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Best Famous Laden Poems

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Written by Edgar Allan Poe | Create an image from this poem

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!


Written by Gwendolyn Brooks | Create an image from this poem

The Lovers of the Poor

 arrive. The Ladies from the Ladies' Betterment
League
Arrive in the afternoon, the late light slanting
In diluted gold bars across the boulevard brag
Of proud, seamed faces with mercy and murder hinting
Here, there, interrupting, all deep and debonair,
The pink paint on the innocence of fear;
Walk in a gingerly manner up the hall. 
Cutting with knives served by their softest care,
Served by their love, so barbarously fair.
Whose mothers taught: You'd better not be cruel!
You had better not throw stones upon the wrens!
Herein they kiss and coddle and assault
Anew and dearly in the innocence
With which they baffle nature. Who are full,
Sleek, tender-clad, fit, fiftyish, a-glow, all
Sweetly abortive, hinting at fat fruit,
Judge it high time that fiftyish fingers felt
Beneath the lovelier planes of enterprise.
To resurrect. To moisten with milky chill.
To be a random hitching post or plush.
To be, for wet eyes, random and handy hem.
Their guild is giving money to the poor.
The worthy poor. The very very worthy
And beautiful poor. Perhaps just not too swarthy?
Perhaps just not too dirty nor too dim
Nor--passionate. In truth, what they could wish
Is--something less than derelict or dull.
Not staunch enough to stab, though, gaze for gaze!
God shield them sharply from the beggar-bold!
The noxious needy ones whose battle's bald
Nonetheless for being voiceless, hits one down.
But it's all so bad! and entirely too much for them.
The stench; the urine, cabbage, and dead beans,
Dead porridges of assorted dusty grains,
The old smoke, heavy diapers, and, they're told,
Something called chitterlings. The darkness. Drawn
Darkness, or dirty light. The soil that stirs.
The soil that looks the soil of centuries.
And for that matter the general oldness. Old
Wood. Old marble. Old tile. Old old old.
Note homekind Oldness! Not Lake Forest, Glencoe.
Nothing is sturdy, nothing is majestic,
There is no quiet drama, no rubbed glaze, no
Unkillable infirmity of such
A tasteful turn as lately they have left,
Glencoe, Lake Forest, and to which their cars
Must presently restore them. When they're done
With dullards and distortions of this fistic
Patience of the poor and put-upon.
They've never seen such a make-do-ness as
Newspaper rugs before! In this, this "flat,"
Their hostess is gathering up the oozed, the rich
Rugs of the morning (tattered! the bespattered . . . ),
Readies to spread clean rugs for afternoon.
Here is a scene for you. The Ladies look,
In horror, behind a substantial citizeness
Whose trains clank out across her swollen heart.
Who, arms akimbo, almost fills a door.
All tumbling children, quilts dragged to the floor
And tortured thereover, potato peelings, soft-
Eyed kitten, hunched-up, haggard, to-be-hurt.
Their League is allotting largesse to the Lost.
But to put their clean, their pretty money, to put
Their money collected from delicate rose-fingers
Tipped with their hundred flawless rose-nails seems . . . 
They own Spode, Lowestoft, candelabra,
Mantels, and hostess gowns, and sunburst clocks,
Turtle soup, Chippendale, red satin "hangings,"
Aubussons and Hattie Carnegie. They Winter
In Palm Beach; cross the Water in June; attend,
When suitable, the nice Art Institute;
Buy the right books in the best bindings; saunter
On Michigan, Easter mornings, in sun or wind.
Oh Squalor! This sick four-story hulk, this fibre
With fissures everywhere! Why, what are bringings
Of loathe-love largesse? What shall peril hungers
So old old, what shall flatter the desolate?
Tin can, blocked fire escape and chitterling
And swaggering seeking youth and the puzzled wreckage
Of the middle passage, and urine and stale shames
And, again, the porridges of the underslung
And children children children. Heavens! That
Was a rat, surely, off there, in the shadows? Long
And long-tailed? Gray? The Ladies from the Ladies'
Betterment League agree it will be better
To achieve the outer air that rights and steadies,
To hie to a house that does not holler, to ring
Bells elsetime, better presently to cater
To no more Possibilities, to get
Away. Perhaps the money can be posted.
Perhaps they two may choose another Slum!
Some serious sooty half-unhappy home!--
Where loathe-lover likelier may be invested.
Keeping their scented bodies in the center
Of the hall as they walk down the hysterical hall,
They allow their lovely skirts to graze no wall,
Are off at what they manage of a canter,
And, resuming all the clues of what they were,
Try to avoid inhaling the laden air.
Written by John Keats | Create an image from this poem

