Written by
Nikki Giovanni |
For Saundra
i wanted to write
a poem
that rhymes
but revolution doesn't lend
itself to be-bopping
then my neighbor
who thinks i hate
asked – do you ever write
tree poems – i like trees
so i thought
i'll write a beautiful green tree poem
peeked from my window
to check the image
noticed that the school yard was covered
with asphalt
no green – no trees grow
in manhattan
then, well, i thought the sky
i'll do a big blue sky poem
but all the clouds have winged
low since no-Dick was elected
so i thought again
and it occurred to me
maybe i shouldn't write
at all
but clean my gun
and check my kerosene supply
perhaps these are not poetic
times
at all
|
Written by
Elizabeth Bishop |
On the fair green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
On the hills a million people,
A million sparrows, nest,
Like a confused migration
That's had to light and rest,
Building its nests, or houses,
Out of nothing at all, or air.
You'd think a breath would end them,
They perch so lightly there.
But they cling and spread like lichen,
And people come and come.
There's one hill called the Chicken,
And one called Catacomb;
There's the hill of Kerosene,
And the hill of Skeleton,
The hill of Astonishment,
And the hill of Babylon.
Micuçú was a burglar and killer,
An enemy of society.
He had escaped three times
From the worst penitentiary.
They don't know how many he murdered
(Though they say he never raped),
And he wounded two policemen
This last time he escaped.
They said, "He'll go to his auntie,
Who raised him like a son.
She has a little drink shop
On the hill of Babylon.
"
He did go straight to his auntie,
And he drank a final beer.
He told her, "The soldiers are coming,
And I've got to disappear.
"
"Ninety years they gave me.
Who wants to live that long?
I'll settle for ninety hours,
On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you,
But I'm a doomed man.
"
Going out, he met a mulata
Carrying water on her head.
"If you say you saw me, daughter,
You're as good as dead.
"
There are caves up there, and hideouts,
And an old fort, falling down.
They used to watch for Frenchmen
From the hill of Babylon.
Below him was the ocean.
It reached far up the sky,
Flat as a wall, and on it
Were freighters passing by,
Or climbing the wall, and climbing
Till each looked like a fly,
And then fell over and vanished;
And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry;
Fluttering kites strained upward;
And he knew he was going to die.
A buzzard flapped so near him
He could see its naked neck.
He waved his arms and shouted,
"Not yet, my son, not yet!"
An Army helicopter
Came nosing around and in.
He could see two men inside it,
but they never spotted him.
The soldiers were all over,
On all sides of the hill,
And right against the skyline
A row of them, small and still.
Children peeked out of windows,
And men in the drink shop swore,
And spat a little cachaça
At the light cracks in the floor.
But the soldiers were nervous, even
with tommy guns in hand,
And one of them, in a panic,
Shot the officer in command.
He hit him in three places;
The other shots went wild.
The soldier had hysterics
And sobbed like a little child.
The dying man said, "Finish
The job we came here for.
"
he committed his soul to God
And his sons to the Governor.
They ran and got a priest,
And he died in hope of Heaven
--A man from Pernambuco,
The youngest of eleven.
They wanted to stop the search,
but the Army said, "No, go on,"
So the soldiers swarmed again
Up the hill of Babylon.
Rich people in apartments
Watched through binoculars
As long as the daylight lasted.
And all night, under the stars,
Micuçú hid in the grasses
Or sat in a little tree,
Listening for sounds, and staring
At the lighthouse out at sea.
And the lighthouse stared back at him,
til finally it was dawn.
He was soaked with dew, and hungry,
On the hill of Babylon.
The yellow sun was ugly,
Like a raw egg on a plate--
Slick from the sea.
He cursed it,
For he knew it sealed his fate.
He saw the long white beaches
And people going to swim,
With towels and beach umbrellas,
But the soldiers were after him.
Far, far below, the people
Were little colored spots,
And the heads of those in swimming
Were floating coconuts.
He heard the peanut vendor
Go peep-peep on his whistle,
And the man that sells umbrellas
Swinging his watchman's rattle.
Women with market baskets
Stood on the corners and talked,
Then went on their way to market,
Gazing up as they walked.
The rich with their binoculars
Were back again, and many
Were standing on the rooftops,
Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb,
Looking right at him.
He fired,
And missed for the last time.
He could hear the soldier panting,
Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying
Far, far away in his head,
And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver,
And just the clothes he had on,
With two contos in the pockets,
On the hill of Babylon.
