Written by
Anne Sexton |
The end of the affair is always death.
She's my workshop.
Slippery eye,
out of the tribe of myself my breath
finds you gone.
I horrify
those who stand by.
I am fed.
At night, alone, I marry the bed.
Finger to finger, now she's mine.
She's not too far.
She's my encounter.
I beat her like a bell.
I recline
in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love,
that every single couple puts together
with a joint overturning, beneath, above,
the abundant two on sponge and feather,
kneeling and pushing, head to head.
At night, alone, I marry the bed.
I break out of my body this way,
an annoying miracle.
Could I
put the dream market on display?
I am spread out.
I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach,
a piano at her fingertips, shame
on her lips and a flute's speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a women takes
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.
Today's paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses.
They unzip flies.
They take off shoes.
They turn off the light.
The glimmering creatures are full of lies.
They are eating each other.
They are overfed.
At night, alone, I marry the bed.
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Written by
Robert Frost |
To think to know the country and now know
The hillside on the day the sun lets go
Ten million silver lizards out of snow!
As often as I've seen it done before
I can't pretend to tell the way it's done.
It looks as if some magic of the sun
Lifted the rug that bred them on the floor
And the light breaking on them made them run.
But if I though to stop the wet stampede,
And caught one silver lizard by the tail,
And put my foot on one without avail,
And threw myself wet-elbowed and wet-kneed
In front of twenty others' wriggling speed,--
In the confusion of them all aglitter,
And birds that joined in the excited fun
By doubling and redoubling song and twitter,
I have no doubt I'd end by holding none.
It takes the moon for this.
The sun's a wizard
By all I tell; but so's the moon a witch.
From the high west she makes a gentle cast
And suddenly, without a jerk or twitch,
She has her speel on every single lizard.
I fancied when I looked at six o'clock
The swarm still ran and scuttled just as fast.
The moon was waiting for her chill effect.
I looked at nine: the swarm was turned to rock
In every lifelike posture of the swarm,
Transfixed on mountain slopes almost erect.
Across each other and side by side they lay.
The spell that so could hold them as they were
Was wrought through trees without a breath of storm
To make a leaf, if there had been one, stir.
One lizard at the end of every ray.
The thought of my attempting such a stray!
|
Written by
Walter de la Mare |
Thistle and darnell and dock grew there,
And a bush, in the corner, of may,
On the orchard wall I used to sprawl
In the blazing heat of the day;
Half asleep and half awake,
While the birds went twittering by,
And nobody there my lone to share
But Nicholas Nye.
Nicholas Nye was lean and gray,
Lame of leg and old,
More than a score of donkey's years
He had been since he was foaled;
He munched the thistles, purple and spiked,
Would sometimes stoop and sigh,
And turn to his head, as if he said,
"Poor Nicholas Nye!"
Alone with his shadow he'd drowse in the meadow,
Lazily swinging his tail,
At break of day he used to bray,--
Not much too hearty and hale;
But a wonderful gumption was under his skin,
And a clean calm light in his eye,
And once in a while; he'd smile:--
Would Nicholas Nye.
Seem to be smiling at me, he would,
From his bush in the corner, of may,--
Bony and ownerless, widowed and worn,
Knobble-kneed, lonely and gray;
And over the grass would seem to pass
'Neath the deep dark blue of the sky,
Something much better than words between me
And Nicholas Nye.
But dusk would come in the apple boughs,
The green of the glow-worm shine,
The birds in nest would crouch to rest,
And home I'd trudge to mine;
And there, in the moonlight, dark with dew,
Asking not wherefore nor why,
Would brood like a ghost, and as still as a post,
Old Nicholas Nye.
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Written by
Wilfred Owen |
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep.
Many had lost their boots
But limped on, blood-shod.
All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.
Gas! GAS! Quick, boys!--An ecstasy of fumbling
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime.
.
.
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
|
Written by
Thomas Hardy |
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him.
One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought.
"
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do.
"
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good.
That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie.
"
|
Written by
Les Murray |
It was built of things that must not mix:
paint, cream, and water, fire and dusty oil.
You heard the water dreaming in its large
kneed pipes, up from the weir.
And the cordwood
our fathers cut for the furnace stood in walls
like the sleeper-stacks of a continental railway.
The cream arrived in lorried tides; its procession
crossed a platform of workers' stagecraft: Come here
Friday-Legs! Or I'll feel your hernia--
Overalled in milk's colour, men moved the heart of milk,
separated into thousands, along a roller track--Trucks?
That one of mine, son, it pulls like a sixteen-year-old--
to the tester who broached the can lids, causing fat tears,
who tasted, dipped and did his thin stoppered chemistry
on our labour, as the empties chattered downstage and fumed.
Under the high roof, black-crusted and stainless steels
were walled apart: black romped with leather belts
but paddlewheels sailed the silvery vats where muscles
of the one deep cream were exercised to a bullion
to be blocked in paper.
And between waves of delivery
the men trod on water, hosing the rainbows of a shift.
It was damp April even at Christmas round every
margin of the factory.
Also it opened the mouth
to see tackles on glibbed gravel, and the mossed char louvres
of the ice-plant's timber tower streaming with
heavy rain all day, above the droughty paddocks
of the totem cows round whom our lives were dancing.