To Autumn

SEASON of mists and mellow fruitfulness! 
Close bosom-friend of the maturing sun; 
Conspiring with him how to load and bless 
With fruit the vines that round the thatch-eaves run; 
To bend with apples the moss'd cottage-trees 5 
And fill all fruit with ripeness to the core; 
To swell the gourd and plump the hazel shells 
With a sweet kernel; to set budding more  
And still more later flowers for the bees  
Until they think warm days will never cease 10 
For Summer has o'er-brimm'd their clammy cells. 

Who hath not seen thee oft amid thy store? 
Sometimes whoever seeks abroad may find 
Thee sitting careless on a granary floor  
Thy hair soft-lifted by the winnowing wind; 15 
Or on a half-reap'd furrow sound asleep  
Drowsed with the fume of poppies while thy hook 
Spares the next swath and all its twin¨¨d flowers; 
And sometimes like a gleaner thou dost keep 
Steady thy laden head across a brook; 20 
Or by a cider-press with patient look  
Thou watchest the last oozings hours by hours. 

Where are the songs of Spring? Ay where are they? 
Think not of them thou hast thy music too ¡ª 
While barr¨¨d clouds bloom the soft-dying day 25 
And touch the stubble-plains with rosy hue; 
Then in a wailful choir the small gnats mourn 
Among the river sallows borne aloft 
Or sinking as the light wind lives or dies; 
And full-grown lambs loud bleat from hilly bourn; 30 
Hedge-crickets sing; and now with treble soft 
The redbreast whistles from a garden-croft; 
And gathering swallows twitter in the skies. 
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.


I 

Before the solemn bronze Saint Gaudens made 
To thrill the heedless passer's heart with awe, 
And set here in the city's talk and trade 
To the good memory of Robert Shaw, 
This bright March morn I stand, 
And hear the distant spring come up the land; 
Knowing that what I hear is not unheard 
Of this boy soldier and his ***** band, 
For all their gaze is fixed so stern ahead, 
For all the fatal rhythm of their tread. 
The land they died to save from death and shame 
Trembles and waits, hearing the spring's great name, 
And by her pangs these resolute ghosts are stirred. 


II 

Through street and mall the tides of people go 
Heedless; the trees upon the Common show 
No hint of green; but to my listening heart 
The still earth doth impart 
Assurance of her jubilant emprise, 
And it is clear to my long-searching eyes 
That love at last has might upon the skies. 
The ice is runneled on the little pond; 
A telltale patter drips from off the trees; 
The air is touched with southland spiceries, 
As if but yesterday it tossed the frond 
Of pendant mosses where the live-oaks grow 
Beyond Virginia and the Carolines, 
Or had its will among the fruits and vines 
Of aromatic isles asleep beyond 
Florida and the Gulf of Mexico. 


