Written by
Rudyard Kipling |
"Let us now praise famous men"--
Men of little showing--
For their work continueth,
And their work continueth,
Broad and deep continues,
Greater then their knowing!
Western wind and open surge
Took us from our mothers--
Flung us on a naked shore
(Twelve bleak houses by the shore.
Seven summers by the shore! )
'Mid two hundred brothers.
There we met with famous men
Set in office o'er us;
And they beat on us with rods--
Faithfully with many rods--
Daily beat us on with rods,
For the love they bore us!
Out of Egypt unto Troy--
Over Himalaya--
Far and sure our bands have gone--
Hy-Brazil or Babylon,
Islands of the Southern Run,
And Cities of Cathaia!
And we all praise famous men--
Ancients of the College;
For they taught us common sense--
Tried to teach us common sense--
Truth and God's Own Common Sense,
Which is more than knowledge!
Each degree of Latitude
Strung about Creation
Seeth one or more of us
(Of one muster each of us),
Diligent in that he does,
Keen in his vocation.
This we learned from famous men,
Knowing not its uses,
When they showed, in daily work--
Man must finish off his work--
Right or wrong, his daily work--
And without excuses.
Servant of the Staff and chain,
Mine and fuse and grapnel--
Some, before the face of Kings,
Stand before the face of Kings;
Bearing gifts to divers Kings--
Gifts of case and shrapnel.
This we learned from famous men
Teaching in our borders,
Who declared it was best,
Safest, easiest, and best--
Expeditious, wise, and best--
To obey your orders.
Some beneath the further stars
Bear the greater burden:
Set to serve the lands they rule,
(Save he serve no man may rule ),
Serve and love the lands they rule;
Seeking praise nor guerdon.
This we learned from famous men,
Knowing not we learned it.
Only, as the years went by--
Lonely, as the years went by--
Far from help as years went by,
Plainer we discerned it.
Wherefore praise we famous men
From whose bays we borrow--
They that put aside To-day--
All the joys of their To-day--
And with toil of their To-day
Bought for us To-morrow!
Bless and praise we famous men--
Men of little showing--
For their work continueth,
And their work continueth,
Broad and deep continueth,
Great beyond their knowing!
|
Written by
Marilyn Hacker |
Spring wafts up the smell of bus exhaust, of bread
and fried potatoes, tips green on the branches,
repeats old news: arrogance, ignorance, war.
A cinder-block wall shared by two houses
is new rubble.
On one side was a kitchen
sink and a cupboard, on the other was
a bed, a bookshelf, three framed photographs.
Glass is shattered across the photographs;
two half-circles of hardened pocket bread
sit on the cupboard.
There provisionally was
shelter, a plastic truck under the branches
of a fig tree.
A knife flashed in the kitchen,
merely dicing garlic.
Engines of war
move inexorably toward certain houses
while citizens sit safe in other houses
reading the newspaper, whose photographs
make sanitized excuses for the war.
There are innumerable kinds of bread
brought up from bakeries, baked in the kitchen:
the date, the latitude, tell which one was
dropped by a child beneath the bloodied branches.
The uncontrolled and multifurcate branches
of possibility infiltrate houses'
walls, windowframes, ceilings.
Where there was
a tower, a town: ash and burnt wires, a graph
on a distant computer screen.
Elsewhere, a kitchen
table's setting gapes, where children bred
to branch into new lives were culled for war.
Who wore this starched smocked cotton dress? Who wore
this jersey blazoned for the local branch
of the district soccer team? Who left this black bread
and this flat gold bread in their abandoned houses?
Whose father begged for mercy in the kitchen?
Whose memory will frame the photograph
and use the memory for what it was
never meant for by this girl, that old man, who was
caught on a ball field, near a window: war,
exhorted through the grief a photograph
revives.
(Or was the team a covert branch
of a banned group; were maps drawn in the kitchen,
a bomb thrust in a hollowed loaf of bread?)
