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Best Famous Journals Poems

Here is a collection of the all-time best famous Journals poems. This is a select list of the best famous Journals poetry. Reading, writing, and enjoying famous Journals poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of journals poems.

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Written by Billy Collins | Create an image from this poem

Nostalgia

 Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of stone.
Out on the dance floor we were all doing the Struggle
while your sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent a badly broken code.

The 1790's will never come again. Childhood was big.
People would take walks to the very tops of hills
and write down what they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or even dead.

I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps,
or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.

Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.

As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess.


Written by Victor Hugo | Create an image from this poem

To Some Birds Flown Away

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 




Written by Walt Whitman | Create an image from this poem

Brother of All with Generous Hand

 1
BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee. 

What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire? 
—The life thou lived’st we know not, 
But that thou walk’dst thy years in barter, ’mid the haunts of brokers; 
Nor heroism thine, nor war, nor glory. 

Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future, 
Select, adorn the future. 

2
Lo, Soul, the graves of heroes! 
The pride of lands—the gratitudes of men, 
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) 
The excellent rulers of the races, great discoverers, sailors, 
Marble and brass select from them, with pictures, scenes, 
(The histories of the lands, the races, bodied there, 
In what they’ve built for, graced and graved,
Monuments to their heroes.) 

3
Silent, my Soul, 
With drooping lids, as waiting, ponder’d, 
Turning from all the samples, all the monuments of heroes. 

While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,) 
Lambent tableaux, prophetic, bodiless scenes, 
Spiritual projections. 

In one, among the city streets, a laborer’s home appear’d, 
After his day’s work done, cleanly, sweet-air’d, the gaslight burning,
The carpet swept, and a fire in the cheerful stove. 

In one, the sacred parturition scene, 
A happy, painless mother birth’d a perfect child. 

In one, at a bounteous morning meal, 
Sat peaceful parents, with contented sons.

In one, by twos and threes, young people, 
Hundreds concentering, walk’d the paths and streets and roads, 
Toward a tall-domed school. 

In one a trio, beautiful, 
Grandmother, loving daughter, loving daughter’s daughter, sat,
Chatting and sewing. 

In one, along a suite of noble rooms, 
’Mid plenteous books and journals, paintings on the walls, fine statuettes, 
Were groups of friendly journeymen, mechanics, young and old, 
Reading, conversing.

All, all the shows of laboring life, 
City and country, women’s, men’s and children’s, 
Their wants provided for, hued in the sun, and tinged for once with joy, 
Marriage, the street, the factory, farm, the house-room, lodging-room, 
Labor and toil, the bath, gymnasium, play-ground, library, college,
The student, boy or girl, led forward to be taught; 
The sick cared for, the shoeless shod—the orphan father’d and mother’d, 
The hungry fed, the houseless housed; 
(The intentions perfect and divine, 
The workings, details, haply human.)

4
O thou within this tomb, 
From thee, such scenes—thou stintless, lavish Giver, 
Tallying the gifts of Earth—large as the Earth, 
Thy name an Earth, with mountains, fields and rivers. 

Nor by your streams alone, you rivers,
By you, your banks, Connecticut, 
By you, and all your teeming life, Old Thames, 
By you, Potomac, laving the ground Washington trod—by you Patapsco, 
You, Hudson—you, endless Mississippi—not by you alone, 
But to the high seas launch, my thought, his memory.

5
Lo, Soul, by this tomb’s lambency, 
The darkness of the arrogant standards of the world, 
With all its flaunting aims, ambitions, pleasures. 

(Old, commonplace, and rusty saws, 
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones, 
Fused with each drop my heart’s blood jets, 
Swim in ineffable meaning.) 

Lo, Soul, the sphere requireth, portioneth, 
To each his share, his measure,
The moderate to the moderate, the ample to the ample. 

Lo, Soul, see’st thou not, plain as the sun, 
The only real wealth of wealth in generosity, 
The only life of life in goodness?
Written by Vachel Lindsay | Create an image from this poem

The Knight in Disguise

 [Concerning O. Henry (Sidney Porter)]

"He could not forget that he was a Sidney."


