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Best Famous Knack Poems

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Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.


Written by Les Murray | Create an image from this poem

The Dream Of Wearing Shorts Forever

 To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass, 

to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches, 

or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah - 

If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass? 

They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti; 

archbishops and field marshals
at their ceremonies never wear shorts.
The very word means underpants in North America.
Shorts can be Tat, Land-Rovering bush-environmental tat, socio-political ripped-and-metal-stapled tat, solidarity-with-the-Third World tat tvam asi, likewise track-and-field shorts worn to parties and the further humid, modelling negligee of the Kingdom of Flaunt, that unchallenged aristocracy.
More plainly climatic, shorts are farmers' rig, leathery with salt and bonemeal; are sailors' and branch bankers' rig, the crisp golfing style of our youngest male National Costume.
Most loosely, they are Scunge, ancient Bengal bloomers or moth-eaten hot pants worn with a former shirt, feet, beach sand, hair and a paucity of signals.
Scunge, which is real negligee housework in a swimsuit, pyjamas worn all day, is holiday, is freedom from ambition.
Scunge makes you invisible to the world and yourself.
The entropy of costume, scunge can get you conquered by more vigorous cultures and help you notice it less.
To be or to become is a serious question posed by a work-shorts counter with its pressed stack, bulk khaki and blue, reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern, the wish and the knack of self-forgetfulness all fall within the scunge ambit wearing board shorts of similar; it is a kind of weightlessness.
Unlike public nakedness, which in Westerners is deeply circumstantial, relaxed as exam time, artless and equal as the corsetry of a hussar regiment, shorts and their plain like are an angelic nudity, spirituality with pockets! A double updraft as you drop from branch to pool! Ideal for getting served last in shops of the temperate zone they are also ideal for going home, into space, into time, to farm the mind's Sabine acres for product and subsistence.
Now that everyone who yearned to wear long pants has essentially achieved them, long pants, which have themselves been underwear repeatedly, and underground more than once, it is time perhaps to cherish the culture of shorts, to moderate grim vigour with the knobble of bare knees, to cool bareknuckle feet in inland water, slapping flies with a book on solar wind or a patient bare hand, beneath the cadjiput trees, to be walking meditatively among green timber, through the grassy forest towards a calm sea and looking across to more of that great island and the further tropics.
Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Weldon Kees | Create an image from this poem

A Distance From The Sea

 To Ernest Brace

"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not.
" --REVELATIONS, x, 4.
That raft we rigged up, under the water, Was just the item: when he walked, With his robes blowing, dark against the sky, It was as though the unsubstantial waves held up His slender and inviolate feet.
The gulls flew over, Dropping, crying alone; thin ragged lengths of cloud Drifted in bars across the sun.
There on the shore The crowd's response was instantaneous.
He Handled it well, I thought--the gait, the tilt of the head, just right.
Long streaks of light were blinding on the waves.
And then we knew our work well worth the time: The days of sawing, fitting, all those nails, The tiresome rehearsals, considerations of execution.
But if you want a miracle, you have to work for it, Lay your plans carefully and keep one jump Ahead of the crowd.
To report a miracle Is a pleasure unalloyed; but staging one requires Tact, imagination, a special knack for the job Not everyone possesses.
A miracle, in fact, means work.
--And now there are those who have come saying That miracles were not what we were after.
But what else Is there? What other hope does life hold out But the miraculous, the skilled and patient Execution, the teamwork, all the pain and worry every miracle involves? Visionaries tossing in their beds, haunted and racked By questions of Messiahship and eschatology, Are like the mist rising at nightfall, and come, Perhaps to even less.
Grave supernaturalists, devoted worshippers Experience the ecstasy (such as it is), but not Our ecstasy.
It was our making.
Yet sometimes When the torrent of that time Comes pouring back, I wonder at our courage And our enterprise.
It was as though the world Had been one darkening, abandoned hall Where rows of unlit candles stood; and we Not out of love, so much, or hope, or even worship, but Out of the fear of death, came with our lights And watched the candles, one by one, take fire, flames Against the long night of our fear.
We thought That we could never die.
Now I am less convinced.
--The traveller on the plain makes out the mountains At a distance; then he loses sight.
His way Winds through the valleys; then, at a sudden turning of a path, The peaks stand nakedly before him: they are something else Than what he saw below.
I think now of the raft (For me, somehow, the summit of the whole experience) And all the expectations of that day, but also of the cave We stocked with bread, the secret meetings In the hills, the fake assassins hired for the last pursuit, The careful staging of the cures, the bribed officials, The angels' garments, tailored faultlessly, The medicines administered behind the stone, That ultimate cloud, so perfect, and so opportune.
Who managed all that blood I never knew.
The days get longer.
It was a long time ago.
And I have come to that point in the turning of the path Where peaks are infinite--horn-shaped and scaly, choked with thorns.
But even here, I know our work was worth the cost.
What we have brought to pass, no one can take away.
Life offers up no miracles, unfortunately, and needs assistance.
Nothing will be the same as once it was, I tell myself.
--It's dark here on the peak, and keeps on getting darker.
It seems I am experiencing a kind of ecstasy.
Was it sunlight on the waves that day? The night comes down.
And now the water seems remote, unreal, and perhaps it is.
Written by Eugene Field | Create an image from this poem

