Written by
Anne Sexton |
The end of the affair is always death.
She's my workshop. Slippery eye,
out of the tribe of myself my breath
finds you gone. I horrify
those who stand by. I am fed.
At night, alone, I marry the bed.
Finger to finger, now she's mine.
She's not too far. She's my encounter.
I beat her like a bell. I recline
in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love,
that every single couple puts together
with a joint overturning, beneath, above,
the abundant two on sponge and feather,
kneeling and pushing, head to head.
At night, alone, I marry the bed.
I break out of my body this way,
an annoying miracle. Could I
put the dream market on display?
I am spread out. I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach,
a piano at her fingertips, shame
on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a women takes
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses. They unzip flies.
They take off shoes. They turn off the light.
The glimmering creatures are full of lies.
They are eating each other. They are overfed.
At night, alone, I marry the bed.
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Written by
Wilfred Owen |
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! GAS! Quick, boys!--An ecstasy of fumbling
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
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Written by
Delmore Schwartz |
Athlete, virtuoso,
Training for happiness,
Bend arm and knee, and seek
The body's sharp distress,
For pain is pleasure's cost,
Denial is route
To speech before the millions
Or personal with the flute.
The ape and great Achilles,
Heavy with their fate,
Batter doors down, strike
Small children at the gate,
Driven by love to this,
As knock-kneed Hegel said,
To seek with a sword their peace,
That the child may be taken away
From the hurly-burly and fed.
Ladies and Gentlemen, said
The curious Socrates,
I have asked, What is this life
But a childermass,
As Abraham recognized,
A working with the knife
At animal, maid and stone
Until we have cut down
All but the soul alone:
Through hate we guard our love,
And its distinction's known.
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Written by
Carl Sandburg |
THE CHILD Margaret begins to write numbers on a Saturday morning, the first numbers formed under her wishing child fingers.
All the numbers come well-born, shaped in figures assertive for a frieze in a child’s room.
Both 1 and 7 are straightforward, military, filled with lunge and attack, erect in shoulder-straps.
The 6 and 9 salute as dancing sisters, elder and younger, and 2 is a trapeze actor swinging to handclaps.
All the numbers are well-born, only 3 has a hump on its back and 8 is knock-kneed.
The child Margaret kisses all once and gives two kisses to 3 and 8.
(Each number is a bran-new rag doll … O in the wishing fingers … millions of rag dolls, millions and millions of new rag dolls!!)
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Written by
Robert Graves |
The great sun sinks behind the town
Through a red mist of Volnay wine....
But what’s the use of setting down
That glorious blaze behind the town?
You’ll only skip the page, you’ll look
For newer pictures in this book;
You’ve read of sunsets rich as mine.
A fresh wind fills the evening air
With horrid crying of night birds....
But what reads new or curious there
When cold winds fly across the air?
You’ll only frown; you’ll turn the page,
But find no glimpse of your “New Age
Of Poetry” in my worn-out words.
Must winds that cut like blades of steel
And sunsets swimming in Volnay,
The holiest, cruellest pains I feel,
Die stillborn, because old men squeal
For something new: “Write something new:
We’ve read this poem—that one too,
And twelve more like ’em yesterday”?
No, no! my chicken, I shall scrawl
Just what I fancy as I strike it,
Fairies and Fusiliers, and all
Old broken knock-kneed thought will crawl
Across my verse in the classic way.
And, sir, be careful what you say;
There are old-fashioned folk still like it.
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