Written by
Victor Hugo |
("Tu domines notre âge; ange ou démon, qu'importe!")
{I. vii.}
Angel or demon! thou,—whether of light
The minister, or darkness—still dost sway
This age of ours; thine eagle's soaring flight
Bears us, all breathless, after it away.
The eye that from thy presence fain would stray,
Shuns thee in vain; thy mighty shadow thrown
Rests on all pictures of the living day,
And on the threshold of our time alone,
Dazzling, yet sombre, stands thy form, Napoleon!
Thus, when the admiring stranger's steps explore
The subject-lands that 'neath Vesuvius be,
Whether he wind along the enchanting shore
To Portici from fair Parthenope,
Or, lingering long in dreamy reverie,
O'er loveliest Ischia's od'rous isle he stray,
Wooed by whose breath the soft and am'rous sea
Seems like some languishing sultana's lay,
A voice for very sweets that scarce can win its way.
Him, whether Paestum's solemn fane detain,
Shrouding his soul with meditation's power;
Or at Pozzuoli, to the sprightly strain
Of tarantella danced 'neath Tuscan tower,
Listening, he while away the evening hour;
Or wake the echoes, mournful, lone and deep,
Of that sad city, in its dreaming bower
By the volcano seized, where mansions keep
The likeness which they wore at that last fatal sleep;
Or be his bark at Posillippo laid,
While as the swarthy boatman at his side
Chants Tasso's lays to Virgil's pleased shade,
Ever he sees, throughout that circuit wide,
From shaded nook or sunny lawn espied,
From rocky headland viewed, or flow'ry shore,
From sea, and spreading mead alike descried,
The Giant Mount, tow'ring all objects o'er,
And black'ning with its breath th' horizon evermore!
Fraser's Magazine
|
Written by
Walt Whitman |
1
HARK! some wild trumpeter—some strange musician,
Hovering unseen in air, vibrates capricious tunes to-night.
I hear thee, trumpeter—listening, alert, I catch thy notes,
Now pouring, whirling like a tempest round me,
Now low, subdued—now in the distance lost.
2
Come nearer, bodiless one—haply, in thee resounds
Some dead composer—haply thy pensive life
Was fill’d with aspirations high—unform’d ideals,
Waves, oceans musical, chaotically surging,
That now, ecstatic ghost, close to me bending, thy cornet echoing, pealing,
Gives out to no one’s ears but mine—but freely gives to mine,
That I may thee translate.
3
Blow, trumpeter, free and clear—I follow thee,
While at thy liquid prelude, glad, serene,
The fretting world, the streets, the noisy hours of day, withdraw;
A holy calm descends, like dew, upon me,
I walk, in cool refreshing night, the walks of Paradise,
I scent the grass, the moist air, and the roses;
Thy song expands my numb’d, imbonded spirit—thou freest, launchest me,
Floating and basking upon Heaven’s lake.
4
Blow again, trumpeter! and for my sensuous eyes,
Bring the old pageants—show the feudal world.
What charm thy music works!—thou makest pass before me,
Ladies and cavaliers long dead—barons are in their castle halls—the troubadours
are
singing;
Arm’d knights go forth to redress wrongs—some in quest of the Holy Grail:
I see the tournament—I see the contestants, encased in heavy armor, seated on
stately,
champing horses;
I hear the shouts—the sounds of blows and smiting steel:
I see the Crusaders’ tumultuous armies—Hark! how the cymbals clang!
Lo! where the monks walk in advance, bearing the cross on high!
5
Blow again, trumpeter! and for thy theme,
Take now the enclosing theme of all—the solvent and the setting;
Love, that is pulse of all—the sustenace and the pang;
The heart of man and woman all for love;
No other theme but love—knitting, enclosing, all-diffusing love.
O, how the immortal phantoms crowd around me!
I see the vast alembic ever working—I see and know the flames that heat the world;
The glow, the blush, the beating hearts of lovers,
So blissful happy some—and some so silent, dark, and nigh to death:
Love, that is all the earth to lovers—Love, that mocks time and space;
Love, that is day and night—Love, that is sun and moon and stars;
Love, that is crimson, sumptuous, sick with perfume;
No other words, but words of love—no other thought but Love.
6
Blow again, trumpeter—conjure war’s Wild alarums.
