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Best Famous Juices Poems

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Written by Ralph Waldo Emerson | Create an image from this poem

Blight

Give me truths;
For I am weary of the surfaces,
And die of inanition.
If I knew Only the herbs and simples of the wood, Rue, cinquefoil, gill, vervain and agrimony, Blue-vetch and trillium, hawkweed, sassafras, Milkweeds and murky brakes, quaint pipes and sun-dew, And rare and virtuous roots, which in these woods Draw untold juices from the common earth, Untold, unknown, and I could surely spell Their fragrance, and their chemistry apply By sweet affinities to human flesh, Driving the foe and stablishing the friend,-- O, that were much, and I could be a part Of the round day, related to the sun And planted world, and full executor Of their imperfect functions.
But these young scholars, who invade our hills, Bold as the engineer who fells the wood, And traveling often in the cut he makes, Love not the flower they pluck, and know it not, And all their botany is Latin names.
The old men studied magic in the flowers, And human fortunes in astronomy, And an omnipotence in chemistry, Preferring things to names, for these were men, Were unitarians of the united world, And, wheresoever their clear eye-beams fell, They caught the footsteps of the SAME.
Our eyes And strangers to the mystic beast and bird, And strangers to the plant and to the mine.
The injured elements say, 'Not in us;' And haughtily return us stare for stare.
For we invade them impiously for gain; We devastate them unreligiously, And coldly ask their pottage, not their love.
Therefore they shove us from them, yield to us Only what to our griping toil is due; But the sweet affluence of love and song, The rich results of the divine consents Of man and earth, of world beloved and lover, The nectar and ambrosia, are withheld; And in the midst of spoils and slaves, we thieves And pirates of the universe, shut out Daily to a more thin and outward rind, Turn pale and starve.
Therefore, to our sick eyes, The stunted trees look sick, the summer short, Clouds shade the sun, which will not tan our hay, And nothing thrives to reach its natural term; And life, shorn of its venerable length, Even at its greatest space is a defeat, And dies in anger that it was a dupe; And, in its highest noon and wantonness, Is early frugal, like a beggar's child; Even in the hot pursuit of the best aims And prizes of ambition, checks its hand, Like Alpine cataracts frozen as they leaped, Chilled with a miserly comparison Of the toy's purchase with the length of life.


Written by Rita Dove | Create an image from this poem

The Bistro Styx

 She was thinner, with a mannered gauntness
as she paused just inside the double
glass doors to survey the room, silvery cape
billowing dramatically behind her.
What's this, I thought, lifting a hand until she nodded and started across the parquet; that's when I saw she was dressed all in gray, from a kittenish cashmere skirt and cowl down to the graphite signature of her shoes.
"Sorry I'm late," she panted, though she wasn't, sliding into the chair, her cape tossed off in a shudder of brushed steel.
We kissed.
Then I leaned back to peruse my blighted child, this wary aristocratic mole.
"How's business?" I asked, and hazarded a motherly smile to keep from crying out: Are you content to conduct your life as a cliché and, what's worse, an anachronism, the brooding artist's demimonde? Near the rue Princesse they had opened a gallery cum souvenir shop which featured fuzzy off-color Monets next to his acrylics, no doubt, plus beared African drums and the occasional miniature gargoyle from Notre Dame the Great Artist had carved at breakfast with a pocket knife.
"Tourists love us.
The Parisians, of course"-- she blushed--"are amused, though not without a certain admiration .
.
.
" The Chateaubriand arrived on a bone-white plate, smug and absolute in its fragrant crust, a black plug steaming like the heart plucked from the chest of a worthy enemy; one touch with her fork sent pink juices streaming.
"Admiration for what?"Wine, a bloody Pinot Noir, brought color to her cheeks.
"Why, the aplomb with which we've managed to support our Art"--meaning he'd convinced her to pose nude for his appalling canvases, faintly futuristic landscapes strewn with carwrecks and bodies being chewed by rabid cocker spaniels.
"I'd like to come by the studio," I ventured, "and see the new stuff.
" "Yes, if you wish .
.
.
"A delicate rebuff before the warning: "He dresses all in black now.
Me, he drapes in blues and carmine-- and even though I think it's kinda cute, in company I tend toward more muted shades.
" She paused and had the grace to drop her eyes.
She did look ravishing, spookily insubstantial, a lipstick ghost on tissue, or as if one stood on a fifth-floor terrace peering through a fringe of rain at Paris' dreaming chimney pots, each sooty issue wobbling skyward in an ecstatic oracular spiral.
"And he never thinks of food.
I wish I didn't have to plead with him to eat.
.
.
.
"Fruit and cheese appeared, arrayed on leaf-green dishes.
I stuck with café crème.
"This Camembert's so ripe," she joked, "it's practically grown hair," mucking a golden glob complete with parsley sprig onto a heel of bread.
Nothing seemed to fill her up: She swallowed, sliced into a pear, speared each tear-shaped lavaliere and popped the dripping mess into her pretty mouth.
Nowhere the bright tufted fields, weighted vines and sun poured down out of the south.
"But are you happy?"Fearing, I whispered it quickly.
"What?You know, Mother"-- she bit into the starry rose of a fig-- "one really should try the fruit here.
" I've lost her, I thought, and called for the bill.
Written by Pablo Neruda | Create an image from this poem

