Get Your Premium Membership

Best Famous Latest Poems

Here is a collection of the all-time best famous Latest poems. This is a select list of the best famous Latest poetry. Reading, writing, and enjoying famous Latest poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of latest poems.

Search and read the best famous Latest poems, articles about Latest poems, poetry blogs, or anything else Latest poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Portrait of a Lady

 Thou hast committed—
Fornication: but that was in another country,
And besides, the wench is dead.

The Jew of Malta.


I

AMONG the smoke and fog of a December afternoon
You have the scene arrange itself—as it will seem to do—
With “I have saved this afternoon for you”;
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet’s tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and fingertips.
“So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room.”
—And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.

“You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
[For indeed I do not love it ... you knew? you are not blind!
How keen you are!]
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you—
Without these friendships—life, what cauchemar!”

Among the windings of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite “false note.”
—Let us take the air, in a tobacco trance,
Admire the monuments,
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.

II

Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in his fingers while she talks.
“Ah, my friend, you do not know, you do not know
What life is, you who hold it in your hands”;
(Slowly twisting the lilac stalks)
“You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see.”
I smile, of course,
And go on drinking tea.
“Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all.”

The voice returns like the insistent out-of-tune
Of a broken violin on an August afternoon:
“I am always sure that you understand
My feelings, always sure that you feel,
Sure that across the gulf you reach your hand.

You are invulnerable, you have no Achilles’ heel.
You will go on, and when you have prevailed
You can say: at this point many a one has failed.

But what have I, but what have I, my friend,
To give you, what can you receive from me?
Only the friendship and the sympathy
Of one about to reach her journey’s end.

I shall sit here, serving tea to friends...”

I take my hat: how can I make a cowardly amends
For what she has said to me?
You will see me any morning in the park
Reading the comics and the sporting page.
Particularly I remark
An English countess goes upon the stage.
A Greek was murdered at a Polish dance,
Another bank defaulter has confessed.
I keep my countenance,
I remain self-possessed
Except when a street piano, mechanical and tired
Reiterates some worn-out common song
With the smell of hyacinths across the garden
Recalling things that other people have desired.
Are these ideas right or wrong?

III

The October night comes down; returning as before
Except for a slight sensation of being ill at ease
I mount the stairs and turn the handle of the door
And feel as if I had mounted on my hands and knees.
“And so you are going abroad; and when do you return?
But that’s a useless question.
You hardly know when you are coming back,
You will find so much to learn.”
My smile falls heavily among the bric-à-brac.

“Perhaps you can write to me.”
My self-possession flares up for a second;
This is as I had reckoned.
“I have been wondering frequently of late
(But our beginnings never know our ends!)
Why we have not developed into friends.”
I feel like one who smiles, and turning shall remark
Suddenly, his expression in a glass.
My self-possession gutters; we are really in the dark.

“For everybody said so, all our friends,
They all were sure our feelings would relate
So closely! I myself can hardly understand.
We must leave it now to fate.
You will write, at any rate.
Perhaps it is not too late.
I shall sit here, serving tea to friends.”

And I must borrow every changing shape
To find expression ... dance, dance
Like a dancing bear,
Cry like a parrot, chatter like an ape.
Let us take the air, in a tobacco trance—

Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon...
Would she not have the advantage, after all?
This music is successful with a “dying fall”
Now that we talk of dying—
And should I have the right to smile?


Written by William Cullen Bryant | Create an image from this poem

Hymn To Death

 Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth

Thy nobler triumphs: I will teach the world
To thank thee.--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
Nimrod, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know

No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,

Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,

And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.

Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search

And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the bosom of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.
Written by G K Chesterton | Create an image from this poem

The Latest School

 See the flying French depart
Like the bees of Bonaparte,
Swarming up with a most venomous vitality.
Over Baden and Bavaria,
And Brighton and Bulgaria,
Thus violating Belgian neutrality.

And the injured Prussian may
Not unreasonably say
"Why, it cannot be so small a nationality
Since Brixton and Batavia,
Bolivia and Belgravia,
Are bursting with the Belgian neutrality."

