Written by
Ruth Padel |
(After Pushkin)
Look at the bare wood hand-waxed floor and long
White dressing-gown, the good child's writing-desk
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm
Alert, till the shepherd's song
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across
To me.) Who couldn't give a toss for domestic peace -
Only for celebrity and showing off -
And won't hang round in a provincial zone
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God.
Sorted. Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea-
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look
Bleeping "vulnerable" under the screensaver charm,
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me
Already. Don't tell me that was dream! When you came in,
Staring round in your stripey coat and brocade
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad?
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there -
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town
On his next little fling. If he's entranced today
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
*
A leveret - like the hare you shot, remember?
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E
In the window's black reflection, one finger
Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea
*
When it's really your own red little sparkle, the echo
Of marching blood. She's asking a phantom
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among
The kitchen garden's rose-haws, mallow, Pernod-
Coloured pears, she unhooks herself thorn by thorn
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)
|
Written by
John Betjeman |
Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun. All the same,
They do not fill my meagre frame.
For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes ... it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear our organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't see at all
Except at Harvest Festival.
|
Written by
Lewis Carroll |
Little Birds are dining
Warily and well,
Hid in mossy cell:
Hid, I say, by waiters
Gorgeous in their gaiters -
I've a Tale to tell.
Little Birds are feeding
Justices with jam,
Rich in frizzled ham:
Rich, I say, in oysters
Haunting shady cloisters -
That is what I am.
Little Birds are teaching
Tigresses to smile,
Innocent of guile:
Smile, I say, not smirkle -
Mouth a semicircle,
That's the proper style!
Little Birds are sleeping
All among the pins,
Where the loser wins:
Where, I say, he sneezes
When and how he pleases -
So the Tale begins.
Little Birds are writing
Interesting books,
To be read by cooks:
Read, I say, not roasted -
Letterpress, when toasted,
Loses its good looks.
Little Birds are playing
Bagpipes on the shore,
Where the tourists snore:
"Thanks!" they cry. "'Tis thrilling!
Take, oh take this shilling!
Let us have no more!"
Little Birds are bathing
Crocodiles in cream,
Like a happy dream:
Like, but not so lasting -
Crocodiles, when fasting,
Are not all they seem!
Little Birds are choking
Baronets with bun,
Taught to fire a gun:
Taught, I say, to splinter
Salmon in the winter -
Merely for the fun.
Little Birds are hiding
Crimes in carpet-bags,
Blessed by happy stags:
Blessed, I say, though beaten -
Since our friends are eaten
When the memory flags.
Little Birds are tasting
Gratitude and gold,
Pale with sudden cold:
Pale, I say, and wrinkled -
When the bells have tinkled,
And the Tale is told.
|
Written by
C S Lewis |
Lead us, Evolution, lead us
Up the future's endless stair;
Chop us, change us, prod us, weed us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.
Wrong or justice, joy or sorrow,
In the present what are they
while there's always jam-tomorrow,
While we tread the onward way?
Never knowing where we're going,
We can never go astray.
To whatever variation
Our posterity may turn
Hairy, squashy, or crustacean,
Bulbous-eyed or square of stern,
Tusked or toothless, mild or ruthless,
Towards that unknown god we yearn.
Ask not if it's god or devil,
Brethren, lest your words imply
Static norms of good and evil
(As in Plato) throned on high;
Such scholastic, inelastic,
Abstract yardsticks we deny.
Far too long have sages vainly
Glossed great Nature's simple text;
He who runs can read it plainly,
'Goodness = what comes next.'
By evolving, Life is solving
All the questions we perplexed.
Oh then! Value means survival-
Value. If our progeny
Spreads and spawns and licks each rival,
That will prove its deity
(Far from pleasant, by our present,
Standards, though it may well be).
|
Written by
Barry Tebb |
For Brenda Williams
La lune diminue; divin septembre.
Divine September the moon wanes.
