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Best Famous Jackie Poems

Here is a collection of the all-time best famous Jackie poems. This is a select list of the best famous Jackie poetry. Reading, writing, and enjoying famous Jackie poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of jackie poems.

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Written by Gil Scott-Heron | Create an image from this poem

The revolution will not be televised

You will not be able to stay home, brother
 You will not be able to plug in, turn on and cop out
 You will not be able to lose yourself on skag
 And skip out for beer during commercials
 Because the revolution will not be televised

The revolution will not be televised
 The revolution will not be brought to you by Xerox
 In 4 parts without commercial interruptions
 The revolution will not show you pictures of Nixon
 Blowing a bugle and leading a charge by John Mitchell
 General Abrams and Spiro Agnew to eat hog maws
 Confiscated from a Harlem sanctuary
 The revolution will not be televised

 The revolution will not be brought to you by the
 Schaefer Award Theater and will not star Natalie Woods
 And Steve McQueen or Bullwinkle and Julia
 The revolution will not give your mouth sex appeal
 The revolution will not get rid of the nubs
 The revolution will not make you look five pounds thinner
 Because the revolution will not be televised, Brother

There will be no pictures of you and Willie May
 Pushing that shopping cart down the block on the dead run
 Or trying to slide that color TV into a stolen ambulance
 NBC will not be able predict the winner at 8:32
 Or report from 29 districts
 The revolution will not be televised

 There will be no pictures of pigs shooting down
 Brothers on the instant replay
 There will be no pictures of pigs shooting down
 Brothers on the instant replay

There will be no pictures of Whitney Young
 Being run out of Harlem on a rail with a brand new process
 There will be no slow motion or still life of Roy Wilkens
 Strolling through Watts in a red, black and green
 Liberation jumpsuit that he had been saving
 For just the proper occasion

 Green Acres, The Beverly Hillbillies and Hooter ville Junction
 Will no longer be so damned relevant
 And women will not care if Dick finally gets down with Jane
 On search for tomorrow because black people
 Will be in the street looking for a brighter day
 The revolution will not be televised

There will be no highlights on the eleven o'clock news
 And no pictures of hairy armed women liberationists
 And Jackie Onassis blowing her nose
 The theme song will not be written by Jim Webb
 Francis Scott Key, nor sung by Glen Campbell, Tom Jones
 Johnny Cash, Englebert Humperdink or the Rare Earth
 The revolution will not be televised

 The revolution will not be right back after a message
 About a white tornado, white lightning, or white people
 You will not have to worry about a dove in your bedroom
 The tiger in your tank or the giant in your toilet bowl
 The revolution will not go better with Coke
 The revolution will not fight the germs that may cause bad breath
 The revolution will put you in the driver's seat

The revolution will not be televised, will not be televised
 Will not be televised, will not be televised
 The revolution will be no re-run brothers
 The revolution will be live




Written by Jackie Kay | Create an image from this poem

The Mother Poem (two)

 I always wanted to give birth
Do that incredible natural thing
That women do-I nearly broke down
When I heard we couldn't
And then my man said to me
Well there's always adoption
(we didn't have test tubes and the rest
then) and well even in the early sixties there was something
Scandalous about adopting
Telling the world your secret failure
Bringing up an alien child
Who knew what it would turn out to be?

But I wanted a baby badly
Didn't need to come from my womb
Or his seed for me to love it
And I had sisters who looked just like me
Didn't need carbon copy features
Blueprints for generations
It was my baby a baby a baby I wanted

So I watched my child grow
Always the first to hear her in the night
All this umbilical knot business is
Nonsense-the men can afford deeper sleeps
That's all.
I listened to hear her talk And when she did I heard my voice under hers And now some of her mannerisms Crack me up All them stories could have really had me Believing unless you are breast fed You'll never be close and the rest My daughter's warmth spills over me Leaves a gap When she's gone I think of her mother.
She remembers how I read her All those newspaper and magazine Cuttings about adoption She says her head's an encyclopedia Of sob stories: the ones that were never Told and committed suicide on their wedding nights I always believed in the telling anyhow You can't keep something like that secret I wanted her to think of her other mother Out there thinking that child I had will be Eight today nine today all the way up to God knows when.
I told my daughter; I bet your mother's never missed your birthday How could she Now when people say ah but It's not like having your own child though is it I say of course it is what else is it She's my child I have brought her up Told her stories wept at losses Laughed at her pleasures she is mine.
Yes.
Well maybe that is why I don't Like all this talk about her being black I brought her up as my own As I would any other child Colour matters to the nuttters But she says my daughter says It matters to her.
I suppose there would have been things I couldn't have understood with any child We knew she was coloured They told us they had no babies at first And I chanced to say it didn't matter What colour it was and then they Said oh well are you sure in that case We have a baby for you To think she wasn't even thought of as a baby! My baby my baby.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Leather Medal

