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Best Famous Kick Up Poems

Here is a collection of the all-time best famous Kick Up poems. This is a select list of the best famous Kick Up poetry. Reading, writing, and enjoying famous Kick Up poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of kick up poems.

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Written by Robert Burns | Create an image from this poem

386. The Rights of Women—Spoken by Miss Fontenelle

 WHILE Europe’s eye is fix’d on mighty things,
The fate of Empires and the fall of Kings;
While quacks of State must each produce his plan,
And even children lisp the Rights of Man;
Amid this mighty fuss just let me mention,
The Rights of Woman merit some attention.
First, in the Sexes’ intermix’d connection, One sacred Right of Woman is, protection.
— The tender flower that lifts its head, elate, Helpless, must fall before the blasts of Fate, Sunk on the earth, defac’d its lovely form, Unless your shelter ward th’ impending storm.
Our second Right—but needless here is caution, To keep that right inviolate’s the fashion; Each man of sense has it so full before him, He’d die before he’d wrong it—’tis decorum.
— There was, indeed, in far less polish’d days, A time, when rough rude man had naughty ways, Would swagger, swear, get drunk, kick up a riot, Nay even thus invade a Lady’s quiet.
Now, thank our stars! those Gothic times are fled; Now, well-bred men—and you are all well-bred— Most justly think (and we are much the gainers) Such conduct neither spirit, wit, nor manners.
For Right the third, our last, our best, our dearest, That right to fluttering female hearts the nearest; Which even the Rights of Kings, in low prostration, Most humbly own—’tis dear, dear admiration! In that blest sphere alone we live and move; There taste that life of life—immortal love.
Smiles, glances, sighs, tears, fits, flirtations, airs; ’Gainst such an host what flinty savage dares, When awful Beauty joins with all her charms— Who is so rash as rise in rebel arms? But truce with kings, and truce with constitutions, With bloody armaments and revolutions; Let Majesty your first attention summon, Ah! ça ira! THE MAJESTY OF WOMAN!


Written by Robert Frost | Create an image from this poem

II. The Pauper Witch of Grafton

 Now that they've got it settled whose I be,
I'm going to tell them something they won't like:
They've got it settled wrong, and I can prove it.
Flattered I must be to have two towns fighting To make a present of me to each other.
They don't dispose me, either one of them, To spare them any trouble.
Double trouble's Always the witch's motto anyway.
I'll double theirs for both of them-you watch me.
They'll find they've got the whole thing to do over, That is, if facts is what they want to go by.
They set a lot (now don't they?) by a record Of Arthur Amy's having once been up For Hog Reeve in March Meeting here in Warren.
I could have told them any time this twelvemonth The Arthur Amy I was married to Couldn't have been the one they say was up In Warren at March Meeting, for the reason He wa'n't but fifteen at the time they say.
The Arthur Amy I was married to Voted the only times he ever voted, Which wasn't many, in the town of Wentworth.
One of the times was when 'twas in the warrant To see if the town wanted to take over The tote road to our clearing where we lived.
I'll tell you who'd remember-Heman Lapish.
Their Arthur Amy was the father of mine.
So now they've dragged it through the law courts once I guess they'd better drag it through again.
Wentworth and Warren's both good towns to live in, Only I happen to prefer to live In Wentworth from now on; and when all's said, Right's right, and the temptation to do right When I can hurt someone by doing it Has always been too much for me, it has.
I know of some folks that'd be set up At having in their town a noted witch: But most would have to think of the expense That even I would be.
They ought to know That as a witch I'd often milk a bat And that'd be enough to last for days.
It'd make my position stronger, think, If I was to consent to give some sign To make it surer that I was a witch? It wa'n't no sign, I s'pose, when Mallice Huse Said that I took him out in his old age And rode all over everything on him Until I'd bad him worn to skin and bones And if I'd left him bitched unblanketed In front of one Town Hall, I'd left him hitched front of every one in Grafton County.
Some cried shame on me not to blanket him, The poor old man.
It would have been all right If someone hadn't said to gnaw the posts He stood beside and leave his trademark on them, So they could recognize them.
Not a post That they could hear tell of was scarified.
They made him keep on gnawing till he whined.
Then that same smarty someone said to look­ He'd bet Huse was a cribber and bad gnawed The crib he slept in-and as sure's you're born They found he'd gnawed the four posts of his bed, All four of them to splinters.
What did that prove? Not that he hadn't gnawed the hitching posts He said he had, besides.
Because a horse Gnaws in the stable ain't no proof to me He don't gnaw trees and posts and fences too.
But everybody took it for a proof.
I was a strapping girl of twenty then.
The smarty someone who spoiled everything Was Arthur Amy.
You know who he was.
That was the way he started courting me.
He never said much after we were married, But I mistrusted be was none too proud Of having interfered in the Huse business.
I guess be found he got more out of me By having me a witch.
Or something happened To turn him round.
He got to saying things To undo what he'd done and make it right, Like, "No, she ain't come back from kiting yet.
Last night was one of her nights out.
She's kiting.
She thinks when the wind makes a night of it She might as well herself.
" But he liked best To let on he was plagued to death with me: If anyone had seen me coming home Over the ridgepole, ' stride of a broomstick, As often as he had in the tail of the night, He guessed they'd know what he had to put up with.
Well, I showed Arthur Amy signs enough Off from the house as far as we could keep And from barn smells you can't wash out of plowed ground With all the rain and snow of seven years; And I don't mean just skulls of Rogers' Rangers On Moosilauke, but woman signs to man, Only bewitched so I would last him longer.
Up where the trees grow short, the mosses tall, I made him gather me wet snowberries On slippery rocks beside a waterfall.
I made him do it for me in the dark.
And he liked everything I made him do.
I hope if he is where he sees me now He's so far off be can't see what I've come to.
You can come down from everything to nothing.
All is, if I'd a-known when I was young And full of it, that this would be the end, It doesn't seem as if I'd had the courage To make so free and kick up in folks' faces.
I might have, but it doesn't seem as if.
Written by Henry Lawson | Create an image from this poem

