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Best Famous Labour Poems

Here is a collection of the all-time best famous Labour poems. This is a select list of the best famous Labour poetry. Reading, writing, and enjoying famous Labour poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of labour poems.

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Written by John Donne | Create an image from this poem

Holy Sonnet XIV: Batter My Heart Three Person'd God

Batter my heart, three-personed God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise, and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurped town, to another due,
Labour to admit you, but Oh, to no end.
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betrothed unto your enemy:
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.


Written by Christina Rossetti | Create an image from this poem

Uphill

 DOES the road wind uphill all the way? 
 Yes, to the very end. 
Will the day's journey take the whole long day? 
 From morn to night, my friend. 

But is there for the night a resting-place? 
 A roof for when the slow, dark hours begin. 
May not the darkness hide it from my face? 
 You cannot miss that inn. 

Shall I meet other wayfarers at night? 
 Those who have gone before. 
Then must I knock, or call when just in sight? 
 They will not keep you waiting at that door. 

Shall I find comfort, travel-sore and weak? 
 Of labour you shall find the sum. 
Will there be beds for me and all who seek? 
 Yea, beds for all who come.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Envy

 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire. 
The FATES conspir'd their ills to twine,
About thy heart's infected shrine;
They gave thee each disastrous spell,
Each desolating pow'r,
To blast the fairest hopes of man. 

Soon as thy fatal birth was known, 
From her unhallow'd throne
With ghastly smile pale Hecate sprung; 
Thy hideous form the Sorc'ress press'd
With kindred fondness to her breast; 
Her haggard eye
Short forth a ray of transient joy, 
Whilst thro' th' infernal shades exulting clamours rung. 

Above thy fellow fiends thy tyrant hand
Grasp'd with resistless force supreme command: 
The dread terrific crowd
Before thy iron sceptre bow'd. 
Now, seated in thy ebon cave, 
Around thy throne relentless furies rave: 
A wreath of ever-wounding thorn
Thy scowling brows encompass round, 
Thy heart by knawing Vultures torn, 
Thy meagre limbs with deathless scorpions bound. 
Thy black associates, torpid IGNORANCE, 
And pining JEALOUSY­with eye askance,
With savage rapture execute thy will, 
And strew the paths of life with every torturing ill 

Nor can the sainted dead escape thy rage; 
Thy vengeance haunts the silent grave, 
Thy taunts insult the ashes of the brave; 
While proud AMBITION weeps thy rancour to assuage. 
The laurels round the POET's bust, 
Twin'd by the liberal hand of Taste, 
By thy malignant grasp defac'd, 
Fade to their native dust: 
Thy ever-watchful eye no labour tires, 
Beneath thy venom'd touch the angel TRUTH expires. 

When in thy petrifying car
Thy scaly dragons waft thy form, 
Then, swifter, deadlier far 
Than the keen lightning's lance, 
That wings its way across the yelling storm, 
Thy barbed shafts fly whizzing round, 
While every with'ring glance
Inflicts a cureless wound. 

Thy giant arm with pond'rous blow
Hurls genius from her glorious height, 
Bends the fair front of Virtue low, 
And meanly pilfers every pure delight. 
Thy hollow voice the sense appalls, 
Thy vigilance the mind enthralls; 
Rest hast thou none,­by night, by day, 
Thy jealous ardour seeks for prey­
Nought can restrain thy swift career; 
Thy smile derides the suff'rer's wrongs; 
Thy tongue the sland'rers tale prolongs; 
Thy thirst imbibes the victim's tear; 
Thy breast recoils from friendship's flame; 
Sick'ning thou hear'st the trump of Fame; 
Worth gives to thee, the direst pang; 
The Lover's rapture wounds thy heart, 
The proudest efforts of prolific art 
Shrink from thy poisonous fang. 

