Written by
Denise Duhamel |
I had sex with a famous poet last night
and when I rolled over and found myself beside him I shuddered
because I was married to someone else,
because I wasn't supposed to have been drinking,
because I was in fancy hotel room
I didn't recognize. I would have told you
right off this was a dream, but recently
a friend told me, write about a dream,
lose a reader and I didn't want to lose you
right away. I wanted you to hear
that I didn't even like the poet in the dream, that he has
four kids, the youngest one my age, and I find him
rather unattractive, that I only met him once,
that is, in real life, and that was in a large group
in which I barely spoke up. He disgusted me
with his disparaging remarks about women.
He even used the word "Jap"
which I took as a direct insult to my husband who's Asian.
When we were first dating, I told him
"You were talking in your sleep last night
and I listened, just to make sure you didn't
call out anyone else's name." My future-husband said
that he couldn't be held responsible for his subconscious,
which worried me, which made me think his dreams
were full of blond vixens in rabbit-fur bikinis.
but he said no, he dreamt mostly about boulders
and the ocean and volcanoes, dangerous weather
he witnessed but could do nothing to stop.
And I said, "I dream only of you,"
which was romantic and silly and untrue.
But I never thought I'd dream of another man--
my husband and I hadn't even had a fight,
my head tucked sweetly in his armpit, my arm
around his belly, which lifted up and down
all night, gently like water in a lake.
If I passed that famous poet on the street,
he would walk by, famous in his sunglasses
and blazer with the suede patches at the elbows,
without so much as a glance in my direction.
I know you're probably curious about who the poet is,
so I should tell you the clues I've left aren't
accurate, that I've disguised his identity,
that you shouldn't guess I bet it's him...
because you'll never guess correctly
and even if you do, I won't tell you that you have.
I wouldn't want to embarrass a stranger
who is, after all, probably a nice person,
who was probably just having a bad day when I met him,
who is probably growing a little tired of his fame--
which my husband and I perceive as enormous,
but how much fame can an American poet
really have, let's say, compared to a rock star
or film director of equal talent? Not that much,
and the famous poet knows it, knows that he's not
truly given his due. Knows that many
of these young poets tugging on his sleeve
are only pretending to have read all his books.
But he smiles anyway, tries to be helpful.
I mean, this poet has to have some redeeming qualities, right?
For instance, he writes a mean iambic.
Otherwise, what was I doing in his arms.
|
Written by
Robert William Service |
He's yonder, on the terrace of the Cafe de la Paix,
The little wizened Spanish man, I see him every day.
He's sitting with his Pernod on his customary chair;
He's staring at the passers with his customary stare.
He never takes his piercing eyes from off that moving throng,
That current cosmopolitan meandering along:
Dark diplomats from Martinique, pale Rastas from Peru,
An Englishman from Bloomsbury, a Yank from Kalamazoo;
A poet from Montmartre's heights, a dapper little Jap,
Exotic citizens of all the countries on the map;
A tourist horde from every land that's underneath the sun --
That little wizened Spanish man, he misses never one.
Oh, foul or fair he's always there, and many a drink he buys,
And there's a fire of red desire within his hollow eyes.
And sipping of my Pernod, and a-knowing what I know,
Sometimes I want to shriek aloud and give away the show.
I've lost my nerve; he's haunting me; he's like a beast of prey,
That Spanish man that's watching at the Cafe de la Paix.
Say! Listen and I'll tell you all . . . the day was growing dim,
And I was with my Pernod at the table next to him;
And he was sitting soberly as if he were asleep,
When suddenly he seemed to tense, like tiger for a leap.
And then he swung around to me, his hand went to his hip,
My heart was beating like a gong -- my arm was in his grip;
His eyes were glaring into mine; aye, though I shrank with fear,
His fetid breath was on my face, his voice was in my ear:
"Excuse my brusquerie," he hissed; "but, sir, do you suppose --
That portly man who passed us had a wen upon his nose?"
And then at last it dawned on me, the fellow must be mad;
And when I soothingly replied: "I do not think he had,"
The little wizened Spanish man subsided in his chair,
And shrouded in his raven cloak resumed his owlish stare.
