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Best Famous Ken Poems

Here is a collection of the all-time best famous Ken poems. This is a select list of the best famous Ken poetry. Reading, writing, and enjoying famous Ken poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ken poems.

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Written by Elizabeth Barrett Browning | Create an image from this poem

The Deserted Garden

I MIND me in the days departed, 
How often underneath the sun 
With childish bounds I used to run 
To a garden long deserted.
The beds and walks were vanish'd quite; 5 And wheresoe'er had struck the spade, The greenest grasses Nature laid, To sanctify her right.
I call'd the place my wilderness, For no one enter'd there but I.
10 The sheep look'd in, the grass to espy, And pass'd it ne'ertheless.
The trees were interwoven wild, And spread their boughs enough about To keep both sheep and shepherd out, 15 But not a happy child.
Adventurous joy it was for me! I crept beneath the boughs, and found A circle smooth of mossy ground Beneath a poplar-tree.
20 Old garden rose-trees hedged it in, Bedropt with roses waxen-white, Well satisfied with dew and light, And careless to be seen.
Long years ago, it might befall, 25 When all the garden flowers were trim, The grave old gardener prided him On these the most of all.
Some Lady, stately overmuch, Here moving with a silken noise, 30 Has blush'd beside them at the voice That liken'd her to such.
Or these, to make a diadem, She often may have pluck'd and twined; Half-smiling as it came to mind, 35 That few would look at them.
O, little thought that Lady proud, A child would watch her fair white rose, When buried lay her whiter brows, And silk was changed for shroud!¡ª 40 Nor thought that gardener (full of scorns For men unlearn'd and simple phrase) A child would bring it all its praise, By creeping through the thorns! To me upon my low moss seat, 45 Though never a dream the roses sent Of science or love's compliment, I ween they smelt as sweet.
It did not move my grief to see The trace of human step departed: 50 Because the garden was deserted, The blither place for me! Friends, blame me not! a narrow ken Hath childhood 'twixt the sun and sward: We draw the moral afterward¡ª 55 We feel the gladness then.
And gladdest hours for me did glide In silence at the rose-tree wall: A thrush made gladness musical Upon the other side.
60 Nor he nor I did e'er incline To peck or pluck the blossoms white:¡ª How should I know but that they might Lead lives as glad as mine? To make my hermit-home complete, 65 I brought clear water from the spring Praised in its own low murmuring, And cresses glossy wet.
And so, I thought, my likeness grew (Without the melancholy tale) 70 To 'gentle hermit of the dale,' And Angelina too.
For oft I read within my nook Such minstrel stories; till the breeze Made sounds poetic in the trees, 75 And then I shut the book.
If I shut this wherein I write, I hear no more the wind athwart Those trees, nor feel that childish heart Delighting in delight.
80 My childhood from my life is parted, My footstep from the moss which drew Its fairy circle round: anew The garden is deserted.
Another thrush may there rehearse 85 The madrigals which sweetest are; No more for me!¡ªmyself afar Do sing a sadder verse.
Ah me! ah me! when erst I lay In that child's-nest so greenly wrought, 90 I laugh'd unto myself and thought, 'The time will pass away.
' And still I laugh'd, and did not fear But that, whene'er was pass'd away The childish time, some happier play 95 My womanhood would cheer.
I knew the time would pass away; And yet, beside the rose-tree wall, Dear God, how seldom, if at all, Did I look up to pray! 100 The time is past: and now that grows The cypress high among the trees, And I behold white sepulchres As well as the white rose,¡ª When wiser, meeker thoughts are given, 105 And I have learnt to lift my face, Reminded how earth's greenest place The colour draws from heaven,¡ª It something saith for earthly pain, But more for heavenly promise free, 110 That I who was, would shrink to be That happy child again.


