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Best Famous Jeans Poems

Here is a collection of the all-time best famous Jeans poems. This is a select list of the best famous Jeans poetry. Reading, writing, and enjoying famous Jeans poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of jeans poems.

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Written by Robert William Service | Create an image from this poem

Making Good

 No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.,
But though he skips his dinner,
And each day he's growing thinner,
If he thinks he is a winner,
 Then he is. 

But when I say Success I mean the sublimated kind;
A man may gain it yet be on the dole.
To me it's music of the heart and sunshine of the mind,
Serenity and sweetness of the soul.
You may not have a brace of bucks to jingle in your jeans,
Far less the dough to buy a motor car;
But though the row you're hoeing
May be grim, ungodly going,
If you think the skies are glowing -
 Then they are.

For a poor man may be wealthy and a millionaire may fail,
It all depends upon the point of view.
It's the sterling of your spirit tips the balance of the scale,
It's optimism, and it's up to you.
For what I figure as success is simple Happiness,
The consummate contentment of your mood:
You may toil with brain and sinew,
And though little wealth is win you,
If there's health and hope within you -
 You've made good.


Written by Philip Levine | Create an image from this poem

Late Light

 Rain filled the streets 
once a year, rising almost 
to door and window sills, 
battering walls and roofs 
until it cleaned away the mess 
we'd made. My father told 
me this, he told me it ran 
downtown and spilled into 
the river, which in turn 
emptied finally into the sea. 
He said this only once 
while I sat on the arm 
of his chair and stared out 
at the banks of gray snow 
melting as the March rain 
streaked past. All the rest 
of that day passed on 
into childhood, into nothing, 
or perhaps some portion hung 
on in a tiny corner of thought. 
Perhaps a clot of cinders 
that peppered the front yard 
clung to a spar of old weed 
or the concrete lip of the curb 
and worked its way back under 
the new growth spring brought 
and is a part of that yard 
still. Perhaps light falling 
on distant houses becomes 
those houses, hunching them 
down at dusk like sheep 
browsing on a far hillside, 
or at daybreak gilds 
the roofs until they groan 
under the new weight, or 
after rain lifts haloes 
of steam from the rinsed, 
white aluminum siding, 
and those houses and all 
they contain live that day 
in the sight of heaven. 

II 

In the blue, winking light 
of the International Institute 
of Social Revolution 
I fell asleep one afternoon 
over a book of memoirs 
of a Spanish priest who'd 
served his own private faith 
in a long forgotten war. 
An Anarchist and a Catholic, 
his remembrances moved 
inexplicably from Castilian 
to Catalan, a language I 
couldn't follow. That dust, 
fine and gray, peculiar 
to libraries, slipped 
between the glossy pages 
and my sight, a slow darkness 
calmed me, and I forgot 
the agony of those men 
I'd come to love, forgot 
the battles lost and won, 
forgot the final trek 
over hopeless mountain roads, 
defeat, surrender, the vows 
to live on. I slept until 
the lights came on and off. 
A girl was prodding my arm, 
for the place was closing. 
A slender Indonesian girl 
in sweater and American jeans, 
her black hair falling 
almost to my eyes, she told 
me in perfect English 
that I could come back, 
and she swept up into a folder 
the yellowing newspaper stories 
and photos spilled out before 
me on the desk, the little 
chronicles of death themselves 
curling and blurring 
into death, and took away 
the book still unfinished 
of a man more confused 
even than I, and switched off 
the light, and left me alone. 

III 

In June of 1975 I wakened 
one late afternoon in Amsterdam 
in a dim corner of a library. 
I had fallen asleep over a book 
and was roused by a young girl 
whose hand lay on my hand. 
I turned my head up and stared 
into her brown eyes, deep 
and gleaming. She was crying. 
For a second I was confused 
and started to speak, to offer 
some comfort or aid, but I 
kept still, for she was crying 
for me, for the knowledge 
that I had wakened to a life 
in which loss was final. 
I closed my eyes a moment. 
When I opened them she'd gone, 
the place was dark. I went 
out into the golden sunlight; 
the cobbled streets gleamed 
as after rain, the street cafes 
crowded and alive. Not 
far off the great bell 
of the Westerkirk tolled 
in the early evening. I thought 
of my oldest son, who years 
before had sailed from here 
into an unknown life in Sweden, 
a life which failed, of how 
he'd gone alone to Copenhagen, 
Bremen, where he'd loaded trains, 
Hamburg, Munich, and finally 
-- sick and weary -- he'd returned 
to us. He slept in a corner 
of the living room for days, 
and woke gaunt and quiet, 
still only seventeen, his face 
in its own shadows. I thought 
of my father on the run 
from an older war, and wondered 
had he passed through Amsterdam, 
had he stood, as I did now, 
gazing up at the pale sky, 
distant and opaque, for the sign 
that never comes. Had he drifted 
in the same winds of doubt 
and change to another continent, 
another life, a family, some 
years of peace, an early death. 
I walked on by myself for miles 
and still the light hung on 
as though the day would 
never end. The gray canals 
darkened slowly, the sky 
above the high, narrow houses 
deepened into blue, and one 
by one the stars began 
their singular voyages.
Written by Raymond Carver | Create an image from this poem