By pure Alliteration
You may trace this curious nation,
And respect this somewhat scattered Principality;
When you see a B in Both
You may take your Bible oath
You are violating Belgian neutrality.
Written by Paul Laurence Dunbar | Create an image from this poem

Frederick Douglass

 A hush is over all the teeming lists,
And there is pause, a breath-space in the strife;
A spirit brave has passed beyond the mists
And vapors that obscure the sun of life.
And Ethiopia, with bosom torn,
Laments the passing of her noblest born.

She weeps for him a mother's burning tears--
She loved him with a mother's deepest love
He was her champion thro' direful years,
And held her weal all other ends above.
When Bondage held her bleeding in the dust,
He raised her up and whispered, 'Hope and Trust.'

For her his voice, a fearless clarion, rung
That broke in warning on the ears of men;
For her the strong bow of his pow'r he strung
And sent his arrows to the very den
Where grim Oppression held his bloody place
And gloated o'er the mis'ries of a race.

And he was no soft-tongued apologist;
He spoke straight-forward, fearlessly uncowed;
The sunlight of his truth dispelled the mist
And set in bold relief each dark-hued cloud;
To sin and crime he gave their proper hue,
And hurled at evil what was evil's due.

Thro' good and ill report he cleaved his way
Right onward, with his face set toward the heights,
Nor feared to face the foeman's dread array--
The lash of scorn, the sting of petty spites.
He dared the lightning in the lightning's track,
And answered thunder with his thunder back.

When men maligned him and their torrent wrath
In furious imprecations o'er him broke,
He kept his counsel as he kept his path;
'Twas for his race, not for himself, he spoke.
He knew the import of his Master's call
And felt himself too mighty to be small.

No miser in the good he held was he--
His kindness followed his horizon's rim.
His heart, his talents and his hands were free
To all who truly needed aught of him.
Where poverty and ignorance were rife,
He gave his bounty as he gave his life.

The place and cause that first aroused his might
Still proved its pow'r until his latest day.
In Freedom's lists and for the aid of Right
Still in the foremost rank he waged the fray;
Wrong lived; His occupation was not gone.
He died in action with his armor on!

We weep for him, but we have touched his hand,
And felt the magic of his presence nigh,
The current that he sent thro' out the land,
The kindling spirit of his battle-cry
O'er all that holds us we shall triumph yet
And place our banner where his hopes were set!

Oh, Douglass, thou hast passed beyond the shore,
But still thy voice is ringing o'er the gale!
Thou 'st taught thy race how high her hopes may soar
And bade her seek the heights, nor faint, nor fail.
She will not fail, she heeds thy stirring cry,
She knows thy guardian spirit will be nigh,
And rising from beneath the chast'ning rod,
She stretches out her bleeding hands to God!
Written by Henry David Thoreau | Create an image from this poem

Inspiration

 Whate'er we leave to God, God does, 
And blesses us; 
The work we choose should be our own, 
God leaves alone. 
If with light head erect I sing, 
Though all the Muses lend their force, 
From my poor love of anything, 
The verse is weak and shallow as its source. 

But if with bended neck I grope 
Listening behind me for my wit, 
With faith superior to hope, 
More anxious to keep back than forward it; 

Making my soul accomplice there 
Unto the flame my heart hath lit, 
Then will the verse forever wear-- 
Time cannot bend the line which God hath writ. 

Always the general show of things 
Floats in review before my mind, 
And such true love and reverence brings, 
That sometimes I forget that I am blind. 

But now there comes unsought, unseen, 
Some clear divine electuary, 
And I, who had but sensual been, 
Grow sensible, and as God is, am wary. 

I hearing get, who had but ears, 
And sight, who had but eyes before, 
I moments live, who lived but years, 
And truth discern, who knew but learning's lore. 

I hear beyond the range of sound, 
I see beyond the range of sight, 
New earths and skies and seas around, 
And in my day the sun doth pale his light. 

A clear and ancient harmony 
Pierces my soul through all its din, 
As through its utmost melody-- 
Farther behind than they, farther within. 

More swift its bolt than lightning is, 
Its voice than thunder is more loud, 
It doth expand my privacies 
To all, and leave me single in the crowd. 

