves with care, And left the little tree shivering there.
"Oh, why did I wish for golden leaves?" The fir-tree said, "I forgot that thieves "Would be sure to rob me in passing by.
"If the fairies would give me another try, "I'd wish for something that cost much less, "And be satisfied with glass for my dress!" Then he fell asleep; and, just as before, The fairies granted his wish once more.
When the night was gone, and the sun rose clear, The tree was a crystal chandelier; And it seemed, as he stood in the morning light, That his branches were covered with jewels bright.
"Aha!" said the tree.
"This is something great!" And he held himself up, very proud and straight; But a rude young wind through the forest dashed, In a reckless temper, and quickly smashed The delicate leaves.
With a clashing sound They broke into pieces and fell on the ground, Like a silvery, shimmering shower of hail, And the tree stood naked and bare to the gale.
Then his heart was sad; and he cried, "Alas "For my beautiful leaves of shining glass! "Perhaps I have made another mistake "In choosing a dress so easy to break.
"If the fairies only would hear me again "I'd ask them for something both pretty and plain: "It wouldn't cost much to grant my request,— "In leaves of green lettuce I'd like to be dressed!" By this time the fairies were laughing, I know; But they gave him his wish in a second; and so With leaves of green lettuce, all tender and sweet, The tree was arrayed, from his head to his feet.
"I knew it!" he cried, "I was sure I could find "The sort of a suit that would be to my mind.
"There's none of the trees has a prettier dress, "And none as attractive as I am, I guess.
" But a goat, who was taking an afternoon walk, By chance overheard the fir-tree's talk.
So he came up close for a nearer view;— "My salad!" he bleated, "I think so too! "You're the most attractive kind of a tree, "And I want your leaves for my five-o'clock tea.
" So he ate them all without saying grace, And walked away with a grin on his face; While the little tree stood in the twilight dim, With never a leaf on a single limb.
Then he sighed and groaned; but his voice was weak— He was so ashamed that he could not speak.
He knew at last that he had been a fool, To think of breaking the forest rule, And choosing a dress himself to please, Because he envied the other trees.
But it couldn't be helped, it was now too late, He must make up his mind to a leafless fate! So he let himself sink in a slumber deep, But he moaned and he tossed in his troubled sleep, Till the morning touched him with joyful beam, And he woke to find it was all a dream.
For there in his evergreen dress he stood, A pointed fir in the midst of the wood! His branches were sweet with the balsam smell, His needles were green when the white snow fell.
And always contented and happy was he,— The very best kind of a Christmas tree.
Written by Oscar Wilde | Create an image from this poem

Desespoir

 The seasons send their ruin as they go,
For in the spring the narciss shows its head
Nor withers till the rose has flamed to red,
And in the autumn purple violets blow,
And the slim crocus stirs the winter snow;
Wherefore yon leafless trees will bloom again
And this grey land grow green with summer rain
And send up cowslips for some boy to mow.
But what of life whose bitter hungry sea Flows at our heels, and gloom of sunless night Covers the days which never more return? Ambition, love and all the thoughts that burn We lose too soon, and only find delight In withered husks of some dead memory.
Written by Johann Wolfgang von Goethe | Create an image from this poem

