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Best Famous Last Name Poems

Here is a collection of the all-time best famous Last Name poems. This is a select list of the best famous Last Name poetry. Reading, writing, and enjoying famous Last Name poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of last name poems.

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Written by Sharon Olds | Create an image from this poem

1954

 Then dirt scared me, because of the dirt
he had put on her face.
And her training bra scared me—the newspapers, morning and evening, kept saying it, training bra, as if the cups of it had been calling the breasts up—he buried her in it, perhaps he had never bothered to take it off.
They found her underpants in a garbage can.
And I feared the word eczema, like my acne and like the X in the paper which marked her body, as if he had killed her for not being flawless.
I feared his name, Burton Abbott, the first name that was a last name, as if he were not someone specific.
It was nothing one could learn from his face.
His face was dull and ordinary, it took away what I’d thought I could count on about evil.
He looked thin and lonely, it was horrifying, he looked almost humble.
I felt awe that dirt was so impersonal, and pity for the training bra, pity and terror of eczema.
And I could not sit on my mother’s electric blanket anymore, I began to have a fear of electricity— the good people, the parents, were going to fry him to death.
This was what his parents had been telling us: Burton Abbott, Burton Abbott, death to the person, death to the home planet.
The worst thing was to think of her, of what it had been to be her, alive, to be walked, alive, into that cabin, to look into those eyes, and see the human


Written by Sharon Olds | Create an image from this poem

One Year

 When I got to his marker, I sat on it,
like sitting on the edge of someone's bed 
and I rubbed the smooth, speckled granite.
I took some tears from my jaw and neck and started to wash a corner of his stone.
Then a black and amber ant ran out onto the granite, and off it, and another ant hauled a dead ant onto the stone, leaving it, and not coming back.
Ants ran down into the grooves of his name and dates, down into the oval track of the first name's O, middle name's O, the short O of his last name, and down into the hyphen between his birth and death--little trough of his life.
Soft bugs appeared on my shoes, like grains of pollen, I let them move on me, I rinsed a dark fleck of mica, and down inside the engraved letters the first dots of lichen were appearing like stars in early evening.
I saw the speedwell on the ground with its horns, the coiled ferns, copper-beech blossoms, each petal like that disc of matter which swayed, on the last day, on his tongue.
Tamarack, Western hemlock, manzanita, water birch with its scored bark, I put my arms around a trunk and squeezed it, then I lay down on my father's grave.
The sun shone down on me, the powerful ants walked on me.
When I woke, my cheek was crumbly, yellowish with a mustard plaster of earth.
Only at the last minute did I think of his body actually under me, the can of bone, ash, soft as a goosedown pillow that bursts in bed with the lovers.
When I kissed his stone it was not enough, when I licked it my tongue went dry a moment, I ate his dust, I tasted my dirt host.
Written by Paul Muldoon | Create an image from this poem

Anseo

 When the master was calling the roll
At the primary school in Collegelands,
You were meant to call back Anseo
And raise your hand 
As your name occurred.
Anseo, meaning here, here and now, All present and correct, Was the first word of Irish I spoke.
The last name on the ledger Belonged to Joseph Mary Plunkett Ward And was followed, as often as not, By silence, knowing looks, A nod and a wink, the master's droll 'And where's our little Ward-of-court?' I remember the first time he came back The master had sent him out Along the hedges To weigh up for himself and cut A stick with which he would be beaten.
After a while, nothing was spoken; He would arrive as a matter of course With an ash-plant, a salley-rod.
Or, finally, the hazel-wand He had whittled down to a whip-lash, Its twist of red and yellow lacquers Sanded and polished, And altogether so delicately wrought That he had engraved his initials on it.
I last met Joseph Mary Plunkett Ward In a pub just over the Irish border.
He was living in the open, in a secret camp On the other side of the mountain.
He was fighting for Ireland, Making things happen.
And he told me, Joe Ward, Of how he had risen through the ranks To Quartermaster, Commandant: How every morning at parade His volunteers would call back Anseo And raise their hands As their names occurred.

Book: Reflection on the Important Things