It speaks with such authority, 
With so serene and lofty tone, 
That idle Time runs gadding by, 
And leaves me with Eternity alone. 

Now chiefly is my natal hour, 
And only now my prime of life; 
Of manhood's strength it is the flower, 
'Tis peace's end and war's beginning strife. 

It comes in summer's broadest noon, 
By a grey wall or some chance place, 
Unseasoning Time, insulting June, 
And vexing day with its presuming face. 

Such fragrance round my couch it makes, 
More rich than are Arabian drugs, 
That my soul scents its life and wakes 
The body up beneath its perfumed rugs. 

Such is the Muse, the heavenly maid, 
The star that guides our mortal course, 
Which shows where life's true kernel's laid, 
Its wheat's fine flour, and its undying force. 

She with one breath attunes the spheres, 
And also my poor human heart, 
With one impulse propels the years 
Around, and gives my throbbing pulse its start. 

I will not doubt for evermore, 
Nor falter from a steadfast faith, 
For thought the system be turned o'er, 
God takes not back the word which once He saith. 

I will not doubt the love untold 
Which not my worth nor want has bought, 
Which wooed me young, and woos me old, 
And to this evening hath me brought. 

My memory I'll educate 
To know the one historic truth, 
Remembering to the latest date 
The only true and sole immortal youth. 

Be but thy inspiration given, 
No matter through what danger sought, 
I'll fathom hell or climb to heaven, 
And yet esteem that cheap which love has bought. 
___________________ 

Fame cannot tempt the bard 
Who's famous with his God, 
Nor laurel him reward 
Who has his Maker's nod.


Written by John Ashbery | Create an image from this poem

Daffy Duck In Hollywood

 Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's 
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of 
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight 
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering, 
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore) 
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is 
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in 
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its 
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others, 
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited 
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better 
For him we ought to be! And how little, finally, 
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our 
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination. 
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself. 
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the 
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we 
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind 
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us, 
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
Written by Walt Whitman | Create an image from this poem

Song of the Redwood-Tree

 1
A CALIFORNIA song! 
A prophecy and indirection—a thought impalpable, to breathe, as air; 
A chorus of dryads, fading, departing—or hamadryads departing; 
A murmuring, fateful, giant voice, out of the earth and sky, 
Voice of a mighty dying tree in the Redwood forest dense.

Farewell, my brethren, 
Farewell, O earth and sky—farewell, ye neighboring waters; 
My time has ended, my term has come. 

2
Along the northern coast, 
Just back from the rock-bound shore, and the caves,
In the saline air from the sea, in the Mendocino country, 
With the surge for bass and accompaniment low and hoarse, 
With crackling blows of axes, sounding musically, driven by strong arms, 
Riven deep by the sharp tongues of the axes—there in the Redwood forest dense, 
I heard the mighty tree its death-chant chanting.

The choppers heard not—the camp shanties echoed not; 
The quick-ear’d teamsters, and chain and jack-screw men, heard not, 
As the wood-spirits came from their haunts of a thousand years, to join the refrain; 
But in my soul I plainly heard. 

Murmuring out of its myriad leaves,
Down from its lofty top, rising two hundred feet high, 
Out of its stalwart trunk and limbs—out of its foot-thick bark, 
That chant of the seasons and time—chant, not of the past only, but the future. 

3
You untold life of me, 
And all you venerable and innocent joys,
Perennial, hardy life of me, with joys, ’mid rain, and many a summer sun, 
And the white snows, and night, and the wild winds; 
O the great patient, rugged joys! my soul’s strong joys, unreck’d by man; 
(For know I bear the soul befitting me—I too have consciousness, identity, 
And all the rocks and mountains have—and all the earth;)
Joys of the life befitting me and brothers mine, 
Our time, our term has come. 

Nor yield we mournfully, majestic brothers, 
We who have grandly fill’d our time; 
With Nature’s calm content, and tacit, huge delight,
We welcome what we wrought for through the past, 
And leave the field for them. 