In vain the Sculptor's lab'ring hand 
Calls fine proportion from the Parian stone; 
In vain the Minstrel's chords command
The soft vibrations of seraphic tone; 
For swift thy violating arm 
Tears from perfection ev'ry charm; 
Nor rosy YOUTH, nor BEAUTY's smiles
Thy unrelenting rage beguiles, 
Thy breath contaminates the fairest name, 
And binds the guiltless brow with ever-blist'ring shame.
Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.
Written by William Wordsworth | Create an image from this poem

Resolution And Independence

 I 

There was a roaring in the wind all night; 
The rain came heavily and fell in floods; 
But now the sun is rising calm and bright; 
The birds are singing in the distant woods; 
Over his own sweet voice the Stock-dove broods; 
The Jay makes answer as the Magpie chatters; 
And all the air is filled with pleasant noise of waters. 

II 

All things that love the sun are out of doors; 
The sky rejoices in the morning's birth; 
The grass is bright with rain-drops;--on the moors 
The hare is running races in her mirth; 
And with her feet she from the plashy earth 
Raises a mist, that, glittering in the sun, 
Runs with her all the way, wherever she doth run. 

III 

I was a Traveller then upon the moor, 
I saw the hare that raced about with joy; 
I heard the woods and distant waters roar; 
Or heard them not, as happy as a boy: 
The pleasant season did my heart employ: 
My old remembrances went from me wholly; 
And all the ways of men, so vain and melancholy. 

IV 

But, as it sometimes chanceth, from the might 
Of joy in minds that can no further go, 
As high as we have mounted in delight 
In our dejection do we sink as low; 
To me that morning did it happen so; 
And fears and fancies thick upon me came; 
Dim sadness--and blind thoughts, I knew not, nor could name. 

V 

I heard the sky-lark warbling in the sky; 
And I bethought me of the playful hare: 
Even such a happy Child of earth am I; 
Even as these blissful creatures do I fare; 
Far from the world I walk, and from all care; 
But there may come another day to me-- 
Solitude, pain of heart, distress, and poverty. 

VI 

My whole life I have lived in pleasant thought, 
As if life's business were a summer mood; 
As if all needful things would come unsought 
To genial faith, still rich in genial good; 
But how can He expect that others should 
Build for him, sow for him, and at his call 
Love him, who for himself will take no heed at all? 

VII 

I thought of Chatterton, the marvellous Boy, 
The sleepless Soul that perished in his pride; 
Of Him who walked in glory and in joy 
Following his plough, along the mountain-side: 
By our own spirits are we deified: 
We Poets in our youth begin in gladness; 
But thereof come in the end despondency and madness. 

VIII 

Now, whether it were by peculiar grace, 
A leading from above, a something given, 
Yet it befell, that, in this lonely place, 
When I with these untoward thoughts had striven, 
Beside a pool bare to the eye of heaven 
I saw a Man before me unawares: 
The oldest man he seemed that ever wore grey hairs. 

IX 

As a huge stone is sometimes seen to lie 
Couched on the bald top of an eminence; 
Wonder to all who do the same espy, 
By what means it could thither come, and whence; 
So that it seems a thing endued with sense: 
Like a sea-beast crawled forth, that on a shelf 
Of rock or sand reposeth, there to sun itself; 

X 

Such seemed this Man, not all alive nor dead, 
Nor all asleep--in his extreme old age: 
His body was bent double, feet and head 
Coming together in life's pilgrimage; 
As if some dire constraint of pain, or rage 
Of sickness felt by him in times long past, 
A more than human weight upon his frame had cast. 

XI 

Himself he propped, limbs, body, and pale face, 
Upon a long grey staff of shaven wood: 
And, still as I drew near with gentle pace, 
Upon the margin of that moorish flood 
Motionless as a cloud the old Man stood, 
That heareth not the loud winds when they call 
And moveth all together, if it move at all. 

XII 

At length, himself unsettling, he the pond 
Stirred with his staff, and fixedly did look 
Upon the muddy water, which he conned, 
As if he had been reading in a book: 
And now a stranger's privilege I took; 
And, drawing to his side, to him did say, 
"This morning gives us promise of a glorious day." 