Little Mack

 This talk about the journalists that run the East is bosh,
We've got a Western editor that's little, but, O gosh!
He lives here in Mizzoora where the people are so set
In ante-bellum notions that they vote for Jackson yet;
But the paper he is running makes the rusty fossils swear,--
The smartest, likeliest paper that is printed anywhere!
And, best of all, the paragraphs are pointed as a tack,
And that's because they emanate
From little Mack.
In architecture he is what you'd call a chunky man, As if he'd been constructed on the summer cottage plan; He has a nose like Bonaparte; and round his mobile mouth Lies all the sensuous languor of the children of the South; His dealings with reporters who affect a weekly bust Have given to his violet eyes a shadow of distrust; In glorious abandon his brown hair wanders back From the grand Websterian forehead Of little Mack.
No matter what the item is, if there's an item in it, You bet your life he's on to it and nips it in a minute! From multifarious nations, countries, monarchies, and lands, From Afric's sunny fountains and India's coral strands, From Greenland's icy mountains and Siloam's shady rills, He gathers in his telegrams, and Houser pays the bills; What though there be a dearth of news, he has a happy knack Of scraping up a lot of scoops, Does little Mack.
And learning? Well he knows the folks of every tribe and age That ever played a part upon this fleeting human stage; His intellectual system's so extensive and so greedy That, when it comes to records, he's a walkin' cyclopedy; For having studied (and digested) all the books a-goin', It stands to reason he must know about all's worth a-knowin'! So when a politician with a record's on the track, We're apt to hear some history From little Mack.
And when a fellow-journalist is broke and needs a twenty, Who's allus ready to whack up a portion of his plenty? Who's allus got a wallet that's as full of sordid gain As his heart is full of kindness and his head is full of brain? Whose bowels of compassion will in-va-ri-a-bly move Their owner to those courtesies which plainly, surely prove That he's the kind of person that never does go back On a fellow that's in trouble? Why, little Mack! I've heard 'em tell of Dana, and of Bonner, and of Reid, Of Johnnie Cockerill, who, I'll own, is very smart indeed; Yet I don't care what their renown or influence may be, One metropolitan exchange is quite enough for me! So keep your Danas, Bonners, Reids, your Cockerills, and the rest, The woods is full of better men all through this woolly West; For all that sleek, pretentious, Eastern editorial pack We wouldn't swap the shadow of Our little Mack!


Written by Godfrey Mutiso Gorry | Create an image from this poem

AFRICAN WRITINGS

 If you meet literature from Africa
Or even their mentors
In such works
You realize a trait of madness
Pumping into the throbbing poetics.
There is a knack in it that sparks alight The nearest shrubs; Intrigue and sensation incomparable.
The heart of African literature Pumping wordy blood into fragile young minds.
Rejuvenating the African word That merges into a whirlpool mixture Of creativity, and strengthen our verbosity.
Impregnated words Be borne from fertility the center.
Written by Carl Sandburg | Create an image from this poem