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Written by
James Wright |
When I went out to kill myself, I caught
A pack of hoodlums beating up a man.
Running to spare his suffering, I forgot
My name, my number, how my day began,
How soldiers milled around the garden stone
And sang amusing songs; how all that day
Their javelins measured crowds; how I alone
Bargained the proper coins, and slipped away.
Banished from heaven, I found this victim beaten,
Stripped, kneed, and left to cry.
Dropping my rope
Aside, I ran, ignored the uniforms:
Then I remembered bread my flesh had eaten,
The kiss that ate my flesh.
Flayed without hope,
I held the man for nothing in my arms.
|
Written by
Delmore Schwartz |
Athlete, virtuoso,
Training for happiness,
Bend arm and knee, and seek
The body's sharp distress,
For pain is pleasure's cost,
Denial is route
To speech before the millions
Or personal with the flute.
The ape and great Achilles,
Heavy with their fate,
Batter doors down, strike
Small children at the gate,
Driven by love to this,
As knock-kneed Hegel said,
To seek with a sword their peace,
That the child may be taken away
From the hurly-burly and fed.
Ladies and Gentlemen, said
The curious Socrates,
I have asked, What is this life
But a childermass,
As Abraham recognized,
A working with the knife
At animal, maid and stone
Until we have cut down
All but the soul alone:
Through hate we guard our love,
And its distinction's known.
|
Written by
Carl Sandburg |
THE CHILD Margaret begins to write numbers on a Saturday morning, the first numbers formed under her wishing child fingers.
All the numbers come well-born, shaped in figures assertive for a frieze in a child’s room.
Both 1 and 7 are straightforward, military, filled with lunge and attack, erect in shoulder-straps.
The 6 and 9 salute as dancing sisters, elder and younger, and 2 is a trapeze actor swinging to handclaps.
All the numbers are well-born, only 3 has a hump on its back and 8 is knock-kneed.
The child Margaret kisses all once and gives two kisses to 3 and 8.
(Each number is a bran-new rag doll … O in the wishing fingers … millions of rag dolls, millions and millions of new rag dolls!!)
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Written by
William Topaz McGonagall |
'Twas on the heights of Alma the battle began.
But the Russians turned and fled every man;
Because Sir Colin Campbell's Highland Brigade put them to flight,
At the charge of the bayonet, which soon ended the fight.
Sir Colin Campbell he did loudly cry,
Let the Highlanders go forward, they will win or die,
We'll hae nane but Hieland bonnets here,
So forward, my lads, and give one ringing cheer.
Then boldly and quickly they crossed the river,
But not one amongst them with fear did shiver,
And ascended the height, forming quietly on the crest,
While each man seemed anxious to do his best.
The battle was fought by twenty against one,
But the gallant British troops resolved to die to a man,
While the shot was mowing them down and making ugly gaps,
And shells shrieking and whistling and making fearful cracks.
On the heights of Alma it was a critical time,
And to see the Highland Brigade it was really sublime,
To hear the officers shouting to their men,
On lads, I'll show you the way to fight them.
Close up! Close up! Stand firm, my boys,
Now be steady, men, steady and think of our joys;
If we only conquer the Russians this day,
Our fame will be handed down to posterity for ever and aye.
Still forward! Forward! My lads was the cry,
And from the redoubt make them fly;
And at length the Russians had to give way,
And fled from the redoubt in wild dismay.
Still the fate of the battle hung in the balance,
But Sir Colin knew he had still a chance,
But one weak officer in fear loudly shouted,
Let the Guards fall back, or they'll be totally routed.
Then Sir Colin Campbell did make reply,
'Tis better, Sir, that every man of the Guards should die,
And to be found dead on this bloody field,
Than to have it said they fled and were forced to yield.
Then the Coldstreams on the highlanders' right
Now advanced to engage the enemy in the fight,
But then they halted, unable to go forward,
Because the Russians did their progress retard.
But now came the turning point of the battle,
While the Russian guns loudly did rattle;
Then Sir Colin turned to the plumed Highland array,
And in stirring tones to them did say--
Be steady, keep silence, my lads, don't be afraid,
And make me proud of my Highland Brigade;
Then followed the command, sharp and clear,
While the war notes of the 42d bagpipes smote the ear.
The soldiers, though young, were cool and steady,
And to face the enemy they were ever ready,
And still as the bare-kneed line unwavering came on
It caused the Russians to shake and look woebegone.
And now as the din of the fight grew greater,
Fear filled the hearts of the Russian giants in stature,
Because the kilted heroes they fought so well
That they thought they had come from the regions of hell.
Oh! it was a most beautiful and magnificent display
To see the Highland Brigade in their tartan array,
And their tall bending plumes in a long line,
The scene was inspiring and really sublime.
Then, terror-stricken by this terrible advancing line,
The Russians broke down and began to whine,
And they turned round and fled with a moaning cry,
Because they were undone and had to fly.
Then the crisis was past and the victory won,
Which caused Sir Colin Campbell to cry, Well done,
And, raising his hand, gave the signal to cheer,
Which was responded to by hurrahs, loud and clear.
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