XIII 

A gentle answer did the old Man make, 
In courteous speech which forth he slowly drew: 
And him with further words I thus bespake, 
"What occupation do you there pursue? 
This is a lonesome place for one like you." 
Ere he replied, a flash of mild surprise 
Broke from the sable orbs of his yet-vivid eyes, 

XIV 

His words came feebly, from a feeble chest, 
But each in solemn order followed each, 
With something of a lofty utterance drest-- 
Choice word and measured phrase, above the reach 
Of ordinary men; a stately speech; 
Such as grave Livers do in Scotland use, 
Religious men, who give to God and man their dues. 

XV 

He told, that to these waters he had come 
To gather leeches, being old and poor: 
Employment hazardous and wearisome! 
And he had many hardships to endure: 
From pond to pond he roamed, from moor to moor; 
Housing, with God's good help, by choice or chance, 
And in this way he gained an honest maintenance. 

XVI 

The old Man still stood talking by my side; 
But now his voice to me was like a stream 
Scarce heard; nor word from word could I divide; 
And the whole body of the Man did seem 
Like one whom I had met with in a dream; 
Or like a man from some far region sent, 
To give me human strength, by apt admonishment. 

XVII 

My former thoughts returned: the fear that kills; 
And hope that is unwilling to be fed; 
Cold, pain, and labour, and all fleshly ills; 
And mighty Poets in their misery dead. 
--Perplexed, and longing to be comforted, 
My question eagerly did I renew, 
"How is it that you live, and what is it you do?" 

XVIII 

He with a smile did then his words repeat; 
And said, that, gathering leeches, far and wide 
He travelled; stirring thus about his feet 
The waters of the pools where they abide. 
"Once I could meet with them on every side; 
But they have dwindled long by slow decay; 
Yet still I persevere, and find them where I may." 

XIX 

While he was talking thus, the lonely place, 
The old Man's shape, and speech--all troubled me: 
In my mind's eye I seemed to see him pace 
About the weary moors continually, 
Wandering about alone and silently. 
While I these thoughts within myself pursued, 
He, having made a pause, the same discourse renewed. 

XX 

And soon with this he other matter blended, 
Cheerfully uttered, with demeanour kind, 
But stately in the main; and when he ended, 
I could have laughed myself to scorn to find 
In that decrepit Man so firm a mind. 
"God," said I, "be my help and stay secure; 
I'll think of the Leech-gatherer on the lonely moor!"


Written by Anne Bronte | Create an image from this poem

Last Lines

 Jan 7th

A dreadful darkness closes in
On my bewildered mind;
O let me suffer and not sin,
Be tortured yet resigned. 

Through all this world of whelming mist
Still let me look to Thee,
And give me courage to resist
The Tempter till he flee.

Weary I am -- O give me strength
And leave me not to faint;
Say Thou wilt comfort me at length
And pity my complaint.

I've begged to serve Thee heart and soul,
To sacrifice to Thee
No niggard portion, but the whole
Of my identity.

I hoped amid the brave and strong
My portioned task might lie,
To toil amid the labouring throng
With purpose pure and high.

But Thou hast fixed another part,
And Thou hast fixed it well;
I said so with my breaking heart
When first the anguish fell.

For Thou hast taken my delight
And hope of life away,
And bid me watch the painful night
And wait the weary day.

The hope and the delight were Thine;
I bless Thee for their loan;
I gave Thee while I deemed them mine
Too little thanks, I own.

Shall I with joy Thy blessings share
And not endure their loss?
Or hope the martyr's crown to wear
And cast away the cross?

These weary hours will not be lost,
These days of passive misery,
These nights of darkness anguish tost
If I can fix my heart on Thee.

Weak and weary though I lie,
Crushed with sorrow, worn with pain,
Still I may lift to Heaven mine eyes
And strive and labour not in vain,

That inward strife against the sins
That ever wait on suffering;
To watch and strike where first begins
Each ill that would corruption bring,

That secret labour to sustain
With humble patience every blow,
To gather fortitude from pain
And hope and holiness from woe.

Thus let me serve Thee from my heart
Whatever be my written fate,
Whether thus early to depart
Or yet awhile to wait.

If Thou shouldst bring me back to life
More humbled I should be;
More wise, more strengthened for the strife,
More apt to lean on Thee.