III 

Soon shall the Cape Ann children shout in glee, 
Spying the arbutus, spring's dear recluse; 
Hill lads at dawn shall hearken the wild goose 
Go honking northward over Tennessee; 
West from Oswego to Sault Sainte-Marie, 
And on to where the Pictured Rocks are hung, 
And yonder where, gigantic, wilful, young, 
Chicago sitteth at the northwest gates, 
With restless violent hands and casual tongue 
Moulding her mighty fates, 
The Lakes shall robe them in ethereal sheen; 
And like a larger sea, the vital green 
Of springing wheat shall vastly be outflung 
Over Dakota and the prairie states. 
By desert people immemorial 
On Arizonan mesas shall be done 
Dim rites unto the thunder and the sun; 
Nor shall the primal gods lack sacrifice 
More splendid, when the white Sierras call 
Unto the Rockies straightway to arise 
And dance before the unveiled ark of the year, 
Sounding their windy cedars as for shawms, 
Unrolling rivers clear 
For flutter of broad phylacteries; 
While Shasta signals to Alaskan seas 
That watch old sluggish glaciers downward creep 
To fling their icebergs thundering from the steep, 
And Mariposa through the purple calms 
Gazes at far Hawaii crowned with palms 
Where East and West are met, -- 
A rich seal on the ocean's bosom set 
To say that East and West are twain, 
With different loss and gain: 
The Lord hath sundered them; let them be sundered yet. 


IV 

Alas! what sounds are these that come 
Sullenly over the Pacific seas, -- 
Sounds of ignoble battle, striking dumb 
The season's half-awakened ecstasies? 
Must I be humble, then, 
Now when my heart hath need of pride? 
Wild love falls on me from these sculptured men; 
By loving much the land for which they died 
I would be justified. 
My spirit was away on pinions wide 
To soothe in praise of her its passionate mood 
And ease it of its ache of gratitude. 
Too sorely heavy is the debt they lay 
On me and the companions of my day. 
I would remember now 
My country's goodliness, make sweet her name. 
Alas! what shade art thou 
Of sorrow or of blame 
Liftest the lyric leafage from her brow, 
And pointest a slow finger at her shame? 


V 

Lies! lies! It cannot be! The wars we wage 
Are noble, and our battles still are won 
By justice for us, ere we lift the gage. 
We have not sold our loftiest heritage. 
The proud republic hath not stooped to cheat 
And scramble in the market-place of war; 
Her forehead weareth yet its solemn star. 
Here is her witness: this, her perfect son, 
This delicate and proud New England soul 
Who leads despisèd men, with just-unshackled feet, 
Up the large ways where death and glory meet, 
To show all peoples that our shame is done, 
That once more we are clean and spirit-whole. 


VI 

Crouched in the sea fog on the moaning sand 
All night he lay, speaking some simple word 
From hour to hour to the slow minds that heard, 
Holding each poor life gently in his hand 
And breathing on the base rejected clay 
Till each dark face shone mystical and grand 
Against the breaking day; 
And lo, the shard the potter cast away 
Was grown a fiery chalice crystal-fine 
Fulfilled of the divine 
Great wine of battle wrath by God's ring-finger stirred. 
Then upward, where the shadowy bastion loomed 
Huge on the mountain in the wet sea light, 
Whence now, and now, infernal flowerage bloomed, 
Bloomed, burst, and scattered down its deadly seed, -- 
They swept, and died like freemen on the height, 
Like freemen, and like men of noble breed; 
And when the battle fell away at night 
By hasty and contemptuous hands were thrust 
Obscurely in a common grave with him 
The fair-haired keeper of their love and trust. 
Now limb doth mingle with dissolvèd limb 
In nature's busy old democracy 
To flush the mountain laurel when she blows 
Sweet by the southern sea, 
And heart with crumbled heart climbs in the rose: -- 
The untaught hearts with the high heart that knew 
This mountain fortress for no earthly hold 
Of temporal quarrel, but the bastion old 
Of spiritual wrong, 
Built by an unjust nation sheer and strong, 
Expugnable but by a nation's rue 
And bowing down before that equal shrine 
By all men held divine, 
Whereof his band and he were the most holy sign. 