Swift to thy spell, a shuddering hum like distant thunder rolls;
Lo! where the arm’d men hasten—Lo! mid the clouds of dust, the glint of
bayonets;
I see the grime-faced cannoniers—I mark the rosy flash amid the smoke—I hear the
cracking of the guns:
—Nor war alone—thy fearful music-song, wild player, brings every sight of fear,
The deeds of ruthless brigands—rapine, murder—I hear the cries for help!
I see ships foundering at sea—I behold on deck, and below deck, the terrible
tableaux.
7
O trumpeter! methinks I am myself the instrument thou playest!
Thou melt’st my heart, my brain—thou movest, drawest, changest them, at will:
And now thy sullen notes send darkness through me;
Thou takest away all cheering light—all hope:
I see the enslaved, the overthrown, the hurt, the opprest of the whole earth;
I feel the measureless shame and humiliation of my race—it becomes all mine;
Mine too the revenges of humanity—the wrongs of ages—baffled feuds and hatreds;
Utter defeat upon me weighs—all lost! the foe victorious!
(Yet ’mid the ruins Pride colossal stands, unshaken to the last;
Endurance, resolution, to the last.
)
8
Now, trumpeter, for thy close,
Vouchsafe a higher strain than any yet;
Sing to my soul—renew its languishing faith and hope;
Rouse up my slow belief—give me some vision of the future;
Give me, for once, its prophecy and joy.
O glad, exulting, culminating song!
A vigor more than earth’s is in thy notes!
Marches of victory—man disenthrall’d—the conqueror at last!
Hymns to the universal God, from universal Man—all joy!
A reborn race appears—a perfect World, all joy!
Women and Men, in wisdom, innocence and health—all joy!
Riotous, laughing bacchanals, fill’d with joy!
War, sorrow, suffering gone—The rank earth purged—nothing but joy left!
The ocean fill’d with joy—the atmosphere all joy!
Joy! Joy! in freedom, worship, love! Joy in the ecstacy of life!
Enough to merely be! Enough to breathe!
Joy! Joy! all over Joy!
|
Written by
Alexander Pope |
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen,
Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose pie talks;
Men prove with child, as pow'rful fancy works,
And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen!
Who rule the sex to fifty from fifteen:
Parent of vapours and of female wit,
Who give th' hysteric, or poetic fit,
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains,
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron waters matrons' cheeks inflame,
Or change complexions at a losing game;
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caus'd suspicion when no soul was rude,
Or discompos'd the head-dress of a prude,
Or e'er to costive lap-dog gave disease,
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin;
That single act gives half the world the spleen.
"
The goddess with a discontented air
Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent,
And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried,
(While Hampton's echoes, "Wretched maid!" replied,
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound,
For this with tort'ring irons wreath'd around?
For this with fillets strain'd your tender head,
And bravely bore the double loads of lead?
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivall'd shrine
Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost!
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Expos'd through crystal to the gazing eyes,
And heighten'd by the diamond's circling rays,
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde Park Circus grow,
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!"
She said; then raging to Sir Plume repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)
With earnest eyes, and round unthinking face,
He first the snuffbox open'd, then the case,
And thus broke out--"My Lord, why, what the devil?
Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
Plague on't! 'tis past a jest--nay prithee, pox!
Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear,
(Which never more shall join its parted hair;
Which never more its honours shall renew,
Clipp'd from the lovely head where late it grew)
That while my nostrils draw the vital air,
This hand, which won it, shall for ever wear.
"
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so;
He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears,
Her eyes half-languishing, half-drown'd in tears;
On her heav'd bosom hung her drooping head,
Which, with a sigh, she rais'd; and thus she said:
"For ever curs'd be this detested day,
Which snatch'd my best, my fav'rite curl away!
Happy! ah ten times happy, had I been,
If Hampton Court these eyes had never seen!
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way,
Where none learn ombre, none e'er taste bohea!
There kept my charms conceal'd from mortal eye,
Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam?
Oh had I stay'd, and said my pray'rs at home!