Pierre Jean Jouve
Themes for poems and the detritus of dreams coalesce:
This is one September I shall not forget.
The grammar-school caretaker always had the boards re-blacked
And the floors waxed, but I never shone.
The stripes of the red and black blazer
Were prison-grey. You could never see things that way:
Your home had broken windows to the street.
You had the mortification of lice in your hair
While I had the choice of Brylcreem or orange pomade.
Four children, an alcoholic father and
An Irish immigrant mother. Failure’s metaphor.
I did not make it like Alan Bennett,
Who still sends funny postcards
About our Leeds childhood.
Of your’s, you could never speak
And found my nostalgia
Wholly inappropriate.
Forgetting your glasses for the eleven plus,
No money for the uniform for the pass at thirteen.
It wasn’t - as I imagined - shame that kept you from telling
But fear of the consequences for your mother
Had you sobbed the night’s terrors
Of your father’s drunken homecomings,
Your mother sat with the door open
In all weathers while you, the oldest,
Waited with her, perhaps
Something might have been done.
He never missed a day’s work digging graves,
Boasting he could do a six-footer
Single-handed in two hours flat.
That hackneyed phrase
‘He drank all his wages’
Doesn’t convey his nightly rages
The flow of obscenities about menstruation
While the three younger ones were in bed
And you waited with your mother
To walk the streets of Seacroft.
“Your father murdered your mother”
As Auntie Margaret said,
Should a witness
Need indicting.
Your mother’s growing cancer went diagnosed, but unremarked
Until the final days
She was too busy auxiliary nursing
Or working in the Lakeside Caf?.
It was her wages that put bread and jam
And baked beans into your stomachs.
Her final hospitalisation
Was the arena for your father’s last rage
Her fare interfering with the night’s drinking;
He fought in the Burma Campaign but won no medals.
Some kind of psychiatric discharge- ‘paranoia’
Lurked in his papers. The madness went undiagnosed
Until his sixtieth birthday. You never let me meet him
Even after our divorce.
In the end you took me on a visit with the children.
A neat flat with photographs of grandchildren,
Stacks of wood for the stove, washing hung precisely
In the kitchen, a Sunday suit in the wardrobe.
An unwrinkling of smiles, the hard handshake
Of work-roughened hands.
One night he smashed up the tidy flat.
The TV screen was powder
The clock ticked on the neat lawn
‘Murder in Seacroft Hospital’
Emblazoned on the kitchen wall.
I went with you and your sister in her car to Roundhay Wing.
Your sister had to leave for work or sleep
You had to back to meet the children from school.
For Ward 42 it wasn’t an especially difficult admission.
My first lesson: I shut one set of firedoors while the charge nurse
Bolted the other but after five minutes his revolt
Was over and he signed the paper.
The nurse on nights had a sociology degree
And an interest in borderline schizophrenia.
After lightsout we chatted about Kohut and Kernberg
And Melanie Klein. Your father was occasionally truculent,
Barricading himself in on one home leave. Nothing out of the way
For a case of that kind. The old ladies on the estate sighed,
Single men were very scarce. Always a gentleman, tipping
His cap to the ladies.
There seems to be objections in the family to poetry
Or at least to the kind that actually speaks
And fails to lie down quietly on command.
Yours seems to have set mine alight-
I must get something right.
|
Written by
Robert William Service |
The same old sprint in the morning, boys, to the same old din and smut;
Chained all day to the same old desk, down in the same old rut;
Posting the same old greasy books, catching the same old train:
Oh, how will I manage to stick it all, if I ever get back again?
We've bidden good-bye to life in a cage, we're finished with pushing a pen;
They're pumping us full of bellicose rage, they're showing us how to be men.
We're only beginning to find ourselves; we're wonders of brawn and thew;
But when we go back to our Sissy jobs, -- oh, what are we going to do?