Written by Barry Tebb | Create an image from this poem

POEM TO BE PLACED IN A BOTTLE AND CAST OUT TO SEA

 for Ken Kesey and his merry pranksters in a bus called ‘Further.
.
.
’ Dear _______ and here’s where the problem begins For who shall I address this letter to? Friends are few and very special, muses in the main I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route ‘Bridge Over the Aire’ after that vision and that voice “I am here.
I am waiting”.
I followed every lead Margaret Gardiner last heard of in the Falmouth’s Of Leeds 9, early fifties.
Barry Tebb your friend from then Would love to hear from you.
” The sole reply A mis-directed estimate for papering a bungalow In Penge.
I nearly came unhinged as weeks Ran into months of silence.
Was it.
I wondered.
A voice from the beyond? The vision was given Complete with backcloth of resplendent stars The bridge’s grey transmuted to a sheen of pearl The chipped steps became transparent stairs to heaven Our worn clothes, like Cinders’ at the ball, cloaks and gowns Of infinite splendour but only for the night, remember! I passed the muse’s diadem to Sheila Pritchard, My genius-child-poet of whom Redgrove said “Of course, you are in love” and wrote for her ‘My Perfect Rose!’ Last year a poet saw it In the British Council Reading Room in distant Kazakstan And sent his poems to me on paper diaphanous As angels’ wings and delicate as ash And tinted with a splash of lemon And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven Expelled from grammar school wearing a poncho Hand-made from an army blanket Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever, By then installed as muse number three Grew sadly jealous for the only time In thirty-seven years: muse number two Passed into the blue There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and Talk sometimes and in a crisis she is there for me, Muse number four, though absent for a month in Indonesia.
Remains.
I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic Of his gift for eloquent prose and poetry sublime His elegy on David Gascoyne’s death quite takes my breath And the title of his novel ‘Lipstick Boys’ I'll envy always, There are some few I talk and write to And occasionally meet.
David Lambert, poet and teacher Of creative writing, doing it ‘my way’ in the nineties, UEA found his services superfluous to their needs.
? ? you may **** like hell, But I abhor your jealous narcissistic smell And as for your much vaunted pc prose I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters are even longer than my own and Maggie Allen Sent me the only Valentine I’ve had in sixty years These two do know my longings and my fears, Dear Simon Jenner, Eratica’s erratic editor, your speech So like the staccato of a bren, yet loaded With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’ Of the sixties, acknowledged my own youthful spasm of enthusiasm But Simon you must share the honour with Jimmy Keery, Of whom I will admit I’m somewhat leery, His critical acuity so absolute and steely.
I ask you all to stay with me Through time into infinity Not even death can undo The love I have for you.
Written by Samuel Taylor Coleridge | Create an image from this poem

Work Without Hope

All Nature seems at work.
Slugs leave their lair -- The bees are stirring -- birds are on the wing -- And Winter slumbering in the open air, Wears on his smiling face a dream of Spring! And I the while, the sole unbusy thing, Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where amaranths blow, Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may, For me ye bloom not! Glide, rich streams, away! With lips unbrightened, wreathless brow, I stroll: And would you learn the spells that drowse my soul? Work without Hope draws nectar in a sieve, And Hope without an object cannot live.
Written by A E Housman | Create an image from this poem

