Written by
John Betjeman |
Here among long-discarded cassocks,
Damp stools, and half-split open hassocks,
Here where the vicar never looks
I nibble through old service books.
Lean and alone I spend my days
Behind this Church of England baize.
I share my dark forgotten room
With two oil-lamps and half a broom.
The cleaner never bothers me,
So here I eat my frugal tea.
My bread is sawdust mixed with straw;
My jam is polish for the floor.
Christmas and Easter may be feasts
For congregations and for priests,
And so may Whitsun.
All the same,
They do not fill my meagre frame.
For me the only feast at all
Is Autumn's Harvest Festival,
When I can satisfy my want
With ears of corn around the font.
I climb the eagle's brazen head
To burrow through a loaf of bread.
I scramble up the pulpit stair
And gnaw the marrows hanging there.
It is enjoyable to taste
These items ere they go to waste,
But how annoying when one finds
That other mice with pagan minds
Come into church my food to share
Who have no proper business there.
Two field mice who have no desire
To be baptized, invade the choir.
A large and most unfriendly rat
Comes in to see what we are at.
He says he thinks there is no God
And yet he comes .
.
.
it's rather odd.
This year he stole a sheaf of wheat
(It screened our special preacher's seat),
And prosperous mice from fields away
Come in to hear our organ play,
And under cover of its notes
Ate through the altar's sheaf of oats.
A Low Church mouse, who thinks that I
Am too papistical, and High,
Yet somehow doesn't think it wrong
To munch through Harvest Evensong,
While I, who starve the whole year through,
Must share my food with rodents who
Except at this time of the year
Not once inside the church appear.
Within the human world I know
Such goings-on could not be so,
For human beings only do
What their religion tells them to.
They read the Bible every day
And always, night and morning, pray,
And just like me, the good church mouse,
Worship each week in God's own house,
But all the same it's strange to me
How very full the church can be
With people I don't see at all
Except at Harvest Festival.
|
Written by
Leonard Cohen |
They sentenced me to twenty years of boredom
For trying to change the system from within
I'm coming now, I'm coming to reward them
First we take Manhattan, then we take Berlin.
I'm guided by a signal in the heavens
I'm guided by this birthmark on my skin
I'm guided by the beauty of our weapons
First we take Manhattan, then we take Berlin.
I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those
Ah you loved me as a loser, but now you're worried that I
just might win
You know the way to stop me, but you don't have the
discipline
How many nights I prayed for this, to let my work begin
First we take Manhattan, then we take Berlin
I don't like your fashion business mister
And I don't like these drugs that keep you thin
I don't like what happened to my sister
First we take Manhattan, then we take Berlin
I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those
And I thank you for those items that you sent me
The monkey and the plywood violin
I practiced every night, now I'm ready
First we take Manhattan, then we take Berlin
Remember me? I used to live for music
Remember me? I brought your groceries in
Well it's Father's Day and everybody's wounded
First we take Manhattan, then we take Berlin
|
Written by
John Davidson |
I couldn't touch a stop and turn a screw,
And set the blooming world a-work for me,
Like such as cut their teeth -- I hope, like you --
On the handle of a skeleton gold key;
I cut mine on a leek, which I eat it every week:
I'm a clerk at thirty bob as you can see.
But I don't allow it's luck and all a toss;
There's no such thing as being starred and crossed;
It's just the power of some to be a boss,
And the bally power of others to be bossed:
I face the music, sir; you bet I ain't a cur;
Strike me lucky if I don't believe I'm lost!
For like a mole I journey in the dark,
A-travelling along the underground
From my Pillar'd Halls and broad Suburbean Park,
To come the daily dull official round;
And home again at night with my pipe all alight,
A-scheming how to count ten bob a pound.
And it's often very cold and very wet,
And my missus stitches towels for a hunks;
And the Pillar'd Halls is half of it to let--
Three rooms about the size of travelling trunks.
And we cough, my wife and I, to dislocate a sigh,
When the noisy little kids are in their bunks.
But you never hear her do a growl or whine,
For she's made of flint and roses, very odd;
And I've got to cut my meaning rather fine,
Or I'd blubber, for I'm made of greens and sod:
So p'r'haps we are in Hell for all that I can tell,
And lost and damn'd and served up hot to God.
I ain't blaspheming, Mr.
Silver-tongue;
I'm saying things a bit beyond your art:
Of all the rummy starts you ever sprung,
Thirty bob a week's the rummiest start!
With your science and your books and your the'ries about spooks,
Did you ever hear of looking in your heart?
I didn't mean your pocket, Mr.
, no:
I mean that having children and a wife,
With thirty bob on which to come and go,
Isn't dancing to the tabor and the fife:
When it doesn't make you drink, by Heaven! it makes you think,
And notice curious items about life.
