Written by
Allen Ginsberg |
Hey Father Death, I'm flying home
Hey poor man, you're all alone
Hey old daddy, I know where I'm going
Father Death, Don't cry any more
Mama's there, underneath the floor
Brother Death, please mind the store
Old Aunty Death Don't hide your bones
Old Uncle Death I hear your groans
O Sister Death how sweet your moans
O Children Deaths go breathe your breaths
Sobbing breasts'll ease your Deaths
Pain is gone, tears take the rest
Genius Death your art is done
Lover Death your body's gone
Father Death I'm coming home
Guru Death your words are true
Teacher Death I do thank you
For inspiring me to sing this Blues
Buddha Death, I wake with you
Dharma Death, your mind is new
Sangha Death, we'll work it through
Suffering is what was born
Ignorance made me forlorn
Tearful truths I cannot scorn
Father Breath once more farewell
Birth you gave was no thing ill
My heart is still, as time will tell.
July 8, 1976 (Over Lake Michigan)
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Written by
Edgar Lee Masters |
He ran away and was gone for a year.
When he came home he told me the silly story
Of being kidnapped by pirates on Lake Michigan
And kept in chains so he could not write me.
I pretended to believe it, though I knew very well
What he was doing, and that he met
The milliner, Mrs.
Williams, now and then
When she went to the city to buy goods, as she said.
But a promise is a promise
And marriage is marriage,
And out of respect for my own character
I refused to be drawn into a divorce
By the scheme of a husband who had merely grown tired
Of his marital vow and duty.
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Written by
Edgar Lee Masters |
She loved me.
Oh! how she loved me!
I never had a chance to escape
From the day she first saw me.
But then after we were married I thought
She might prove her mortality and let me out,
Or she might divorce me.
But few die, none resign.
Then I ran away and was gone a year on a lark.
But she never complained.
She said all would be well,
That I would return.
And I did return.
I told her that while taking a row in a boat
I had been captured near Van Buren Street
By pirates on Lake Michigan,
And kept in chains, so I could not write her.
She cried and kissed me, and said it was cruel,
Outrageous, inhuman!
I then concluded our marriage
Was a divine dispensation
And could not be dissolved,
Except by death.
I was right.
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Written by
Carl Sandburg |
SUNDAY night and the park policemen tell each other it
is dark as a stack of black cats on Lake Michigan.
A big picnic boat comes home to Chicago from the peach
farms of Saugatuck.
Hundreds of electric bulbs break the night's darkness, a
flock of red and yellow birds with wings at a standstill.
Running along the deck railings are festoons and leaping
in curves are loops of light from prow and stern
to the tall smokestacks.
Over the hoarse crunch of waves at my pier comes a
hoarse answer in the rhythmic oompa of the brasses
playing a Polish folk-song for the home-comers.
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Written by
Howard Nemerov |
The fishermen on Lake Michigan, sometimes,
For kicks, they spit two hunks of bait on hooks
At either end of a single length of line
And toss that up among the scavenging gulls,
Who go for it so fast that often two of them
Make the connection before it hits the water.
Hooked and hung up like that, they do a dance
That lasts only so long.
The fishermen
Do that for kicks, on Lake Michigan, sometimes.
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Written by
Amanda Gorman |
There’s a poem in this place—
in the footfalls in the halls
in the quiet beat of the seats.
It is here, at the curtain of day,
where America writes a lyric
you must whisper to say.
There’s a poem in this place—
in the heavy grace,
the lined face of this noble building,
collections burned and reborn twice.
There’s a poem in Boston’s Copley Square
where protest chants
tear through the air
like sheets of rain,
where love of the many
swallows hatred of the few.
There’s a poem in Charlottesville
where tiki torches string a ring of flame
tight round the wrist of night
where men so white they gleam blue—
seem like statues
where men heap that long wax burning
ever higher
where Heather Heyer
blooms forever in a meadow of resistance.
There’s a poem in the great sleeping giant
of Lake Michigan, defiantly raising
its big blue head to Milwaukee and Chicago—
a poem begun long ago, blazed into frozen soil,
strutting upward and aglow.
There’s a poem in Florida, in East Texas
where streets swell into a nexus
of rivers, cows afloat like mottled buoys in the brown,
where courage is now so common
that 23-year-old Jesus Contreras rescues people from floodwaters.
There’s a poem in Los Angeles
yawning wide as the Pacific tide
where a single mother swelters
in a windowless classroom, teaching
black and brown students in Watts
to spell out their thoughts
so her daughter might write
this poem for you.
There's a lyric in California
where thousands of students march for blocks,
undocumented and unafraid;
where my friend Rosa finds the power to blossom
in deadlock, her spirit the bedrock of her community.
She knows hope is like a stubborn
ship gripping a dock,
a truth: that you can’t stop a dreamer
or knock down a dream.
How could this not be her city
su nación
our country
our America,
our American lyric to write—
a poem by the people, the poor,
the Protestant, the Muslim, the Jew,
the native, the immigrant,
the black, the brown, the blind, the brave,
the undocumented and undeterred,
the woman, the man, the nonbinary,
the white, the trans,
the ally to all of the above
and more?
Tyrants fear the poet.
Now that we know it
we can’t blow it.
We owe it
to show it
not slow it
although it
hurts to sew it
when the world
skirts below it.
Hope—
we must bestow it
like a wick in the poet
so it can grow, lit,
bringing with it
stories to rewrite—
the story of a Texas city depleted but not defeated
a history written that need not be repeated
a nation composed but not yet completed.
There’s a poem in this place—
a poem in America
a poet in every American
who rewrites this nation, who tells
a story worthy of being told on this minnow of an earth
to breathe hope into a palimpsest of time—
a poet in every American
who sees that our poem penned
doesn’t mean our poem’s end.
There’s a place where this poem dwells—
it is here, it is now, in the yellow song of dawn’s bell
where we write an American lyric
we are just beginning to tell.
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