But when I tried to slip away he turned and glared at me,
And oh, that fishlike face of his was sinister to see:
"Forgive me if I startled you; of course you think I'm *****;
No doubt you wonder who I am, so solitary here;
You question why the passers-by I piercingly review . . .
Well, listen, my bibacious friend, I'll tell my tale to you.
"It happened twenty years ago, and in another land:
A maiden young and beautiful, two suitors for her hand.
My rival was the lucky one; I vowed I would repay;
Revenge has mellowed in my heart, it's rotten ripe to-day.
My happy rival skipped away, vamoosed, he left no trace;
And so I'm waiting, waiting here to meet him face to face;
For has it not been ever said that all the world one day
Will pass in pilgrimage before the Cafe de la Paix?"
"But, sir," I made remonstrance, "if it's twenty years ago,
You'd scarcely recognize him now, he must have altered so."
The little wizened Spanish man he laughed a hideous laugh,
And from his cloak he quickly drew a faded photograph.
"You're right," said he, "but there are traits (oh, this you must allow)
That never change; Lopez was fat, he must be fatter now.
His paunch is senatorial, he cannot see his toes,
I'm sure of it; and then, behold! that wen upon his nose.
I'm looking for a man like that. I'll wait and wait until . . ."
"What will you do?" I sharply cried; he answered me: "Why, kill!
He robbed me of my happiness -- nay, stranger, do not start;
I'll firmly and politely put -- a bullet in his heart."
And then that little Spanish man, with big cigar alight,
Uprose and shook my trembling hand and vanished in the night.
And I went home and thought of him and had a dreadful dream
Of portly men with each a wen, and woke up with a scream.
And sure enough, next morning, as I prowled the Boulevard,
A portly man with wenny nose roamed into my regard;
Then like a flash I ran to him and clutched him by the arm:
"Oh, sir," said I, "I do not wish to see you come to harm;
But if your life you value aught, I beg, entreat and pray --
Don't pass before the terrace of the Cafe de la Paix."
That portly man he looked at me with such a startled air,
Then bolted like a rabbit down the rue Michaudière.
"Ha! ha! I've saved a life," I thought; and laughed in my relief,
And straightway joined the Spanish man o'er his apéritif.
And thus each day I dodged about and kept the strictest guard
For portly men with each a wen upon the Boulevard.
And then I hailed my Spanish pal, and sitting in the sun,
We ordered many Pernods and we drank them every one.
And sternly he would stare and stare until my hand would shake,
And grimly he would glare and glare until my heart would quake.
And I would say: "Alphonso, lad, I must expostulate;
Why keep alive for twenty years the furnace of your hate?
Perhaps his wedded life was hell; and you, at least, are free . . ."
"That's where you've got it wrong," he snarled; "the fool she took was me.
My rival sneaked, threw up the sponge, betrayed himself a churl:
'Twas he who got the happiness, I only got -- the girl."
With that he looked so devil-like he made me creep and shrink,
And there was nothing else to do but buy another drink.
Now yonder like a blot of ink he sits across the way,
Upon the smiling terrace of the Cafe de la Paix;
That little wizened Spanish man, his face is ghastly white,
His eyes are staring, staring like a tiger's in the night.
I know within his evil heart the fires of hate are fanned,
I know his automatic's ready waiting to his hand.
I know a tragedy is near. I dread, I have no peace . . .
Oh, don't you think I ought to go and call upon the police?
Look there . . . he's rising up . . . my God!
He leaps from out his place . . .
Yon millionaire from Argentine . . . the two are face to face . . .
A shot! A shriek! A heavy fall! A huddled heap! Oh, see
The little wizened Spanish man is dancing in his glee. . . .
I'm sick . . . I'm faint . . . I'm going mad. . . .
Oh, please take me away . . .
There's BLOOD upon the terrace of the Cafe de la Paix. . . .
|
Written by
Anne Sexton |
In Memoriam
What's missing is the eyeballs
in each of us, but it doesn't matter
because you've got the bucks, the bucks, the bucks.
You let me touch them, fondle the green faces
lick at their numbers and it lets you be
my "Daddy!" "Daddy!" and though I fought all alone
with molesters and crooks, I knew your money
would save me, your courage, your "I've had
considerable experience as a soldier...
fighting to win millions for myself, it's true.