Ode To a Lemon

 Out of lemon flowers
loosed
on the moonlight, love's
lashed and insatiable
essences,
sodden with fragrance,
the lemon tree's yellow
emerges,
the lemons
move down
from the tree's planetarium

Delicate merchandise!
The harbors are big with it-
bazaars
for the light and the
barbarous gold.
We open the halves of a miracle, and a clotting of acids brims into the starry divisions: creation's original juices, irreducible, changeless, alive: so the freshness lives on in a lemon, in the sweet-smelling house of the rind, the proportions, arcane and acerb.
Cutting the lemon the knife leaves a little cathedral: alcoves unguessed by the eye that open acidulous glass to the light; topazes riding the droplets, altars, aromatic facades.
So, while the hand holds the cut of the lemon, half a world on a trencher, the gold of the universe wells to your touch: a cup yellow with miracles, a breast and a nipple perfuming the earth; a flashing made fruitage, the diminutive fire of a planet.
Written by Amy Levy | Create an image from this poem

A Minor Poet

 "What should such fellows as I do,
Crawling between earth and heaven?"


Here is the phial; here I turn the key
Sharp in the lock.
Click!--there's no doubt it turned.
This is the third time; there is luck in threes-- Queen Luck, that rules the world, befriend me now And freely I'll forgive you many wrongs! Just as the draught began to work, first time, Tom Leigh, my friend (as friends go in the world), Burst in, and drew the phial from my hand, (Ah, Tom! ah, Tom! that was a sorry turn!) And lectured me a lecture, all compact Of neatest, newest phrases, freshly culled From works of newest culture: "common good ;" "The world's great harmonies;""must be content With knowing God works all things for the best, And Nature never stumbles.
" Then again, "The common good," and still, "the common, good;" And what a small thing was our joy or grief When weigh'd with that of thousands.
Gentle Tom, But you might wag your philosophic tongue From morn till eve, and still the thing's the same: I am myself, as each man is himself-- Feels his own pain, joys his own joy, and loves With his own love, no other's.
Friend, the world Is but one man; one man is but the world.
And I am I, and you are Tom, that bleeds When needles prick your flesh (mark, yours, not mine).
I must confess it; I can feel the pulse A-beating at my heart, yet never knew The throb of cosmic pulses.
I lament The death of youth's ideal in my heart; And, to be honest, never yet rejoiced In the world's progress--scarce, indeed, discerned; (For still it seems that God's a Sisyphus With the world for stone).
You shake your head.
I'm base, Ignoble? Who is noble--you or I? I was not once thus? Ah, my friend, we are As the Fates make us.
This time is the third; The second time the flask fell from my hand, Its drowsy juices spilt upon the board; And there my face fell flat, and all the life Crept from my limbs, and hand and foot were bound With mighty chains, subtle, intangible; While still the mind held to its wonted use, Or rather grew intense and keen with dread, An awful dread--I thought I was in Hell.
In Hell, in Hell ! Was ever Hell conceived By mortal brain, by brain Divine devised, Darker, more fraught with torment, than the world For such as I? A creature maimed and marr'd From very birth.
A blot, a blur, a note All out of tune in this world's instrument.