The police and the populace
Heaved a sigh of relief,
But behind the counter his auntie
Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby
Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob?
"I raised him to be honest,
Even here, in Babylon slum.
"
The customers had another,
Looking serious and glum.
But one of them said to another,
When he got outside the door,
"He wasn't much of a burglar,
He got caught six times--or more.
"
This morning the little soldiers
are on Babylon hill again;
Their gun barrels and helmets
Shine in a gentle rain.
Micuçú is buried already.
They're after another two,
But they say they aren't as dangerous
As the poor Micuçú.
On the green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
There's the hill of Kerosene,
And the hill of the Skeleton,
The hill of Astonishment,
And the hill of Babylon.
|
Written by
Mark Doty |
Glassmakers,
at century's end,
compounded metallic lusters
in reference
to natural sheens (dragonfly
and beetle wings,
marbled light on kerosene)
and invented names
as coolly lustrous
as their products'
scarab-gleam: Quetzal,
Aurene, Favrile.
Suggesting,
respectively, the glaze
of feathers,
that sun-shot fog
of which halos
are composed,
and -- what?
What to make of Favrile,
Tiffany's term
for his coppery-rose
flushed with gold
like the alchemized
atmosphere of sunbeams
in a Flemish room?
Faux Moorish,
fake Japanese,
his lamps illumine
chiefly themselves,
copying waterlilies'
bronzy stems,
wisteria or trout scales;
surfaces burnished
like a tidal stream
on which an excitation
of minnows boils
and blooms, artifice
made to show us
the lavish wardrobe
of things, the world's
glaze of appearances
worked into the thin
and gleaming stuff
of craft.
A story:
at the puppet opera
--where one man animated
the entire cast
while another ghosted
the voices, basso
to coloratura -- Jimmy wept
at the world of tiny gestures,
forgot, he said,
these were puppets,
forgot these wire
and plaster fabrications
were actors at all,
since their pretense
allowed the passions
released to be--
well, operatic.
It's too much,
to be expected to believe;
art's a mercuried sheen
in which we may discern,
because it is surface,
clear or vague
suggestions of our depths,
Don't we need a word
for the luster
of things which insist
on the fact they're made,
which announce
their maker's bravura?
Favrile, I'd propose,
for the perfect lamp,
too dim and strange
to help us read.
For the kimono woven,
dipped in dyes, unraveled
and loomed again
that the pattern might take on
a subtler shading
For the sonnet's
blown-glass sateen,
for bel canto,
for Faberge
For everything
which begins in limit
(where else might our work
begin?) and ends in grace,
or at least extravagance.
For the silk sleeves
of the puppet queen,
held at a ravishing angle
over her puppet lover slain,
for her lush vowels
mouthed by the plain man
hunched behind the stage.
|
Written by
Weldon Kees |
Under the bunker, where the reek of kerosene
Prepared the marriage rite, leader and whore,
Imperfect kindling even in this wind, burn on.
Someone in uniform hums Brahms.
Servants prepare
Eyewitness stories as the night comes down, as smoking coals await
Boots on the stone, the occupying troops.
Howl ministers.
Deep in Kyffhauser Mountain's underground,
The Holy Roman Emperor snores on, in sleep enduring
Seven centuries.
His long red beard
Grows through the table to the floor.
He moves a little.
Far in the labyrinth, low thunder rumbles and dies out.
Twitch and lie still.
Is Hitler now in the Himalayas?
We are in Cleveland, or Sioux Falls.
The architecture
Seems like Omaha, the air pumped in from Düsseldorf.
Cold rain keeps dripping just outside the bars.
The testicles
Burst on the table as the commissar
Untwists the vise, removes his gloves, puts down
Izvestia.
(Old saboteurs, controlled by Trotsky's
Scheming and unconquered ghost, still threaten Novgorod.
)
--And not far from the pits, these bones of ours,
Burned, bleached, and splintering, are shoveled, ready for the fields.
|
Written by
Les Murray |
All the air conditioners now slacken
their hummed carrier wave.
Once again
we've served our three months with remissions
in the steam and dry iron of this seaboard.
In jellied glare, through the nettle-rash season
we've watched the sky's fermenting laundry
portend downpours.
Some came, and steamed away,
and we were clutched back into the rancid
saline midnights of orifice weather,
to damp grittiness and wiping off the air.
