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Best Famous Jobless Poems

Here is a collection of the all-time best famous Jobless poems. This is a select list of the best famous Jobless poetry. Reading, writing, and enjoying famous Jobless poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of jobless poems.

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Written by Charles Bukowski | Create an image from this poem

We Aint Got No Money Honey But We Got Rain

 call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the depression era.
there wasn't any money but there was plenty of rain.
it wouldn't rain for just a night or a day, it would RAIN for 7 days and 7 nights and in Los Angeles the storm drains weren't built to carry off taht much water and the rain came down THICK and MEAN and STEADY and you HEARD it banging against the roofs and into the ground waterfalls of it came down from roofs and there was HAIL big ROCKS OF ICE bombing exploding smashing into things and the rain just wouldn't STOP and all the roofs leaked- dishpans, cooking pots were placed all about; they dripped loudly and had to be emptied again and again.
the rain came up over the street curbings, across the lawns, climbed up the steps and entered the houses.
there were mops and bathroom towels, and the rain often came up through the toilets:bubbling, brown, crazy,whirling, and all the old cars stood in the streets, cars that had problems starting on a sunny day, and the jobless men stood looking out the windows at the old machines dying like living things out there.
the jobless men, failures in a failing time were imprisoned in their houses with their wives and children and their pets.
the pets refused to go out and left their waste in strange places.
the jobless men went mad confined with their once beautiful wives.
there were terrible arguments as notices of foreclosure fell into the mailbox.
rain and hail, cans of beans, bread without butter;fried eggs, boiled eggs, poached eggs; peanut butter sandwiches, and an invisible chicken in every pot.
my father, never a good man at best, beat my mother when it rained as I threw myself between them, the legs, the knees, the screams until they seperated.
"I'll kill you," I screamed at him.
"You hit her again and I'll kill you!" "Get that son-of-a-bitching kid out of here!" "no, Henry, you stay with your mother!" all the households were under seige but I believe that ours held more terror than the average.
and at night as we attempted to sleep the rains still came down and it was in bed in the dark watching the moon against the scarred window so bravely holding out most of the rain, I thought of Noah and the Ark and I thought, it has come again.
we all thought that.
and then, at once, it would stop.
and it always seemed to stop around 5 or 6 a.
m.
, peaceful then, but not an exact silence because things continued to drip drip drip and there was no smog then and by 8 a.
m.
there was a blazing yellow sunlight, Van Gogh yellow- crazy, blinding! and then the roof drains relieved of the rush of water began to expand in the warmth: PANG!PANG!PANG! and everybody got up and looked outside and there were all the lawns still soaked greener than green will ever be and there were birds on the lawn CHIRPING like mad, they hadn't eaten decently for 7 days and 7 nights and they were weary of berries and they waited as the worms rose to the top, half drowned worms.
the birds plucked them up and gobbled them down;there were blackbirds and sparrows.
the blackbirds tried to drive the sparrows off but the sparrows, maddened with hunger, smaller and quicker, got their due.
the men stood on their porches smoking cigarettes, now knowing they'd have to go out there to look for that job that probably wasn't there, to start that car that probably wouldn't start.
and the once beautiful wives stood in their bathrooms combing their hair, applying makeup, trying to put their world back together again, trying to forget that awful sadness that gripped them, wondering what they could fix for breakfast.
and on the radio we were told that school was now open.
and soon there I was on the way to school, massive puddles in the street, the sun like a new world, my parents back in that house, I arrived at my classroom on time.
Mrs.
Sorenson greeted us with, "we won't have our usual recess, the grounds are too wet.
" "AW!" most of the boys went.
"but we are going to do something special at recess," she went on, "and it will be fun!" well, we all wondered what that would be and the two hour wait seemed a long time as Mrs.
Sorenson went about teaching her lessons.
I looked at the little girls, they looked so pretty and clean and alert, they sat still and straight and their hair was beautiful in the California sunshine.
the the recess bells rang and we all waited for the fun.
then Mrs.
Sorenson told us: "now, what we are going to do is we are going to tell each other what we did during the rainstorm! we'll begin in the front row and go right around! now, Michael, you're first!.
.
.
" well, we all began to tell our stories, Michael began and it went on and on, and soon we realized that we were all lying, not exactly lying but mostly lying and some of the boys began to snicker and some of the girls began to give them dirty looks and Mrs.
Sorenson said, "all right! I demand a modicum of silence here! I am interested in what you did during the rainstorm even if you aren't!" so we had to tell our stories and they were stories.
one girl said that when the rainbow first came she saw God's face at the end of it.
only she didn't say which end.
one boy said he stuck his fishing pole out the window and caught a little fish and fed it to his cat.
almost everybody told a lie.
the truth was just too awful and embarassing to tell.
then the bell rang and recess was over.
"thank you," said Mrs.
Sorenson, "that was very nice.
and tomorrow the grounds will be dry and we will put them to use again.
" most of the boys cheered and the little girls sat very straight and still, looking so pretty and clean and alert, their hair beautiful in a sunshine that the world might never see again.
and