In My Own Shire If I Was Sad

 In my own shire, if I was sad, 
Homely comforters I had: 
The earth, because my heart was sore, 
Sorrowed for the son she bore; 
And standing hills, long to remain, 
Shared their short-lived comrade's pain.
And bound for the same bourn as I, On every road I wandered by, Trod beside me, close and dear, The beautiful and death-struck year: Whether in the woodland brown I heard the beechnut rustle down, And saw the purple crocus pale Flower about the autumn dale; Or littering far the fields of May Lady-smocks a-bleaching lay, And like a skylit water stood The bluebells in the azured wood.
Yonder, lightening other loads, The seasons range the country roads, But here in London streets I ken No such helpmates, only men; And these are not in plight to bear, If they would, another's care.
They have enough as 'tis: I see In many an eye that measures me The mortal sickness of a mind Too unhappy to be kind.
Undone with misery, all they can Is to hate their fellow man; And till they drop they needs must still Look at you and wish you ill.
Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar, Was keepit for His Honor’s pleasure: His hair, his size, his mouth, his lugs, Shew’d he was nane o’ Scotland’s dogs; But whalpit some place far abroad, Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar Shew’d him the gentleman an’ scholar; But though he was o’ high degree, The fient a pride, nae pride had he; But wad hae spent an hour caressin, Ev’n wi’ al tinkler-gipsy’s messin: At kirk or market, mill or smiddie, Nae tawted tyke, tho’ e’er sae duddie, But he wad stan’t, as glad to see him, An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie— A rhyming, ranting, raving billie, Wha for his friend an’ comrade had him, And in freak had Luath ca’d him, After some dog in Highland Sang, 2 Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke, As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face Aye gat him friends in ilka place; His breast was white, his touzie back Weel clad wi’ coat o’ glossy black; His gawsie tail, wi’ upward curl, Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither, And unco pack an’ thick thegither; Wi’ social nose whiles snuff’d an’ snowkit; Whiles mice an’ moudieworts they howkit; Whiles scour’d awa’ in lang excursion, An’ worry’d ither in diversion; Until wi’ daffin’ weary grown Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
” CÆSAR I’ve aften wonder’d, honest Luath, What sort o’ life poor dogs like you have; An’ when the gentry’s life I saw, What way poor bodies liv’d ava.
Our laird gets in his racked rents, His coals, his kane, an’ a’ his stents: He rises when he likes himsel’; His flunkies answer at the bell; He ca’s his coach; he ca’s his horse; He draws a bonie silken purse, As lang’s my tail, where, thro’ the steeks, The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling At baking, roasting, frying, boiling; An’ tho’ the gentry first are stechin, Yet ev’n the ha’ folk fill their pechan Wi’ sauce, ragouts, an’ sic like trashtrie, That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner, Poor, worthless elf, it eats a dinner, Better than ony tenant-man His Honour has in a’ the lan’: An’ what poor cot-folk pit their painch in, I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh: A cottar howkin in a sheugh, Wi’ dirty stanes biggin a dyke, Baring a quarry, an’ sic like; Himsel’, a wife, he thus sustains, A smytrie o’ wee duddie weans, An’ nought but his han’-daurk, to keep Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters, Like loss o’ health or want o’ masters, Ye maist wad think, a wee touch langer, An’ they maun starve o’ cauld an’ hunger: But how it comes, I never kent yet, They’re maistly wonderfu’ contented; An’ buirdly chiels, an’ clever hizzies, Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit, How huff’d, an’ cuff’d, an’ disrespeckit! Lord man, our gentry care as little For delvers, ditchers, an’ sic cattle; They gang as saucy by poor folk, As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,— An’ mony a time my heart’s been wae,— Poor tenant bodies, scant o’cash, How they maun thole a factor’s snash; He’ll stamp an’ threaten, curse an’ swear He’ll apprehend them, poind their gear; While they maun stan’, wi’ aspect humble, An’ hear it a’, an’ fear an’ tremble! I see how folk live that hae riches; But surely poor-folk maun be wretches! LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink, They’re sae accustom’d wi’ the sight, The view o’t gives them little fright.
Then chance and fortune are sae guided, They’re aye in less or mair provided: An’ tho’ fatigued wi’ close employment, A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives, Their grushie weans an’ faithfu’ wives; The prattling things are just their pride, That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy Can mak the bodies unco happy: They lay aside their private cares, To mind the Kirk and State affairs; They’ll talk o’ patronage an’ priests, Wi’ kindling fury i’ their breasts, Or tell what new taxation’s comin, An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns, They get the jovial, rantin kirns, When rural life, of ev’ry station, Unite in common recreation; Love blinks, Wit slaps, an’ social Mirth Forgets there’s Care upo’ the earth.
That merry day the year begins, They bar the door on frosty win’s; The nappy reeks wi’ mantling ream, An’ sheds a heart-inspiring steam; The luntin pipe, an’ sneeshin mill, Are handed round wi’ right guid will; The cantie auld folks crackin crouse, The young anes rantin thro’ the house— My heart has been sae fain to see them, That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said, Sic game is now owre aften play’d; There’s mony a creditable stock O’ decent, honest, fawsont folk, Are riven out baith root an’ branch, Some rascal’s pridefu’ greed to quench, Wha thinks to knit himsel the faster In favour wi’ some gentle master, Wha, aiblins, thrang a parliamentin, For Britain’s guid his saul indentin— CÆSAR Haith, lad, ye little ken about it: For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him: An’ saying ay or no’s they bid him: At operas an’ plays parading, Mortgaging, gambling, masquerading: Or maybe, in a frolic daft, To Hague or Calais takes a waft, To mak a tour an’ tak a whirl, To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles, He rives his father’s auld entails; Or by Madrid he takes the rout, To thrum guitars an’ fecht wi’ nowt; Or down Italian vista startles, Wh-re-hunting amang groves o’ myrtles: Then bowses drumlie German-water, To mak himsel look fair an’ fatter, An’ clear the consequential sorrows, Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction! Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate They waste sae mony a braw estate! Are we sae foughten an’ harass’d For gear to gang that gate at last? O would they stay aback frae courts, An’ please themsels wi’ country sports, It wad for ev’ry ane be better, The laird, the tenant, an’ the cotter! For thae frank, rantin, ramblin billies, Feint haet o’ them’s ill-hearted fellows; Except for breakin o’ their timmer, Or speakin lightly o’ their limmer, Or shootin of a hare or moor-cock, The ne’er-a-bit they’re ill to poor folk, But will ye tell me, Master C&æsar, Sure great folk’s life’s a life o’ pleasure? Nae cauld nor hunger e’er can steer them, The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am, The gentles, ye wad ne’er envy them! It’s true, they need na starve or sweat, Thro’ winter’s cauld, or simmer’s heat: They’ve nae sair wark to craze their banes, An’ fill auld age wi’ grips an’ granes: But human bodies are sic fools, For a’ their colleges an’ schools, That when nae real ills perplex them, They mak enow themsel’s to vex them; An’ aye the less they hae to sturt them, In like proportion, less will hurt them.
A country fellow at the pleugh, His acre’s till’d, he’s right eneugh; A country girl at her wheel, Her dizzen’s dune, she’s unco weel; But gentlemen, an’ ladies warst, Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy; Tho’ deil-haet ails them, yet uneasy; Their days insipid, dull, an’ tasteless; Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races, Their galloping through public places, There’s sic parade, sic pomp, an’ art, The joy can scarcely reach the heart.
The men cast out in party-matches, Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring, Niest day their life is past enduring.
The ladies arm-in-arm in clusters, As great an’ gracious a’ as sisters; But hear their absent thoughts o’ ither, They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie, They sip the scandal-potion pretty; Or lee-lang nights, wi’ crabbit leuks Pore owre the devil’s pictur’d beuks; Stake on a chance a farmer’s stackyard, An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman; But this is gentry’s life in common.
By this, the sun was out of sight, An’ darker gloamin brought the night; The bum-clock humm’d wi’ lazy drone; The kye stood rowtin i’ the loan; When up they gat an’ shook their lugs, Rejoic’d they werena men but dogs; An’ each took aff his several way, Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
[back] Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
[back]