The Lawyers Know Too Much

 THE LAWYERS, Bob, know too much.
They are chums of the books of old John Marshall.
They know it all, what a dead hand wrote, A stiff dead hand and its knuckles crumbling, The bones of the fingers a thin white ash.
The lawyers know a dead man’s thoughts too well.
In the heels of the higgling lawyers, Bob, Too many slippery ifs and buts and howevers, Too much hereinbefore provided whereas, Too many doors to go in and out of.
When the lawyers are through What is there left, Bob? Can a mouse nibble at it And find enough to fasten a tooth in? Why is there always a secret singing When a lawyer cashes in? Why does a hearse horse snicker Hauling a lawyer away? The work of a bricklayer goes to the blue.
The knack of a mason outlasts a moon.
The hands of a plasterer hold a room together.
The land of a farmer wishes him back again.
Singers of songs and dreamers of plays Build a house no wind blows over.
The lawyers—tell me why a hearse horse snickers hauling a lawyer’s bones.
Written by Robert William Service | Create an image from this poem

The Odyssey Of Erbert Iggins

 Me and Ed and a stretcher
 Out on the nootral ground.
(If there's one dead corpse, I'll betcher There's a 'undred smellin' around.
) Me and Eddie O'Brian, Both of the R.
A.
M.
C.
"It'as a 'ell of a night For a soul to take flight," As Eddie remarks to me.
Me and Ed crawlin' 'omeward, Thinkin' our job is done, When sudden and clear, Wot do we 'ear: 'Owl of a wounded 'Un.
"Got to take 'im," snaps Eddy; "Got to take all we can.
'E may be a Germ Wiv the 'eart of a worm, But, blarst 'im! ain't 'e a man?" So 'e sloshes out fixin' a dressin' ('E'd always a medical knack), When that wounded 'Un 'E rolls to 'is gun, And 'e plugs me pal in the back.
Now what would you do? I arst you.
There was me slaughtered mate.
There was that 'Un (I'd collered 'is gun), A-snarlin' 'is 'ymn of 'ate.
Wot did I do? 'Ere, whisper .
.
.
'E'd a shiny bald top to 'is 'ead, But when I got through, Between me and you, It was 'orrid and jaggy and red.
"'Ang on like a limpet, Eddy.
Thank Gord! you ain't dead after all.
" It's slow and it's sure and it's steady (Which is 'ard, for 'e's big and I'm small).
The rockets are shootin' and shinin', It's rainin' a perishin' flood, The bullets are buzzin' and whinin', And I'm up to me stern in the mud.
There's all kinds of 'owlin' and 'ootin'; It's black as a bucket of tar; Oh, I'm doin' my bit, But I'm 'avin' a fit, And I wish I was 'ome wiv Mar.
"Stick on like a plaster, Eddy.
Old sport, you're a-slackin' your grip.
" Gord! But I'm crocky already; My feet, 'ow they slither and slip! There goes the biff of a bullet.
The Boches have got us for fair.
Another one -- WHUT! The son of a ****! 'E managed to miss by a 'air.
'Ow! Wot was it jabbed at me shoulder? Gave it a dooce of a wrench.
Is it Eddy or me Wot's a-bleedin' so free? Crust! but it's long to the trench.
I ain't just as strong as a Sandow, And Ed ain't a flapper by far; I'm blamed if I understand 'ow We've managed to get where we are.
But 'ere's for a bit of a breather.
"Steady there, Ed, 'arf a mo'.
Old pal, it's all right; It's a 'ell of a fight, But are we down-'earted? No-o-o.
" Now war is a funny thing, ain't it? It's the rummiest sort of a go.
For when it's most real, It's then that you feel You're a-watchin' a cinema show.
'Ere's me wot's a barber's assistant.
Hey, presto! It's somewheres in France, And I'm 'ere in a pit Where a coal-box 'as 'it, And it's all like a giddy romance.
The ruddy quick-firers are spittin', The 'eavies are bellowin' 'ate, And 'ere I am cashooly sittin', And 'oldin' the 'ead of me mate.
Them gharstly green star-shells is beamin', 'Ot shrapnel is poppin' like rain, And I'm sayin': "Bert 'Iggins, you're dreamin', And you'll wake up in 'Ampstead again.
You'll wake up and 'ear yourself sayin': `Would you like, sir, to 'ave a shampoo?' 'Stead of sheddin' yer blood In the rain and the mud, Which is some'ow the right thing to do; Which is some'ow yer 'oary-eyed dooty, Wot you're doin' the best wot you can, For 'Ampstead and 'ome and beauty, And you've been and you've slaughtered a man.
A feller wot punctured your partner; Oh, you 'ammered 'im 'ard on the 'ead, And you still see 'is eyes Starin' bang at the skies, And you ain't even sorry 'e's dead.
But you wish you was back in your diggin's Asleep on your mouldy old stror.
Oh, you're doin' yer bit, 'Erbert 'Iggins, But you ain't just enjoyin' the war.
" "'Ang on like a hoctopus, Eddy.
It's us for the bomb-belt again.
Except for the shrap Which 'as 'it me a tap, I'm feelin' as right as the rain.
It's my silly old feet wot are slippin', It's as dark as a 'ogs'ead o' sin, But don't be oneasy, my pippin, I'm goin' to pilot you in.
It's my silly old 'ead wot is reelin'.
The bullets is buzzin' like bees.
Me shoulder's red-'ot, And I'm bleedin' a lot, And me legs is on'inged at the knees.
But we're staggerin' nearer and nearer.
Just stick it, old sport, play the game.
I make 'em out clearer and clearer, Our trenches a-snappin' with flame.
Oh, we're stumblin' closer and closer.
'Ang on there, lad! Just one more try.
Did you say: Put you down? Damn it, no, sir! I'll carry you in if I die.
By cracky! old feller, they've seen us.
They're sendin' out stretchers for two.
Let's give 'em the hoorah between us ('Anged lucky we aren't booked through).
My flipper is mashed to a jelly.
A bullet 'as tickled your spleen.
We've shed lots of gore And we're leakin' some more, But -- wot a hoccasion it's been! Ho! 'Ere comes the rescuin' party.
They're crawlin' out cautious and slow.
Come! Buck up and greet 'em, my 'earty, Shoulder to shoulder -- so.
They mustn't think we was down-'earted.
Old pal, we was never down-'earted.
If they arsts us if we was down-'earted We'll 'owl in their fyces: 'No-o-o!'"
Written by Rudyard Kipling | Create an image from this poem