I step into my heart and there I meet
A god-almighty devil singing small,
Who would like to shout and whistle in the street,
And squelch the passers flat against the wall;
If the whole world was a cake he had the power to take,
He would take it, ask for more, and eat them all.
And I meet a sort of simpleton beside,
The kind that life is always giving beans;
With thirty bob a week to keep a bride
He fell in love and married in his teens:
At thirty bob he stuck; but he knows it isn't luck:
He knows the seas are deeper than tureens.
And the god-almighty devil and the fool
That meet me in the High Street on the strike,
When I walk about my heart a-gathering wool,
Are my good and evil angels if you like.
And both of them together in every kind of weather
Ride me like a double-seated bike.
That's rough a bit and needs its meaning curled.
But I have a high old hot un in my mind --
A most engrugious notion of the world,
That leaves your lightning 'rithmetic behind:
I give it at a glance when I say 'There ain't no chance,
Nor nothing of the lucky-lottery kind.
'
And it's this way that I make it out to be:
No fathers, mothers, countres, climates -- none;
Not Adam was responsible for me,
Nor society, nor systems, nary one:
A little sleeping seed, I woke -- I did, indeed --
A million years before the blooming sun.
I woke because I thought the time had come;
Beyond my will there was no other cause;
And everywhere I found myself at home,
Because I chose to be the thing I was;
And in whatever shape of mollusc or of ape
I always went according to the laws.
I was the love that chose my mother out;
I joined two lives and from the union burst;
My weakness and my strength without a doubt
Are mine alone for ever from the first:
It's just the very same with a difference in the name
As 'Thy will be done.
' You say it if you durst!
They say it daily up and down the land
As easy as you take a drink, it's true;
But the difficultest go to understand,
And the difficultest job a man can do,
Is to come it brave and meek with thirty bob a week,
And feel that that's the proper thing for you.
It's a naked child against a hungry wolf;
It's playing bowls upon a splitting wreck;
It's walking on a string across a gulf
With millstones fore-and-aft about your neck;
But the thing is daily done by many and many a one;
And we fall, face forward, fighting, on the deck.
|
Written by
Robert Penn Warren |
I saw the hawk ride updraft in the sunset over Wyoming.
It rose from coniferous darkness, past gray jags
Of mercilessness, past whiteness, into the gloaming
Of dream-spectral light above the lazy purity of snow-snags.
There--west--were the Tetons.
Snow-peaks would soon be
In dark profile to break constellations.
Beyond what height
Hangs now the black speck?Beyond what range will gold eyes see
New ranges rise to mark a last scrawl of light?
Or, having tasted that atmosphere's thinness, does it
Hang motionless in dying vision before
It knows it will accept the mortal limit,
And swing into the great circular downwardness that will restore
The breath of earth?Of rock?Of rot?Of other such
Items, and the darkness of whatever dream we clutch?
|
Written by
Richard Brautigan |
1.
Get enough food to eat,
and eat it.
2.
Find a place to sleep where it is quiet,
and sleep there.
3.
Reduce intellectual and emotional noise
until you arrive at the silence of yourself,
and listen to it.
|
Written by
David Berman |
It had been four days of no weather
as if nature had conceded its genius to the indoors.
They'd closed down the Bureau of Sad Endings
and my wife sat on the couch and read the paper out loud.
The evening edition carried the magic death of a child
backlit by a construction site sunrise on its front page.
I kept my back to her and fingered the items on the mantle.
Souvenirs only reminded you of buying them.
* * *
The moon hung solid over the boarded-up Hobby Shop.
P.
K.
was in the precinct house, using his one phone call
to dedicate a song to Tammy, for she was the light
by which he traveled into this and that
And out in the city, out in the wide readership,
his younger brother was kicking an ice bucket
in the woods behind the Marriott,
his younger brother who was missing that part of the brain
that allows you to make out with your pillow.
Poor kid.
It was the light in things that made them last.
* * *
Tammy called her caseworker from a closed gas station
to relay ideas unaligned with the world we loved.
The tall grass bent in the wind like tachometer needles
and he told her to hang in there, slowly repeating
the number of the Job Info Line.
She hung up and glared at the Killbuck Sweet Shoppe.
The words that had been running through her head,
"employees must wash hands before returning to work,"
kept repeating and the sky looked dead.
* * *
Hedges formed the long limousine a Tampa sky could die behind.
A sailor stood on the wharf with a clipper ship
reflected on the skin of the bell pepper he held.
He'd had mouthwash at the inn and could still feel
the ice blue carbon pinwheels spinning in his mouth.