A base thing, yet not knowing to fulfil Base functions.
A high thing, yet all unmeet For work that's high.
A dweller on the earth, Yet not content to dig with other men Because of certain sudden sights and sounds (Bars of broke music; furtive, fleeting glimpse Of angel faces 'thwart the grating seen) Perceived in Heaven.
Yet when I approach To catch the sound's completeness, to absorb The faces' full perfection, Heaven's gate, Which then had stood ajar, sudden falls to, And I, a-shiver in the dark and cold, Scarce hear afar the mocking tones of men: "He would not dig, forsooth ; but he must strive For higher fruits than what our tillage yields; Behold what comes, my brothers, of vain pride!" Why play with figures? trifle prettily With this my grief which very simply's said, "There is no place for me in all the world"? The world's a rock, and I will beat no more A breast of flesh and blood against a rock.
.
.
A stride across the planks for old time's sake.
Ah, bare, small room that I have sorrowed in; Ay, and on sunny days, haply, rejoiced; We know some things together, you and I! Hold there, you rangèd row of books ! In vain You beckon from your shelf.
You've stood my friends Where all things else were foes; yet now I'll turn My back upon you, even as the world Turns it on me.
And yet--farewell, farewell! You, lofty Shakespere, with the tattered leaves And fathomless great heart, your binding's bruised Yet did I love you less? Goethe, farewell; Farewell, triumphant smile and tragic eyes, And pitiless world-wisdom! For all men These two.
And 'tis farewell with you, my friends, More dear because more near: Theokritus; Heine that stings and smiles; Prometheus' bard; (I've grown too coarse for Shelley latterly:) And one wild singer of to-day, whose song Is all aflame with passionate bard's blood Lash'd into foam by pain and the world's wrong.
At least, he has a voice to cry his pain; For him, no silent writhing in the dark, No muttering of mute lips, no straining out Of a weak throat a-choke with pent-up sound, A-throb with pent-up passion.
.
.
Ah, my sun! That's you, then, at the window, looking in To beam farewell on one who's loved you long And very truly.
Up, you creaking thing, You squinting, cobwebbed casement! So, at last, I can drink in the sunlight.
How it falls.
Across that endless sea of London roofs, Weaving such golden wonders on the grey, That almost, for the moment, we forget The world of woe beneath them.
Underneath, For all the sunset glory, Pain is king.
Yet, the sun's there, and very sweet withal; And I'll not grumble that it's only sun, But open wide my lips--thus--drink it in; Turn up my face to the sweet evening sky (What royal wealth of scarlet on the blue So tender toned, you'd almost think it green) And stretch my hands out--so--to grasp it tight.
Ha, ha! 'tis sweet awhile to cheat the Fates, And be as happy as another man.
The sun works in my veins like wine, like wine! 'Tis a fair world: if dark, indeed, with woe, Yet having hope and hint of such a joy, That a man, winning, well might turn aside, Careless of Heaven .
.
.
O enough; I turn From the sun's light, or haply I shall hope.
I have hoped enough; I would not hope again: 'Tis hope that is most cruel.
Tom, my friend, You very sorry philosophic fool; 'Tis you, I think, that bid me be resign'd, Trust, and be thankful.
Out on you! Resign'd? I'm not resign'd, not patient, not school'd in To take my starveling's portion and pretend I'm grateful for it.
