Written by
Robert Frost |
SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has—parlor, bed-room,
And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back.
She always answered without turning.
“Where will I put this walnut bureau, lady?”
“Put it on top of something that’s on top
Of something else,” she laughed.
“Oh, put it where
You can to-night, and go.
It’s almost dark;
You must be getting started back to town.
”
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
“What are you seeing out the window, lady?”
“Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder.
”
“But I ask,
What are you seeing out the window, lady?”
“What I’ll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times.
”
“And what is that? You only put me off.
”
“Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all.
And it’s scarce enough to call
A view.
”
“And yet you think you like it, dear?”
“That’s what you’re so concerned to know! You hope
I like it.
Bang goes something big away
Off there upstairs.
The very tread of men
As great as those is shattering to the frame
Of such a little house.
Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors.
”
“I think you see
More than you like to own to out that window.
”
“No; for besides the things I tell you of,
I only see the years.
They come and go
In alternation with the weeds, the field,
The wood.
”
“What kind of years?”
“Why, latter years—
Different from early years.
”
“I see them, too.
You didn’t count them?”
“No, the further off
So ran together that I didn’t try to.
It can scarce be that they would be in number
We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness.
”
“Come from that window where you see too much for me,
And take a livelier view of things from here.
They’re going.
Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it.
”
“See how it makes his nose-side bright, a proof
How dark it’s getting.
Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything.
Her light won’t last us long.
It’s something, though, to know we’re going to have her
Night after night and stronger every night
To see us through our first two weeks.
But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming.
Hurry! Call them back!”
“They’re not gone yet.
”
“We’ve got to have the stove,
Whatever else we want for.
And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach?”
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin
With good luck with your stovepipe.
Never mind,
It’s not so bad in the country, settled down,
When people ’re getting on in life, You’ll like it.
”
Joe said: “You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do.
There’s not enough
For everybody as it is in there.
”
“God!” one said wildly, and, when no one spoke:
“Say that to Jimmy here.
He needs a farm.
”
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer.
Then there was a French boy
Who said with seriousness that made them laugh,
“Ma friend, you ain’t know what it is you’re ask.
”
He doffed his cap and held it with both hands
Across his chest to make as ’twere a bow:
“We’re giving you our chances on de farm.
”
And then they all turned to with deafening boots
And put each other bodily out of the house.
“Goodby to them! We puzzle them.
They think—
I don’t know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game ‘Ten-step’ the children play.
”
“Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed
Their coming out and making useful farmers.
”
“Did they make something lonesome go through you?
It would take more than them to sicken you—
Us of our bargain.
But they left us so
As to our fate, like fools past reasoning with.
They almost shook me.
”
“It’s all so much
What we have always wanted, I confess
It’s seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed.
I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off.
”
He fetched a dingy lantern from behind
A door.
“There’s that we didn’t lose! And these!”—
Some matches he unpocketed.
“For food—
The meals we’ve had no one can take from us.
I wish that everything on earth were just
As certain as the meals we’ve had.
I wish
The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?”
“The bread we bought in passing at the store.
There’s butter somewhere, too.
”
“Let’s rend the bread.
I’ll light the fire for company for you;
You’ll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we,
And all at once.
He’ll plan for us and plan
To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf.
I’ll light the fire.
I like chairs occupying other chairs
Not offering a lady—”
“There again, Joe!
You’re tired.
”
“I’m drunk-nonsensical tired out;
Don’t mind a word I say.
It’s a day’s work
To empty one house of all household goods
And fill another with ’em fifteen miles away,
Although you do no more than dump them down.
”
“Dumped down in paradise we are and happy.
”
“It’s all so much what I have always wanted,
I can’t believe it’s what you wanted, too.
”
“Shouldn’t you like to know?”
“I’d like to know
If it is what you wanted, then how much
You wanted it for me.
”
“A troubled conscience!
You don’t want me to tell if I don’t know.