For shoulders curved with the counter stoop will be carried erect and square;
And faces white from the office light will be bronzed by the open air;
And we'll walk with the stride of a new-born pride, with a new-found joy in our eyes,
Scornful men who have diced with death under the naked skies.
And when we get back to the dreary grind, and the bald-headed boss's call,
Don't you think that the dingy window-blind, and the dingier office wall,
Will suddenly melt to a vision of space, of violent, flame-scarred night?
Then . . . oh, the joy of the danger-thrill, and oh, the roar of the fight!
Don't you think as we peddle a card of pins the counter will fade away,
And again we'll be seeing the sand-bag rims, and the barb-wire's misty grey?
As a flat voice asks for a pound of tea, don't you fancy we'll hear instead
The night-wind moan and the soothing drone of the packet that's overhead?
Don't you guess that the things we're seeing now will haunt us through all the years;
Heaven and hell rolled into one, glory and blood and tears;
Life's pattern picked with a scarlet thread, where once we wove with a grey
To remind us all how we played our part in the shock of an epic day?
Oh, we're booked for the Great Adventure now, we're pledged to the Real Romance;
We'll find ourselves or we'll lose ourselves somewhere in giddy old France;
We'll know the zest of the fighter's life; the best that we have we'll give;
We'll hunger and thirst; we'll die . . . but first -- we'll live; by the gods, we'll live!
We'll breathe free air and we'll bivouac under the starry sky;
We'll march with men and we'll fight with men, and we'll see men laugh and die;
We'll know such joy as we never dreamed; we'll fathom the deeps of pain:
But the hardest bit of it all will be -- when we come back home again.
For some of us smirk in a chiffon shop, and some of us teach in a school;
Some of us help with the seat of our pants to polish an office stool;
The merits of somebody's soap or jam some of us seek to explain,
But all of us wonder what we'll do when we have to go back again.
|
Written by
Allen Ginsberg |
In nineteen hundred forty-nine
China was won by Mao Tse-tung
Chiang Kai-shek's army ran away
They were waiting there in Thailand yesterday
Supported by the CIA
Pushing junk down Thailand way
First they stole from the Meo Tribes
Up in the hills they started taking bribes
Then they sent their soldiers up to Shan
Collecting opium to send to The Man
Pushing junk in Bangkok yesterday
Supported by the CIA
Brought their jam on mule trains down
To Chiang Rai that's a railroad town
Sold it next to the police chief brain
He took it to town on the choochoo train
Trafficking dope to Bangkok all day
Supported by the CIA
The policeman's name was Mr. Phao
He peddled dope grand scale and how
Chief of border customs paid
By Central Intelligence's U.S. A.I.D.
The whole operation, Newspapers say
Supported by the CIA
He got so sloppy & peddled so loose
He busted himself & cooked his own goose
Took the reward for an opium load
Seizing his own haul which same he resold
Big time pusher for a decade turned grey
Working for the CIA
Touby Lyfong he worked for the French
A big fat man liked to dine & wench
Prince of the Meos he grew black mud
Till opium flowed through the land like a flood
Communists came and chased the French away
So Touby took a job with the CIA
The whole operation fell in to chaos
Till U.S. Intelligence came into Laos
I'll tell you no lie I'm a true American
Our big pusher there was Phoumi Nosovan
All them Princes in a power play
But Phoumi was the man for the CIA
And his best friend General Vang Pao
Ran the Meo army like a sacred cow
Helicopter smugglers filled Long Cheng's bars
In Xieng Quang province on the Plain of Jars
It started in secret they were fighting yesterday
Clandestine secret army of the CIA
All through the Sixties the Dope flew free
Thru Tan Son Nhut Saigon to Marshal Ky
Air America followed through
Transporting confiture for President Thieu
All these Dealers were decades and yesterday
The Indochinese mob of the U.S. CIA
Operation Haylift Offisir Wm. Colby
Saw Marshal Ky fly opium Mr. Mustard told me
Indochina desk he was Chief of Dirty Tricks
"Hitchhiking" with dope pushers was how he got his fix
Subsidizing traffickers to drive the Reds away
Till Colby was the head of the CIA
January 1972
|
Written by
Philip Larkin |
Slowly the women file to where he stands
Upright in rimless glasses, silver hair,
Dark suit, white collar. Stewards tirelessly
Persuade them onwards to his voice and hands,
Within whose warm spring rain of loving care
Each dwells some twenty seconds. Now, dear child,
What's wrong, the deep American voice demands,
And, scarcely pausing, goes into a prayer
Directing God about this eye, that knee.