Written by Ralph Waldo Emerson | Create an image from this poem

Threnody

 The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.
I see my empty house, I see my trees repair their boughs, And he, —the wondrous child, Whose silver warble wild Outvalued every pulsing sound Within the air's cerulean round, The hyacinthine boy, for whom Morn well might break, and April bloom, The gracious boy, who did adorn The world whereinto he was born, And by his countenance repay The favor of the loving Day, Has disappeared from the Day's eye; Far and wide she cannot find him, My hopes pursue, they cannot bind him.
Returned this day the south-wind searches And finds young pines and budding birches, But finds not the budding man; Nature who lost him, cannot remake him; Fate let him fall, Fate can't retake him; Nature, Fate, men, him seek in vain.
And whither now, my truant wise and sweet, Oh, whither tend thy feet? I had the right, few days ago, Thy steps to watch, thy place to know; How have I forfeited the right? Hast thou forgot me in a new delight? I hearken for thy household cheer, O eloquent child! Whose voice, an equal messenger, Conveyed thy meaning mild.
What though the pains and joys Whereof it spoke were toys Fitting his age and ken;— Yet fairest dames and bearded men, Who heard the sweet request So gentle, wise, and grave, Bended with joy to his behest, And let the world's affairs go by, Awhile to share his cordial game, Or mend his wicker wagon frame, Still plotting how their hungry ear That winsome voice again might hear, For his lips could well pronounce Words that were persuasions.
Gentlest guardians marked serene His early hope, his liberal mien, Took counsel from his guiding eyes To make this wisdom earthly wise.
Ah! vainly do these eyes recall The school-march, each day's festival, When every morn my bosom glowed To watch the convoy on the road;— The babe in willow wagon closed, With rolling eyes and face composed, With children forward and behind, Like Cupids studiously inclined, And he, the Chieftain, paced beside, The centre of the troop allied, With sunny face of sweet repose, To guard the babe from fancied foes, The little Captain innocent Took the eye with him as he went, Each village senior paused to scan And speak the lovely caravan.
From the window I look out To mark thy beautiful parade Stately marching in cap and coat To some tune by fairies played; A music heard by thee alone To works as noble led thee on.
Now love and pride, alas, in vain, Up and down their glances strain.
The painted sled stands where it stood, The kennel by the corded wood, The gathered sticks to stanch the wall Of the snow-tower, when snow should fall, The ominous hole he dug in the sand, And childhood's castles built or planned.
His daily haunts I well discern, The poultry yard, the shed, the barn, And every inch of garden ground Paced by the blessed feet around, From the road-side to the brook; Whereinto he loved to look.
Step the meek birds where erst they ranged, The wintry garden lies unchanged, The brook into the stream runs on, But the deep-eyed Boy is gone.
On that shaded day, Dark with more clouds than tempests are, When thou didst yield thy innocent breath In bird-like heavings unto death, Night came, and Nature had not thee,— I said, we are mates in misery.
The morrow dawned with needless glow, Each snow-bird chirped, each fowl must crow, Each tramper started,— but the feet Of the most beautiful and sweet Of human youth had left the hill And garden,—they were bound and still, There's not a sparrow or a wren, There's not a blade of autumn grain, Which the four seasons do not tend, And tides of life and increase lend, And every chick of every bird, And weed and rock-moss is preferred.
O ostriches' forgetfulness! O loss of larger in the less! Was there no star that could be sent, No watcher in the firmament, No angel from the countless host, That loiters round the crystal coast, Could stoop to heal that only child, Nature's sweet marvel undefiled, And keep the blossom of the earth, Which all her harvests were not worth? Not mine, I never called thee mine, But nature's heir,— if I repine, And, seeing rashly torn and moved, Not what I made, but what I loved.
Grow early old with grief that then Must to the wastes of nature go,— 'Tis because a general hope Was quenched, and all must doubt and grope For flattering planets seemed to say, This child should ills of ages stay,— By wondrous tongue and guided pen Bring the flown muses back to men.
— Perchance, not he, but nature ailed, The world, and not the infant failed, It was not ripe yet, to sustain A genius of so fine a strain, Who gazed upon the sun and moon As if he came unto his own, And pregnant with his grander thought, Brought the old order into doubt.