For them predicted long, 
For a superber Race—they too to grandly fill their time, 
For them we abdicate—in them ourselves, ye forest kings!
In them these skies and airs—these mountain peaks—Shasta—Nevadas, 
These huge, precipitous cliffs—this amplitude—these valleys grand—Yosemite, 
To be in them absorb’d, assimilated. 

4
Then to a loftier strain, 
Still prouder, more ecstatic, rose the chant,
As if the heirs, the Deities of the West, 
Joining, with master-tongue, bore part. 

Not wan from Asia’s fetishes, 
Nor red from Europe’s old dynastic slaughter-house, 
(Area of murder-plots of thrones, with scent left yet of wars and scaffolds every
 where,)
But come from Nature’s long and harmless throes—peacefully builded thence, 
These virgin lands—Lands of the Western Shore, 
To the new Culminating Man—to you, the Empire New, 
You, promis’d long, we pledge, we dedicate. 

You occult, deep volitions,
You average Spiritual Manhood, purpose of all, pois’d on yourself—giving, not taking
 law, 
You Womanhood divine, mistress and source of all, whence life and love, and aught that
 comes
 from life and love, 
You unseen Moral Essence of all the vast materials of America, (age upon age,
 working
 in Death the same as Life,) 
You that, sometimes known, oftener unknown, really shape and mould the New World,
 adjusting
 it to Time and Space, 
You hidden National Will, lying in your abysms, conceal’d, but ever alert,
You past and present purposes, tenaciously pursued, may-be unconscious of
 yourselves, 
Unswerv’d by all the passing errors, perturbations of the surface; 
You vital, universal, deathless germs, beneath all creeds, arts, statutes,
 literatures,

Here build your homes for good—establish here—These areas entire, Lands of the Western
 Shore, 
We pledge, we dedicate to you.

For man of you—your characteristic Race, 
Here may be hardy, sweet, gigantic grow—here tower, proportionate to Nature, 
Here climb the vast, pure spaces, unconfined, uncheck’d by wall or roof, 
Here laugh with storm or sun—here joy—here patiently inure, 
Here heed himself, unfold himself (not others’ formulas heed)—here fill
 his time,
To duly fall, to aid, unreck’d at last, 
To disappear, to serve. 

Thus, on the northern coast, 
In the echo of teamsters’ calls, and the clinking chains, and the music of choppers’ axes,

The falling trunk and limbs, the crash, the muffled shriek, the groan,
Such words combined from the Redwood-tree—as of wood-spirits’ voices ecstatic, ancient and
 rustling, 
The century-lasting, unseen dryads, singing, withdrawing, 
All their recesses of forests and mountains leaving, 
From the Cascade range to the Wasatch—or Idaho far, or Utah, 
To the deities of the Modern henceforth yielding,
The chorus and indications, the vistas of coming humanity—the settlements, features all, 
In the Mendocino woods I caught. 

5
The flashing and golden pageant of California! 
The sudden and gorgeous drama—the sunny and ample lands; 
The long and varied stretch from Puget Sound to Colorado south;
Lands bathed in sweeter, rarer, healthier air—valleys and mountain cliffs; 
The fields of Nature long prepared and fallow—the silent, cyclic chemistry; 
The slow and steady ages plodding—the unoccupied surface ripening—the rich ores forming
 beneath; 
At last the New arriving, assuming, taking possession, 
A swarming and busy race settling and organizing every where;
Ships coming in from the whole round world, and going out to the whole world, 
To India and China and Australia, and the thousand island paradises of the Pacific; 
Populous cities—the latest inventions—the steamers on the rivers—the railroads—with
 many a thrifty farm, with machinery, 
And wool, and wheat, and the grape—and diggings of yellow gold. 

6
But more in you than these, Lands of the Western Shore!
(These but the means, the implements, the standing-ground,) 
I see in you, certain to come, the promise of thousands of years, till now deferr’d, 
Promis’d, to be fulfill’d, our common kind, the Race. 

The New Society at last, proportionate to Nature, 
In Man of you, more than your mountain peaks, or stalwart trees imperial,
In Woman more, far more, than all your gold, or vines, or even vital air. 