Their heads are clasped abruptly; then, exiled
Like losing thoughts, they go in silence; some
Sheepishly stray, not back into their lives
Just yet; but some stay stiff, twitching and loud
With deep hoarse tears, as if a kind of dumb
And idiot child within them still survives
To re-awake at kindness, thinking a voice
At last calls them alone, that hands have come
To lift and lighten; and such joy arrives
Their thick tongues blort, their eyes squeeze grief, a crowd
Of huge unheard answers jam and rejoice -
What's wrong! Moustached in flowered frocks they shake:
By now, all's wrong. In everyone there sleeps
A sense of life lived according to love.
To some it means the difference they could make
By loving others, but across most it sweeps
As all they might have done had they been loved.
That nothing cures. An immense slackening ache,
As when, thawing, the rigid landscape weeps,
Spreads slowly through them - that, and the voice above
Saying Dear child, and all time has disproved.
|
Written by
Ogden Nash |
Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse
Is lush with lyrics tender;
A poet, I guess, is more or less
Preoccupied with gender.
Yet I, though custom call me crude,
Prefer to sing in praise of food.
Food,
Yes, food,
Just any old kind of food.
Pheasant is pleasant, of course,
And terrapin, too, is tasty,
Lobster I freely endorse,
In pate or patty or pasty.
But there's nothing the matter with butter,
And nothing the matter with jam,
And the warmest greetings I utter
To the ham and the yam and the clam.
For they're food,
All food,
And I think very fondly of food.
Through I'm broody at times
When bothered by rhymes,
I brood
On food.
Some painters paint the sapphire sea,
And some the gathering storm.
Others portray young lambs at play,
But most, the female form.
“Twas trite in that primeval dawn
When painting got its start,
That a lady with her garments on
Is Life, but is she Art?
By undraped nymphs
I am not wooed;
I'd rather painters painted food.
Food,
Just food,
Just any old kind of food.
Go purloin a sirloin, my pet,
If you'd win a devotion incredible;
And asparagus tips vinaigrette,
Or anything else that is edible.
Bring salad or sausage or scrapple,
A berry or even a beet.
Bring an oyster, an egg, or an apple,
As long as it's something to eat.
If it's food,
It's food;
Never mind what kind of food.
When I ponder my mind
I consistently find
It is glued
On food.
|
Written by
Robert William Service |
I took a contract to bury the body of blasphemous Bill MacKie,
Whenever, wherever or whatsoever the manner of death he die--
Whether he die in the light o' day or under the peak-faced moon;
In cabin or dance-hall, camp or dive, mucklucks or patent shoon;
On velvet tundra or virgin peak, by glacier, drift or draw;
In muskeg hollow or canyon gloom, by avalanche, fang or claw;
By battle, murder or sudden wealth, by pestilence, hooch or lead--
I swore on the Book I would follow and look till I found my tombless dead.
For Bill was a dainty kind of cuss, and his mind was mighty sot
On a dinky patch with flowers and grass in a civilized bone-yard lot.
And where he died or how he died, it didn't matter a damn
So long as he had a grave with frills and a tombstone "epigram".
So I promised him, and he paid the price in good cheechako coin
(Which the same I blowed in that very night down in the Tenderloin).
