10 Best Famous Knolls Poems

Here is a collection of the top 10 all-time best famous Knolls poems. This is a select list of the best famous Knolls poetry. Reading, writing, and enjoying famous Knolls poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of knolls poems.

• All Famous Knolls Poems

 Spring


Come, my beloved; let us walk amidst the knolls, 
For the snow is water, and Life is alive from its 
Slumber and is roaming the hills and valleys. 
Let us follow the footprints of Spring into the 
Distant fields, and mount the hilltops to draw 
Inspiration high above the cool green plains. 


Dawn of Spring has unfolded her winter-kept garment 
And placed it on the peach and citrus trees; and 
They appear as brides in the ceremonial custom of 
the Night of Kedre. 


The sprigs of grapevine embrace each other like 
Sweethearts, and the brooks burst out in dance 
Between the rocks, repeating the song of joy; 
And the flowers bud suddenly from the heart of 
Nature, like foam from the rich heart of the sea. 


Come, my beloved; let us drink the last of Winter's 
Tears from the cupped lilies, and soothe our spirits 
With the shower of notes from the birds, and wander 
In exhilaration through the intoxicating breeze. 


Let us sit by that rock, where violets hide; let us 
Pursue their exchange of the sweetness of kisses. 


Summer


Let us go into the fields, my beloved, for the 
Time of harvest approaches, and the sun's eyes 
Are ripening the grain. 
Let us tend the fruit of the earth, as the 
Spirit nourishes the grains of Joy from the 
Seeds of Love, sowed deep in our hearts. 
Let us fill our bins with the products of 
Nature, as life fills so abundantly the 
Domain of our hearts with her endless bounty. 
Let us make the flowers our bed, and the 
Sky our blanket, and rest our heads together 
Upon pillows of soft hay. 
Let us relax after the day's toil, and listen 
To the provoking murmur of the brook. 


Autumn


Let us go and gather grapes in the vineyard 
For the winepress, and keep the wine in old 
Vases, as the spirit keeps Knowledge of the 
Ages in eternal vessels. 


Let us return to our dwelling, for the wind has 
Caused the yellow leaves to fall and shroud the 
Withering flowers that whisper elegy to Summer. 
Come home, my eternal sweetheart, for the birds 
Have made pilgrimage to warmth and lest the chilled 
Prairies suffering pangs of solitude. The jasmine 
And myrtle have no more tears. 


Let us retreat, for the tired brook has 
Ceased its song; and the bubblesome springs 
Are drained of their copious weeping; and 
Their cautious old hills have stored away 
Their colorful garments. 


Come, my beloved; Nature is justly weary 
And is bidding her enthusiasm farewell 
With quiet and contented melody. 


Winter


Come close to me, oh companion of my full life; 
Come close to me and let not Winter's touch 
Enter between us. Sit by me before the hearth, 
For fire is the only fruit of Winter. 


Speak to me of the glory of your heart, for 
That is greater than the shrieking elements 
Beyond our door. 
Bind the door and seal the transoms, for the 
Angry countenance of the heaven depresses my 
Spirit, and the face of our snow-laden fields 
Makes my soul cry. 


Feed the lamp with oil and let it not dim, and 
Place it by you, so I can read with tears what 
Your life with me has written upon your face. 


Bring Autumn's wine. Let us drink and sing the 
Song of remembrance to Spring's carefree sowing, 
And Summer's watchful tending, and Autumn's 
Reward in harvest. 


Come close to me, oh beloved of my soul; the 
Fire is cooling and fleeing under the ashes. 
Embrace me, for I fear loneliness; the lamp is 
Dim, and the wine which we pressed is closing 
Our eyes. Let us look upon each other before 
They are shut. 
Find me with your arms and embrace me; let 
Slumber then embrace our souls as one. 
Kiss me, my beloved, for Winter has stolen 
All but our moving lips. 


You are close by me, My Forever. 
How deep and wide will be the ocean of Slumber, 
And how recent was the dawn!