Fresh come, to a New World indeed, yet long prepared, 
I see the Genius of the Modern, child of the Real and Ideal, 
Clearing the ground for broad humanity, the true America, heir of the past so grand, 
To build a grander future.
Written by Matthew Arnold | Create an image from this poem

A Wish

 I ask not that my bed of death
From bands of greedy heirs be free;
For these besiege the latest breath
Of fortune's favoured sons, not me.

I ask not each kind soul to keep
Tearless, when of my death he hears;
Let those who will, if any, weep!
There are worse plagues on earth than tears.

I ask but that my death may find
The freedom to my life denied;
Ask but the folly of mankind,
Then, at last, to quit my side.

Spare me the whispering, crowded room,
The friends who come, and gape, and go;
The ceremonious air of gloom—
All which makes death a hideous show!

Nor bring, to see me cease to live,
Some doctor full of phrase and fame,
To shake his sapient head and give
The ill he cannot cure a name.

Nor fetch, to take the accustomed toll
Of the poor sinner bound for death,
His brother doctor of the soul,
To canvass with official breath

The future and its viewless things—
That undiscovered mystery
Which one who feels death's winnowing wings
Must need read clearer, sure, than he!

Bring none of these; but let me be,
While all around in silence lies,
Moved to the window near, and see
Once more before my dying eyes

Bathed in the sacred dew of morn
The wide aerial landscape spread—
The world which was ere I was born,
The world which lasts when I am dead.

Which never was the friend of one,
Nor promised love it could not give,
But lit for all its generous sun,
And lived itself, and made us live.

There let me gaze, till I become
In soul with what I gaze on wed!
To feel the universe my home;
To have before my mind -instead

Of the sick-room, the mortal strife,
The turmoil for a little breath—
The pure eternal course of life,
Not human combatings with death.

Thus feeling, gazing, let me grow
Composed, refreshed, ennobled, clear;
Then willing let my spirit go
To work or wait elsewhere or here!
Written by Andrew Barton Paterson | Create an image from this poem

The Scapegoat

 We have all of us read how the Israelites fled 
From Egypt with Pharaoh in eager pursuit of 'em, 
And Pharaoh's fierce troop were all put "in the soup" 
When the waters rolled softly o'er every galoot of 'em. 
The Jews were so glad when old Pharaoh was "had" 
That they sounded their timbrels and capered like mad. 
You see he was hated from Jordan to Cairo -- 
Whence comes the expression "to buck against faro". 
For forty long years, 'midst perils and fears 
In deserts with never a famine to follow by, 
The Israelite horde went roaming abroad 
Like so many sundowners "out on the wallaby". 
When Moses, who led 'em, and taught 'em, and fed 'em, 
Was dying, he murmured, "A rorty old hoss you are: 
I give you command of the whole of the band" -- 
And handed the Government over to Joshua. 

But Moses told 'em before he died, 
"Wherever you are, whatever betide, 
Every year as the time draws near 
By lot or by rote choose you a goat, 
And let the high priest confess on the beast 
The sins of the people the worst and the least, 
Lay your sins on the goat! Sure the plan ought to suit yer. 
Because all your sins are 'his troubles' in future. 
Then lead him away to the wilderness black 
To die with the weight of your sins on his back: 
Of thirst let him perish alone and unshriven, 
For thus shall your sins be absolved and forgiven!" 

'Tis needless to say, though it reeked of barbarity 
This scapegoat arrangement gained great popularity. 
By this means a Jew, whate'er he might do, 
Though he burgled, or murdered, or cheated at loo, 
Or meat on Good Friday (a sin most terrific) ate, 
Could get his discharge, like a bankrupt's certificate; 
Just here let us note -- Did they choose their best goat? 
It's food for conjecture, to judge from the picture 
By Hunt in the Gallery close to our door, a 
Man well might suppose that the scapegoat they chose 
Was a long way from being their choicest Angora. 

In fact I should think he was one of their weediest: 
'Tis a rule that obtains, no matter who reigns, 
When making a sacrifice, offer the seediest; 
Which accounts for a theory known to my hearers 
Who live in the wild by the wattle beguiled, 
That a "stag" makes quite good enough mutton for shearers. 
Be that as it may, as each year passed away, 
a scapegoat was led to the desert and freighted 
With sin (the poor brute must have been overweighted) 
And left there -- to die as his fancy dictated. 

