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Best Famous Lacing Poems

Here is a collection of the all-time best famous Lacing poems. This is a select list of the best famous Lacing poetry. Reading, writing, and enjoying famous Lacing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of lacing poems.

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Written by Anne Sexton | Create an image from this poem

Snow White and the Seven Dwarfs

 No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say, 
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.

Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred--
something like the weather forecast--
a mirror that proclaimed 
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison.

Suddenly one day the mirror replied,
Queen, you are full fair, 'tis true,
but Snow White is fairer than you.
Until that moment Snow White
had been no more important
than a dust mouse under the bed.
But now the queen saw brown spots on her hand
and four whiskers over her lip
so she condemned Snow White
to be hacked to death.
Bring me her heart, she said to the hunter,
and I will salt it and eat it.
The hunter, however, let his prisoner go
and brought a boar's heart back to the castle.
The queen chewed it up like a cube steak.
Now I am fairest, she said,
lapping her slim white fingers.

Snow White walked in the wildwood
for weeks and weeks.
At each turn there were twenty doorways
and at each stood a hungry wolf,
his tongue lolling out like a worm.
The birds called out lewdly,
talking like pink parrots,
and the snakes hung down in loops,
each a noose for her sweet white neck.
On the seventh week
she came to the seventh mountain
and there she found the dwarf house.
It was as droll as a honeymoon cottage
and completely equipped with
seven beds, seven chairs, seven forks
and seven chamber pots.
Snow White ate seven chicken livers
and lay down, at last, to sleep.

The dwarfs, those little hot dogs,
walked three times around Snow White,
the sleeping virgin. They were wise
and wattled like small czars.
Yes. It's a good omen,
they said, and will bring us luck.
They stood on tiptoes to watch
Snow White wake up. She told them
about the mirror and the killer-queen
and they asked her to stay and keep house.
Beware of your stepmother,
they said.
Soon she will know you are here.
While we are away in the mines
during the day, you must not
open the door.

Looking glass upon the wall . . .
The mirror told
and so the queen dressed herself in rags
and went out like a peddler to trap Snow White.
She went across seven mountains.
She came to the dwarf house
and Snow White opened the door
and bought a bit of lacing.
The queen fastened it tightly
around her bodice,
as tight as an Ace bandage,
so tight that Snow White swooned.
She lay on the floor, a plucked daisy.
When the dwarfs came home they undid the lace
and she revived miraculously.
She was as full of life as soda pop.
Beware of your stepmother,
they said.
She will try once more.

Snow White, the dumb bunny,
opened the door
and she bit into a poison apple
and fell down for the final time.
When the dwarfs returned
they undid her bodice,
they looked for a comb,
but it did no good.
Though they washed her with wine
and rubbed her with butter
it was to no avail.
She lay as still as a gold piece.

The seven dwarfs could not bring themselves
to bury her in the black ground
so they made a glass coffin
and set it upon the seventh mountain
so that all who passed by
could peek in upon her beauty.
A prince came one June day
and would not budge.
He stayed so long his hair turned green
and still he would not leave.
The dwarfs took pity upon him
and gave him the glass Snow White--
its doll's eyes shut forever--
to keep in his far-off castle.
As the prince's men carried the coffin
they stumbled and dropped it
and the chunk of apple flew out
of her throat and she woke up miraculously.

And thus Snow White became the prince's bride.
The wicked queen was invited to the wedding feast
and when she arrived there were
red-hot iron shoes,
in the manner of red-hot roller skates,
clamped upon her feet.
First your toes will smoke
and then your heels will turn black
and you will fry upward like a frog,
she was told.
And so she danced until she was dead,
a subterranean figure,
her tongue flicking in and out
like a gas jet.
Meanwhile Snow White held court,
rolling her china-blue doll eyes open and shut
and sometimes referring to her mirror
as women do.


Written by Robert Browning | Create an image from this poem

Youth and Art

 1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.

5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.'

9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'

13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.

17 We studied hard in our styles,
18 Chipped each at a crust like Hindoos,
19 For air looked out on the tiles,
20 For fun watched each other's windows.

21 You lounged, like a boy of the South,
22 Cap and blouse--nay, a bit of beard too;
23 Or you got it, rubbing your mouth
24 With fingers the clay adhered to.