”
“I don’t want to find out what can’t be known.
But who first said the word to come?”
“My dear,
It’s who first thought the thought.
You’re searching, Joe,
For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.
”
“What is this?”
“This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won’t deny the lantern isn’t new.
The stove is not, and you are not to me,
Nor I to you.
”
“Perhaps you never were?”
“It would take me forever to recite
All that’s not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.
I’ve heard you say as much.
No, this is no beginning.
”
“Then an end?”
“End is a gloomy word.
”
“Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn’t lived in? I’ve been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.
”
“I know this much:
I’m going to put you in your bed, if first
I have to make you build it.
Come, the light.
”
When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they’d always danced there.
|
Written by
Walt Whitman |
AMERICA always!
Always our own feuillage!
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
cotton-fields of Alabama and Texas!
Always California’s golden hills and hollows—and the silver mountains of New
Mexico!
Always soft-breath’d Cuba!
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
drain’d
by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
square
miles;
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
thousand
miles of
river navigation,
The seven millions of distinct families, and the same number of dwellings—Always
these,
and
more, branching forth into numberless branches;
Always the free range and diversity! always the continent of Democracy!
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
oval
lakes;
Always the West, with strong native persons—the increasing density there—the
habitans,
friendly, threatening, ironical, scorning invaders;
All sights, South, North, East—all deeds, promiscuously done at all times,
All characters, movements, growths—a few noticed, myriads unnoticed,
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up;
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
Rappahannock, and the valleys of the Roanoke and Delaware;
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
lapping
the
Saginaw waters to drink;
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
silently;
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around;
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
crystalline, open, beyond the floes;
White drift spooning ahead, where the ship in the tempest dashes;
On solid land, what is done in cities, as the bells all strike midnight together;
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
of the
panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
clear
waters, the great trout swimming;
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
slowly,
high
beyond the tree tops,
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
out
of the
white sand that spreads far and flat;
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
flowers
and
berries, enveloping huge trees,
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
eating
by
whites and *******,
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs,
The shadows, gleams, up under the leaves of the old sycamore-trees—the
flames—with
the
black smoke from the pitch-pine, curling and rising;
Southern fishermen fishing—the sounds and inlets of North Carolina’s
coast—the
shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
shore
work’d by horses—the clearing, curing, and packing-houses;
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
trees—There
are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
cover’d
with
pine straw:
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
furnace-blaze, or
at the corn-shucking;
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
and
kiss’d by the aged mulatto nurse;
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
banks,
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
gunwale,
smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
cypress
tree,
and the juniper tree;
—Northward, young men of Mannahatta—the target company from an excursion
returning
home at
evening—the musket-muzzles all bear bunches of flowers presented by women;
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
move! how
he smiles in his sleep!)
The scout riding on horseback over the plains west of the Mississippi—he ascends a
knoll
and
sweeps his eye around;
California life—the miner, bearded, dress’d in his rude costume—the stanch
California
friendship—the sweet air—the graves one, in passing, meets, solitary, just
aside the
horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
before
rude
carts—cotton bales piled on banks and wharves;
Encircling all, vast-darting, up and wide, the American Soul, with equal
hemispheres—one
Love,
one Dilation or Pride;
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
pipe
of
good-will, arbitration, and indorsement,
The sachem blowing the smoke first toward the sun and then toward the earth,
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march,
The single-file—the swinging hatchets—the surprise and slaughter of enemies;
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
all
institutions,
All These States, compact—Every square mile of These States, without excepting a
particle—you also—me also,
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
other,
ascending high in the air;
The darting swallow, the destroyer of insects—the fall traveler southward, but
returning
northward early in the spring;
The country boy at the close of the day, driving the herd of cows, and shouting to them as
they
loiter to browse by the road-side;
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
Francisco,
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun,
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
balancing
in the air in the centre of the room, darting athwart, up and down, casting swift shadows
in
specks
on the opposite wall, where the shine is;
The athletic American matron speaking in public to crowds of listeners;
Males, females, immigrants, combinations—the copiousness—the individuality of