Written by Langston Hughes | Create an image from this poem

Advertisement For The Waldorf-Astoria

 Fine living .
.
.
a la carte? Come to the Waldorf-Astoria! LISTEN HUNGRY ONES! Look! See what Vanity Fair says about the new Waldorf-Astoria: "All the luxuries of private home.
.
.
.
" Now, won't that be charming when the last flop-house has turned you down this winter? Furthermore: "It is far beyond anything hitherto attempted in the hotel world.
.
.
.
" It cost twenty-eight million dollars.
The fa- mous Oscar Tschirky is in charge of banqueting.
Alexandre Gastaud is chef.
It will be a distinguished background for society.
So when you've no place else to go, homeless and hungry ones, choose the Waldorf as a background for your rags-- (Or do you still consider the subway after midnight good enough?) ROOMERS Take a room at the new Waldorf, you down-and-outers-- sleepers in charity's flop-houses where God pulls a long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria.
Look at the menu, will you: GUMBO CREOLE CRABMEAT IN CASSOLETTE BOILED BRISKET OF BEEF SMALL ONIONS IN CREAM WATERCRESS SALAD PEACH MELBA Have luncheon there this afternoon, all you jobless.
Why not? Dine with some of the men and women who got rich off of your labor, who clip coupons with clean white fingers because your hands dug coal, drilled stone, sewed gar- ments, poured steel to let other people draw dividends and live easy.
(Or haven't you had enough yet of the soup-lines and the bit- ter bread of charity?) Walk through Peacock Alley tonight before dinner, and get warm, anyway.
You've got nothing else to do.
Written by Mahmoud Darwish | Create an image from this poem

Under Siege

 Here on the slopes of hills, facing the dusk and the cannon of time 
Close to the gardens of broken shadows, 
We do what prisoners do, 
And what the jobless do: 
We cultivate hope.
*** A country preparing for dawn.
We grow less intelligent For we closely watch the hour of victory: No night in our night lit up by the shelling Our enemies are watchful and light the light for us In the darkness of cellars.
*** Here there is no "I".
Here Adam remembers the dust of his clay.
*** On the verge of death, he says: I have no trace left to lose: Free I am so close to my liberty.
My future lies in my own hand.
Soon I shall penetrate my life, I shall be born free and parentless, And as my name I shall choose azure letters.
.
.
*** You who stand in the doorway, come in, Drink Arabic coffee with us And you will sense that you are men like us You who stand in the doorways of houses Come out of our morningtimes, We shall feel reassured to be Men like you! *** When the planes disappear, the white, white doves Fly off and wash the cheeks of heaven With unbound wings taking radiance back again, taking possession Of the ether and of play.
Higher, higher still, the white, white doves Fly off.
Ah, if only the sky Were real [a man passing between two bombs said to me].
*** Cypresses behind the soldiers, minarets protecting The sky from collapse.
Behind the hedge of steel Soldiers piss—under the watchful eye of a tank— And the autumnal day ends its golden wandering in A street as wide as a church after Sunday mass.
.
.
*** [To a killer] If you had contemplated the victim’s face And thought it through, you would have remembered your mother in the Gas chamber, you would have been freed from the reason for the rifle And you would have changed your mind: this is not the way to find one’s identity again.
*** The siege is a waiting period Waiting on the tilted ladder in the middle of the storm.
*** Alone, we are alone as far down as the sediment Were it not for the visits of the rainbows.
*** We have brothers behind this expanse.
Excellent brothers.
They love us.
They watch us and weep.
Then, in secret, they tell each other: "Ah! if this siege had been declared.
.
.
" They do not finish their sentence: "Don’t abandon us, don’t leave us.
" *** Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees.
.
.
Added to this the structural flaw that Will arrive at the poem, the play, and the unfinished canvas.
*** A woman told the cloud: cover my beloved For my clothing is drenched with his blood.
*** If you are not rain, my love Be tree Sated with fertility, be tree If you are not tree, my love Be stone Saturated with humidity, be stone If you are not stone, my love Be moon In the dream of the beloved woman, be moon [So spoke a woman to her son at his funeral] *** Oh watchmen! Are you not weary Of lying in wait for the light in our salt And of the incandescence of the rose in our wound Are you not weary, oh watchmen? *** A little of this absolute and blue infinity Would be enough To lighten the burden of these times And to cleanse the mire of this place.
*** It is up to the soul to come down from its mount And on its silken feet walk By my side, hand in hand, like two longtime Friends who share the ancient bread And the antique glass of wine May we walk this road together And then our days will take different directions: I, beyond nature, which in turn Will choose to squat on a high-up rock.
*** On my rubble the shadow grows green, And the wolf is dozing on the skin of my goat He dreams as I do, as the angel does That life is here.
.
.
not over there.
*** In the state of siege, time becomes space Transfixed in its eternity In the state of siege, space becomes time That has missed its yesterday and its tomorrow.
*** The martyr encircles me every time I live a new day And questions me: Where were you? Take every word You have given me back to the dictionaries And relieve the sleepers from the echo’s buzz.
*** The martyr enlightens me: beyond the expanse I did not look For the virgins of immortality for I love life On earth, amid fig trees and pines, But I cannot reach it, and then, too, I took aim at it With my last possession: the blood in the body of azure.
*** The martyr warned me: Do not believe their ululations Believe my father when, weeping, he looks at my photograph How did we trade roles, my son, how did you precede me.
I first, I the first one! *** The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed, And a crescent of moon on my finger To appease my sorrow.
*** The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty! *** Resisting means assuring oneself of the heart’s health, The health of the testicles and of your tenacious disease: The disease of hope.
*** And in what remains of the dawn, I walk toward my exterior And in what remains of the night, I hear the sound of footsteps inside me.
*** Greetings to the one who shares with me an attention to The drunkenness of light, the light of the butterfly, in the Blackness of this tunnel! *** Greetings to the one who shares my glass with me In the denseness of a night outflanking the two spaces: Greetings to my apparition.
*** My friends are always preparing a farewell feast for me, A soothing grave in the shade of oak trees A marble epitaph of time And always I anticipate them at the funeral: Who then has died.
.
.
who? *** Writing is a puppy biting nothingness Writing wounds without a trace of blood.
*** Our cups of coffee.
Birds green trees In the blue shade, the sun gambols from one wall To another like a gazelle The water in the clouds has the unlimited shape of what is left to us Of the sky.
And other things of suspended memories Reveal that this morning is powerful and splendid, And that we are the guests of eternity.
Written by Sylvia Plath | Create an image from this poem