Photograph of My Father in His Twenty-Second Year

 October. Here in this dank, unfamiliar kitchen 
I study my father's embarrassed young man's face. 
Sheepish grin, he holds in one hand a string 
of spiny yellow perch, in the other 
a bottle of Carlsbad Beer. 

In jeans and denim shirt, he leans 
against the front fender of a 1934 Ford. 
He would like to pose bluff and hearty for his posterity, 
Wear his old hat cocked over his ear. 
All his life my father wanted to be bold. 

But the eyes give him away, and the hands 
that limply offer the string of dead perch 
and the bottle of beer. Father, I love you, 
yet how can I say thank you, I who can't hold my liquor either, 
and don't even know the places to fish?
Written by David Lehman | Create an image from this poem

Twelfth Night

 His first infidelity was a mistake, but not as big
As her false pregnancy. Later, the boy found out

He was born three months earlier than the date
On his birth certificate, which had turned into
A marriage license in his hands. Had he been trapped
In a net, like a moth mistaken for a butterfly?
And why did she--what was in it for her?
It took him all this time to figure it out.
The barroom boast, "I never had to pay for it,"
Is bogus if marriage is a religious institution
On the operating model of a nineteenth-century factory.
On the other hand, women's lot was no worse then
Than it is now. The division of labor made sense
In theories developed by college boys in jeans
Who grasped the logic their fathers had used
To seduce women and deceive themselves.
The pattern repeats itself, the same events
In a different order obeying the conventions of
A popular genre. Winter on a desolate beach. Spring
While there's snow still on the balcony and,
In the window, a plane flies over the warehouse.

The panic is gone. But the pain remains. And the apple,
The knife, and the honey are months away.
Written by Les Murray | Create an image from this poem

Music To Me Is Like Days

 Once played to attentive faces 
music has broken its frame 
its bodice of always-weak laces 
the entirely promiscuous art 
pours out in public spaces 
accompanying everything, the selections 
of sex and war, the rejections. 
To jeans-wearers in zipped sporrans 
it transmits an ideal body 
continuously as theirs age. Warrens 
of plastic tiles and mesh throats 
dispense this aural money 
this sleek accountancy of notes 
deep feeling adrift from its feelers 
thought that means everything at once 
like a shrugging of cream shoulders 
like paintings hung on park mesh 
sonore doom soneer illy chesh 
they lost the off switch in my lifetime 
the world reverberates with Muzak 
and Prozac. As it doesn't with poe-zac 
(I did meet a Miss Universe named Verstak). 
Music to me is like days 
I rarely catch who composed them 
if one's sublime I think God 
my life-signs suspend. I nod 
it's like both Stilton and cure 
from one harpsichord-hum: 
penicillium - 
then I miss the Köchel number. 
I scarcely know whose performance 
of a limpid autumn noon is superior 
I gather timbre outranks rhumba. 
I often can't tell days apart 
they are the consumers, not me 
in my head collectables decay 
I've half-heard every piece of music 
the glorious big one with voice 
the gleaming instrumental one, so choice 
the hypnotic one like weed-smoke at a party 
and the muscular one out of farty 
cars that goes Whudda Whudda 
Whudda like the compound oil heart 
of a warrior not of this planet.


Written by David Lehman | Create an image from this poem

The Difference Between Pepsi And Coke

 Can't swim; uses credit cards and pills to combat
 intolerable feelings of inadequacy;
Won't admit his dread of boredom, chief impulse behind
 numerous marital infidelities;
Looks fat in jeans, mouths clichés with confidence,
 breaks mother's plates in fights;
Buys when the market is too high, and panics during
 the inevitable descent;
Still, Pop can always tell the subtle difference
 between Pepsi and Coke,
Has defined the darkness of red at dawn, memorized
 the splash of poppies along
Deserted railway tracks, and opposed the war in Vietnam
 months before the students,
Years before the politicians and press; give him
 a minute with a road map
And he will solve the mystery of bloodshot eyes;
 transport him to mountaintop
And watch him calculate the heaviness and height
 of the local heavens;
Needs no prompting to give money to his kids; speaks
 French fluently, and tourist German;
Sings Schubert in the shower; plays pinball in Paris;
 knows the new maid steals, and forgives her.
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

Surely enough, on a time, reading and lazing and dreaming
Wrought the calamitous ill all had predicted for Peter;
For, of a morning in spring when lay the mist in the valleys--
"See," quoth the folk, "how the witch breweth her evil decoctions!
See how the smoke from her fire broodeth on woodland and meadow!
Grant that the sun cometh out to smother the smudge of her caldron!
She hath been forth in the night, full of her spells and devices,
Roaming the marshes and dells for heathenish magical nostrums;
Digging in leaves and at stumps for centipedes, pismires, and spiders,
Grubbing in poisonous pools for hot salamanders and toadstools;
Charming the bats from the flues, snaring the lizards by twilight,
Sucking the scorpion's egg and milking the breast of the adder!"