There were no new ways to understand the world,
only new days to set our understandings against.
Through the lanes came virgins in tennis shoes,
their hair shining like videotape,
singing us into a kind of sleep we hadn't tried yet.
Each page was a new chance to understand the last.
And somehow the sea was always there to make you feel stupid.
|
Written by
Carl Sandburg |
STRONG rocks hold up the riksdag bridge … always strong river waters shoving their shoulders against them …
In the riksdag to-night three hundred men are talking to each other about more potatoes and bread for the Swedish people to eat this winter.
In a boat among calm waters next to the running waters a fisherman sits in the dark and I, leaning at a parapet, see him lift a net and let it down … he waits … the waters run … the riksdag talks … he lifts the net and lets it down …
Stars lost in the sky ten days of drizzle spread over the sky saying yes-yes.
Every afternoon at four o’clock fifteen apple women who have sold their apples in Christiania meet at a coffee house and gab.
Every morning at nine o’clock a girl wipes the windows of a hotel across the street from the post-office in Stockholm.
I have pledged them when I go to California next summer and see the orange groves splattered with yellow balls
I shall remember other people half way round the world.
|
Written by
Rudyard Kipling |
Now the New Year, reviving last Year's Debt,
The Thoughtful Fisher casteth wide his Net;
So I with begging Dish and ready Tongue
Assail all Men for all that I can get.
Imports indeed are gone with all their Dues --
Lo! Salt a Lever that I dare not use,
Nor may I ask the Tillers in Bengal --
Surely my Kith and Kin will not refuse!
Pay -- and I promise by the Dust of Spring,
Retrenchment.
If my promises can bring
Comfort, Ye have Them now a thousandfold --
By Allah! I will promise Anything!
Indeed, indeed, Retrenchment oft before
I sore -- but did I mean it when I swore?
And then, and then, We wandered to the Hills,
And so the Little Less became Much More.
Whether a Boileaugunge or Babylon,
I know not how the wretched Thing is done,
The Items of Receipt grow surely small;
The Items of Expense mount one by one.
I cannot help it.
What have I to do
With One and Five, or Four, or Three, or Two?
Let Scribes spit Blood and Sulphur as they please,
Or Statesmen call me foolish -- Heed not you.
Behold, I promise -- Anything You will.
Behold, I greet you with an empty Till --
Ah! Fellow-Sinners, of your Charity
Seek not the Reason of the Dearth, but fill.
For if I sinned and fell, where lies the Gain
Of Knowledge? Would it ease you of your Pain
To know the tangled Threads of Revenue,
I ravel deeper in a hopeless Skein?
"Who hath not Prudence" -- what was it I said,
Of Her who paints her Eyes and tires Her Head,
And gibes and mocks and People in the Street,
And fawns upon them for Her thriftless Bread?
Accursed is She of Eve's daughters -- She
Hath cast off Prudence, and Her End shall be
Destruction .
.
.
Brethren, of your Bounty
Some portion of your daily Bread to Me.
|
Written by
Robert William Service |
My worldly wealth I hoard in albums three,
My life collection of rare postage stamps;
My room is cold and bare as you can see,
My coat is old and shabby as a tramp's;
Yet more to me than balances in banks,
My albums three are worth a million francs.
I keep them in that box beside my bed,
For who would dream such treasures it could hold;
But every day I take them out and spread
Each page, to gloat like miser o'er his gold:
Dearer to me than could be child or wife,
I would defend them with my very life.
They are my very life, for every night
over my catalogues I pore and pore;
I recognize rare items with delight,
Nothing I read but philatelic lore;
And when some specimen of choice I buy,
In all the world there's none more glad than I.
Behold my gem, my British penny black;
To pay its price I starved myself a year;
And many a night my dinner I would lack,
But when I bought it, oh, what radiant cheer!
Hitler made war that day - I did not care,
So long as my collection he would spare.
Look - my triangular Cape of Good Hope.
To purchase it I had to sell my car.
Now in my pocket for some sous I grope
To pay my omnibus when home is far,
And I am cold and hungry and footsore,
In haste to add some beauty to my store.
This very day, ah, what a joy was mine,
When in a dingy dealer's shop I found
This franc vermillion, eighteen forty-nine .
.
.
How painfully my heart began to pound!
(It's weak they say), I paid the modest price
And tremblingly I vanished in a trice.
But oh, my dream is that some day of days,
I might discover a Mauritius blue,
poking among the stamp-bins of the quais;
Who knows! They say there are but two;
Yet if a third one I should spy,
I think - God help me! I should faint and die.
.
.
.
Poor Monsieur Pns, he's cold and dead,
One of those stamp-collecting cranks.