'Twas this, the morning omens seem'd to tell,
Thrice from my trembling hand the patch-box fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A Sylph too warn'd me of the threats of fate,
In mystic visions, now believ'd too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These, in two sable ringlets taught to break,
Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;
Uncurl'd it hangs, the fatal shears demands
And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize
Hairs less in sight, or any hairs but these!"
|
Written by
Lewis Carroll |
AY, 'twas here, on this spot,
In that summer of yore,
Atalanta did not
Vote my presence a bore,
Nor reply to my tenderest talk "She had
heard all that nonsense before.
"
She'd the brooch I had bought
And the necklace and sash on,
And her heart, as I thought,
Was alive to my passion;
And she'd done up her hair in the style that
the Empress had brought into fashion.
I had been to the play
With my pearl of a Peri -
But, for all I could say,
She declared she was weary,
That "the place was so crowded and hot, and
she couldn't abide that Dundreary.
"
Then I thought "Lucky boy!
'Tis for YOU that she whimpers!"
And I noted with joy
Those sensational simpers:
And I said "This is scrumptious!" - a
phrase I had learned from the Devonshire shrimpers.
And I vowed "'Twill be said
I'm a fortunate fellow,
When the breakfast is spread,
When the topers are mellow,
When the foam of the bride-cake is white,
and the fierce orange-blossoms are yellow!"
O that languishing yawn!
O those eloquent eyes!
I was drunk with the dawn
Of a splendid surmise -
I was stung by a look, I was slain by a tear,
by a tempest of sighs.
Then I whispered "I see
The sweet secret thou keepest.
And the yearning for ME
That thou wistfully weepest!
And the question is 'License or Banns?',
though undoubtedly Banns are the cheapest.
"
"Be my Hero," said I,
"And let ME be Leander!"
But I lost her reply -
Something ending with "gander" -
For the omnibus rattled so loud that no
mortal could quite understand her.
|
Written by
Phillis Wheatley |
Mæcenas, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
>From age to age transmitting thus his name
With the first glory in the rolls of fame?
Thy virtues, great Mæcenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Mæcenas, thy paternal rays,
Hear me propitious, and defend my lays.
|
Written by
Johann Wolfgang von Goethe |
THE MAIDEN.
I'VE seen him before me!
What rapture steals o'er me!
Oh heavenly sight!
He's coming to meet me;
Perplex'd, I retreat me,
With shame take to flight.
My mind seems to wander!
Ye rocks and trees yonder,
Conceal ye my rapture.
Conceal my delight!
THE YOUTH.
'Tis here I must find her,
'Twas here she enshrined her,
Here vanish'd from sight.
She came, as to meet me,
Then fearing to greet me,
With shame took to flight.
Is't hope? Do I wander?
Ye rocks and trees yonder,
Disclose ye the loved one,
Disclose my delight!
THE LANGUISHING.
O'er my sad, fate I sorrow,
To each dewy morrow,
Veil'd here from man's sight
By the many mistaken,
Unknown and forsaken,
Here I wing my flight!
Compassionate spirit!
Let none ever hear it,--
Conceal my affliction,
Conceal thy delight!
THE HUNTER.
To-day I'm rewarded;
Rich booty's afforded
By Fortune so bright.
My servant the pheasants,
And hares fit for presents
Takes homeward at night;
Here see I enraptured
In nets the birds captured!--
Long life to the hunter!
Long live his delight!
1789.
|
Written by
Andrew Marvell |
An Horatian Ode upon Cromwell's Return From Ireland
The forward youth that would appear
Must now forsake his muses dear,
Nor in the shadows sing,
His numbers languishing.
'Tis time to leave the books in dust,
And oil the unus?d armour's rust:
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urg?d his active star.
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
(For 'tis all one to courage high
The emulous or enemy:
And with such to inclose
Is more than to oppose.
)
Then burning through the air he went,
And palaces and temples rent:
And C?sar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry heaven's flame:
And, if we would speak true,
Much to the man is due,
Who from his private gardens, where
He lived reserv?d and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the kingdoms old
Into another mould.
Though justice against fate complain,
And plead the ancient rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less:
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars,
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art,
Where, twining subtle fears with hope,
He wove a net of such a scope,
That Charles himself might chase
To Carisbrooke's narrow case:
That then the royal actor born
The tragic scaffold might adorn:
While round the arm?d bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene:
But with his keener eye
The axe's edge did try:
Nor called the gods with vulgar spite
To vindicate his helpless right,
But bowed his comely head,
Down, as upon a bed.