The
States,
each for itself—the money-makers;
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
certainties,
The certainty of space, increase, freedom, futurity,
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
lands, my
lands;
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
whatever it
is;
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
wintering
along
the coasts of Florida—or in Louisiana, with pelicans breeding;
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
Brazos, the
Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
laughing
and
skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
wading in
the wet to seek worms and aquatic plants;
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
for
amusement—And I triumphantly twittering;
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
of
the
flock feed—the sentinels outside move around with erect heads watching, and are from
time
to
time reliev’d by other sentinels—And I feeding and taking turns with the rest;
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
desperately on
his
hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
plunging
at the
hunters, corner’d and desperate;
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
working in
the
shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
the
Mannahatta in itself,
Singing the song of These, my ever united lands—my body no more inevitably united,
part to
part, and made one identity, any more than my lands are inevitably united, and made ONE
IDENTITY;
Nativities, climates, the grass of the great Pastoral Plains;
Cities, labors, death, animals, products, war, good and evil—these me,
These affording, in all their particulars, endless feuillage to me and to America, how can
I do
less
than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?
How can I but, as here, chanting, invite you for yourself to collect bouquets of the
incomparable
feuillage of These States?
|
Written by
Lascelles Abercrombie |
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums —
'Tis secrets still, shouted instead of whisper'd.
There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil.
—
The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils.
From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling in broad rivers
Down sloping grass under the cherry trees
And birches: but among your branches clinging
A mist of that Ferrara-gold I first
Loved in the easy hours then green with you;
And as I stroll about you now, I have
Accompanying me — like troops of lads and lasses
Chattering and dancing in a shining fortune —
Those mornings when your alleys of long light
And your brown rosin-scented shadows were
Enchanted with the laughter of my boys.
|
Written by
Kahlil Gibran |
The gold-hoarder walked in his palace park and with him walked his troubles.
And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary.
He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden.
His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature.
He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish.
He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high.
Today I am a prisoner of greed.
Gold leads into gold, then into restlessness and finally into crushing misery.
"Yesterday I was like a singing bird, soaring freely here and there in the fields.
Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man.
I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking.
"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart.
"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian.
Today I am among women with shallow beauty who sell themselves for gold and diamonds.
"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth.
Today I find myself among the people like a frightened lamb among the wolves.
As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me.
"Yesterday I was rich in happiness and today I am poor in gold.
"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects.
Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew.
"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity.
What I thought was glory is naught but an eternal inferno.
"
He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?"
As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem.
He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity.
.
.
until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil.
The house of true fortune is being destroyed; it is time to rebuild it and guard it.
The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!"
At that moment a poor man stood before him and stretched forth his hand for alms.
As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness.
It was as if the yesterday he had lamented by the lake had come to greet him.
He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers.
All your possessions will be restored.
"
He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson.
Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music.
Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man.
"
|
Written by
Kahlil Gibran |
Yesterday I drew myself from the noisome throngs and proceeded into the field until I reached a knoll upon which Nature had spread her comely garments.
Now I could breathe.
I looked back, and the city appeared with its magnificent mosques and stately residences veiled by the smoke of the shops.
I commenced analyzing man's mission, but could conclude only that most of his life was identified with struggle and hardship.
Then I tried not to ponder over what the sons of Adam had done, and centered my eyes on the field which is the throne of God's glory.
In one secluded corner of the field I observed a burying ground surrounded by poplar trees.
There, between the city of the dead and the city of the living, I meditated.
I thought of the eternal silence in the first and the endless sorrow in the second.
In the city of the living I found hope and despair; love and hatred, joy and sorrow, wealth and poverty, faith and infidelity.
In the city of the dead there is buried earth in earth that Nature converts, in the night's silence, into vegetation, and then into animal, and then into man.