 Only a Leather Medal, hanging there on the wall,
Dingy and frayed and faded, dusty and worn and old;
Yet of my humble treasures I value it most of all,
And I wouldn't part with that medal if you gave me its weight in gold.
Read the inscription: For Valour - presented to Millie MacGee.
Ah! how in mem'ry it takes me back to the "auld lang syne," When Millie and I were sweethearts, and fair as a flower was she - Yet little I dreamt that her bosom held the heart of heroine.
Listen! I'll tell you about it.
.
.
An orphan was Millie MacGee, Living with Billie her brother, under the Yukon sky, Sam, her pa, was cremated in the winter of nineteen-three, As duly and truly related by the pen of an author guy.
A cute little kid was Billie, solemn and silken of hair, The image of Jackie Coogan in the days before movies could speak.
Devoted to him was Millie, with more than a mother's care, And happy were they together in their cabin on Bunker Creek.
'Twas only a mining village, where hearts are simple and true, And Millie MacGee was schoolma'am, loved and admired by all; Yet no one dreamed for a moment she'd do what she dared to do - But wait and I'll try to tell you, as clear as I can recall.
.
.
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.
.
.
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.
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Christmas Eve in the school-house! A scene of glitter and glee; The children eager and joyful; parents and neighbours too; Right in the forefront, Millie, close to the Christmas Tree.
While Billie, her brother, recited "The Shooting of Dan McGrew.
" I reckon you've heard the opus, a ballad of guts and gore; Of a Yukon frail and a frozen trail and a fight in a dringing dive, It's on a par, I figger, with "The Face on the Bar-Room Floor," And the boys who wrote them pieces ought to be skinned alive.
Picture that scene of gladness; the honest faces aglow; The kiddies gaping and spellbound, as Billie strutted his stuff.
The stage with its starry candles, and there in the foremost row, Millie, bright as a fairy, in radient flounce and fluff.
More like an angel I thought her; all she needed was wings, And I sought for a smile seraphic, but her eyes were only for Bill; So there was I longing and loving, and dreaming the craziest things, And Billie shouting and spouting, and everyone rapt and still.
Proud as a prince was Billie, bang in the footlights' glare, And quaking for him was Millie, as she followed every word; Then just as he reached the climax, ranting and sawing the air - Ugh! How it makes me shudder! The horrible thing occurred.
.
.
'Twas the day when frocks were frilly, and skirts were scraping the ground, And the snowy flounces of Millie like sea foam round her swept; Humbly adoring I watched her - when oh, my heart gave a bound! Hoary and scarred and hideous, out from the tree.
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it.
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crept.
A whiskered, beady-eyes monster, grisly and grim of hue; Savage and slinking and silent, born of the dark and dirt; Dazed by the glare and the glitter, it wavered a moment or two - Then like a sinister shadow, it vanished.
.
.
'neath Millie's skirt.
I stared.
had my eyes deceived me? I shivered.
I held my breath.
Surly I must have dreamed it.
I quivered.
I made to rise.
.
.
Then - my God! it was real.
Millie grew pale as death; And oh, such a look of terror woke in her lovely eyes.
Did her scream ring out? Ah no, sir.
It froze at her very lips.
Clenching her teeth she checked it, and I saw her slim hands lock, Grasping and gripping tensely, with desperate finger tips, Something that writhed and wriggled under her dainty frock.
Quick I'd have dashed to her rescue, but fiercely she signalled: "No!" Her eyes were dark with anguish, but her lips were set and grim; Then I knew she was thinking of Billie - the kiddy must have his show, Reap to the full his glory, nothing mattered but him.
So spiked to my chair with horror, there I shuddered and saw Her fingrs frenziedly clutching and squeezing with all their might Something that squirmed and struggled, a deamon of tooth and claw, Fighting with fear and fury, under her garment white.
Oh could I only aid her! But the wide room lay between, And again her eyes besought me: "Steady!" they seamed to say.
"Stay where you are, Bob Simmons; don't let us have a scene, Billie will soon be finished.
Only a moment.
.
.
stay!" A moment! Ah yes, I got her.
I knew how night after night She'd learned him each line of that ballad with patience and pride and glee; With gesture and tone dramatic, she'd taught him how to recite.
.
.
And now at the last to fail him - no, it must never be.
A moment! It seemed like ages.
Why was Billie so slow? He stammered.
Twice he repeated: "The Lady that's known as Lou -" The kiddy was stuck and she knew it.
Her face was frantic with woe.
Could she but come to his rescue? Could she remember the cue? I saw her whispering wildly as she leaned to the frightened boy; But Billie stared like a dummy, and I stifled an anxious curse.
Louder, louder she prompted; then his face illumined with joy, And panting, flushed and exultant, he finished the final verse.
So the youngster would up like a whirlwind, while cheer resounded on cheer; His piece was the hit of the evening.
"Bravo!" I heard them say.
But there in the heart of the racket was one who could not hear - The loving sister who'd coached him; for Millie had fainted away.
I rushed to her side and grabbed her; then others saw her distress, And all were eager to aid me, as I pillowed that golden head, But her arms were tense and rigid, and clutched in the folds of her dress, Unlocking her hands they found it .
.
.
A RAT .
.
.
and the brute was dead.
In silence she'd crushed its life out, rather than scare the crowd, And ***** little Billie's triumph .
.
.
Hey! Mother, what about tea? I've just been telling a story that makes me so mighty proud.
.
.
Stranger, let me present you - my wife, that was Millie MacGee.
Written by David Lehman | Create an image from this poem