THE METAMORPHOSIS OF PLANTS

 THOU art confused, my beloved, at, seeing the thousandfold 
union

Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another

Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness; Therefore, a mystical law is by the chorus proclaim'd; Yes, a sacred enigma! Oh, dearest friend, could I only Happily teach thee the word, which may the mystery solve! Closely observe how the plant, by little and little progressing, Step by step guided on, changeth to blossom and fruit! First from the seed it unravels itself, as soon as the silent Fruit-bearing womb of the earth kindly allows Its escape, And to the charms of the light, the holy, the ever-in-motion, Trusteth the delicate leaves, feebly beginning to shoot.
Simply slumber'd the force in the seed; a germ of the future, Peacefully lock'd in itself, 'neath the integument lay, Leaf and root, and bud, still void of colour, and shapeless; Thus doth the kernel, while dry, cover that motionless life.
Upward then strives it to swell, in gentle moisture confiding, And, from the night where it dwelt, straightway ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth; And 'tis a token like this, points out the child 'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth, Piling-up node upon node, ever the primitive form; Yet not ever alike: for the following leaf, as thou seest, Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided, Which.
all-deform'd until now, slept in the organ below, So at length it attaineth the noble and destined perfection, Which, in full many a tribe, fills thee with wondering awe.
Many ribb'd and tooth'd, on a surface juicy and swelling, Free and unending the shoot seemeth in fullness to be; Yet here Nature restraineth, with powerful hands, the formation, And to a perfecter end, guideth with softness its growth, Less abundantly yielding the sap, contracting the vessels, So that the figure ere long gentler effects doth disclose.
Soon and in silence is check'd the growth of the vigorous branches, And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth, And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless, Gather the smaller-sized leaves, close by the side of their like.
Round the axis compress'd the sheltering calyx unfoldeth, And, as the perfectest type, brilliant-hued coronals forms.
Thus doth Nature bloom, in glory still nobler and fuller, Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller, Yes, the leaf with its hues feeleth the hand all divine, And on a sudden contracteth itself; the tenderest figures Twofold as yet, hasten on, destined to blend into one.
Lovingly now the beauteous pairs are standing together, Gather'd in countless array, there where the altar is raised.
Hymen hovereth o'er them, and scents delicious and mighty Stream forth their fragrance so sweet, all things enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling, Sweetly conceald in the womb, where is made perfect the fruit.
Here doth Nature close the ring of her forces eternal; Yet doth a new one, at once, cling to the one gone before, So that the chain be prolonged for ever through all generations, And that the whole may have life, e'en as enjoy'd by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands Which, confusing no more, gladden the mind as they wave.
Every plant unto thee proclaimeth the laws everlasting, Every flowered speaks louder and louder to thee; But if thou here canst decipher the mystic words of the goddess, Everywhere will they be seen, e'en though the features are changed.
Creeping insects may linger, the eager butterfly hasten,-- Plastic and forming, may man change e'en the figure decreed! Oh, then, bethink thee, as well, how out of the germ of acquaintance, Kindly intercourse sprang, slowly unfolding its leaves; Soon how friendship with might unveil'd itself in our bosoms, And how Amor, at length, brought forth blossom and fruit Think of the manifold ways wherein Nature hath lent to our feelings, Silently giving them birth, either the first or the last! Yes, and rejoice in the present day! For love that is holy Seeketh the noblest of fruits,--that where the thoughts are the same, Where the opinions agree,--that the pair may, in rapt contemplation, Lovingly blend into one,--find the more excellent world.
1797.


Written by Lucy Maud Montgomery | Create an image from this poem

An Autumn Evening

 Dark hills against a hollow crocus sky
Scarfed with its crimson pennons, and below 
The dome of sunset long, hushed valleys lie
Cradling the twilight, where the lone winds blow 
And wake among the harps of leafless trees 
Fantastic runes and mournful melodies.
The chilly purple air is threaded through With silver from the rising moon afar, And from a gulf of clear, unfathomed blue In the southwest glimmers a great gold star Above the darkening druid glens of fir Where beckoning boughs and elfin voices stir.
And so I wander through the shadows still, And look and listen with a rapt delight, Pausing again and yet again at will To drink the elusive beauty of the night, Until my soul is filled, as some deep cup, That with divine enchantment is brimmed up.
Written by John Keats | Create an image from this poem

Keen Fitful Gusts are Whispring Here and There

 Keen, fitful gusts are whisp'ring here and there 
Among the bushes half leafless, and dry; 
The stars look very cold about the sky, 
And I have many miles on foot to fare.
Yet feel I little of the cool bleak air, Or of the dead leaves rustling drearily, Or of those silver lamps that burn on high, Or of the distance from home's pleasant lair: For I am brimfull of the friendliness That in a little cottage I have found; Of fair-hair'd Milton's eloquent distress, And all his love for gentle Lycid drown'd; Of lovely Laura in her light green dress, And faithful Petrarch gloriously crown'd.
Written by Oscar Wilde | Create an image from this poem

LE JARDIN DES TUILERIES

 This winter air is keen and cold,
And keen and cold this winter sun,
But round my chair the children run
Like little things of dancing gold.
Sometimes about the painted kiosk The mimic soldiers strut and stride, Sometimes the blue-eyed brigands hide In the bleak tangles of the bosk.
And sometimes, while the old nurse cons Her book, they steal across the square, And launch their paper navies where Huge Triton writhes in greenish bronze.
And now in mimic flight they flee, And now they rush, a boisterous band - And, tiny hand on tiny hand, Climb up the black and leafless tree.
Ah! cruel tree! if I were you, And children climbed me, for their sake Though it be winter I would break Into spring blossoms white and blue!
Written by Robert Burns | Create an image from this poem