As my mind wandered in this fashion, I saw a procession moving slowly and reverently, accompanied by pieces of music that filled the sky with sad melody.
It was an elaborate funeral.
The dead was followed by the living who wept and lamented his going.
As the cortege reached the place of interment the priests commenced praying and burning incense, and musicians blowing and plucking their instruments, mourning the departed.
Then the leaders came forward one after the other and recited their eulogies with fine choice of words.
At last the multitude departed, leaving the dead resting in a most spacious and beautiful vault, expertly designed in stone and iron, and surrounded by the most expensively-entwined wreaths of flowers.
The farewell-bidders returned to the city and I remained, watching them from a distance and speaking softly to myself while the sun was descending to the horizon and Nature was making her many preparations for slumber.
Then I saw two men laboring under the weight of a wooden casket, and behind them a shabby-appearing woman carrying an infant on her arms.
Following last was a dog who, with heartbreaking eyes, stared first at the woman and then at the casket.
It was a poor funeral.
This guest of Death left to cold society a miserable wife and an infant to share her sorrows and a faithful dog whose heart knew of his companion's departure.
As they reached the burial place they deposited the casket into a ditch away from the tended shrubs and marble stones, and retreated after a few simple words to God.
The dog made one last turn to look at his friend's grave as the small group disappeared behind the trees.
I looked at the city of the living and said to myself, "That place belongs to the few.
" Then I looked upon the trim city of the dead and said, "That place, too, belongs to the few.
Oh Lord, where is the haven of all the people?"
As I said this, I looked toward the clouds, mingled with the sun's longest and most beautiful golden rays.
And I heard a voice within me saying, "Over there!"
|
Written by
William Cullen Bryant |
Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of nature.
The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart.
Thou wilt find nothing here
Of all that pained thee in the haunts of men,
And made thee loathe thy life.
The primal curse
Fell, it is true, upon the unsinning earth,
But not in vengance.
God hath yoked to guilt
Her pale tormentor, Misery.
Hence these shades
Are still the abode of gladness; the thick roof
Of green and stirring branches is alive
And musical with birds, that sing and sport
In wantonness of spirit; while below
The squirrel, with raised paws and form erect,
Chirps merrily.
Throngs of insects in the shade
Try their thin wings and dance in the warm beam.
That waked them into life.
Even the green trees
Partake the deep contentment; as they bend
To the soft winds, the sun from the blue sky
Looks in and sheds a blessing on the scene.
Scarce less the cleft-born wildflower seems to enjoy
Existence, than the winged plunderer
That sucks its sweets.
The mossy rocks themselves,
And the old and ponderous trunks of prostrate trees
That lead from knoll to knoll a causeway rude,
Or bridge the sunken brook, and their dark roots,
With all their roots upon them, twisting high,
Breathe fixed tranquility.
The rivulet
Sends forth glad sounds, and tripping o'er its bed
Of pebbly sands, or leaping down the rocks
Seems, with continuous laughter, to rejoice
In its own being.
Softly tread the marge,
Lest from her midway perch thou scare the wren
That dips her bill in water.
The cool wind,
That stirs the stream in play, shall come to thee,
Like one that loves thee nor will let thee pass
Ungreeted, and shall give its light embrace.
|
Written by
Sidney Lanier |
Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,
Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,
The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve
Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased,
The sail seemed fain to furl,
The silent steersman landward turned,
And ship and shore set breast to breast.
Under a palm wherethrough a planet burned
We ate, and sank to rest.
But soon from sleep's dear death (it seemed)
I rose and strolled along the sea
Down silver distances that faintly gleamed
On to infinity.
Till suddenly I paused, for lo!
A shape (from whence I ne'er divined)
Appeared before me, pacing to and fro,
With head far down inclined.
`A wraith' (I thought) `that walks the shore
To solve some old perplexity.
'
Full heavy hung the draggled gown he wore;
His hair flew all awry.