Corny Bill

 His old clay pipe stuck in his mouth, 
His hat pushed from his brow, 
His dress best fitted for the South -- 
I think I see him now; 
And when the city streets are still, 
And sleep upon me comes, 
I often dream that me an' Bill 
Are humpin' of our drums.
I mind the time when first I came A stranger to the land; And I was stumped, an' sick, an' lame When Bill took me in hand.
Old Bill was what a chap would call A friend in poverty, And he was very kind to all, And very good to me.
We'd camp beneath the lonely trees And sit beside the blaze, A-nursin' of our wearied knees, A-smokin' of our clays.
Or when we'd journeyed damp an' far, An' clouds were in the skies, We'd camp in some old shanty bar, And sit a-tellin' lies.
Though time had writ upon his brow And rubbed away his curls, He always was -- an' may be now -- A favourite with the girls; I've heard bush-wimmin scream an' squall -- I've see'd 'em laugh until They could not do their work at all, Because of Corny Bill.
He was the jolliest old pup As ever you did see, And often at some bush kick-up They'd make old Bill M.
C.
He'd make them dance and sing all night, He'd make the music hum, But he'd be gone at mornin' light A-humpin' of his drum.
Though joys of which the poet rhymes Was not for Bill an' me, I think we had some good old times Out on the wallaby.
I took a wife and left off rum, An' camped beneath a roof; But Bill preferred to hump his drum A-paddin' of the hoof.
The lazy, idle loafers what In toney houses camp Would call old Bill a drunken sot, A loafer, or a tramp; But if the dead should ever dance -- As poets say they will -- I think I'd rather take my chance Along of Corny Bill.
His long life's-day is nearly o'er, Its shades begin to fall; He soon must mount his bluey for The last long tramp of all; I trust that when, in bush an' town, He's lived and learnt his fill, They'll let the golden slip-rails down For poor old Corny Bill.
Written by Charles Bukowski | Create an image from this poem

Revolt In The Ranks

 I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems? well, they'll just have to wait they'll have to warm their feet in the anteroom where they'll sit gossiping about me.
"this Chinaski, doesn't he realize that without us he would have long ago gone mad, been dead?" "he knows, but he thinks he can keep us at his beck and call!" "he's an ingrate!" "let's give him writer's block!" "yeah!" "yeah!" "yeah!" the little poems kick up their heels and laugh.
then the biggest one gets up and walks toward the door.
"hey, where are you going?" he is asked.
"somewhere where I am appreciated.
" then, he and the others vanish.
I open a beer, sit down at the machine and nothing happens.
like now.
from the 1997 Black Sparrow New Year's greeting, "A New War"
Written by Robert William Service | Create an image from this poem

Eyrie

 The little pink house is high on the hill
And my heart is not what it used to be;
It will kick up a fuss I know, but still
I must toil up that twisty trail to see
What that empty old house can mean to me.
For a Poet lived there for donkey's years, A Poet of parts and founded fame.
He took to the bottle, it appears, And hid up there to enjoy his shame .
.
.
Oh, no, I'll never betray his name.
Then gaily he drank himself to death, But, oh, on the rarest of mellow wine; An exquisite way to end one's breath - Lachrimae Christi, I'd choose for mine, To sip and souse in the sweet sunshine.
They say that poets are half divine; I question if that is always true; At least, our Poet was partly swine, Drunk each day, with a drab or two, Till Presto! he vanished from our view.
Maybe he was weary of woe and sin, Or sick, and crawled like a dog to die; Where the olives end and the pines begin, He sought the peace of the sun and sky .
.
.
He would see no one, and I wonder why? And so I must climb up, up some day And try to picture my Poet there; He sprawled on his rose-bowered porch, they say, To smoke and fuddle and dream and stare At the sapphire sea through the amber air.
He gave up the ghost with none to see; In his bed, no doubt, though I'd fain surmise It was yonder under the ilex tree, Watching the sun in splendour rise, With the glory of God-light in his eyes.
Well, he was a Lord of Radiant Rhyme; His gift was godlike, one can't deny, But he quit in the glory of his prime As if he despised us - I wonder why? As if he found, where yon mountains soar, Far from men-folk and heaven-high, Peace and Beauty forever more .
.
.
Peace and Beauty - Ah! so would I.



Book: Reflection on the Important Things