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Best Famous Kinsfolk Poems

Here is a collection of the all-time best famous Kinsfolk poems. This is a select list of the best famous Kinsfolk poetry. Reading, writing, and enjoying famous Kinsfolk poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of kinsfolk poems.

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Written by Thomas Hardy | Create an image from this poem

The Dead Man Walking

 They hail me as one living,
But don't they know
That I have died of late years,
Untombed although?

I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.
Not at a minute's warning, Not in a loud hour, For me ceased Time's enchantments In hall and bower.
There was no tragic transit, No catch of breath, When silent seasons inched me On to this death .
.
.
-- A Troubadour-youth I rambled With Life for lyre, The beats of being raging In me like fire.
But when I practised eyeing The goal of men, It iced me, and I perished A little then.
When passed my friend, my kinsfolk, Through the Last Door, And left me standing bleakly, I died yet more; And when my Love's heart kindled In hate of me, Wherefore I knew not, died I One more degree.
And if when I died fully I cannot say, And changed into the corpse-thing I am to-day, Yet is it that, though whiling The time somehow In walking, talking, smiling, I live not now.


Written by Robert Frost | Create an image from this poem

The Death of the Hired Man

 Mary sat musing on the lamp-flame at the table
Waiting for Warren.
When she heard his step, She ran on tip-toe down the darkened passage To meet him in the doorway with the news And put him on his guard.
'Silas is back.
' She pushed him outward with her through the door And shut it after her.
"Be kind,' she said.
She took the market things from Warren's arms And set them on the porch, then drew him down To sit beside her on the wooden steps.
'When was I ever anything but kind to him? But I'll not have the fellow back,' he said.
'I told him so last haying, didn't I? "If he left then," I said, "that ended it.
" What good is he? Who else will harbour him At his age for the little he can do? What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay, Enough at least to buy tobacco with, won't have to beg and be beholden.
" "All right," I say "I can't afford to pay Any fixed wages, though I wish I could.
" "Someone else can.
" "Then someone else will have to.
I shouldn't mind his bettering himself If that was what it was.
You can be certain, When he begins like that, there's someone at him Trying to coax him off with pocket-money, -- In haying time, when any help is scarce.
In winter he comes back to us.
I'm done.
' 'Shh I not so loud: he'll hear you,' Mary said.
'I want him to: he'll have to soon or late.
' 'He's worn out.
He's asleep beside the stove.
When I came up from Rowe's I found him here, Huddled against the barn-door fast asleep, A miserable sight, and frightening, too- You needn't smile -- I didn't recognize him- I wasn't looking for him- and he's changed.
Wait till you see.
' 'Where did you say he'd been? 'He didn't say.
I dragged him to the house, And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.
' 'What did he say? Did he say anything?' 'But little.
' 'Anything? Mary, confess He said he'd come to ditch the meadow for me.
' 'Warren!' 'But did he? I just want to know.
' 'Of course he did.
What would you have him say? Surely you wouldn't grudge the poor old man Some humble way to save his self-respect.
He added, if you really care to know, He meant to dear the upper pasture, too.
That sounds like something you have heard before? Warren, I wish you could have heard the way He jumbled everything.
I stopped to look Two or three times -- he made me feel so *****-- To see if he was talking in his sleep.
He ran on Harold Wilson -- you remember - The boy you had in haying four years since.
He's finished school, and teaching in his college.
Silas declares you'll have to get him back.
He says they two will make a team for work: Between them they will lay this farm as smooth! The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft On education -- you know how they fought All through July under the blazing sun, Silas up on the cart to build the load, Harold along beside to pitch it on.
' 'Yes, I took care to keep well out of earshot.
' 'Well, those days trouble Silas like a dream.
You wouldn't think they would.
How some things linger! Harold's young college boy's assurance piqued him.
After so many years he still keeps finding Good arguments he sees he might have used.
I sympathize.
I know just how it feels To think of the right thing to say too late.
Harold's associated in his mind with Latin.
He asked me what I thought of Harold's saying He studied Latin like the violin Because he liked it -- that an argument! He said he couldn't make the boy believe He could find water with a hazel prong-- Which showed how much good school had ever done him.
He wanted to go over that.
'But most of all He thinks if he could have another chance To teach him how to build a load of hay --' 'I know, that's Silas' one accomplishment.
He bundles every forkful in its place, And tags and numbers it for future reference, So he can find and easily dislodge it In the unloading.
Silas does that well.
He takes it out in bunches like big birds' nests.
You never see him standing on the hay He's trying to lift, straining to lift himself.
' 'He thinks if he could teach him that, he'd be Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk, And nothing to look backward to with pride, And nothing to look forward to with hope, So now and never any different.
' Part of a moon was filling down the west, Dragging the whole sky with it to the hills.
Its light poured softly in her lap.
She saw And spread her apron to it.
She put out her hand Among the harp-like morning-glory strings, Taut with the dew from garden bed to eaves, As if she played unheard the tenderness That wrought on him beside her in the night.
'Warren,' she said, 'he has come home to die: You needn't be afraid he'll leave you this time.
' 'Home,' he mocked gently.
'Yes, what else but home? It all depends on what you mean by home.
Of course he's nothing to us, any more then was the hound that came a stranger to us Out of the woods, worn out upon the trail.
' 'Home is the place where, when you have to go there, They have to take you in.
' 'I should have called it Something you somehow haven't to deserve.
' Warren leaned out and took a step or two, Picked up a little stick, and brought it back And broke it in his hand and tossed it by.
'Silas has better claim on' us, you think, Than on his brother? Thirteen little miles As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn't he go there? His brother's rich, A somebody- director in the bank.
' 'He never told us that.
' 'We know it though.
' 'I think his brother ought to help, of course.
I'll see to that if there is need.
He ought of right To take him in, and might be willing to- He may be better than appearances.
But have some pity on Silas.
Do you think If he'd had any pride in claiming kin Or anything he looked for from his brother, He'd keep so still about him all this time?' 'I wonder what's between them.
' 'I can tell you.
Silas is what he is -- we wouldn't mind him-- But just the kind that kinsfolk can't abide.
He never did a thing so very bad.
He don't know why he isn't quite as good As anyone.
He won't be made ashamed To please his brother, worthless though he is.
' 'I can't think Si ever hurt anyone.
' 'No, but he hurt my heart the way he lay And rolled his old head on that sharp-edged chair-back.
He wouldn't let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You'll be surprised at him -- how much he's broken.
His working days are done; I'm sure of it.
' 'I'd not be in a hurry to say that.
' 'I haven't been.
Go, look, see for yourself.
But, Warren, please remember how it is: He' come to help you ditch the meadow.
He has a plan, You mustn't laugh at him.
He may not speak of it, and then he may.
I'll sit and see if that small sailing cloud Will hit or miss the moon.
' It hit the moon.
Then there were three there, making a dim row, The moon, the little silver cloud, and she.
Warren returned-- too soon, it seemed to her, Slipped to her side, caught up her hand and waited.
'Warren?' she questioned.
'Dead,' was all he answered.
Written by Matthew Arnold | Create an image from this poem