VII 

O bitter, bitter shade! 
Wilt thou not put the scorn 
And instant tragic question from thine eye? 
Do thy dark brows yet crave 
That swift and angry stave -- 
Unmeet for this desirous morn -- 
That I have striven, striven to evade? 
Gazing on him, must I not deem they err 
Whose careless lips in street and shop aver 
As common tidings, deeds to make his cheek 
Flush from the bronze, and his dead throat to speak? 
Surely some elder singer would arise, 
Whose harp hath leave to threaten and to mourn 
Above this people when they go astray. 
Is Whitman, the strong spirit, overworn? 
Has Whittier put his yearning wrath away? 
I will not and I dare not yet believe! 
Though furtively the sunlight seems to grieve, 
And the spring-laden breeze 
Out of the gladdening west is sinister 
With sounds of nameless battle overseas; 
Though when we turn and question in suspense 
If these things be indeed after these ways, 
And what things are to follow after these, 
Our fluent men of place and consequence 
Fumble and fill their mouths with hollow phrase, 
Or for the end-all of deep arguments 
Intone their dull commercial liturgies -- 
I dare not yet believe! My ears are shut! 
I will not hear the thin satiric praise 
And muffled laughter of our enemies, 
Bidding us never sheathe our valiant sword 
Till we have changed our birthright for a gourd 
Of wild pulse stolen from a barbarian's hut; 
Showing how wise it is to cast away 
The symbols of our spiritual sway, 
That so our hands with better ease 
May wield the driver's whip and grasp the jailer's keys. 


VIII 

Was it for this our fathers kept the law? 
This crown shall crown their struggle and their ruth? 
Are we the eagle nation Milton saw 
Mewing its mighty youth, 
Soon to possess the mountain winds of truth, 
And be a swift familiar of the sun 
Where aye before God's face his trumpets run? 
Or have we but the talons and the maw, 
And for the abject likeness of our heart 
Shall some less lordly bird be set apart? -- 
Some gross-billed wader where the swamps are fat? 
Some gorger in the sun? Some prowler with the bat? 


IX 

Ah no! 
We have not fallen so. 
We are our fathers' sons: let those who lead us know! 
'T was only yesterday sick Cuba's cry 
Came up the tropic wind, "Now help us, for we die!" 
Then Alabama heard, 
And rising, pale, to Maine and Idaho 
Shouted a burning word. 
Proud state with proud impassioned state conferred, 
And at the lifting of a hand sprang forth, 
East, west, and south, and north, 
Beautiful armies. Oh, by the sweet blood and young 
Shed on the awful hill slope at San Juan, 
By the unforgotten names of eager boys 
Who might have tasted girls' love and been stung 
With the old mystic joys 
And starry griefs, now the spring nights come on, 
But that the heart of youth is generous, -- 
We charge you, ye who lead us, 
Breathe on their chivalry no hint of stain! 
Turn not their new-world victories to gain! 
One least leaf plucked for chaffer from the bays 
Of their dear praise, 
One jot of their pure conquest put to hire, 
The implacable republic will require; 
With clamor, in the glare and gaze of noon, 
Or subtly, coming as a thief at night, 
But surely, very surely, slow or soon 
That insult deep we deeply will requite. 
Tempt not our weakness, our cupidity! 
For save we let the island men go free, 
Those baffled and dislaureled ghosts 
Will curse us from the lamentable coasts 
Where walk the frustrate dead. 
The cup of trembling shall be drainèd quite, 
Eaten the sour bread of astonishment, 
With ashes of the hearth shall be made white 
Our hair, and wailing shall be in the tent; 
Then on your guiltier head 
Shall our intolerable self-disdain 
Wreak suddenly its anger and its pain; 
For manifest in that disastrous light 
We shall discern the right 
And do it, tardily. -- O ye who lead, 
Take heed! 
Blindness we may forgive, but baseness we will smite.
Written by Lucy Maud Montgomery | Create an image from this poem

November Evening

 Come, for the dusk is our own; let us fare forth together,
With a quiet delight in our hearts for the ripe, still, autumn weather,
Through the rustling valley and wood and over the crisping meadow,
Under a high-sprung sky, winnowed of mist and shadow. 

Sharp is the frosty air, and through the far hill-gaps showing
Lucent sunset lakes of crocus and green are glowing;
'Tis the hour to walk at will in a wayward, unfettered roaming,
Caring for naught save the charm, elusive and swift, of the gloaming. 

Watchful and stirless the fields as if not unkindly holding
Harvested joys in their clasp, and to their broad bosoms folding
Baby hopes of a Spring, trusted to motherly keeping,
Thus to be cherished and happed through the long months of their sleeping. 