Is this Sir Philip Sidney, this loud clown, 
The darling of the glad and gaping town? 

This is that dubious hero of the press 
Whose slangy tongue and insolent address 
Were spiced to rouse on Sunday afternoon 
The man with yellow journals round him strewn. 
We laughed and dozed, then roused and read again, 
And vowed O. Henry funniest of men. 
He always worked a triple-hinged surprise 
To end the scene and make one rub his eyes. 

He comes with vaudeville, with stare and leer. 
He comes with megaphone and specious cheer. 

His troupe, too fat or short or long or lean, 
Step from the pages of the magazine 
With slapstick or sombrero or with cane: 
The rube, the cowboy or the masher vain. 
They over-act each part. But at the height 
Of banter and of canter and delight 
The masks fall off for one ***** instant there 
And show real faces: faces full of care 
And desperate longing: love that's hot or cold; 
And subtle thoughts, and countenances bold. 
The masks go back. 'Tis one more joke. Laugh on! 
The goodly grown-up company is gone. 

No doubt had he occasion to address 
The brilliant court of purple-clad Queen Bess, 
He would have wrought for them the best he knew 
And led more loftily his actor-crew. 
How coolly he misquoted. 'Twas his art — 
Slave-scholar, who misquoted — from the heart. 
So when we slapped his back with friendly roar 
Æsop awaited him without the door, — 
Æsop the Greek, who made dull masters laugh 
With little tales of fox and dog and calf . 

And be it said, mid these his pranks so odd 
With something nigh to chivalry he trod 
And oft the drear and driven would defend — 
The little shopgirls' knight unto the end. 
Yea, he had passed, ere we could understand 
The blade of Sidney glimmered in his hand. 
Yea, ere we knew, Sir Philip's sword was drawn 
With valiant cut and thrust, and he was gone.
Written by George Meredith | Create an image from this poem

Modern Love: XXXIV

 Madam would speak with me. So, now it comes:
The Deluge or else Fire! She's well, she thanks
My husbandship. Our chain on silence clanks.
Time leers between, above his twiddling thumbs.
Am I quite well? Most excellent in health!
The journals, too, I diligently peruse.
Vesuvius is expected to give news:
Niagara is no noisier. By stealth
Our eyes dart scrutinizing snakes. She's glad
I'm happy, says her quivering under-lip.
"And are not you?" "How can I be?" "Take ship!
For happiness is somewhere to be had."
"Nowhere for me!" Her voice is barely heard.
I am not melted, and make no pretence.
With commonplace I freeze her, tongue and sense.
Niagara or Vesuvius is deferred.


Written by George Meredith | Create an image from this poem

Modern Love XXXIV: Madam Would Speak With Me

 Madam would speak with me. So, now it comes:
The Deluge or else Fire! She's well, she thanks
My husbandship. Our chain on silence clanks.
Time leers between, above his twiddling thumbs.
Am I quite well? Most excellent in health!
The journals, too, I diligently peruse.
Vesuvius is expected to give news:
Niagara is no noisier. By stealth
Our eyes dart scrutinizing snakes. She's glad
I'm happy, says her quivering under-lip.
"And are not you?" "How can I be?" "Take ship!
For happiness is somewhere to be had."
"Nowhere for me!" Her voice is barely heard.
I am not melted, and make no pretence.
With commonplace I freeze her, tongue and sense.
Niagara or Vesuvius is deferred.
Written by John Berryman | Create an image from this poem

Dream Song 3: A Stimulant for an Old Beast

 Acacia, burnt myrrh, velvet, pricky stings.
—I'm not so young but not so very old,
said screwed-up lovely 23.
A final sense of being right out in the cold,
unkissed.
(—My psychiatrist can lick your psychiatrist.) Women get under 
 things.

All these old criminals sooner or later
have had it. I've been reading old journals.
Gottwald & Co., out of business now.
Thick chests quit. Double agent, Joe.
She holds her breath like a seal
and is whiter & smoother.

Rilke was a jerk.
I admit his griefs & music
& titled spelled all-disappointed ladies.
A threshold worse than the circles
where the vile settle & lurk,
Rilke's. As I said,—

Book: Radiant Verses: A Journey Through Inspiring Poetry