The day it has come, with trumpet and drum. 
With pomp and solemnity fit for the tomb 
They lead the old billy-goat off to his doom: 
On every hand a reverend band, 
Prophets and preachers and elders stand 
And the oldest rabbi, with a tear in his eye, 
Delivers a sermon to all standing by. 
(We haven't his name -- whether Cohen or Harris, he 
No doubt was the "poisonest" kind of Pharisee.) 
The sermon was marked by a deal of humility 
And pointed the fact, with no end of ability. 
That being a Gentile's no mark of gentility, 
And, according to Samuel, would certainly d--n you well. 
Then, shedding his coat, he approaches the goat 
And, while a red fillet he carefully pins on him, 
Confesses the whole of the Israelites' sins on him. 
With this eloquent burst he exhorts the accurst -- 
"Go forth in the desert and perish in woe, 
The sins of the people are whiter than snow!" 
Then signs to his pal "for to let the brute go". 
(That "pal" as I've heard, is an elegant word, 
Derived from the Persian "Palaykhur" or "Pallaghur"), 
As the scapegoat strains and tugs at the reins 
The Rabbi yells rapidly, "Let her go, Gallagher!" 

The animal, freed from all restraint 
Lowered his head, made a kind of feint, 
And charged straight at that elderly saint. 
So fierce his attack and so very severe, it 
Quite floored the Rabbi, who, ere he could fly, 
Was rammed on the -- no, not the back -- but just near it. 
The scapegoat he snorted, and wildly cavorted, 
A light-hearted antelope "out on the ramp", 
Then stopped, looked around, got the "lay of the ground", 
And made a beeline back again to the camp. 
The elderly priest, as he noticed the beast 
So gallantly making his way to the east, 
Says he, "From the tents may I never more roam again 
If that there old billy-goat ain't going home again. 
He's hurrying, too! This never will do. 
Can't somebody stop him? I'm all of a stew. 
After all our confessions, so openly granted, 
He's taking our sins back to where they're not wanted. 
We've come all this distance salvation to win agog, 
If he takes home our sins, it'll burst up the Synagogue!" 

He turned to an Acolyte who was making his bacca light, 
A fleet-footed youth who could run like a crack o' light. 
"Run, Abraham, run! Hunt him over the plain, 
And drive back the brute to the desert again. 
The Sphinx is a-watching, the Pyramids will frown on you, 
From those granite tops forty cent'ries look down on you -- 
Run, Abraham, run! I'll bet half-a-crown on you." 
So Abraham ran, like a man did he go for him, 
But the goat made it clear each time he drew near 
That he had what the racing men call "too much toe" for him. 

The crowd with great eagerness studied the race -- 
"Great Scott! isn't Abraham forcing the pace -- 
And don't the goat spiel? It is hard to keep sight on him, 
The sins of the Israelites ride mighty light on him. 
The scapegoat is leading a furlong or more, 
And Abraham's tiring -- I'll lay six to four! 
He rolls in his stride; he's done, there's no question!" 
But here the old Rabbi brought up a suggestion. 
('Twas strange that in racing he showed so much cunning), 
"It's a hard race," said he, "and I think it would be 
A good thing for someone to take up the running." 
As soon said as done, they started to run -- 
The priests and the deacons, strong runners and weak 'uns 
All reckoned ere long to come up with the brute, 
And so the whole boiling set off in pursuit. 
And then it came out, as the rabble and rout 
Streamed over the desert with many a shout -- 
The Rabbi so elderly, grave, and patrician, 
Had been in his youth a bold metallician, 
And offered, in gasps, as they merrily spieled, 
"Any price Abraham! Evens the field!" 
Alas! the whole clan, they raced and they ran, 
And Abraham proved him an "even time" man, 
But the goat -- now a speck they could scarce keep their eyes on -- 
Stretched out in his stride in a style most surprisin' 
And vanished ere long o'er the distant horizon. 