Silent the woods are and gray; but the firs than ever are greener,
Nipped by the frost till the tang of their loosened balsam is keener;
And one little wind in their boughs, eerily swaying and swinging,
Very soft and low, like a wandering minstrel is singing. 

Beautiful is the year, but not as the springlike maiden
Garlanded with her hopes­rather the woman laden
With wealth of joy and grief, worthily won through living,
Wearing her sorrow now like a garment of praise and thanksgiving. 

Gently the dark comes down over the wild, fair places,
The whispering glens in the hills, the open, starry spaces;
Rich with the gifts of the night, sated with questing and dreaming,
We turn to the dearest of paths where the star of the homelight is gleaming.


Written by Duncan Campbell Scott | Create an image from this poem

The Harvest

 Sun on the mountain,
Shade in the valley,
Ripple and lightness
Leaping along the world,
Sun, like a gold sword
Plucked from the scabbard,
Striking the wheat-fields,
Splendid and lusty,
Close-standing, full-headed,
Toppling with plenty;
Shade, like a buckler
Kindly and ample,
Sweeping the wheat-fields
Darkening and tossing;
There on the world-rim
Winds break and gather
Heaping the mist
For the pyre of the sunset;
And still as a shadow,
In the dim westward,
A cloud sloop of amethyst
Moored to the world
With cables of rain.

Acres of gold wheat
Stir in the sunshine,
Rounding the hill-top,
Crested with plenty,
Filling the valley,
Brimmed with abundance,
Wind in the wheat-field
Eddying and settling,
Swaying it, sweeping it,
Lifting the rich heads,
Tossing them soothingly
Twinkle and shimmer
The lights and the shadowings,
Nimble as moonlight
Astir in the mere.
Laden with odors
Of peace and of plenty,
Soft comes the wind
From the ranks of the wheat-field,
Bearing a promise 
Of harvest and sickle-time,
Opulent threshing-floors
Dusty and dim 
With the whirl of the flail,
And wagons of bread,
Sown-laden and lumbering
Through the gateways of cities.

When will the reapers 
Strike in their sickles,
Bending and grasping,
Shearing and spreading;
When will the gleaners
Searching the stubble
Take the last wheat-heads
Home in their arms ?

Ask not the question! -
Something tremendous
Moves to the answer.

Hunger and poverty
Heaped like the ocean
Welters and mutters,
Hold back the sickles!

Millions of children
Born to their mothers' womb,
Starved at the nipple, cry,--
Ours is the harvest!
Millions of women 
Learned in the tragical
Secrets of poverty,
Sweated and beaten, cry,--
Hold back the sickles!

Millions of men
With a vestige of manhood,
Wild-eyed and gaunt-throated,
Shout with a leonine
Accent of anger,
Leaves us the wheat-fields!

When will the reapers 
Strike in their sickles?
Ask not the question;
Something tremendous
Moves to the answer.

Long have they sharpened
Their fiery, impetuous
Sickles of carnage,
Welded them aeons
Ago in the mountains
Of suffering and anguish;
Hearts were their hammers 
Blood was their fire,
Sorrow their anvil,
(Trusty the sickle
Tempered with tears;)
Time they had plenty-
Harvests and harvests
Passed them in agony,
Only a half-filled
Ear for their lot;
Man that has taken
God for a master
Made him a law,
Mocked him and cursed him,
Set up this hunger,
Called it necessity,
Put in the blameless mouth
Juda's language:
The poor ye have with you
Always, unending.
But up from the impotent
Anguish of children,
Up from the labor
Fruitless, unmeaning,
Of millions of mothers,
Hugely necessitous,
Grew by a just law
Stern and implacable,
Art born of poverty,
The making of sickles
Meet for the harvest.