The Forsaken Merman

 Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away! This way, this way! Call her once before you go— Call once yet! In a voice that she will know: 'Margaret! Margaret!' Children's voices should be dear (Call once more) to a mother's ear; Children's voices, wild with pain— Surely she will come again! Call her once and come away; This way, this way! 'Mother dear, we cannot stay! The wild white horses foam and fret.
' Margaret! Margaret! Come, dear children, come away down; Call no more! One last look at the white-walled town, And the little grey church on the windy shore; Then come down! She will not come though you call all day; Come away, come away! Children dear, was it yesterday We heard the sweet bells over the bay? In the caverns where we lay, Through the surf and through the swell, The far-off sound of a silver bell? Sand-strewn caverns, cool and deep, Where the winds are all asleep; Where the spent lights quiver and gleam, Where the salt weed sways in the stream, Where the sea-beasts, ranged all round, Feed in the ooze of their pasture-ground; Where the sea-snakes coil and twine, Dry their mail and bask in the brine; Where great whales come sailing by, Sail and sail, with unshut eye, Round the world for ever and aye? When did music come this way? Children dear, was it yesterday? Children dear, was it yesterday (Call yet once) that she went away? Once she sate with you and me, On a red gold throne in the heart of the sea, And the youngest sate on her knee.
She combed its bright hair, and she tended it well, When down swung the sound of a far-off bell.
She sighed, she looked up through the clear green sea; She said: 'I must go, for my kinsfolk pray In the little grey church on the shore today.
'Twill be Easter-time in the world—ah me! And I lose my poor soul, Merman! here with thee.
' I said: 'Go up, dear heart, through the waves; Say thy prayer, and come back to the kind sea-caves!' She smiled, she went up through the surf in the bay.
Children dear, was it yesterday? Children dear, were we long alone? 'The sea grows stormy, the little ones moan; Long prayers,' I said, 'in the world they say; Come,' I said; and we rose through the surf in the bay.
We went up the beach, by the sandy down Where the sea-stocks bloom, to the white-walled town; Through the narrow paved streets, where all was still, To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers, But we stood without in the cold blowing airs.
We climbed on the graves, on the stones worn with rains, And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear: 'Margaret, hist! come quick, we are here! Dear heart,' I said, 'we are long alone; The sea grows stormy, the little ones moan.
' But, ah, she gave me never a look, For her eyes we sealed to the holy book! Loud prays the priest; shut stands the door.
Come away, children, call no more! Come away, come down, call no more! Down, down, down! Down to the depths of the sea! She sits at her wheel in the humming town, Singing most joyfully.
Hark, what she sings: 'O joy, O joy, For the humming street, and the child with its toy! For the priest, and the bell, and the holy well; For the wheel where I spun, And the blessed light of the sun!' And so she sings her fill, Singing most joyfully, Till the shuttle drops from her hand, And the whizzing wheel stands still.
She steals to the window, and looks at the sand, And over the sand at the sea; And her eyes are set in a stare; And anon there breaks a sigh, And anon there drops a tear, From a sorrow-clouded eye, And a heart sorrow-laden, A long, long sigh; For the cold strange eyes of a little Mermaiden, And the gleam of her golden hair.
Come away, away children; Come children, come down! The hoarse wind blows coldly; Lights shine in the town.
She will start from her slumber When gusts shake the door; She will hear the winds howling, Will hear the waves roar.
We shall see, while above us The waves roar and whirl, A ceiling of amber, A pavement of pearl, Singing: 'Here came a mortal, But faithless was she! And alone dwell for ever The kings of the sea.
' But, children, at midnight, When soft the winds blow, When clear fall the moonlight, When spring-tides are low; When sweet airs come seaward From heaths starred with broom, And high rocks throw mildly On the blanched sands a gloom; Up the still, glistening beaches, Up the creeks we will hie, Over banks of bright seaweed The ebb-tide leaves dry.
We will gaze, from the sand-hills, At the white sleeping town; At the church on the hillside— And then come back down.
Singing: 'There dwells a loved one, But cruel is she! She left lonely for ever The kings of the sea.
'
Written by Ralph Waldo Emerson | Create an image from this poem