Awhile his beauty their beauty tried, They could not feed him, and he died, And wandered backward as in scorn To wait an Æon to be born.
Ill day which made this beauty waste; Plight broken, this high face defaced! Some went and came about the dead, And some in books of solace read, Some to their friends the tidings say, Some went to write, some went to pray, One tarried here, there hurried one, But their heart abode with none.
Covetous death bereaved us all To aggrandize one funeral.
The eager Fate which carried thee Took the largest part of me.
For this losing is true dying, This is lordly man's down-lying, This is slow but sure reclining, Star by star his world resigning.
O child of Paradise! Boy who made dear his father's home In whose deep eyes Men read the welfare of the times to come; I am too much bereft; The world dishonored thou hast left; O truths and natures costly lie; O trusted, broken prophecy! O richest fortune sourly crossed; Born for the future, to the future lost! The deep Heart answered, Weepest thou? Worthier cause for passion wild, If I had not taken the child.
And deemest thou as those who pore With aged eyes short way before? Think'st Beauty vanished from the coast Of matter, and thy darling lost? Taught he not thee, — the man of eld, Whose eyes within his eyes beheld Heaven's numerous hierarchy span The mystic gulf from God to man? To be alone wilt thou begin, When worlds of lovers hem thee in? To-morrow, when the masks shall fall That dizen nature's carnival, The pure shall see, by their own will, Which overflowing love shall fill,— 'Tis not within the force of Fate The fate-conjoined to separate.
But thou, my votary, weepest thou? I gave thee sight, where is it now? I taught thy heart beyond the reach Of ritual, Bible, or of speech; Wrote in thy mind's transparent table As far as the incommunicable; Taught thee each private sign to raise Lit by the supersolar blaze.
Past utterance and past belief, And past the blasphemy of grief, The mysteries of nature's heart,— And though no muse can these impart, Throb thine with nature's throbbing breast, And all is clear from east to west.
I came to thee as to a friend, Dearest, to thee I did not send Tutors, but a joyful eye, Innocence that matched the sky, Lovely locks a form of wonder, Laughter rich as woodland thunder; That thou might'st entertain apart The richest flowering of all art; And, as the great all-loving Day Through smallest chambers takes its way, That thou might'st break thy daily bread With Prophet, Saviour, and head; That thou might'st cherish for thine own The riches of sweet Mary's Son, Boy-Rabbi, Israel's Paragon: And thoughtest thou such guest Would in thy hall take up his rest? Would rushing life forget its laws, Fate's glowing revolution pause? High omens ask diviner guess, Not to be conned to tediousness.
And know, my higher gifts unbind The zone that girds the incarnate mind, When the scanty shores are full With Thought's perilous whirling pool, When frail Nature can no more,— Then the spirit strikes the hour, My servant Death with solving rite Pours finite into infinite.
Wilt thou freeze love's tidal flow, Whose streams through nature circling go? Nail the star struggling to its track On the half-climbed Zodiack? Light is light which radiates, Blood is blood which circulates, Life is life which generates, And many-seeming life is one,— Wilt thou transfix and make it none, Its onward stream too starkly pent In figure, bone, and lineament? Wilt thou uncalled interrogate Talker! the unreplying fate? Nor see the Genius of the whole Ascendant in the private soul, Beckon it when to go and come, Self-announced its hour of doom.
Fair the soul's recess and shrine, Magic-built, to last a season, Masterpiece of love benign! Fairer than expansive reason Whose omen 'tis, and sign.
Wilt thou not ope this heart to know What rainbows teach and sunsets show, Verdict which accumulates From lengthened scroll of human fates, Voice of earth to earth returned, Prayers of heart that inly burned; Saying, what is excellent, As God lives, is permanent Hearts are dust, hearts' loves remain, Heart's love will meet thee again.
Revere the Maker; fetch thine eye Up to His style, and manners of the sky.
Not of adamant and gold Built He heaven stark and cold, No, but a nest of bending reeds, Flowering grass and scented weeds, Or like a traveller's fleeting tent, Or bow above the tempest pent, Built of tears and sacred flames, And virtue reaching to its aims; Built of furtherance and pursuing, Not of spent deeds, but of doing.
Silent rushes the swift Lord Through ruined systems still restored, Broad-sowing, bleak and void to bless, Plants with worlds the wilderness, Waters with tears of ancient sorrow Apples of Eden ripe to-morrow; House and tenant go to ground, Lost in God, in Godhead found.
Written by Denise Duhamel | Create an image from this poem