144. A Winter Night

 WHEN biting Boreas, fell and dour,
Sharp shivers thro’ the leafless bow’r;
When Phoebus gies a short-liv’d glow’r,
 Far south the lift,
Dim-dark’ning thro’ the flaky show’r,
 Or whirling drift:


Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi’ snawy wreaths up-choked,
 Wild-eddying swirl;
Or, thro’ the mining outlet bocked,
 Down headlong hurl:


List’ning the doors an’ winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
 O’ winter war,
And thro’ the drift, deep-lairing, sprattle
 Beneath a scar.
Ilk happing bird,—wee, helpless thing! That, in the merry months o’ spring, Delighted me to hear thee sing, What comes o’ thee? Whare wilt thou cow’r thy chittering wing, An’ close thy e’e? Ev’n you, on murdering errands toil’d, Lone from your savage homes exil’d, The blood-stain’d roost, and sheep-cote spoil’d My heart forgets, While pityless the tempest wild Sore on you beats! Now Phoebe in her midnight reign, Dark-****’d, view’d the dreary plain; Still crowding thoughts, a pensive train, Rose in my soul, When on my ear this plantive strain, Slow, solemn, stole:— “Blow, blow, ye winds, with heavier gust! And freeze, thou bitter-biting frost! Descend, ye chilly, smothering snows! Not all your rage, as now united, shows More hard unkindness unrelenting, Vengeful malice unrepenting.
Than heaven-illumin’d Man on brother Man bestows! “See stern Oppression’s iron grip, Or mad Ambition’s gory hand, Sending, like blood-hounds from the slip, Woe, Want, and Murder o’er a land! Ev’n in the peaceful rural vale, Truth, weeping, tells the mournful tale, How pamper’d Luxury, Flatt’ry by her side, The parasite empoisoning her ear, With all the servile wretches in the rear, Looks o’er proud Property, extended wide; And eyes the simple, rustic hind, Whose toil upholds the glitt’ring show— A creature of another kind, Some coarser substance, unrefin’d— Plac’d for her lordly use thus far, thus vile, below! “Where, where is Love’s fond, tender throe, With lordly Honour’s lofty brow, The pow’rs you proudly own? Is there, beneath Love’s noble name, Can harbour, dark, the selfish aim, To bless himself alone? Mark maiden-innocence a prey To love-pretending snares: This boasted Honour turns away, Shunning soft Pity’s rising sway, Regardless of the tears and unavailing pray’rs! Perhaps this hour, in Misery’s squalid nest, She strains your infant to her joyless breast, And with a mother’s fears shrinks at the rocking blast! “Oh ye! who, sunk in beds of down, Feel not a want but what yourselves create, Think, for a moment, on his wretched fate, Whom friends and fortune quite disown! Ill-satisfy’d keen nature’s clamorous call, Stretch’d on his straw, he lays himself to sleep; While through the ragged roof and chinky wall, Chill, o’er his slumbers, piles the drifty heap! Think on the dungeon’s grim confine, Where Guilt and poor Misfortune pine! Guilt, erring man, relenting view, But shall thy legal rage pursue The wretch, already crushed low By cruel Fortune’s undeserved blow? Affliction’s sons are brothers in distress; A brother to relieve, how exquisite the bliss!” I heard nae mair, for Chanticleer Shook off the pouthery snaw, And hail’d the morning with a cheer, A cottage-rousing craw.
But deep this truth impress’d my mind— Thro’ all His works abroad, The heart benevolent and kind The most resembles God.
Written by David Lehman | Create an image from this poem

April 19

 We have too much exhibitionism 
and not enough voyeurism
in poetry we have plenty of bass
and not enough treble, more amber
beer than the frat boys can drink but
less red wine than meets the lip
in this beaker of the best Bordeaux,
too much thesis, too little antithesis
and way too much New York Times
in poetry we've had too much isolationism
and too few foreign entanglements
we need more Baudelaire on the quai 
d'Anjou more olive trees and umbrella pines 
fewer leafless branches on the rue Auguste Comte
too much sociology not enough Garcia Lorca
more colons and dashes fewer commas
less love based on narrow self-interest
more lust based on a feast of kisses
too many novels too few poems
too many poets not enough poetry

Book: Reflection on the Important Things