The Times Are Tidy

 Unlucky the hero born
In this province of the stuck record
Where the most watchful cooks go jobless
And the mayor's rôtisserie turns
Round of its own accord.
There's no career in the venture Of riding against the lizard, Himself withered these latter-days To leaf-size from lack of action: History's beaten the hazard.
The last crone got burnt up More than eight decades back With the love-hot herb, the talking cat, But the children are better for it, The cow milks cream an inch thick.
Written by Robert William Service | Create an image from this poem

Montreal Maree

 You've heard of Belching Billy, likewise known as Windy Bill,
As punk a chunk of Yukon scum as ever robbed a sluice;
A satellite of Soapy Smith, a capper and a shill,
A slimy tribute-taker from the Ladies on the Loose.
But say, you never heard of how he aimed my gore to spill (That big gorilla gunnin' for a little guy like me,) A-howlin' like a malamute an' ravin' he would drill Me full of holes and all because of Montreal Maree.
Now Spike Mahoney's Bar was stiff with roarin' drunks, And I was driftin' lonesome-like, scarce knowin' what to do, So come I joined a poker game and dropped a hundred plunks, And bein' broke I begged of Spike to take my I.
O.
U.
Says he: "Me lad, I'll help ye out, but let me make this clear: If you you don't pay by New year's day your wage I'll garnishee.
" So I was broodin' when I heard a whisper in my ear: "What ees zee trouble, leetle boy?" said Montreal Maree.
Now dance-hall gels is good and bad, but most is in between; Yeh, some is scum and some is dumb, and some is just plumb cold; But of straight-shootin' Dawson dames Maree was rated queen, As pretty as a pansy, wi' a heart o' Hunker gold.
And so although I didn't know her more that passin' by, I told how Spike would seek my Boss, and jobless I would be; She listened sympathetic like: "Zut! Baby, don't you cry; I lend to you zee hundred bucks," said Montreal Maree.
Now though I zippered up my mug somehow the story spread That I was playin' poker and my banker was Maree; And when it got to Windy Bill, by Golly, he saw red, And reachin' for his shootin' iron he started after me.
For he was batty for that babe and tried to fence her in.
And if a guy got in his way, say, he was set to kill; So fortified with barbwire hooch and wickeder than sin; "I'll plug that piker full of lead," exploded Windy Bill.
That night, a hundred smackers saved, with joy I started out To seek my scented saviour in her cabin on the hill; But barely had I paid my debt, when suddenly a shout .
.
.
I peered from out the window, and behold! 'twas Windy Bill.
He whooped and swooped and raved and waved his gun as he drew near.
Now he was kickin' in the door, no time was there to flee; No place to hide: my doom was sealed .
.
.
then sotly in my ear: "Quick! creep beneez my petticoat," said Montreal Maree.
So pale as death I held my breath below that billowed skirt, And a she sat I wondered at her voice so calm and clear; Serene and still she spoke to Bill like he was so much dirt: "Espèce de skunk! You jus' beeeg drunk.
You see no man in here.
" Then Bill began to cuss and ran wild shootin' down the hiss, And all was hushed, and how I wished that bliss could ever be, When up she rose in dainty pose beside the window sill: "He spill hees gun, run Baby, run," cried Montreal Maree.
I've heard it said that she got wed and made a wonder wife.
I guess she did; that careless kid had mother in her heart.
But anyway I'll always say she saved my blasted life, For other girls may come and go, and each may play their part: But if I live a hundred years I'll not forget the thrill, The rapture of that moment when I kissed a dimpled knee, And safely mocked the murderous menace of Windy Bill, Snug hid beneath the petticoat of Montreal Maree.



Book: Reflection on the Important Things