 There are scenes in the distance where beauty is not, 
On the desolate flats where gaunt appletrees rot. 
Where the brooding old ridge rises up to the breeze 
From his dark lonely gullies of stringy-bark trees, 
There are voice-haunted gaps, ever sullen and strange, 
But Eurunderee lies like a gem in the range. 

Still I see in my fancy the dark-green and blue 
Of the box-covered hills where the five-corners grew; 
And the rugged old sheoaks that sighed in the bend 
O'er the lily-decked pools where the dark ridges end, 
And the scrub-covered spurs running down from the Peak 
To the deep grassy banks of Eurunderee Creek. 

On the knolls where the vineyards and fruit-gardens are 
There's a beauty that even the drought cannot mar; 
For I noticed it oft, in the days that are lost, 
As I trod on the siding where lingered the frost, 
When the shadows of night from the gullies were gone 
And the hills in the background were flushed by the dawn. 

I was there in late years, but there's many a change 
Where the Cudgegong River flows down through the range, 
For the curse of the town with the railroad had come, 
And the goldfields were dead. And the girl and the chum 
And the old home were gone, yet the oaks seemed to speak 
Of the hazy old days on Eurunderee Creek. 

And I stood by that creek, ere the sunset grew cold, 
When the leaves of the sheoaks are traced on the gold, 
And I thought of old things, and I thought of old folks, 
Till I sighed in my heart to the sigh of the oaks; 
For the years waste away like the waters that leak 
Through the pebbles and sand of Eurunderee Creek.

 The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east: we heard the roar
Of Ocean on his wintry shore, 
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.
Meanwhile we did your nightly chores,--
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd's-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold's pole of birch,
The cock his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro
Crossed and recrossed the wingèd snow:
And ere the early bed-time came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

*

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back,--
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art
The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks' heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: "Under the tree,
When fire outdoors burns merrily,
There the witches are making tea."
The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the somber green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where'er it fell
To make the coldness visible.

 There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.

Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.

On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.

I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.

And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.

 In years defaced and lost, 
 Two sat here, transport-tossed, 
 Lit by a living love 
The wilted world knew nothing of: 
 Scared momently 
 By gaingivings, 
 Then hoping things 
 That could not be. 

 Of love and us no trace 
 Abides upon the place; 
 The sun and shadows wheel, 
Season and season sereward steal; 
 Foul days and fair 
 Here, too, prevail, 
 And gust and gale 
 As everywhere. 

 But lonely shepherd souls 
 Who bask amid these knolls 
 May catch a faery sound 
On sleepy noontides from the ground: 
 "O not again 
 Till Earth outwears 
 Shall love like theirs 
 Suffuse this glen!"

 'Haddock's Eyes' or 'The Aged Aged Man' or
'Ways and Means' or 'A-Sitting On A Gate'

I'll tell thee everything I can;
There's little to relate.
I saw an aged, aged man,
A-sitting on a gate.
'Who are you, aged man?' I said.
'And how is it you live?'
And his answer trickled through my head
Like water through a sieve.

He said 'I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread--
A trifle, if you please.'

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That it could not be seen.
So, having no reply to give
To what the old man said,
I cried, 'Come, tell me how you live!'
And thumped him on the head.

His accents mild took up the tale;
He said, 'I go my ways,
And when I find a mountain-rill,
I set it in a blaze.
And thence they make a stuff they call
Rowland's Macassar Oil--
Yet twopence-halfpenny is all
They give me for my toil.'

But I was thinking of a way
To feed oneself on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue;
'Come, tell me how you live,' I cried
'And what it is you do!'

He said, 'I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

'I sometimes dig for buttered rolls,
Or set limed twigs for crabs;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that's the way' (he gave a wink)
'By which I get my wealth--
And very gladly will I drink
Your Honor's noble health.'

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know--
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo--
That summer evening long ago
A-sitting on a gate.

 I'll tell thee everything I can:
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.

'Who are you, aged man?' I said.
'And how is it you live?'
And his answer trickled through my head,
Like water through a sieve.
He said, 'I look for butterflies
That sleep among the wheat:
I make them into mutton-pies,
And sell them in the street.