I want all, all, all; I've appetite for all.
I want the best: Love, beauty, sunlight, nameless joy of life.
There's too much patience in the world, I think.
We have grown base with crooking of the knee.
Mankind--say--God has bidden to a feast; The board is spread, and groans with cates and drinks; In troop the guests; each man with appetite Keen-whetted with expectance.
In they troop, Struggle for seats, jostle and push and seize.
What's this? what's this? There are not seats for all! Some men must stand without the gates; and some Must linger by the table, ill-supplied With broken meats.
One man gets meat for two, The while another hungers.
If I stand Without the portals, seeing others eat Where I had thought to satiate the pangs Of mine own hunger; shall I then come forth When all is done, and drink my Lord's good health In my Lord's water? Shall I not rather turn And curse him, curse him for a niggard host? O, I have hungered, hungered, through the years, Till appetite grows craving, then disease; I am starved, wither'd, shrivelled.
Peace, O peace! This rage is idle; what avails to curse The nameless forces, the vast silences That work in all things.
This time is the third, I wrought before in heat, stung mad with pain, Blind, scarcely understanding; now I know What thing I do.
There was a woman once; Deep eyes she had, white hands, a subtle smile, Soft speaking tones: she did not break my heart, Yet haply had her heart been otherwise Mine had not now been broken.
Yet, who knows? My life was jarring discord from the first: Tho' here and there brief hints of melody, Of melody unutterable, clove the air.
From this bleak world, into the heart of night, The dim, deep bosom of the universe, I cast myself.
I only crave for rest; Too heavy is the load.
I fling it down.
EPILOGUE.
We knocked and knocked; at last, burst in the door, And found him as you know--the outstretched arms Propping the hidden face.
The sun had set, And all the place was dim with lurking shade.
There was no written word to say farewell, Or make more clear the deed.
I search'd and search'd; The room held little: just a row of books Much scrawl'd and noted; sketches on the wall, Done rough in charcoal; the old instrument (A violin, no Stradivarius) He played so ill on; in the table drawer Large schemes of undone work.
Poems half-writ; Wild drafts of symphonies; big plans of fugues; Some scraps of writing in a woman's hand: No more--the scattered pages of a tale, A sorry tale that no man cared to read.
Alas, my friend, I lov'd him well, tho' he Held me a cold and stagnant-blooded fool, Because I am content to watch, and wait With a calm mind the issue of all things.
Certain it is my blood's no turbid stream; Yet, for all that, haply I understood More than he ever deem'd; nor held so light The poet in him.
Nay, I sometimes doubt If they have not, indeed, the better part-- These poets, who get drunk with sun, and weep Because the night or a woman's face is fair.
Meantime there is much talk about my friend.
The women say, of course, he died for love; The men, for lack of gold, or cavilling Of carping critics.
I, Tom Leigh, his friend I have no word at all to say of this.
Nay, I had deem'd him more philosopher; For did he think by this one paltry deed To cut the knot of circumstance, and snap The chain which binds all being?
Written by Henry Wadsworth Longfellow | Create an image from this poem