25 And I--soon managed to find
26 Weak points in the flower-fence facing,
27 Was forced to put up a blind
28 And be safe in my corset-lacing.

29 No harm! It was not my fault
30 If you never turned your eye's tail up
31 As I shook upon E in alt,
32 Or ran the chromatic scale up:

33 For spring bade the sparrows pair,
34 And the boys and girls gave guesses,
35 And stalls in our street looked rare
36 With bulrush and watercresses.

37 Why did not you pinch a flower
38 In a pellet of clay and fling it?
39 Why did not I put a power
40 Of thanks in a look, or sing it?

41 I did look, sharp as a lynx,
42 (And yet the memory rankles,)
43 When models arrived, some minx
44 Tripped up-stairs, she and her ankles.

45 But I think I gave you as good!
46 'That foreign fellow,--who can know
47 How she pays, in a playful mood,
48 For his tuning her that piano?'

49 Could you say so, and never say
50 'Suppose we join hands and fortunes,
51 And I fetch her from over the way,
52 Her, piano, and long tunes and short tunes?'

53 No, no: you would not be rash,
54 Nor I rasher and something over:
55 You've to settle yet Gibson's hash,
56 And Grisi yet lives in clover.

57 But you meet the Prince at the Board,
58 I'm queen myself at bals-par?,
59 I've married a rich old lord,
60 And you're dubbed knight and an R.A.

61 Each life unfulfilled, you see;
62 It hangs still, patchy and scrappy:
63 We have not sighed deep, laughed free,
64 Starved, feasted, despaired,--been happy.

65 And nobody calls you a dunce,
66 And people suppose me clever:
67 This could but have happened once,
68 And we missed it, lost it for ever.
Written by Robert Burns | Create an image from this poem

207. Song—I'm O'er Young to Marry yet

 Chorus.—I’m o’er young, I’m o’er young,
 I’m o’er young to marry yet;
I’m o’er young, ’twad be a sin
 To tak me frae my mammy yet.


I AM my mammny’s ae bairn,
 Wi’ unco folk I weary, sir;
And lying in a man’s bed,
 I’m fley’d it mak me eerie, sir.
 I’m o’er young, &c.


My mammie coft me a new gown,
 The kirk maun hae the gracing o’t;
Were I to lie wi’ you, kind Sir,
 I’m feared ye’d spoil the lacing o’t.
I’m o’er young, &c.


Hallowmass is come and gane,
 The nights are lang in winter, sir,
And you an’ I in ae bed,
 In trowth, I dare na venture, sir.
 I’m o’er young, &c.


Fu’ loud an’ shill the frosty wind
 Blaws thro’ the leafless timmer, sir;
But if ye come this gate again;
 I’ll aulder be gin simmer, sir.
 I’m o’er young, &c.
Written by Dorothy Parker | Create an image from this poem

Sonnet On An Alpine Night

 My hand, a little raised, might press a star-
Where I may look, the frosted peaks are spun,
So shaped before Olympus was begun,
Spanned each to each, now, by a silver bar.
Thus to face Beauty have I traveled far,
But now, as if around my heart were run
Hard, lacing fingers, so I stand undone.
Of all my tears, the bitterest these are.

Who humbly followed Beauty all her ways,
Begging the brambles that her robe had passed,
Crying her name in corridors of stone,
That day shall know his weariedest of days -
When Beauty, still and suppliant at last,
Does not suffice him, once they are alone.
Written by John Berryman | Create an image from this poem

Dream Song 58: Industrious affable having brain on fire

 Industrious, affable, having brain on fire,
Henry perplexed himself; others gave up;
good girls gave in;
geography was hard on friendship, Sire;
marriages lashed & languished, anguished; dearth of group
and what else had been;

the splendour & the lose grew all the same,
Sire. His heart stiffened, and he failed to smile,
catching (enfit) on.
The law: we must, owing to chiefly shame
lacing our pride, down what we did. A mile,
a mile to Avalon.

Stuffy & lazy, shaky, making roar
overseas presses, he quit wondering:
the mystery is full.
Sire, damp me down. Me feudal O, me yore
(male Muse) serf, if anyfing;
which rank I pull.



Book: Reflection on the Important Things