I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread --
A trifle, if you please.'
But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.

So having no reply to give
To what the old man said, I cried
'Come, tell me how you live!'
And thumped him on the head.
His accents mild took up the tale:

He said 'I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar-Oil --
Yet twopence-halfpenny is all
They give me for my toil.'

But I was thinking of a way
To feed oneself on batter,
And so go on from day to day '
Getting a little fatter.
I shook him well from side to side,
Until his face was blue:
'Come, tell me how you live,' I cried,
'And what it is you do!'

He said, 'I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

'I sometimes dig for buttered rolls,
Or set limed twigs for crabs:
I sometimes search the grassy knolls
For wheels of Hansom-cabs.
And that's the way' (he gave a wink)
'By which I get my wealth --
And very gladly will I drink
Your Honour's noble health.'

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know --
Whose look was mild, whose speech was slow
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo-
That summer evening long ago,
A-sitting on a gate.

 As I went down to Dymchurch Wall,
I heard the South sing o'er the land
I saw the yellow sunlight fall
On knolls where Norman churches stand.

And ringing shrilly, taut and lithe,
Within the wind a core of sound,
The wire from Romney town to Hythe
Along its airy journey wound.

A veil of purple vapour flowed
And trailed its fringe along the Straits;
The upper air like sapphire glowed:
And roses filled Heaven's central gates.

Masts in the offing wagged their tops;
The swinging waves pealed on the shore;
The saffron beach, all diamond drops
And beads of surge, prolonged the roar.

As I came up from Dymchurch Wall,
I saw above the Downs' low crest
The crimson brands of sunset fall,
Flicker and fade from out the West.

Night sank: like flakes of silver fire
The stars in one great shower came down;
Shrill blew the wind; and shrill the wire
Rang out from Hythe to Romney town.

The darkly shining salt sea drops
Streamed as the waves clashed on the shore;
The beach, with all its organ stops
Pealing again, prolonged the roar.

 I'll tell thee everything I can;
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.
"Who are you, aged man?" I said,
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat:
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread— 
A trifle; if you please."

But I was thinking of a plan
To dye one's whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, "Come, tell me how you live!"
And thumped him on the head.

His accents mild took up the tale:
He said, "I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland's Macassar-Oil— 
Yet twopence-halfpenny is all
They give me for my toil."

But I was thinking of a way
To feed oneself on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue:
"Come, tell me how you live," I cried,
"And what it is you do!"

He said, "I hunt for haddocks' eyes
Among the heather bright,
And work them into waistcoat buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.

"I sometimes dig for buttered rolls,
Or set limed twigs for crabs;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that's the way" (he gave a wink)
"By which I get my wealth— 
And very gladly will I drink
Your Honour's noble health."

I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.

And now, if e'er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know— 
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo— 
That summer evening long ago
A-sitting on a gate.

 "OLD Norbert with the flat blue cap--
A German said to be--
Why let your pipe die on your lap,
Your eyes blink absently?"--

--"Ah!... Well, I had thought till my cheek was wet
Of my mother--her voice and mien
When she used to sing and pirouette,
And touse the tambourine

"To the march that yon street-fiddler plies;
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.

"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.

"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there!...

"--'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.

"Carl Schwartzenburg was of the plot,
And Bl?cher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.

"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.

"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.

"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept--
The Bridge of Lindenau.

"Hard by, in the City, the One, care-crossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.

"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire,
While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.

"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.

"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee....

"--Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.

"Around the town three battle beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.

"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard;
--The French held all at bay.

"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
--Thus raged it throughout the day.

"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.

"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?'...

"--The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.

"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.

"''Tis well to cover a feeble skill
By numbers!' scoff?d He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'

"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark death-bed
A miles-wide pant of pain.

"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;

"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,

"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.

"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run--
The Bridge of Lindenau.

"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;

"When there surged on the sky on earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.

"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.

"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.

"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.

"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;

"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs.... Ay, as simple maid,
My mother saw these things!

"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!"