He waited not (as ghosts oft use)
To be `dearheaven'd!' and `oh'd!'
But briskly said: "Good-evenin'; what's the news?
Consumption? After boa'd?
"Or mebbe you're intendin' of
Investments? Orange-plantin'? Pine?
Hotel? or Sanitarium? What above
This yea'th CAN be your line?
"Speakin' of sanitariums, now,
Jest look 'ee here, my friend:
I know a little story, -- well, I swow,
Wait till you hear the end!
"Some year or more ago, I s'pose,
I roamed from Maine to Floridy,
And, -- see where them Palmettos grows?
I bought that little key,
"Cal'latin' for to build right off
A c'lossal sanitarium:
Big surf! Gulf breeze! Jest death upon a cough!
-- I run it high, to hum!
"Well, sir, I went to work in style:
Bought me a steamboat, loaded it
With my hotel (pyazers more'n a mile!)
Already framed and fit,
"Insured 'em, fetched 'em safe around,
Put up my buildin', moored my boat,
COM-plete! then went to bed and slept as sound
As if I'd paid a note.
"Now on that very night a squall,
Cum up from some'eres -- some bad place!
An' blowed an' tore an' reared an' pitched an' all,
-- I had to run a race
"Right out o' bed from that hotel
An' git to yonder risin' ground,
For, 'twixt the sea that riz and rain that fell,
I pooty nigh was drowned!
"An' thar I stood till mornin' cum,
Right on yon little knoll of sand,
FreQUENTly wishin' I had stayed to hum
Fur from this tarnal land.
"When mornin' cum, I took a good
Long look, and -- well, sir, sure's I'm ME --
That boat laid right whar that hotel had stood,
And HIT sailed out to sea!
"No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps
Your brain might git see-sawin', end for end,
Like them asylum chaps,
"For here *I* walk, forevermore,
A-tryin' to make it gee,
How one same wind could blow my ship to shore
And my hotel to sea!"
|
Written by
Lascelles Abercrombie |
The Dream
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums —
'Tis secrets still, shouted instead of whisper'd.
There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil. —
The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils. From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling in broad rivers
Down sloping grass under the cherry trees
And birches: but among your branches clinging
A mist of that Ferrara-gold I first
Loved in the easy hours then green with you;
And as I stroll about you now, I have
Accompanying me — like troops of lads and lasses
Chattering and dancing in a shining fortune —
Those mornings when your alleys of long light
And your brown rosin-scented shadows were
Enchanted with the laughter of my boys.
The Voices in the Dream
Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.
I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. —
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.
For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply
Their shovelling hands in earth
As nimbly as the strokes
Of a swimmer in a long dive under water.
The meadows in the sun are twice as green
For all the scatter of fresh red mounded earth,
The mischief of the moles:
No dullish red, Glostershire earth new-delved
In April! And I think shows fairest where
These rummaging small rogues have been at work.
If you will look the way the sunlight slants
Making the grass one great green gem of light,
Bright earth, crimson and even
Scarlet, everywhere tracks
The rambling underground affairs of moles:
Though 'tis but kestrel-bay
Looking against the sun.
But here's the happiest light can lie on ground,
Grass sloping under trees
Alive with yellow shine of daffodils!
If quicksilver were gold,
And troubled pools of it shaking in the sun
It were not such a fancy of bickering gleam
As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland
The spring makes golden ways,
Lead here, for here the gold
Grows brightest for our eyes,
And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.
How smooth and quick the year
Spins me the seasons round!
How many days have slid across my mind
Since we had snow pitying the frozen ground!
Then winter sunshine cheered
The bitter skies; the snow,
Reluctantly obeying lofty winds,
Drew off in shining clouds,
Wishing it still might love
With its white mercy the cold earth beneath.