Kinky

 They decide to exchange heads.
Barbie squeezes the small opening under her chin over Ken's bulging neck socket.
His wide jaw line jostles atop his girlfriend's body, loosely, like one of those novelty dogs destined to gaze from the back windows of cars.
The two dolls chase each other around the orange Country Camper unsure what they'll do when they're within touching distance.
Ken wants to feel Barbie's toes between his lips, take off one of her legs and force his whole arm inside her.
With only the vaguest suggestion of genitals, all the alluring qualities they possess as fashion dolls, up until now, have done neither of them much good.
But suddenly Barbie is excited looking at her own body under the weight of Ken's face.
He is part circus freak, part thwarted hermaphrodite.
And she is imagining she is somebody else-- maybe somebody middle class and ordinary, maybe another teenage model being caught in a scandal.
The night had begun with Barbie getting angry at finding Ken's blow up doll, folded and stuffed under the couch.
He was defensive and ashamed, especially about not having the breath to inflate her.
But after a round of pretend-tears, Barbie and Ken vowed to try to make their relationship work.
With their good memories as sustaining as good food, they listened to late-night radio talk shows, one featuring Doctor Ruth.
When all else fails, just hold each other, the small sex therapist crooned.
Barbie and Ken, on cue, groped in the dark, their interchangeable skin glowing, the color of Band-Aids.
Then, they let themselves go-- Soon Barbie was begging Ken to try on her spandex miniskirt.
She showed him how to pivot as though he was on a runway.
Ken begged to tie Barbie onto his yellow surfboard and spin her on the kitcen table until she grew dizzy.
Anything, anything, they both said to the other's requests, their mirrored desires bubbling from the most unlikely places.
Written by Robert Burns | Create an image from this poem

11. Song—Here's to thy health my bonie lass

 HERE’S to thy health, my bonie lass,
 Gude nicht and joy be wi’ thee;
I’ll come nae mair to thy bower-door,
 To tell thee that I lo’e thee.
O dinna think, my pretty pink, But I can live without thee: I vow and swear I dinna care, How lang ye look about ye.
Thou’rt aye sae free informing me, Thou hast nae mind to marry; I’ll be as free informing thee, Nae time hae I to tarry: I ken thy frien’s try ilka means Frae wedlock to delay thee; Depending on some higher chance, But fortune may betray thee.
I ken they scorn my low estate, But that does never grieve me; For I’m as free as any he; Sma’ siller will relieve me.
I’ll count my health my greatest wealth, Sae lang as I’ll enjoy it; I’ll fear nae scant, I’ll bode nae want, As lang’s I get employment.
But far off fowls hae feathers fair, And, aye until ye try them, Tho’ they seem fair, still have a care; They may prove waur than I am.
But at twal’ at night, when the moon shines bright, My dear, I’ll come and see thee; For the man that loves his mistress weel, Nae travel makes him weary.
Written by Robert William Service | Create an image from this poem