Astræ

 Himself it was who wrote
His rank, and quartered his own coat.
There is no king nor sovereign state That can fix a hero's rate; Each to all is venerable, Cap-a-pie invulnerable, Until he write, where all eyes rest, Slave or master on his breast.
I saw men go up and down In the country and the town, With this prayer upon their neck, "Judgment and a judge we seek.
" Not to monarchs they repair, Nor to learned jurist's chair, But they hurry to their peers, To their kinsfolk and their dears, Louder than with speech they pray, What am I? companion; say.
And the friend not hesitates To assign just place and mates, Answers not in word or letter, Yet is understood the better;— Is to his friend a looking-glass, Reflects his figure that doth pass.
Every wayfarer he meets What himself declared, repeats; What himself confessed, records; Sentences him in his words, The form is his own corporal form, And his thought the penal worm.
Yet shine for ever virgin minds, Loved by stars and purest winds, Which, o'er passion throned sedate, Have not hazarded their state, Disconcert the searching spy, Rendering to a curious eye The durance of a granite ledge To those who gaze from the sea's edge.
It is there for benefit, It is there for purging light, There for purifying storms, And its depths reflect all forms; It cannot parley with the mean, Pure by impure is not seen.
For there's no sequestered grot, Lone mountain tam, or isle forgot, But justice journeying in the sphere Daily stoops to harbor there.
Written by Wang Wei | Create an image from this poem

Farewell to Hsin Chien at Hibiscus Pavilion

 A cold rain mingled with the river
at evening, when I entered Wu;
In the clear dawn I bid you farewell,
lonely as Ch'u Mountain.
My kinsfolk in Loyang, should they ask about me, Tell them: "My heart is a piece of ice in a jade cup!"


Written by Wang Wei | Create an image from this poem

Thinking of My Brothers in Shantung on the Ninth Day of the Ninth Month

 Alone now in a strange country,
feeling myself a stranger,
On this bright festival day
I doubly pine for my kinsfolk.
Far away, I know my brothers will be climbing the heights With dogwood sprays in their jackets, and one man missing!
Written by D. H. Lawrence | Create an image from this poem

The Inheritance

 Since you did depart
Out of my reach, my darling,
Into the hidden, 
I see each shadow start 
With recognition, and I
Am wonder-ridden.
I am dazed with the farewell, But I scarcely feel your loss.
You left me a gift Of tongues, so the shadows tell Me things, and silences toss Me their drift.
You sent me a cloven fire Out of death, and it burns in the draught Of the breathing hosts, Kindles the darkening pyre For the sorrowful, till strange brands waft Like candid ghosts.
Form after form, in the streets Waves like a ghost along, Kindled to me; The star above the house-top greets Me every eve with a long Song fierily.
All day long, the town Glimmers with subtle ghosts Going up and down In a common, prison-like dress; But their daunted looking flickers To me, and I answer, Yes! So I am not lonely nor sad Although bereaved of you, My little love.
I move among a kinsfolk clad With words, but the dream shows through As they move.
Written by Robert William Service | Create an image from this poem

The Idealist

 Oh you who have daring deeds to tell!
 And you who have felt Ambition's spell!
Have you heard of the louse who longed to dwell
 In the golden hair of a queen?
He sighed all day and he sighed all night,
 And no one could understand it quite,
For the head of a **** is a louse's delight,
 But he pined for the head of a queen.
So he left his kinsfolk in merry play, And off by his lonesome he stole away, From the home of his youth so bright and gay, And gloriously unclean.
And at last he came to the palace gate, And he made his way in a manner straight (For a louse may go where a man must wait) To the tiring-room of the queen.
The queen she spake to her tiring-maid: "There's something the matter, I'm afraid.
To-night ere for sleep my hair ye braid, Just see what may be seen.
" And lo, when they combed that shining hair They found him alone in his glory there, And he cried: "I die, but I do not care, For I've lived in the head of a queen!"

Book: Reflection on the Important Things