December 25

 Christmas defeated Chanukah
once again last night
by a margin of three billion dollars
or so, but every time I hear
a Yiddish word like bupkes
in a movie (L.
A.
Confidential) or when Oleg Cassini in that new play Jackie calls a garment a shmatta, it's "good for the Jews," as our parents used to say.
Meanwhile some things have stayed the same; the drunken lout in the street is still somebody's father.
Hey, kid, how does it feel to have a pop that's a flop? And we had such good ideas for changing the mental universe, if only as a project in philosophy class, the one I still dream about failing when I have that dream everybody has, of being back in college and needing this one course to graduate, which I forgot to attend
Written by Derek Walcott | Create an image from this poem

Blues

 Those five or six young guys
lunched on the stoop
that oven-hot summer night
whistled me over.
Nice and friendly.
So, I stop.
MacDougal or Christopher Street in chains of light.
A summer festival.
Or some saint's.
I wasn't too far from home, but not too bright for a ******, and not too dark.
I figured we were all one, wop, ******, jew, besides, this wasn't Central Park.
I'm coming on too strong? You figure right! They beat this yellow ****** black and blue.
Yeah.
During all this, scared on case one used a knife, I hung my olive-green, just-bought sports coat on a fire plug.
I did nothing.
They fought each other, really.
Life gives them a few kcks, that's all.
The spades, the spicks.
My face smashed in, my bloddy mug pouring, my olive-branch jacket saved from cuts and tears, I crawled four flights upstairs.
Sprawled in the gutter, I remember a few watchers waved loudly, and one kid's mother shouting like "Jackie" or "Terry," "now that's enough!" It's nothing really.
They don't get enough love.
You know they wouldn't kill you.
Just playing rough, like young Americans will.
Still it taught me somthing about love.
If it's so tough, forget it.