But I did win," and me praying for "our men out there"
just made it okay to be an orphan whose blood was no one's,
whose curls were hung up on a wire machine and electrified,
while you built and unbuilt intrigues called nations,
and did in the bad ones, always, always,
and always came at my perils, the black Christs of childhood,
always came when my heart stood naked in the street
and they threw apples at it or twelve-day-old-dead-fish.
"Daddy!" "Daddy," we all won that war,
when you sang me the money songs
Annie, Annie you sang
and I knew you drove a pure gold car
and put diamonds in you coke
for the crunchy sound, the adorable sound
and the moon too was in your portfolio,
as well as the ocean with its sleepy dead.
And I was always brave, wasn't I?
I never bled?
I never saw a man expose himself.
No. No.
I never saw a drunkard in his blubber.
I never let lightning go in one car and out the other.
And all the men out there were never to come.
Never, like a deluge, to swim over my breasts
and lay their lamps in my insides.
No. No.
Just me and my "Daddy"
and his tempestuous bucks
rolling in them like corn flakes
and only the bad ones died.
But I died yesterday,
"Daddy," I died,
swallowing the Nazi-Jap animal
and it won't get out
it keeps knocking at my eyes,
my big orphan eyes,
kicking! Until eyeballs pop out
and even my dog puts up his four feet
and lets go
of his military secret
with his big red tongue
flying up and down
like yours should have
as we board our velvet train.
|
Written by
Andrew Barton Paterson |
Oh, it's dreadful to think in a country like this
With its chances for work - and enjoyment
That a man like McGuinness was certain to miss
Whenever he tried for employment.
He wrote to employers from Bondi to Bourke,
From Woolloomooloo to Glen Innes,
But he found - though his wife could get plenty of work -
There was never a job for McGuinness.
But perhaps - later on - when the Chow and the Jap
Begin to drift down from the tropics,
When a big yellow stain spreading over the map
Provides some disquieting topics,
Oh, it's then when they're wanting a man that will stand
In the trench where his own kith and kin is,
With a frown on his face and a gun in his hand -
Then there might be a job for McGuinness!
|
Written by
Charles Bukowski |
the goldfish sing all night with guitars,
and the whores go down with the stars,
the whores go down with the stars
I'm sorry, sir, we close at 4:30,
besides yr mother's neck is dirty,
and the whores go down with the etc.,
the whrs. go dn. with the etc.
I'm sorry jack you can't come back,
I've fallen in love with another sap,
3/4 Italian and 1/2 Jap,
and the whores go
the whores go
etc.
from "All's Normal Here" - 1985
|
Written by
Paul Laurence Dunbar |
Whose little lady is you, chile,
Whose little gal is you?
What's de use o' kiver'n up yo' face?
Chile, dat ain't de way to do.
Lemme see yo' little eyes,
Tek yo' little han's down nice,
Lawd, you wuff a million bills,
Huh uh, chile, dat ain't yo' price.
Honey, de money ain't been made
Dat dey could pay fu' you;
'T ain't no use a-biddin'; you too high
Fu' de riches' Jap er Jew.
Lemme see you smilin' now,
How dem teef o' yo'n do shine,
An' de t'ing dat meks me laff
Is dat all o' you is mine.
How 's I gwine to tell you how I feel,
How's I gwine to weigh yo' wuff?
Oh, you sholy is de sweetes' t'ing
Walkin' on dis blessed earf.
Possum is de sweetes' meat,
Cidah is the nices' drink,
But my little lady-bird
Is de bes' of all, I t'ink.
Talk erbout 'uligion he'pin' folks
All thoo de way o' life,
Gin de res' 'uligion, des' gin me
You, my little lady-wife.
Den de days kin come all ha'd,
[Pg 199]Den de nights kin come all black,
Des' you tek me by de han',
An' I'll stumble on de track.
Stumble on de way to Gawd, my chile,
Stumble on, an' mebbe fall;
But I'll keep a-trottin', while you lead on,
Pickin' an' a-trottin', dat's all.
Hol' me mighty tight, dough, chile,
Fu' hit's rough an' rocky lan',
Heaben 's at de en', I know,
So I's leanin' on yo' han'.
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