Peter derided these things held in such faith by the farmer,
Scouted at magic and charms, hooted at Jonahs and hoodoos--
Thinking and reading of books must have unsettled his reason!
"There ain't no witches," he cried; "it isn't smoky, but foggy!
I will go out in the wet--you all can't hender me, nuther!"

Surely enough he went out into the damp of the morning,
Into the smudge that the witch spread over woodland and meadow,
Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor;
Just as he said he would do, just as he bantered and threatened,
Ere they could fasten the door, Peter had done gone and done it!
Wasting his time over books, you see, had unsettled his reason--
Soddened his callow young brain with semi-pubescent paresis,
And his neglect of his chores hastened this evil condition.

Out of the woods by the creek cometh a calling for Peter
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that shrill crying for Peter,
Up from the spring house the wail stealeth anon like a whisper,
Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter
Decades and decades ago down in the State of Kentucky--
Such are the voices that cry now from the woodland and meadow,
"Peter--O Peter!" all day, calling, reminding, and chiding--
Taking us back to the time when Peter he done gone and done it!
These are the voices of those left by the boy in the farmhouse
When, with his laughter and scorn, hatless and bootless and sockless,
Clothed in his jeans and his pride, Peter sailed out in the weather,
Broke from the warmth of his home into that fog of the devil,
Into the smoke of that witch brewing her damnable porridge!

Lo, when he vanished from sight, knowing the evil that threatened,
Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"--
Ran from the house to the barn, ran from the barn to the garden,
Ran to the corn-crib anon, then to the smoke-house proceeded;
Henhouse and woodpile they passed, calling and wailing and weeping,
Through the front gate to the road, braving the hideous vapor--
Sought him in lane and on pike, called him in orchard and meadow,
Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins,
Venting unspeakable fears in pitiful wailing for Peter!
And from the neighboring farms gathered the men and the women,
Who, upon hearing the news, swelled the loud chorus for Peter.

Farmers and hussifs and maids, bosses and field-hands and niggers,
Colonels and jedges galore from cornfields and mint-beds and thickets,
All that had voices to voice, all to those parts appertaining,
Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the
Logans,
The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans;
The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and
Hardins,

The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and
Slaughters--
All, famed in Kentucky of old for prowess prodigious at farming,
Now surged from their prosperous homes to join in that hunt for the
truant,
To ascertain where he was at, to help out the chorus for Peter.

Still on those prosperous farms where heirs and assigns of the people
Specified hereinabove and proved by the records of probate--
Still on those farms shall you hear (and still on the turnpikes
adjacent)
That pitiful, petulant call, that pleading, expostulant wailing,
That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people;
That, wakened from slumber that day by the calling and bawling for Peter,
She out of her cave in a thrice, and, waving the foot of a rabbit
(Crossed with the caul of a coon and smeared with the blood of a chicken),
She changed all those folk into birds and shrieked with demoniac venom:
"Fly away over the land, moaning your Peter forever,
Croaking of Peter, the boy who didn't believe there were hoodoos,
Crooning of Peter, the fool who scouted at stories of witches,
Crying of Peter for aye, forever outcalling for Peter!"

This is the story they tell; so in good sooth saith the legend;
As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning
Come the shrill voices of birds calling and calling for Peter;
Out of the maple and beech glitter the eyes of the wailers,
Peeping and peering for him who formerly lived in these places--
Peter, the heretic lad, lazy and careless and dreaming,
Sorely afflicted with books and with pubescent paresis,
Hating the things of the farm, care of the barn and the garden,
Always neglecting his chores--given to books and to reading,
Which, as all people allow, turn the young person to mischief,
Harden his heart against toil, wean his affections from tillage.

