Written by
Victor Hugo |
("Canaris! nous t'avons oublié.")
{VIII., October, 1832.}
O Canaris! O Canaris! the poet's song
Has blameful left untold thy deeds too long!
But when the tragic actor's part is done,
When clamor ceases, and the fights are won,
When heroes realize what Fate decreed,
When chieftains mark no more which thousands bleed;
When they have shone, as clouded or as bright,
As fitful meteor in the heaven at night,
And when the sycophant no more proclaims
To gaping crowds the glory of their names,—
'Tis then the mem'ries of warriors die,
And fall—alas!—into obscurity,
Until the poet, in whose verse alone
Exists a world—can make their actions known,
And in eternal epic measures, show
They are not yet forgotten here below.
And yet by us neglected! glory gloomed,
Thy name seems sealed apart, entombed,
Although our shouts to pigmies rise—no cries
To mark thy presence echo to the skies;
Farewell to Grecian heroes—silent is the lute,
And sets your sun without one Memnon bruit?
There was a time men gave no peace
To cheers for Athens, Bozzaris, Leonidas, and Greece!
And Canaris' more-worshipped name was found
On ev'ry lip, in ev'ry heart around.
But now is changed the scene! On hist'ry's page
Are writ o'er thine deeds of another age,
And thine are not remembered.—Greece, farewell!
The world no more thine heroes' deeds will tell.
Not that this matters to a man like thee!
To whom is left the dark blue open sea,
Thy gallant bark, that o'er the water flies,
And the bright planet guiding in clear skies;
All these remain, with accident and strife,
Hope, and the pleasures of a roving life,
Boon Nature's fairest prospects—land and main—
The noisy starting, glad return again;
The pride of freeman on a bounding deck
Which mocks at dangers and despises wreck,
And e'en if lightning-pinions cleave the sea,
'Tis all replete with joyousness to thee!
Yes, these remain! blue sky and ocean blue,
Thine eagles with one sweep beyond the view—
The sun in golden beauty ever pure,
The distance where rich warmth doth aye endure—
Thy language so mellifluously bland,
Mixed with sweet idioms from Italia's strand,
As Baya's streams to Samos' waters glide
And with them mingle in one placid tide.
Yes, these remain, and, Canaris! thy arms—
The sculptured sabre, faithful in alarms—
The broidered garb, the yataghan, the vest
Expressive of thy rank, to thee still rest!
And when thy vessel o'er the foaming sound
Is proud past storied coasts to blithely bound,
At once the point of beauty may restore
Smiles to thy lip, and smoothe thy brow once more.
G.W.M. REYNOLDS.
|
Written by
Friedrich von Schiller |
Name, my Laura, name the whirl-compelling
Bodies to unite in one blest whole--
Name, my Laura, name the wondrous magic
By which soul rejoins its kindred soul!
See! it teaches yonder roving planets
Round the sun to fly in endless race;
And as children play around their mother,
Checkered circles round the orb to trace.
Every rolling star, by thirst tormented,
Drinks with joy its bright and golden rain--
Drinks refreshment from its fiery chalice,
As the limbs are nourished by the brain.
'Tis through Love that atom pairs with atom,
In a harmony eternal, sure;
And 'tis Love that links the spheres together--
Through her only, systems can endure.
Were she but effaced from Nature's clockwork,
Into dust would fly the mighty world;
O'er thy systems thou wouldst weep, great Newton,
When with giant force to chaos hurled!
Blot the goddess from the spirit order,
It would sink in death, and ne'er arise.
Were love absent, spring would glad us never;
Were love absent, none their God would prize!
What is that, which, when my Laura kisses,
Dyes my cheek with flames of purple hue,
Bids my bosom bound with swifter motion,
Like a fever wild my veins runs through?
Every nerve from out its barriers rises,
O'er its banks, the blood begins to flow;
Body seeks to join itself to body,
Spirits kindle in one blissful glow.
Powerful as in the dead creations
That eternal impulses obey,
O'er the web Arachne-like of Nature,--
Living Nature,--Love exerts her sway.
Laura, see how joyousness embraces
E'en the overflow of sorrows wild!
How e'en rigid desperation kindles
On the loving breast of Hope so mild.
Sisterly and blissful rapture softens
Gloomy Melancholy's fearful night,
And, deliver'd of its golden children,
Lo, the eye pours forth its radiance bright!
Does not awful Sympathy rule over
E'en the realms that Evil calls its own?