And now to the wheat-fields
Come the weird reapers
Armed with their sickles,
Whipping them keenly
In the fresh-air fields,
Wild with the joy of them,
Finding them trusty,
Hilted with teen.
Swarming like ants,
The Idea for captain,
No banners, no bugles,
Only a terrible
Ground-bass of gathering
Tempest and fury,
Only a tossing
Of arms and of garments;
Sexless and featureless,
(Only the children
Different among them,
Crawling between their feet,
Borne on their shoulders;)
Rolling their shaggy heads
Wild with the unheard-of
Drug of the sunshine;
Tears that had eaten
The half of their eyelids
Dry on their cheeks;
Blood in their stiffened hair
Clouted and darkened;
Down in their cavern hearts
Hunger the tiger,
Leaping, exulting;
Sighs that had choked them
Burst into triumphing;
On they come, Victory!
Up to the wheat-fields,
Dreamed of in visions
Bred by the hunger,
Seen for the first time
Splendid and golden;
On they come fluctuant,
Seething and breaking,
Weltering like fire
In the pit of the earthquake,
Bursting in heaps
With the sudden intractable
Lust of the hunger:
Then when they see them-
The miles of the harvest
White in the sunshine,
Rushing and stumbling,
With the mighty and clamorous
Cry of a people
Starved from creation,
Hurl themselves onward,
Deep in the wheat-fields,
Weeping like children,
After ages and ages,
Back at the mother the earth.
Night in the valley,
Gloom on the mountain,
Wind in the wheat,
Far to the southward
The flutter of lightning,
The shudder of thunder;
But high at the zenith,
A cluster of stars
Glimmers and throbs
In the gasp of the midnight,
Steady and absolute,
Ancient and sure
Written by Percy Bysshe Shelley | Create an image from this poem

To a Skylark

HAIL to thee, blithe spirit! 
Bird thou never wert, 
That from heaven, or near it, 
Pourest thy full heart 
In profuse strains of unpremeditated art.

Higher still and higher 
From the earth thou springest, 
Like a cloud of fire 
The blue deep thou wingest, 
And singing still dost soar, and soaring ever singest.

In the golden lightning 
Of the sunken sun, 
O'er which clouds are bright'ning, 
Thou dost float and run, 
Like an unbodied joy whose race is just begun.

The pale purple even 
Melts around thy flight; 
Like a star of heaven 
In the broad daylight, 
Thou art unseen, but yet I hear thy shrill delight

Keen as are the arrows 
Of that silver sphere, 
Whose intense lamp narrows 
In the white dawn clear 
Until we hardly see, we feel that it is there.

All the earth and air 
With thy voice is loud¡ª 
As, when night is bare, 
From one lonely cloud 
The moon rains out her beams, and heaven is overflow'd. 

What thou art we know not; 
What is most like thee?¡ª 
From rainbow clouds there flow not 
Drops so bright to see 
As from thy presence showers a rain of melody: 

Like a poet hidden 
In the light of thought, 
Singing hymns unbidden, 
Till the world is wrought 
To sympathy with hopes and fears it heeded not: 

Like a high-born maiden 
In a palace tower, 
Soothing her love-laden 
Soul in secret hour 
With music sweet as love, which overflows her bower: 

Like a glow-worm golden 
In a dell of dew, 
Scattering unbeholden 
Its aerial hue 
Among the flowers and grass, which screen it from the view: 

Like a rose embower'd 
In its own green leaves, 
By warm winds deflower'd, 
Till the scent it gives 
Makes faint with too much sweet these heavy-wing¨¨d thieves.

Sound of vernal showers 
On the twinkling grass, 
Rain-awaken'd flowers¡ª 
All that ever was 
Joyous, and clear, and fresh, thy music doth surpass. 

Teach us, sprite or bird, 
What sweet thoughts are thine: 
I have never heard 
Praise of love or wine 
That panted forth a flood of rapture so divine.

Chorus hymeneal, 
Or triumphal chaunt, 
Match'd with thine, would be all 
But an empty vaunt¡ª 
A thing wherein we feel there is some hidden want.

What objects are the fountains 
Of thy happy strain? 
What fields, or waves, or mountains? 
What shapes of sky or plain? 
What love of thine own kind? what ignorance of pain? 

With thy clear keen joyance 
Languor cannot be; 
Shadow of annoyance 
Never came near thee: 
Thou lovest; but ne'er knew love's sad satiety.