This is the legend of yore told in the state of Kentucky
When in the springtime the birds call from the beeches and maples,
Call from the petulant thorn, call from the acrid persimmon;
When from the woods by the creek and from the pastures and meadows,
When from the spring house and lane and from the mint-bed and orchard,
When from the redbud and gum and from the redolent lilac,
When from the dirt roads and pikes cometh that calling for Peter;
Cometh the dolorous cry, cometh that weird iteration
Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever!
This is the legend of old, told in the tum-titty meter
Which the great poets prefer, being less labor than rhyming
(My first attempt at the same, my last attempt, too, I reckon!);
Nor have I further to say, for the sad story is ended.
Written by Anthony Hecht | Create an image from this poem

The End Of The Weekend

 A dying firelight slides along the quirt
Of the cast iron cowboy where he leans
Against my father's books. The lariat
Whirls into darkness. My girl in skin tight jeans
Fingers a page of Captain Marriat
Inviting insolent shadows to her shirt.

We rise together to the second floor.
Outside, across the lake, an endless wind
Whips against the headstones of the dead and wails
In the trees for all who have and have not sinned.
She rubs against me and I feel her nails.
Although we are alone, I lock the door.

The eventual shapes of all our formless prayers:
This dark, this cabin of loose imaginings,
Wind, lip, lake, everything awaits
The slow unloosening of her underthings
And then the noise. Something is dropped. It grates
against the attic beams. I climb the stairs
Armed with a belt.

A long magnesium shaft
Of moonlight from the dormer cuts a path
Among the shattered skeletons of mice.
A great black presence beats its wings in wrath.
Above the boneyard burn its golden eyes.
Some small grey fur is pulsing in its grip.
Written by Bob Hicok | Create an image from this poem

Spirit Dity Of No Fax Line Dial Tone

 The telephone company calls and asks what the fuss is. 
Betty from the telephone company, who's not concerned 
with the particulars of my life. For instance 
if I believe in the transubstantiation of Christ 
or am gladdened at 7:02 in the morning to repeat 
an eighth time why a man wearing a hula skirt of tools 
slung low on his hips must a fifth time track mud 
across my white kitchen tile to look down at a phone jack. 
Up to a work order. Down at a phone jack. Up to a work order. 
Over at me. Down at a phone jack. Up to a work order 
before announcing the problem I have is not the problem 
I have because the problem I have cannot occur 
in this universe though possibly in an alternate 
universe which is not the responsibility or in any way 
the product, child or subsidiary of AT&T. With practice 
I've come to respect this moment. One man in jeans, 
t-shirt and socks looking across space at a man 
with probes and pliers of various inclinations, nothing 
being said for five or ten seconds, perhaps I'm still 
in pajamas and he has a cleft pallet or is so tall 
that gigantism comes to mind but I can't remember 
what causes flesh to pile that high, five or ten seconds 
of taking in and being taken in by eyes and a brain, 
during which I don't build a shotgun from what's at hand, 
oatmeal and National Geographics or a taser from hair 
caught in the drain and the million volts of frustration 
popping through my body. Even though. Even though his face 
is an abstract painting called Void. Even though 
I'm wondering if my pajama flap is open, placing me 
at a postural disadvantage. Breathe I say inside my head, 
which is where I store thoughts for the winter. All 
is an illusion I say by disassembling my fists, letting each 
finger loose to graze. Thank you I say to kill the silence 
with my mouth, meaning **** you, meaning die 
you shoulder-shrugging fusion of chipped chromosomes 
and puss, meaning enough. That a portal exists in my wall 
that even its makers can't govern seems an accurate mirror 
of life. Here's the truce I offer: I'll pay whatever's asked 
to be left alone. To receive a fax from me stand beside 
your mailbox for a week. It will come in what appears 
to be an envelope. While waiting for the fax reintroduce 
yourself to the sky. It's often blue and will transmit 
without fail everything clouds have been trying to say to you.
Written by Lisel Mueller | Create an image from this poem

Five For Country Music

 I. Insomnia

The bulb at the front door burns and burns.
If it were a white rose it would tire of blooming
through another endless night. 

The moon knows the routine;
it beats the bushes from east to west
and sets empty-handed. Again the one
she is waiting for has outrun the moon. 

II. Old Money

The spotted hands shake as they polish the coins. 

The shiny penny goes under the tongue,
the two silver pieces
weighted by pyramids
will shut down the eyes. 

All the rest is paper,
useless in any world but this. 

III. Home Movie

She knows that walk, that whistle, that knock. 

It's the black wolf who sticks
his floured paw underneath the door. 

She tries not to open. One look at his face
and she'll drop the gun. He will pick it up
and turn it on her where she waits,
her eyes shining, her hands over her head. 

IV. Golden Boy

Whitewashed, the eyes refuse you. 

And so the mouth must be serene,
the muscles play, the body
take an easy stance 

to divert you from the two
boarded-up chambers
where someone has died. 

V. Washing Day

Each year her laundry line gets lighter.
One by one they disappear,
ten little Indians. They take their socks,
their jeans, their stiff plaid shirts. 

Above the Ford on its concrete blocks,
striped and zippered,
her cotton dress flutters on and on.

Book: Radiant Verses: A Journey Through Inspiring Poetry