What did the old men pray for in their houses
of prayer, the teachers teach in schoolhouses
between blackouts and blasts, when each word was
flensed by new censure, books exchanged for bread,
both hostage to the happenstance of war?
Sometimes the only schoolroom is a kitchen.
Outside the window, black strokes on a graph
of broken glass, birds line up on bare branches.
"This letter curves, this one spreads its branches
like friends holding hands outside their houses.
"
Was the lesson stopped by gunfire? Was
there panic, silence? Does a torn photograph
still gather children in the teacher's kitchen?
Are they there meticulously learning war-
time lessons with the signs for house, book, bread?
|
Written by
Joseph Brodsky |
All the huskies are eaten.
There is no space
left in the diary And the beads of quick
words scatter over his spouse's sepia-shaded face
adding the date in question like a mole to her lovely cheek.
Next the snapshot of his sister.
He doesn't spare his kin:
what's been reached is the highest possible latitude!
And like the silk stocking of a burlesque half-nude
queen it climbs up his thigh: gangrene.
|
Written by
Philip Larkin |
At once whatever happened starts receding.
Panting, and back on board, we line the rail
With trousers ripped, light wallets, and lips bleeding.
Yes, gone, thank God! Remembering each detail
We toss for half the night, but find next day
All's kodak-distant.
Easily, then (though pale),
'Perspective brings significance,' we say,
Unhooding our photometers, and, snap!
What can't be printed can be thrown away.
Later, it's just a latitude: the map
Points out how unavoidable it was:
'Such coastal bedding always means mishap.
'
Curses? The dark? Struggling? Where's the source
Of these yarns now (except in nightmares, of course)?
|
Written by
Emily Dickinson |
'Tis not that Dying hurts us so --
'Tis Living -- hurts us more --
But Dying -- is a different way --
A Kind behind the Door --
The Southern Custom -- of the Bird --
That ere the Frosts are due --
Accepts a better Latitude --
We -- are the Birds -- that stay.
The Shrivers round Farmers' doors --
For whose reluctant Crumb --
We stipulate -- till pitying Snows
Persuade our Feathers Home.
|
Written by
Emily Dickinson |
These tested Our Horizon --
Then disappeared
As Birds before achieving
A Latitude.
Our Retrospection of Them
A fixed Delight,
But our Anticipation
A Dice -- a Doubt --
|
Written by
Robert Francis |
My mind matches this understand land.
Outdoors the pencilled tree, the wind-carved drift,
Indoors the constant fire, the careful thrift
Are facts that I accept and understand.
I have brought in red berries and green boughs-
Berries of black alder, boughs of pine.
They and the sunlight on them, both are mine.
I need no florist flowers in my house.
Having lived here the years that are my best,
I call it home.
I am content to stay.
I have no bird's desire to fly away.
I envy neither north, east, south, nor west.
My outer world and inner make a pair.
But would the two be always of a kind?
Another latitude, another mind?
Or would I be New England anywhere?
|
Written by
Emily Dickinson |
Forever -- it composed of Nows --
'Tis not a different time --
Except for Infiniteness --
And Latitude of Home --
From this -- experienced Here --
Remove the Dates -- to These --
Let Months dissolve in further Months --
And Years -- exhale in Years --
Without Debate -- or Pause --
Or Celebrated Days --
No different Our Years would be
From Anno Domini's --
|
Written by
Emily Dickinson |
Conjecturing a Climate
Of unsuspended Suns --
Adds poignancy to Winter --
The Shivering Fancy turns
To a fictitious Country
To palliate a Cold --
Not obviated of Degree --
Nor erased -- of Latitude --
|
Written by
Barry Tebb |
In sleep I dream the gratitude I know I cannot say
Now you are in a latitude where palm trees hold the sway
There are always things between us that keep getting in the way
And stop me from expressing the things I mean to say
In a night of wind and weathers love will not go away.
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