The Instructor

 At times when under cover I 'ave said,
To keep my spirits up an' raise a laugh,
'Earin 'im pass so busy over-'ead--
Old Nickel-Neck, 'oo is n't on the Staff --
"There's one above is greater than us all"

Before 'im I 'ave seen my Colonel fall,
An 'watched 'im write my Captain's epitaph,
So that a long way off it could be read--
He 'as the knack o' makin' men feel small--
Old Whistle Tip, 'oo is n't on the Staff.
There is no sense in fleein'' (I 'ave fled), Better go on an' do the belly-crawl, An' 'ope' 'e '1l it some other man instead Of you 'e seems to 'unt so speshual-- Fitzy van Spitz, 'oo is n't on the Staff.
An' thus in mem'ry's cinematograph, Now that the show is over, I recall The peevish voice an' 'oary mushroom 'ead Of 'im we owned was greater than us all, 'Oo give instruction to the quick an' the dead-- The Shudderin'' Beggar--not upon the Staff!
Written by Katherine Mansfield | Create an image from this poem

The Black Monkey

 My Babbles has a nasty knack
Of keeping monkeys on her back.
A great big black one comes and swings Right on her sash or pinny strings.
It is a horrid thing and wild And makes her such a naughty child.
She comes and stands beside my chair With almost an offended air And says:--"Oh, Father, why can't I?" And stamps her foot and starts to cry-- I look at Mother in dismay.
.
.
What little girl is this, to-day? She throws about her nicest toys And makes a truly dreadful noise Till Mother rises from her place With quite a Sunday churchy face And Babbles silently is led Into the dark and her own bed.
Never a kiss or one Goodnight, Never a glimpse of candle light.
Oh, how the monkey simply flies! Oh, how poor Babbles calls and cries, Runs from the room with might and main, "Father dear, I am good again.
" When she is sitting on my knee Snuggled quite close and kissing me, Babbles and I, we think the same-- Why, that the monkey never came Only a terrible dream maybe.
.
.
What did she have for evening tea?

Book: Shattered Sighs