Written by Jackie Kay | Create an image from this poem

Late Love

 How they strut about, people in love,
How tall they grow, pleased with themselves,
Their hair, glossy, their skin shining.
They don't remember who they have been.
How filmic they are just for this time.
How important they've become - secret, above The order of things, the dreary mundane.
Every church bell ringing, a fresh sign.
How dull the lot that are not in love.
Their clothes shabby, their skin lustreless; How clueless they are, hair a mess; how they trudge Up and down the streets in the rain, remembering one kiss in a dark alley, A touch in a changing room, if lucky, a lovely wait For the phone to ring, maybe, baby.
The past with its rush of velvet, its secret hush Already miles away, dimming now, in the late day.
Written by Jackie Kay | Create an image from this poem

Baby Lazarus

 When I got home
I went out into the garden
Liking it when the frost bit
My old brown boots
And dug a hole the size of a baby
And buried the clothes
I'd bought anyway, just in case.
A week later I stood at my window And saw the ground move And swell the promise of a crop; That's when she started crying.
I gave her a service then Sang Ye Banks And Braes Planted a bush of roses Read from the Bible, the book of Job Cursed myself digging a pit for my baby Sprinkling ash from the grate.
Late that same night She came in by the window My baby Lazarus And suckled at my breast.
Written by Jackie Kay | Create an image from this poem

SOUND OF SLEAT

 I always looked out at the world,
And wondered if the world looked back at me,
Standing on the edge of something,
On my face- the wind from the cold sea.
Across the waters were mirrors to see Faces that looked like me, People caught between two places, People crossing over the seas.
And it seemed from my croft -With the old stones and the sheep, And the sound of the songs in my sleep- That the music of folk somewhere meets On the edge of the place we would be.
I’ve lived through some hard times.
My face is lined; my body so frail.
I used to think I might be able – When the river ran to meet the sea, When the sun and moon shared the sky- To look out as far as the eye could see, And raise a glass to the girl looking back at me.
Written by Jackie Kay | Create an image from this poem

That Distance Apart

 I am only nineteen
My whole life is changing

Tonight I see her
Shuttered eyes in my dreams

I cannot pretend she's never been
My stitches pull and threaten to snap

My own body a witness
Leaking blood to sheets milk to shirts

My stretch marks
Record that birth

Though I feel like somebody is dying

I stand up in my bed
And wail like a banshee

II
On the second night
I shall suffocate her with a feather pillow

Bury her under a weeping willow
Or take her far out to sea

And watch her tiny six pound body
Sink to shells and re shape herself

So much better than her body
Encased in glass like a museum piece

Or I shall stab myself
Cut my wrists steal some sleeping pills

Better than this-mummified
Preserved as a warning

III
On the third night I toss
I did not go through those months

For you to die on me now
On the third night I lie

Willing life into her
Breathing air all the way down through the corridor

To the glass cot
I push my nipples through

Feel the ferocity of her lips

IV
Here
Landed in a place I recognize

My eyes in the mirror
Hard marbles glinting

Murderous light
My breasts sag my stomach

Still soft as a baby's
My voice deep and old as ammonite

I am a stranger visiting
Myself occasionally

An empty ruinous house
Cobwebs dust and broken stairs

Inside woodworm
Outside the weeds grow tall

As she must be now

V
She, my little foreigner
No longer familiar with my womb

Kicking her language of living
Somewhere past stalking her first words

She is six years old today
I am twenty-five; we are only

That distance apart yet
Time has fossilised

Prehistoric time is easier
I can imagine dinosaurs

More vivid than my daughter
Dinosaurs do not hurt my eyes

Nor make me old so terribly old
We are land sliced and torn.
Written by Robert Pinsky | Create an image from this poem

To Television

 Not a "window on the world"
But as we call you,
A box a tube

Terrarium of dreams and wonders.
Coffer of shades, ordained Cotillion of phosphors Or liquid crystal Homey miracle, tub Of acquiescence, vein of defiance.
Your patron in the pantheon would be Hermes Raster dance, Quick one, little thief, escort Of the dying and comfort of the sick, In a blue glow my father and little sister sat Snuggled in one chair watching you Their wife and mother was sick in the head I scorned you and them as I scorned so much Now I like you best in a hotel room, Maybe minutes Before I have to face an audience: behind The doors of the armoire, box Within a box--Tom & Jerry, or also brilliant And reassuring, Oprah Winfrey.
Thank you, for I watched, I watched Sid Caesar speaking French and Japanese not Through knowledge but imagination, His quickness, and Thank You, I watched live Jackie Robinson stealing Home, the image--O strung shell--enduring Fleeter than light like these words we Remember in, they too winged At the helmet and ankles.

Book: Shattered Sighs