Then I painted a three-foot slab of pine: "Here lies poor Bill MacKie",
And I hung it up on my cabin wall and I waited for Bill to die.
Years passed away, and at last one day came a squaw with a story strange,
Of a long-deserted line of traps 'way back of the Bighorn range;
Of a little hut by the great divide, and a white man stiff and still,
Lying there by his lonesome self, and I figured it must be Bill.
So I thought of the contract I'd made with him, and I took down from the shelf
The swell black box with the silver plate he'd picked out for hisself;
And I packed it full of grub and "hooch", and I slung it on the sleigh;
Then I harnessed up my team of dogs and was off at dawn of day.
You know what it's like in the Yukon wild when it's sixty-nine below;
When the ice-worms wriggle their purple heads through the crust of the pale blue snow;
When the pine-trees crack like little guns in the silence of the wood,
And the icicles hang down like tusks under the parka hood;
When the stove-pipe smoke breaks sudden off, and the sky is weirdly lit,
And the careless feel of a bit of steel burns like a red-hot spit;
When the mercury is a frozen ball, and the frost-fiend stalks to kill--
Well, it was just like that that day when I set out to look for Bill.
Oh, the awful hush that seemed to crush me down on every hand,
As I blundered blind with a trail to find through that blank and bitter land;
Half dazed, half crazed in the winter wild, with its grim heart-breaking woes,
And the ruthless strife for a grip on life that only the sourdough knows!
North by the compass, North I pressed; river and peak and plain
Passed like a dream I slept to lose and I waked to dream again.
River and plain and mighty peak--and who could stand unawed?
As their summits blazed, he could stand undazed at the foot of the throne of God.
North, aye, North, through a land accurst, shunned by the scouring brutes,
And all I heard was my own harsh word and the whine of the malamutes,
Till at last I came to a cabin squat, built in the side of a hill,
And I burst in the door, and there on the floor, frozen to death, lay Bill.
Ice, white ice, like a winding-sheet, sheathing each smoke-grimed wall;
Ice on the stove-pipe, ice on the bed, ice gleaming over all;
Sparkling ice on the dead man's chest, glittering ice in his hair,
Ice on his fingers, ice in his heart, ice in his glassy stare;
Hard as a log and trussed like a frog, with his arms and legs outspread.
I gazed at the coffin I'd brought for him, and I gazed at the gruesome dead,
And at last I spoke: "Bill liked his joke; but still, goldarn his eyes,
A man had ought to consider his mates in the way he goes and dies."
Have you ever stood in an Arctic hut in the shadow of the Pole,
With a little coffin six by three and a grief you can't control?
Have you ever sat by a frozen corpse that looks at you with a grin,
And that seems to say: "You may try all day, but you'll never jam me in"?
I'm not a man of the quitting kind, but I never felt so blue
As I sat there gazing at that stiff and studying what I'd do.
Then I rose and I kicked off the husky dogs that were nosing round about,
And I lit a roaring fire in the stove, and I started to thaw Bill out.
Well, I thawed and thawed for thirteen days, but it didn't seem no good;
His arms and legs stuck out like pegs, as if they was made of wood.
Till at last I said: "It ain't no use--he's froze too hard to thaw;
He's obstinate, and he won't lie straight, so I guess I got to--saw."
So I sawed off poor Bill's arms and legs, and I laid him snug and straight
In the little coffin he picked hisself, with the dinky silver plate;
And I came nigh near to shedding a tear as I nailed him safely down;
Then I stowed him away in my Yukon sleigh, and I started back to town.
So I buried him as the contract was in a narrow grave and deep,
And there he's waiting the Great Clean-up, when the Judgment sluice-heads sweep;
And I smoke my pipe and I meditate in the light of the Midnight Sun,
And sometimes I wonder if they was, the awful things I done.
And as I sit and the parson talks, expounding of the Law,
I often think of poor old Bill--and how hard he was to saw.
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