For 'tis Hell our crimes are ever wooing,
While they bear a grudge 'gainst Heaven alone!
Shame, Repentance, pair Eumenides-like,
Weave round sin their fearful serpent-coils:
While around the eagle-wings of Greatness
Treach'rous danger winds its dreaded toils.
Ruin oft with Pride is wont to trifle,
Envy upon Fortune loves to cling;
On her brother, Death, with arms extended,
Lust, his sister, oft is wont to spring.
On the wings of Love the future hastens
In the arms of ages past to lie;
And Saturnus, as he onward speeds him,
Long hath sought his bride--Eternity!
Soon Saturnus will his bride discover,--
So the mighty oracle hath said;
Blazing worlds will turn to marriage torches
When Eternity with Time shall wed!
Then a fairer, far more beauteous morning,
Laura, on our love shall also shine,
Long as their blest bridal-night enduring:--
So rejoice thee, Laura--Laura mine!
|
Written by
Ellis Parker Butler |
To be a great musician you must be a man of moods,
You have to be, to understand sonatas and etudes.
To execute pianos and to fiddle with success,
With sympathy and feeling you must fairly effervesce;
It was so with Paganini, Remenzi and Cho-pang,
And so it was with Peterkin Von Gabriel O’Lang.
Monsieur O’Lang had sympathy to such a great degree.
No virtuoso ever lived was quite so great as he;
He was either very happy or very, very sad;
He was always feeling heavenly or oppositely bad;
In fact, so sympathetic that he either must enthuse
Or have the dumps; feel ecstacy or flounder in the blues.
So all agreed that Peterkin Von Gabriel O’Lang
Was the greatest violinist in the virtuoso gang.
The ladies bought his photographs and put them on the shelves
In the place of greatest honor, right beside those of themselves;
They gladly gave ten dollars for a stiff backed parquette chair.
And sat in mouth-wide happiness a-looking at his hair.
I say “a looking at his hair,” I mean just what I say,
For no one ever had a chance to hear P. O’Lang play;
So subtle was his sympathy, so highly strung was he,
His moods were barometric to the very last degree;
The slightest change of weather would react upon his brain,
And fill his soul with joyousness or murder it with pain.
And when his soul was troubled he had not the heart to play.
But let his head droop sadly down in such a soulful way,
That every one that saw him declared it was worth twice
(And some there were said three times) the large admission price;
And all were quite unanimous and said it would be crude
For such a man to fiddle when he wasn’t in the mood.
But when his soul was filled with joy he tossed his flowing hair
And waved his violin-bow in great circles in the air;
Ecstaticly he flourished it, for so his spirit thrilled,
Thus only could he show the joy with which his heart was filled;
And so he waved it up and down and ’round and out and in,—
But he never, never, NEVER touched it to his violin!
|
Written by
Johann Wolfgang von Goethe |
UPON the mead a violet stood,
Retiring, and of modest mood,
In truth, a violet fair.
Then came a youthful shepherdess,
And roam'd with sprightly joyousness,
And blithely woo'd
With carols sweet the air
"Ah!" thought the violet, "had I been
For but the smallest moment e'en
Nature's most beauteous flower,
'Till gather'd by my love, and press'd,
When weary, 'gainst her gentle breast,
For e'en, for e'en
One quarter of an hour!"
Alas! alas! the maid drew nigh,
The violet failed to meet her eye,
She crush'd the violet sweet.
It sank and died, yet murmur'd not:
"And if I die, oh, happy lot,
For her I die,
And at her very feet!"
1775.*
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Written by
Vachel Lindsay |
Ah, she was music in herself,
A symphony of joyousness.
She sang, she sang from finger tips,
From every tremble of her dress.
I saw sweet haunting harmony,
An ecstasy, an ecstasy,
In that strange curling of her lips,
That happy curling of her lips.
And quivering with melody
Those eyes I saw, that tossing head.
And so I saw what music was,
Tho' still accursed with ears of lead.
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Written by
Johann Wolfgang von Goethe |
LITTLE leaves and flow'rets too,
Scatter we with gentle hand,
Kind young spring-gods to the view,
Sporting on an airy band.
Zephyr, bear it on the wing,
Twine it round my loved one's dress;
To her glass then let her spring,
Full of eager joyousness.
Roses round her let her see,
She herself a youthful rose.
Grant, dear life, one look to me!
'Twill repay me all my woes,
What this bosom feels, feel thou.
Freely offer me thy hand;
Let the band that joins us now
Be no fragile rosy band!
1770.
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