Away in the camp the bill-sticker's tramp 
Is heard as he wanders with paste, brush, and notices, 
And paling and wall he plasters them all, 
"I wonder how's things gettin' on with the goat," he says, 
The pulls out his bills, "Use Solomon's Pills" 
"Great Stoning of Christians! To all devout Jews! you all 
Must each bring a stone -- Great sport will be shown; 
Enormous Attractions! And prices as usual! 
Roll up to the Hall!! Wives, children and all, 
For naught the most delicate feelings to hurt is meant!!" 
Here his eyes opened wide, for close by his side 
Was the scapegoat: And eating his latest advertisement! 
One shriek from him burst -- "You creature accurst!" 
And he ran from the spot like one fearing the worst. 
His language was chaste, as he fled in his haste, 
But the goat stayed behind him -- and "scoffed up" the paste. 

With downcast head, and sorrowful tread, 
The people came back from the desert in dread. 
"The goat -- was he back there? Had anyone heard of him?" 
In very short order they got plenty word of him. 
In fact as they wandered by street, lane and hall, 
"The trail of the serpent was over them all." 
A poor little child knocked out stiff in the gutter 
Proclaimed that the scapegoat was bred for a "butter". 
The bill-sticker's pail told a sorrowful tale, 
The scapegoat had licked it as dry as a nail; 
He raced through their houses, and frightened their spouses, 
But his latest achievement most anger arouses, 
For while they were searching, and scratching their craniums, 
One little Ben Ourbed, who looked in the flow'r-bed, 
Discovered him eating the Rabbi's geraniums. 


Moral 
The moral is patent to all the beholders -- 
Don't shift your own sins on to other folks' shoulders; 
Be kind to dumb creatures and never abuse them, 
Nor curse them nor kick them, nor spitefully use them: 
Take their lives if needs must -- when it comes to the worst, 
But don't let them perish of hunger or thirst. 
Remember, no matter how far you may roam 
That dogs, goats, and chickens, it's simply the dickens, 
Their talent stupendous for "getting back home". 
Your sins, without doubt, will aye find you out, 
And so will a scapegoat, he's bound to achieve it, 
But, die in the wilderness! Don't you believe it!
Written by Nazim Hikmet | Create an image from this poem

On Living

 I

Living is no laughing matter:
 you must live with great seriousness
 like a squirrel, for example--
 I mean without looking for something beyond and above living,
 I mean living must be your whole occupation.
Living is no laughing matter:
 you must take it seriously,
 so much so and to such a degree
 that, for example, your hands tied behind your back,
 your back to the wall,
 or else in a laboratory
 in your white coat and safety glasses,
 you can die for people--
 even for people whose faces you've never seen,
 even though you know living
 is the most real, the most beautiful thing.
 I mean, you must take living so seriously
 that even at seventy, for example, you'll plant olive trees--
 and not for your children, either,
 but because although you fear death you don't believe it,
 because living, I mean, weighs heavier.


 II

Let's say you're seriously ill, need surgery--
which is to say we might not get
 from the white table.
Even though it's impossible not to feel sad
 about going a little too soon,
we'll still laugh at the jokes being told,
we'll look out the window to see it's raining,
or still wait anxiously
 for the latest newscast ...
Let's say we're at the front--
 for something worth fighting for, say.
There, in the first offensive, on that very day,
 we might fall on our face, dead.
We'll know this with a curious anger,
 but we'll still worry ourselves to death
 about the outcome of the war, which could last years.
Let's say we're in prison
and close to fifty,
and we have eighteen more years, say, 
 before the iron doors will open.
We'll still live with the outside,
with its people and animals, struggle and wind--
 I mean with the outside beyond the walls.
I mean, however and wherever we are,
 we must live as if we will never die.


 III

This earth will grow cold,
a star among stars
 and one of the smallest,
a gilded mote on blue velvet--
 I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even
but like an empty walnut it will roll along
 in pitch-black space ...
You must grieve for this right now
--you have to feel this sorrow now--
for the world must be loved this much
 if you're going to say "I lived" ...

Book: Radiant Verses: A Journey Through Inspiring Poetry