The Haggis Of Private McPhee

 "Hae ye heard whit ma auld mither's postit tae me?
It fair maks me hamesick," says Private McPhee.
"And whit did she send ye?" says Private McPhun, As he cockit his rifle and bleezed at a Hun.
"A haggis! A Haggis!" says Private McPhee; "The brawest big haggis I ever did see.
And think! it's the morn when fond memory turns Tae haggis and whuskey--the Birthday o' Burns.
We maun find a dram; then we'll ca' in the rest O' the lads, and we'll hae a Burns' Nicht wi' the best.
" "Be ready at sundoon," snapped Sergeant McCole; "I want you two men for the List'nin' Patrol.
" Then Private McPhee looked at Private McPhun: "I'm thinkin', ma lad, we're confoundedly done.
" Then Private McPhun looked at Private McPhee: "I'm thinkin' auld chap, it's a' aff wi' oor spree.
" But up spoke their crony, wee Wullie McNair: "Jist lea' yer braw haggis for me tae prepare; And as for the dram, if I search the camp roun', We maun hae a drappie tae jist haud it doon.
Sae rin, lads, and think, though the nicht it be black, O' the haggis that's waitin' ye when ye get back.
" My! but it wis waesome on Naebuddy's Land, And the deid they were rottin' on every hand.
And the rockets like corpse candles hauntit the sky, And the winds o' destruction went shudderin' by.
There wis skelpin' o' bullets and skirlin' o' shells, And breengin' o' bombs and a thoosand death-knells; But cooryin' doon in a Jack Johnson hole Little fashed the twa men o' the List'nin' Patrol.
For sweeter than honey and bricht as a gem Wis the thocht o' the haggis that waitit for them.
Yet alas! in oor moments o' sunniest cheer Calamity's aften maist cruelly near.
And while the twa talked o' their puddin' divine The Boches below them were howkin' a mine.
And while the twa cracked o' the feast they would hae, The fuse it wis burnin' and burnin' away.
Then sudden a roar like the thunner o' doom, A hell-leap o' flame .
.
.
then the wheesht o' the tomb.
"Haw, Jock! Are ye hurtit?" says Private McPhun.
"Ay, Geordie, they've got me; I'm fearin' I'm done.
It's ma leg; I'm jist thinkin' it's aff at the knee; Ye'd best gang and leave me," says Private McPhee.
"Oh leave ye I wunna," says Private McPhun; "And leave ye I canna, for though I micht run, It's no faur I wud gang, it's no muckle I'd see: I'm blindit, and that's whit's the maitter wi' me.
" Then Private McPhee sadly shakit his heid: "If we bide here for lang, we'll be bidin' for deid.
And yet, Geordie lad, I could gang weel content If I'd tasted that haggis ma auld mither sent.
" "That's droll," says McPhun; "ye've jist speakit ma mind.
Oh I ken it's a terrible thing tae be blind; And yet it's no that that embitters ma lot-- It's missin' that braw muckle haggis ye've got.
" For a while they were silent; then up once again Spoke Private McPhee, though he whussilt wi' pain: "And why should we miss it? Between you and me We've legs for tae run, and we've eyes for tae see.
You lend me your shanks and I'll lend you ma sicht, And we'll baith hae a kyte-fu' o' haggis the nicht.
" Oh the sky it wis dourlike and dreepin' a wee, When Private McPhun gruppit Private McPhee.
Oh the glaur it wis fylin' and crieshin' the grun', When Private McPhee guidit Private McPhun.
"Keep clear o' them corpses--they're maybe no deid! Haud on! There's a big muckle crater aheid.
Look oot! There's a sap; we'll be haein' a coup.
A staur-shell! For Godsake! Doun, lad, on yer daup.
Bear aff tae yer richt.
.
.
.
Aw yer jist daein' fine: Before the nicht's feenished on haggis we'll dine.
" There wis death and destruction on every hand; There wis havoc and horror on Naebuddy's Land.
And the shells bickered doun wi' a crump and a glare, And the hameless wee bullets were dingin' the air.
Yet on they went staggerin', cooryin' doun When the stutter and cluck o' a Maxim crept roun'.
And the legs o' McPhun they were sturdy and stoot, And McPhee on his back kept a bonnie look-oot.
"On, on, ma brave lad! We're no faur frae the goal; I can hear the braw sweerin' o' Sergeant McCole.
" But strength has its leemit, and Private McPhun, Wi' a sab and a curse fell his length on the grun'.
Then Private McPhee shoutit doon in his ear: "Jist think o' the haggis! I smell it from here.
It's gushin' wi' juice, it's embaumin' the air; It's steamin' for us, and we're--jist--aboot--there.
" Then Private McPhun answers: "Dommit, auld chap! For the sake o' that haggis I'll gang till I drap.
" And he gets on his feet wi' a heave and a strain, And onward he staggers in passion and pain.
And the flare and the glare and the fury increase, Till you'd think they'd jist taken a' hell on a lease.
And on they go reelin' in peetifu' plight, And someone is shoutin' away on their right; And someone is runnin', and noo they can hear A sound like a prayer and a sound like a cheer; And swift through the crash and the flash and the din, The lads o' the Hielands are bringin' them in.
"They're baith sairly woundit, but is it no droll Hoo they rave aboot haggis?" says Sergeant McCole.
When hirplin alang comes wee Wullie McNair, And they a' wonnert why he wis greetin' sae sair.
And he says: "I'd jist liftit it oot o' the pot, And there it lay steamin' and savoury hot, When sudden I dooked at the fleech o' a shell, And it--dropped on the haggis and dinged it tae hell.
" And oh but the lads were fair taken aback; Then sudden the order wis passed tae attack, And up from the trenches like lions they leapt, And on through the nicht like a torrent they swept.
On, on, wi' their bayonets thirstin' before! On, on tae the foe wi' a rush and a roar! And wild to the welkin their battle-cry rang, And doon on the Boches like tigers they sprang: And there wisna a man but had death in his ee, For he thocht o' the haggis o' Private McPhee.
Written by Robert William Service | Create an image from this poem