Should Death be standing at the gate
Thus should I keep my vow;
But, Lord, whate'er my future fate
So let me serve Thee now.

Finished. Jan. 28, 1849.
Written by William Wordsworth | Create an image from this poem

The Last Of The Flock

  In distant countries I have been,  And yet I have not often seen  A healthy man, a man full grown,  Weep in the public roads alone.  But such a one, on English ground,  And in the broad high-way, I met;  Along the broad high-way he came,  His cheeks with tears were wet.  Sturdy he seemed, though he was sad;  And in his arms a lamb he had.

  He saw me, and he turned aside,  As if he wished himself to hide:  Then with his coat he made essay  To wipe those briny tears away.  I follow'd him, and said, "My friend  What ails you? wherefore weep you so?"  —"Shame on me, Sir! this lusty lamb,  He makes my tears to flow.  To-day I fetched him from the rock;  He is the last of all my flock."

  When I was young, a single man,  And after youthful follies ran.  Though little given to care and thought,  Yet, so it was, a ewe I bought;  And other sheep from her I raised,  As healthy sheep as you might see,  And then I married, and was rich  As I could wish to be;  Of sheep I numbered a full score,  And every year increas'd my store.

  Year after year my stock it grew,  And from this one, this single ewe,  Full fifty comely sheep I raised,  As sweet a flock as ever grazed!  Upon the mountain did they feed;  They throve, and we at home did thrive.  —This lusty lamb of all my store  Is all that is alive;  And now I care not if we die,  And perish all of poverty.

  Six children, Sir! had I to feed,  Hard labour in a time of need!  My pride was tamed, and in our grief,  I of the parish ask'd relief.  They said I was a wealthy man;  My sheep upon the mountain fed,  And it was fit that thence I took  Whereof to buy us bread:  "Do this; how can we give to you,"  They cried, "what to the poor is due?"

  I sold a sheep as they had said,  And bought my little children bread,  And they were healthy with their food;  For me it never did me good.  A woeful time it was for me,  To see the end of all my gains,  The pretty flock which I had reared  With all my care and pains,  To see it melt like snow away!  For me it was a woeful day.

  Another still! and still another!  A little lamb, and then its mother!  It was a vein that never stopp'd,  Like blood-drops from my heart they dropp'd.  Till thirty were not left alive  They dwindled, dwindled, one by one,  And I may say that many a time  I wished they all were gone:  They dwindled one by one away;  For me it was a woeful day.

  To wicked deeds I was inclined,  And wicked fancies cross'd my mind,  And every man I chanc'd to see,  I thought he knew some ill of me.  No peace, no comfort could I find,  No ease, within doors or without,  And crazily, and wearily  I went my work about.  Oft-times I thought to run away;  For me it was a woeful day.

  Sir! 'twas a precious flock to me,  As dear as my own children be;  For daily with my growing store  I loved my children more and more.  Alas! it was an evil time;  God cursed me in my sore distress,  I prayed, yet every day I thought  I loved my children less;  And every week, and every day,  My flock, it seemed to melt away.

  They dwindled. Sir, sad sight to see!  From ten to five, from five to three,  A lamb, a weather, and a ewe;  And then at last, from three to two;  And of my fifty, yesterday  I had but only one,  And here it lies upon my arm,  Alas! and I have none;  To-day I fetched it from the rock;  It is the last of all my flock.

Written by John Dryden | Create an image from this poem

Mac Flecknoe

 All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace,
And blest with issue of a large increase,
Worn out with business, did at length debate
To settle the succession of the State:
And pond'ring which of all his sons was fit
To reign, and wage immortal war with wit;
Cry'd, 'tis resolv'd; for nature pleads that he
Should only rule, who most resembles me:
Shadwell alone my perfect image bears,
Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through and make a lucid interval;
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day:
Besides his goodly fabric fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain,
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology:
Even I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And coarsely clad in Norwich drugget came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung
When to King John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames did'st cut thy way,
With well tim'd oars before the royal barge,
Swell'd with the pride of thy celestial charge;
And big with hymn, commander of an host,
The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail,
The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore
The treble squeaks for fear, the basses roar:
Echoes from Pissing-Alley, Shadwell call,
And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng,
As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rhyme:
Though they in number as in sense excel;
So just, so like tautology they fell,
That, pale with envy, Singleton forswore
The lute and sword which he in triumph bore
And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dullness he was made.