Metaphors slump irritably together in
the muggy weeks.
Shark and jellyfish shallows
become suburbs where you breathe a fat towel;
babies burst like tomatoes with discomfort
in the cotton-wrapped pointing street markets;
the Lycra-bulging surf drips from non-swimmers
miles from shore, and somehow includes soil.
Skins, touching, soak each other.
Skin touching
any surface wets that and itself
in a kind of mutual digestion.
Throbbing heads grow lianas of nonsense.
It's our annual visit to the latitudes
of rice, kerosene and resignation,
an averted, temporary visit
unrelated, for most, to the attitudes
of festive northbound jets gaining height -
closer, for some few, to the memory
of ulcers scraped with a tin spoon
or sweated faces bowing before dry
where the flesh is worn inside out,
all the hunger-organs clutched in rank nylon,
by those for whom exhaustion is spirit:
an intrusive, heart-narrowing season
at this far southern foot of the monsoon.
As the kleenex flower, the hibiscus
drops its browning wads, we forget
annually, as one forgets a sickness.
The stifling days will never come again,
not now that we've seen the first sweater
tugged down on the beauties of division
and inside the rain's millions, a risen
loaf of cat on a cool night verandah.
|
Written by
Andrew Barton Paterson |
The stranger came from Narromine and made his little joke--
"They say we folks in Narromine are narrow-minded folk.
But all the smartest men down here are puzzled to define
A kind of new phenomenon that came to Narromine.
"Last summer up in Narromine 'twas gettin' rather warm--
Two hundred in the water bag, and lookin' like a storm--
We all were in the private bar, the coolest place in town,
When out across the stretch of plain a cloud came rollin' down,
"We don't respect the clouds up there, they fill us with disgust,
They mostly bring a Bogan shower -- three raindrops and some dust;
But each man, simultaneous-like, to each man said, 'I think
That cloud suggests it's up to us to have another drink!'
"There's clouds of rain and clouds of dust -- we've heard of them before,
And sometimes in the daily press we read of 'clouds of war':
But -- if this ain't the Gospel truth I hope that I may burst--
That cloud that came to Narromine was just a cloud of thirst.
"It wasn't like a common cloud, 'twas more a sort of haze;
It settled down about the streets, and stopped for days and days,
And now a drop of dew could fall and not a sunbeam shine
To pierce that dismal sort of mist that hung on Narromine.
"Oh, Lord! we had a dreadful time beneath that cloud of thirst!
We all chucked up our daily work and went upon the burst.
The very blacks about the town that used to cadge for grub,
They made an organised attack and tried to loot the pub.
"We couldn't leave the private bar no matter how we tried;
Shearers and squatters, union men and blacklegs side by side
Were drinkin' there and dursn't move, for each was sure, he said,
Before he'd get a half a mile the thirst would strike him dead!
"We drank until the drink gave out, we searched from room to room,
And round the pub, like drunken ghosts, went howling through the gloom.
The shearers found some kerosene and settled down again,
But all the squatter chaps and I, we staggered to the train.
"And, once outside the cloud of thirst, we felt as right as pie,
But while we stopped about the town we had to drink or die.
But now I hear it's safe enough, I'm going back to work
Because they say the cloud of thirst has shifted on to Bourke.
"But when you see these clouds about -- like this one over here--
All white and frothy at the top, just like a pint of beer,
It's time to go and have a drink, for if that cloud should burst
You'd find the drink would all be gone, for that's a cloud of thirst!"
We stood the man from Narromine a pint of half-and-half;
He drank it off without a gasp in one tremendous quaff;
"I joined some friends last night," he said, "in what they called a spree;
But after Narromine 'twas just a holiday to me.
"
And now beyond the Western Range, where sunset skies are red,
And clouds of dust, and clouds of thirst, go drifting overhead,
The railway train is taking back, along the Western Line,
That narrow-minded person on his road to Narromine.
|
Written by
Carl Sandburg |
I SAW Man, the man-hunter,
Hunting with a torch in one hand
And a kerosene can in the other,
Hunting with guns, ropes, shackles.
I listened
And the high cry rang,
The high cry of Man, the man-hunter:
We’ll get you yet, you sbxyzch!
I listened later.
The high cry rang:
Kill him! kill him! the sbxyzch!
In the morning the sun saw
Two butts of something, a smoking rump,
And a warning in charred wood:
Well, we got him,
the sbxyzch.
|