The Ballad Of How Macpherson Held The Floor

 Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes.
" "Alas! it's true," said Tam MacCall.
"The young folk of to-day Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew, To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak: His name is Jock MacPherson, and he lives on Boulder Creek; An old-time hard-rock miner, and a wild and wastrel loon, Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night We'll proudly hear the pipes to cheer and charm our appetite.
Oh lads were neat and lassies sweet who graced Saint Andrew's Ball; But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit, He smiled a smile behind his hand, and chuckled: "Wait a bit.
" And so with many a Celtic snort, with malice in his eye, He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar, Wherein there sat a tartaned chiel, as lonely as a star; A huge and hairy Highlandman as hearty as a breeze, A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall; "The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore, For the glory of the Highlands, lad, you've got to hold the floor.
" The dancers were at supper, and the tables groaned with cheer, When President MacConnachie exclaimed: "What do I hear? Methinks it's like a chanter, and its coming from the hall.
" "It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North.
" Aye, all the lads and lassies braw went buzzing out like bees, And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye, With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all: "And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee, And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt, By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes: "Does the Piper walk to get away from all the noise he makes?" Then reinforced with fancy food they slowly trickled forth, And watching in patronizing mood the Piper of the North.
Proud, proud was Jock MacPherson, as he made his bag-pipes skirl, And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea, And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall; We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high, Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor; Aye, Jock MacPherson played as he had never played before.
Maloney's Irish melodists were sitting in their place, And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand If he could get MacPherson as a member of his band? But the dancers moped and mumbled, as around the room they sat: "We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff; But it's mighty satisfying - don't you think we've had enough?" "You've raised a pretty problem," answered Treasurer MacCall; "For on Saint Andrew's Night, ye ken, the Piper rules the Ball.
" Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out.
Have patience; bide a wee.
" "That's right.
Respect the Piper," said the Scottish Commy-tee.
And so MacPherson stalked the floor, and fast the moments flew, Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set, They hailed Maloney, heading his Hibernian Quartette: "It's long enough, we've waited.
Come on, Mike, play up the Blues.
" And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone Contended with the shrilling of the chanter and the drone; And the women's ears were muffled, so infernal was the din, But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown, But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar, The gates of wrath were riven - yet MacPherson held the floor.
Aye, amid the rising tumult, still he strode with head on high, With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride, While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see, Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed: "Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray MacPherson towered in triumph - and he never ceased to play.
Alas! his faithful followers were but a gallant few, And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall, And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about, It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore, As resolute as Highland rock - MacPherson held the floor.
Maloney watched the battle, and his brows were bleakly set, While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart, For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt: "And shall we see them crush," he roared, "a brother and a Celt? A fellow artiste needs our aid.
Come on, boys, take a hand.
" Then down into the mêlée dashed Maloney and his band.
Now though it was Saint Andrew's Ball, yet men of every race, That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!" Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray, To the Shamrock and the Thistle went the glory of the day.
You should have seen the carnage in the drooling light of dawn, Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high, And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask, Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?" MacPherson grinned and answered: "Hoots! She's only ha'f begun.
" Aye, though his hands were bloody, and his knees were gay with gore, A Grampian of Highland pride - MacPherson held the floor.
And still in Yukon valleys where the silent peaks look down, They tell of how the Piper was invited up to town, And he went in kilted glory, and he piped before them all, But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on, With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray, And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er- How the Sassenach was vanquished and - MacPherson held the floor.

Book: Shattered Sighs