This was that memorable hour
Which first assured the forc?d power.
So when they did design
The Capitol's first line,
A bleeding head where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust:
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey.
He to the Commons feet presents
A kingdom, for his first year's rents:
And, what he may, forbears
His fame, to make it theirs:
And has his sword and spoils ungirt,
To lay them at the public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search
But on the next green bough to perch,
Where, when he first does lure,
The falc'ner has her sure.
What may not then our isle presume
While Victory his crest does plume?
What may not others fear
If thus he crowns each year?
A C?.
sar, he, ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climact?ric be.
The Pict no shelter now whall find
Within his parti-coloured mind,
But from this valour sad
Shrink underneath the plaid:
Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the Wars' and Fortune's son,
March indefatigably on,
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.
|
Written by
John Dryden |
Air Iris I love, and hourly I die,
But not for a lip, nor a languishing eye:
She's fickle and false, and there we agree,
For I am as false and as fickle as she.
We neither believe what either can say;
And, neither believing, we neither betray.
'Tis civil to swear, and say things of course;
We mean not the taking for better or worse.
When present, we love; when absent, agree:
I think not of Iris, nor Iris of me.
The legend of love no couple can find,
So easy to part, or so equally join'd.
|
Written by
Andrew Marvell |
The forward youth that would appear
Must now forsake his Muses dear,
Nor in the shadows sing
His numbers languishing.
'Tis time to leave the books in dust,
And oil th' unused armour's rust,
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through advent'rous war
Urged his active star:
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
For 'tis all one to courage high,
The emulous or enemy;
And with such, to enclose
Is more than to oppose.
Then burning through the air he went,
And palaces and temples rent;
And Caesar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry Heaven's flame;
And, if we would speak true,
Much to the man is due,
Who, from his private gardens, where
He lived reserved and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the Kingdom old
Into another mould.
Though Justice against Fate complain,
And plead the ancient Rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less;
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art;
Where, twining subtle fears with hope,
He wove a net of such a scope
That Charles himself might chase
To Carisbrook's narrow case;
That thence the Royal Actor borne
The tragic scaffold might adorn:
While round the armed bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene,
But with his keener eye
The axe's edge did try;
Nor called the Gods with vulgar spite
To vindicate his helpless right;
But bowed his comely head
Down as upon a bed.
This was that memorable hour
Which first assured the forced pow'r.
So when they did design
The Capitol's first line,
A Bleeding Head, where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust;
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey!
He to the Commons' feet presents
A kingdom for his first year's rents:
And, what he may, forbears
His fame to make it theirs:
And has his sword and spoils ungirt,
To lay them at the Public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search,
But on the next green bough to perch,
Where, when he first does lure,
The falcon'r has her sure.
What may not then our Isle presume
While victory his crest does plume!
What may not others fear
If thus he crown each year!
A Caesar he ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climacteric be.
The Pict no shelter now shall find
Within his parti-coloured mind;
But from this valour sad
Shrink underneath the plaid:
Happy if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the War's and Fortune's son,
March indefatigably on;
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A pow'r must it maintain.
|
Written by
John Dryden |
Sylvia the fair, in the bloom of fifteen,
Felt an innocent warmth as she lay on the green:
She had heard of a pleasure, and something she guessed
By the towsing and tumbling and touching her breast:
She saw the men eager, but was at a loss
What they meant by their sighing and kissing so close;
By their praying and whining,
And clasping and twining,
And panting and wishing,
And sighing and kissing,
And sighing and kissing so close.
"Ah!" she cried, "ah, for a languishing maid
In a country of Christians to die without aid!
Not a Whig, or a Tory, or Trimmer at least,
Or a Protestant parson, or Catholic priest,
To instruct a young virgin that is at a loss
What they meant by their sighing and kissing so close;
By their praying and whining,
And clasping and twining,
And panting and wishing,
And sighing and kissing,
And sighing and kissing so close.
"
Cupid in shape of a swain did appear;
He saw the sad wound, and in pity drew near;
Then showed her his arrow, and bid her not fear,
For the pain was no more than a maiden may bear;
When the balm was infused, she was not at a loss
What they meant by their sighing and kissing so close;
By their praying and whining,
And clasping and twining,
And panting and wishing,
And sighing and kissing,
And sighing and kissing so close.
|