But when the beautiful ground
Lights upward all the air,
Noon thaws the frozen eaves,
And makes the rime on post and paling steam
Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods
The snows slip thudding down,
Scattering in their trail
Bright icy sparkles through the glittering air;
And the fir-branches, patiently bent so long,
Sigh as they lift themselves to rights again.
Then warm moist hours steal in,
Such as can draw the year's
First fragrance from the sap of cherry wood
Or from the leaves of budless violets;
And travellers in lanes
Catch the hot tawny smell
Reynard's damp fur left as he sneakt marauding
Across from gap to gap:
And in the larch woods on the highest boughs
The long-eared owls like grey cats sitting still
Peer down to quiz the passengers below.
Light has killed the winter and all dark dreams.
Now winds live all in light,
Light has come down to earth and blossoms here,
And we have golden minds.
From out the long shade of a road high-bankt,
I came on shelving fields;
And from my feet cascading,
Streaming down the land,
Flickering lavish of daffodils flowed and fell;
Like sunlight on a water thrill'd with haste,
Such clear pale quivering flame,
But a flame even more marvellously yellow.
And all the way to Ryton here I walkt
Ankle-deep in light.
It was as if the world had just begun;
And in a mind new-made
Of shadowless delight
My spirit drank my flashing senses in,
And gloried to be made
Of young mortality.
No darker joy than this
Golden amazement now
Shall dare intrude into our dazzling lives:
Stain were it now to know
Mists of sweet warmth and deep delicious colour,
Those lovable accomplices that come
Befriending languid hours.
|
Written by
Jean Toomer |
The sky, lazily disdaining to pursue
The setting sun, too indolent to hold
A lengthened tournament for flashing gold,
Passively darkens for night's barbecue,
A feast of moon and men and barking hounds,
An orgy for some genius of the South
With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.
The sawmill blows its whistle, buzz-saws stop,
And silence breaks the bud of knoll and hill,
Soft settling pollen where plowed lands fulfill
Their early promise of a bumper crop.
Smoke from the pyramidal sawdust pile
Curls up, blue ghosts of trees, tarrying low
Where only chips and stumps are left to show
The solid proof of former domicile.
Meanwhile, the men, with vestiges of pomp,
Race memories of king and caravan,
High-priests, an ostrich, and a juju-man,
Go singing through the footpaths of the swamp.
Their voices rise .
.
the pine trees are guitars,
Strumming, pine-needles fall like sheets of rain .
.
Their voices rise .
.
the chorus of the cane
Is caroling a vesper to the stars .
.
O singers, resinous and soft your songs
Above the sarcred whisper of the pines,
Give virgin lips to cornfield concubines,
Bring dreams of Christ to dusky cane-lipped throngs.
|
Written by
William Topaz McGonagall |
Bonnie Kilmany, in the County of Fife,
Is a healthy spot to reside in to lengthen one's life.
The scenery there in the summer time is truly grand,
Especially the beautiful hills and the woodland.
Chorus --
Then, bonnie Annie, will you go with me
And leave the crowded city of Dundee,
And breathe the pure, fragrant air
In the Howe of Kilmany, so lovely and fair?
And the little village in the Howe is lovely to see,
In the midst of green trees and shrubbery;
And the little rivulet, as it wimples along,
Can be heard singing aloud an aquatic song.
Chorus
And the old church there is built on a knoll,
And on the Sabbath mornings the church bell does toll,
Inviting the people to join in prayer,
While the echoes of the bell is heard in mid-air.
Chorus
Then there's a little schoolroom, surrounded by trees,
A favourite haunt for butterflies and busy bees,
And an old red-tiled smithy near by,
And the clink of the hammers can be heard sounding high.
Chorus
And thew's a wood sawmill by the roadway,
And the noise can be heard by night and day,
As the circular saw wheels round and round,
Making the village with its echoes resound.
Chorus
And in the harvest time on a fine summer morn
The Howe looks most beautiful when the corn is shorn;
And to hear the beautiful lark singing on high
Will make you exclaim, "Dull care, good-bye.
"
|