Waking or asleep, 
Thou of death must deem 
Things more true and deep 
Than we mortals dream, 
Or how could thy notes flow in such a crystal stream? 

We look before and after, 
And pine for what is not: 
Our sincerest laughter 
With some pain is fraught; 
Our sweetest songs are those that tell of saddest thought. 

Yet if we could scorn 
Hate, and pride, and fear; 
If we were things born 
Not to shed a tear, 
I know not how thy joy we ever should come near.

Better than all measures 
Of delightful sound, 
Better than all treasures 
That in books are found, 
Thy skill to poet were, thou scorner of the ground! 

Teach me half the gladness 
That thy brain must know
Such harmonious madness 
From my lips would flow, 
The world should listen then, as I am listening now! 
Written by Percy Bysshe Shelley | Create an image from this poem

Epipsychidion (excerpt)

 Emily, 
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!
Written by John Greenleaf Whittier | Create an image from this poem

The Pumpkin

 Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.

On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold
Through orange-leaves shining the broad spheres of gold;
Yet with dearer delight from his home in the North,
On the fields of his harvest the Yankee looks forth,
Where crook-necks are coiling and yellow fruit shines,
And the sun of September melts down on his vines.

Ah! on Thanksgiving day, when from East and from West,
From North and from South comes the pilgrim and guest;
When the gray-haired New Englander sees round his board
The old broken links of affection restored;
When the care-wearied man seeks his mother once more,
And the worn matron smiles where the girl smiled before;
What moistens the lip and what brightens the eye,
What calls back the past, like the rich Pumpkin pie?

Oh, fruit loved of boyhood! the old days recalling,
When wood-grapes were purpling and brown nuts were falling!
When wild, ugly faces we carved in its skin,
Glaring out through the dark with a candle within!
When we laughed round the corn-heap, with hearts all in tune,
Our chair a broad pumpkin, -- our lantern the moon,
Telling tales of the fairy who travelled like steam
In a pumpkin-shell coach, with two rats for her team!

Then thanks for thy present! none sweeter or better
E'er smoked from an oven or circled a platter!
Fairer hands never wrought at a pastry more fine,
Brighter eyes never watched o'er its baking, than thine!
And the prayer, which my mouth is too full to express,
Swells my heart that thy shadow may never be less,
That the days of thy lot may be lengthened below,
And the fame of thy worth like a pumpkin-vine grow,
And thy life be as sweet, and its last sunset sky
Golden-tinted and fair as thy own Pumpkin pie!
Written by Billy Collins | Create an image from this poem

Snow Day

 Today we woke up to a revolution of snow,
its white flag waving over everything,
the landscape vanished,
not a single mouse to punctuate the blankness,
and beyond these windows

the government buildings smothered,
schools and libraries buried, the post office lost
under the noiseless drift,
the paths of trains softly blocked,
the world fallen under this falling.

In a while I will put on some boots
and step out like someone walking in water,
and the dog will porpoise through the drifts,
and I will shake a laden branch,
sending a cold shower down on us both.

But for now I am a willing prisoner in this house,
a sympathizer with the anarchic cause of snow.
I will make a pot of tea
and listen to the plastic radio on the counter,
as glad as anyone to hear the news

that the Kiddie Corner School is closed,
the Ding-Dong School, closed,
the All Aboard Children's School, closed,
the Hi-Ho Nursery School, closed,
along with -- some will be delighted to hear --

the Toadstool School, the Little School,
Little Sparrows Nursery School,
Little Stars Pre-School, Peas-and-Carrots Day School,
the Tom Thumb Child Center, all closed,
and -- clap your hands -- the Peanuts Play School.

So this is where the children hide all day,
These are the nests where they letter and draw,
where they put on their bright miniature jackets,
all darting and climbing and sliding,
all but the few girls whispering by the fence.

And now I am listening hard
in the grandiose silence of the snow,
trying to hear what those three girls are plotting,
what riot is afoot,
which small queen is about to be brought down.

Book: Radiant Verses: A Journey Through Inspiring Poetry