 Close to the walls which fair Augusta bind,
(The fair Augusta much to fears inclin'd)
An ancient fabric, rais'd t'inform the sight,
There stood of yore, and Barbican it hight:
A watch tower once; but now, so fate ordains,
Of all the pile an empty name remains.
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep,
And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head,
Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Pure clinches, the suburbian muse affords;
And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense:
To whom true dullness should some Psyches owe,
But worlds of Misers from his pen should flow;
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.

 Now Empress Fame had publisht the renown,
Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet,
From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way,
But scatter'd limbs of mangled poets lay:
From dusty shops neglected authors come,
Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay,
But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd,
And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dullness play'd around his face.
As Hannibal did to the altars come,
Sworn by his sire a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dullness would maintain;
And in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade:
In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung,
His temples last with poppies were o'er spread,
That nodding seem'd to consecrate his head:
Just at that point of time, if fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook,
Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dullness: long he stood,
Repelling from his breast the raging god;
At length burst out in this prophetic mood:

Heavens bless my son, from Ireland let him reign
To far Barbadoes on the Western main;
Of his dominion may no end be known,
And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen;
He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance
Still in new impudence, new ignorance.
Success let other teach, learn thou from me
Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage;
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their author's want of sense.
Let 'em be all by thy own model made
Of dullness, and desire no foreign aid:
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same,
All full of thee, and differing but in name;
But let no alien Sedley interpose
To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull,
Trust Nature, do not labour to be dull;
But write thy best, and top; and in each line,
Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill,
And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise,
And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part;
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in Prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my ****,
Promis'd a play and dwindled to a farce?
When did his muse from Fletcher scenes purloin,
As thou whole Eth'ridge dost transfuse to thine?
But so transfus'd as oil on waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,
By which one way, to dullness, 'tis inclin'd,
Which makes thy writings lean on one side still,
And in all changes that way bends thy will.
Nor let thy mountain belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep,
Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write,
Thy inoffensive satires never bite.
In thy felonious heart, though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen iambics, but mild anagram:
Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou may'st wings display and altars raise,
And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit,
Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard,
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Born upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.
Written by Margaret Atwood | Create an image from this poem

Spelling

 My daughter plays on the floor
with plastic letters,
red, blue & hard yellow,
learning how to spell,
spelling,
how to make spells.

 *

I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.

 *

A child is not a poem,
a poem is not a child.
There is no either / or.
However.

 *

I return to the story
of the woman caught in the war
& in labour, her thighs tied
together by the enemy
so she could not give birth.

Ancestress: the burning witch,
her mouth covered by leather
to strangle words.

A word after a word
after a word is power.

 *

At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.

This is a metaphor.

 *

How do you learn to spell?
Blood, sky & the sun,
your own name first,
your first naming, your first name,
your first word.
Written by William Butler Yeats | Create an image from this poem

Among School Children

 I

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way - the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.

 II

I dream of a Ledaean body, bent
Above a sinking fire. a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy -
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato's parable,
Into the yolk and white of the one shell.

 III

And thinking of that fit of grief or rage
I look upon one child or t'other there
And wonder if she stood so at that age -
For even daughters of the swan can share
Something of every paddler's heritage -
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.

 IV

Her present image floats into the mind -
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once - enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.

 V

What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?

 VI

Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.

 VII

Both nuns and mothers worship images,
But thos the candles light are not as those
That animate a mother's reveries,
But keep a marble or a bronze repose.
And yet they too break hearts - O presences
That passion, piety or affection knows,
And that all heavenly glory symbolise -
O self-born mockers of man's enterprise;

 VIII

Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

Book: Radiant Verses: A Journey Through Inspiring Poetry