Children

 Come to me, O ye children!
For I hear you at your play,
And the questions that perplexed me
Have vanished quite away.
Ye open the eastern windows, That look towards the sun, Where thoughts are singing swallows And the brooks of morning run.
In your hearts are the birds and the sunshine, In your thoughts the brooklet's flow, But in mine is the wind of Autumn And the first fall of the snow.
Ah! what would the world be to us If the children were no more? We should dread the desert behind us Worse than the dark before.
What the leaves are to the forest, With light and air for food, Ere their sweet and tender juices Have been hardened into wood, -- That to the world are children; Through them it feels the glow Of a brighter and sunnier climate Than reaches the trunks below.
Come to me, O ye children! And whisper in my ear What the birds and the winds are singing In your sunny atmosphere.
For what are all our contrivings, And the wisdom of our books, When compared with your caresses, And the gladness of your looks? Ye are better than all the ballads That ever were sung or said; For ye are living poems, And all the rest are dead.


Written by Mary Darby Robinson | Create an image from this poem

Ode to Health

 Come, bright-eyed maid, 
Pure offspring of the tranquil mind,
Haste, my fev'rish temples bind
With olive wreaths of em'rald hue
Steep'd in morn's ethereal dew, 
Where in mild HELVETIA's shade, 
Blushing summer round her flings
Warm gales and sunny show'rs that hang upon her wings.
I'll seek thee in ITALIA's bow'rs, Where supine on beds of flow'rs Melody's soul-touching throng Strike the soft lute or trill the melting song: Where blithe FANCY, queen of pleasure, Pours each rich luxuriant treasure.
For thee I'll climb the breezy hill, While the balmy dews distill Odours from the budding thorn, Drop'd from the lust'rous lids of morn; Who, starting from her shad'wy bed, Binds her gold fillet round the mountain's head.
There I'll press from herbs and flow'rs Juices bless'd with opiate pow'rs, Whose magic potency can heal The throb of agonizing pain, And thro' the purple swelling vein With subtle influence steal: Heav'n opes for thee its aromatic store To bathe each languid gasping pore; But where, O where, shall cherish'd sorrow find The lenient balm to soothe the feeling mind.
O, mem'ry! busy barb'rous foe, At thy fell touch I wake to woe: Alas! the flatt'ring dream is o'er, From thee the bright illusions fly, Thou bidst the glitt'ring phantoms die, And hope, and youth, and fancy, charm no more.
No more for me the tip-toe SPRING Drops flowrets from her infant wing; For me in vain the wild thymes bloom Thro' the forest flings perfume; In vain I climb th'embroider'd hill To breathe the clear autumnal air; In vain I quaff the lucid rill Since jocund HEALTH delights not there To greet my heart:­no more I view, With sparkling eye, the silv'ry dew Sprinkling May's tears upon the folded rose, As low it droops its young and blushing head, Press'd by grey twilight to its mossy bed: No more I lave amidst the tide, Or bound along the tufted grove, Or o'er enamel'd meadows rove, Where, on Zephyr's pinions, glide Salubrious airs that waft the nymph repose.
Lightly o'er the yellow heath Steals thy soft and fragrant breath, Breath inhal'd from musky flow'rs Newly bath'd in perfum'd show'rs.
See the rosy-finger'd morn Opes her bright refulgent eye, Hills and valleys to adorn, While from her burning glance the scatter'd vapours fly.
Soon, ah soon! the painted scene, The hill's blue top, the valley's green, Midst clouds of snow, and whirlwinds drear, Shall cold and comfortless appear: The howling blast shall strip the plain, And bid my pensive bosom learn, Tho' NATURE's face shall smile again, And, on the glowing breast of Spring Creation all her gems shall fling, YOUTH's April morn shall ne'er return.
Then come, Oh quickly come, Hygeian Maid! Each throbbing pulse, each quiv'ring nerve pervade.
Flash thy bright fires across my languid eye, Tint my pale visage with thy roseate die, Bid my heart's current own a temp'rate glow, And from its crimson source in tepid channels flow.
O HEALTH, celestial Nymph! without thy aid Creation sickens in oblivions shade: Along the drear and solitary gloom We steal on thorny footsteps to the tomb; Youth, age, wealth, poverty alike agree To live is anguish, when depriv'd of Thee.
To THEE indulgent Heav'n benignly gave The touch to heal, the extacy to save.
The balmy incense of thy fost'ring breath Wafts the wan victim from the fangs of Death, Robs the grim Tyrant of his trembling prize, Cheers the faint soul, and lifts it to the skies.
Let not the gentle rose thy bounty drest To meet the rising son with od'rous breast, Which glow'd with artless tints at noon-tide hour, And shed soft tears upon each drooping flower, With with'ring anguish mourn the parting Day, Shrink to the Earth, and sorrowing fade away.
Written by Dylan Thomas | Create an image from this poem

January 1939

 Because the pleasure-bird whistles after the hot wires,
Shall the blind horse sing sweeter?
Convenient bird and beast lie lodged to suffer
The supper and knives of a mood.
In the sniffed and poured snow on the tip of the tongue of the year That clouts the spittle like bubbles with broken rooms, An enamoured man alone by the twigs of his eyes, two fires, Camped in the drug-white shower of nerves and food, Savours the lick of the times through a deadly wood of hair In a wind that plucked a goose, Nor ever, as the wild tongue breaks its tombs, Rounds to look at the red, wagged root.
Because there stands, one story out of the bum city, That frozen wife whose juices drift like a fixed sea Secretly in statuary, Shall I, struck on the hot and rocking street, Not spin to stare at an old year Toppling and burning in the muddle of towers and galleries Like the mauled pictures of boys? The salt person and blasted place I furnish with the meat of a fable.
If the dead starve, their stomachs turn to tumble An upright man in the antipodes Or spray-based and rock-chested sea: Over the past table I repeat this present grace.
Written by Sylvia Plath | Create an image from this poem

Blackberrying

 Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving.
Blackberries Big as the ball of my thumb, and dumb as eyes Ebon in the hedges, fat With blue-red juices.
These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.
They accommodate themselves to my milkbottle, flattening their sides.
Overhead go the choughs in black, cacophonous flocks -- Bits of burnt paper wheeling in a blown sky.
Theirs is the only voice, protesting, protesting.
I do not think the sea will appear at all.
The high, green meadows are glowing, as if lit from within.
I come to one bush of berries so ripe it is a bush of flies, Hanging their bluegreen bellies and their wing panes in a Chinese screen.
The honey-feast of the berries has stunned them; they believe in heaven.
One more hook, and the berries and bushes end.
The only thing to come now is the sea.
From between two hills a sudden wind funnels at me, Slapping its phantom laundry in my face.
These hills are too green and sweet to have tasted salt.
I follow the sheep path between them.
A last hook brings me To the hills' northern face, and the face is orange rock That looks out on nothing, nothing but a great space Of white and pewter lights, and a din like silversmiths Beating and beating at an intractable metal.
Written by Edward Taylor | Create an image from this poem

Shut Up And Eat Your Toad

 The disorganization to which I currently belong
has skipped several meetings in a row
which is a pattern I find almost fatally attractive.
Down at headquarters there's a secretary and a janitor who I shall call Suzie and boy can she ever shoot straight.
She'll shoot you straight in the eye if you ask her to.
I mow the grass every other Saturday and that's the day she polishes the trivets whether they need it or not, I don't know if there is a name for this kind of behavior, hers or mine, but somebody once said something or another.
That's why I joined up in the first place, so somebody could teach me a few useful phrases, such as, "Good afternoon, my dear ****-retentive Doctor," and "My, that is a lovely dictionary you have on, Mrs.
Smith.
" Still, I hardly feel like functioning even on a brute or loutish level.
My plants think I'm one of them, and they don't look so good themselves, or so I tell them.
I like to give them at least several reasons to be annoyed with me, it's how they exercise their skinny spectrum of emotions.
Because.
That and cribbage.
Often when I return from the club late at night, weary-laden, weary-winged, washed out, I can actually hear the nematodes working, sucking the juices from the living cells of my narcissus.
I have mentioned this to Suzie on several occasions.
Each time she has backed away from me, panic-stricken when really I was just making a stab at conversation.
It is not my intention to alarm anyone, but dear Lord if I find a dead man in the road and his eyes are crawling with maggots, I refuse to say have a nice day Suzie just because she's desperate and her life is a runaway carriage rushing toward a cliff now can I? Would you let her get away with that kind of crap? Who are you anyway? And what kind of disorganization is this? Baron of the Holy Grail? Well it's about time you got here.
I was worried, I was starting to fret.
Written by Richard Brautigan | Create an image from this poem

Ive Never Had It Done So Gently Before

 The sweet juices of your mouth
are like castles bathed in honey.
I've never had it done so gently before.
You have put a circle of castles around my ***** and you swirl them like sunlight on the wings of birds.

Book: Shattered Sighs