His garret held no crust of bread,
But albums worth a million francs.
on them his income he would spend,
By philatelic frenzy driven:
What did it profit in the end.
.
.
You can't take stamps to Heaven.
|
Written by
Guillaume Apollinaire |
ZONE
In the end you are tired of this ancient world
Shepherd oh Eiffel Tower the herd of bridges is bleating this morning
You've had enough of living in Greek and Roman antiquity
Here even the cars look antique
Only religion has stayed new religion
Has stayed simple like the hangars at Port-Aviation
You alone in Europe are not ancient oh Christianity
The most modern European is you Pope Pius X
And shame keeps you whom the windows are watching
From entering a church and going to confession this morning
You read the flyers catalogues posters that shout out
There's the morning's poetry and as for prose there are the newspapers
There are 25 cent tabloids full of crimes
Celebrity items and a thousand different headlines
This morning I saw a pretty street whose name I forget
New and clean it was the sun's herald
Executives workers and beautiful stenos
Cross it four times a day from Monday morning to Saturday evening
In the morning the siren moans three times
An angry bell barks at noon
The inscriptions on the signs and walls
The billboards the notices squawk like parrots
I love the charm of this industrial street
In Paris between the Rue Aumont-Thiéville and the Avenue des Ternes
There's the young street and you're still just a little boy
Your mother dresses you only in blue and white
You're very pious and along with your oldest friend René Dalize
You like nothing better than the rituals of the Church
It is nine o'clock the gas is low and blue you sneak out of the dormitory
You pray all night in the school's chapel
While in eternal adorable amethyst depths
The flaming glory of Christ revolves forever
It's the beautiful lily we all cultivate
It's the torch with red hair the wind can't blow out
It's the pale rosy son of the grieving mother
It's the tree always leafy with prayers
It's the paired gallows of honor and eternity
It's the star with six branches
It's God who dies on Friday and comes back to life on Sunday
It's Christ who climbs to the sky better than any pilot
He holds the world record for altitude
Apple Christ of the eye
Twentieth pupil of the centuries he knows how to do it
And changed into a bird this century like Jesus climbs into the air
Devils in their depths raise their heads to look at him
They say he's copying Simon Magus in Judea
They shout if he's so good at flying let's call him a fugitive
Angels gyre around the handsome gymnast
Icarus Enoch Elijah Apollonius of Tyana
Hover around the first airplane
They scatter sometimes to let the ones carrying the Eucharist pass
Those priests that are forever ascending carrying the host
Finally the plane lands without folding its wings
And the sky is full of millions of swallows
Crows falcons owls come in full flight
Ibises flamingos storks come from Africa
The Roc Bird made famous by storytellers and poets
Soars holding in its claws Adam's skull the first head
The eagle swoops screaming from the horizon
And from America the little hummingbird comes
From China the long agile peehees have come
They have only one wing and fly in pairs
Now here's the dove immaculate spirit
Escorted by the lyre-bird and the spotted peacock
The phoenix that self-engendering pyre
For an instant hides all with its burning ash
Sirens leaving the dangerous straits
Arrive singing beautifully all three
And all eagle phoenix peehees from China
Hang out with the flying Machine
Now you're walking in Paris all alone in the crowd
Herds of buses amble by you mooing
The anguish of love tightens your throat
As if you were never going to be loved again
If you lived in the old days you would enter a monastery
You are ashamed when you catch yourself saying a prayer
You make fun of yourself and your laughter crackles like the fire of Hell
The sparks of your laughter gild the abyss of your life
It is a painting hung in a dark museum
And sometimes you go look at it close up
Today you're walking in Paris the women have turned blood-red
It was and I wish I didn't remember it was at the waning of beauty
Surrounded by fervent flames Our Lady looked at me in Chartres
The blood of your Sacred Heart drenched me in Montmartre
I am sick from hearing blissful phrases
The love I suffer from is a shameful sickness
And the image that possesses you makes you survive in insomnia and anguish
It is always near you this image that passes
Now you're on the shores of the Mediterranean
Under the lemon trees that are in flower all year long
You go boating with some friends
One is from Nice there's one from Menton and two from La Turbie
We look with dread at the octopus of the deep
And among the seaweed fish are swimming symbols of the Savior
You are in the garden of an inn just outside of Prague
You feel so happy a rose is on the table
And you observe instead of writing your story in prose
The Japanese beetle sleeping in the heart of the rose
Terrified you see yourself drawn in the agates of Saint Vitus
You were sad enough to die the day you saw yourself
You look like Lazarus thrown into a panic by the daylight
The hands on the clock in the Jewish district go counter-clockwise
And you too are going slowly backwards in your life
Climbing up to Hradcany and listening at night
To Czech songs being sung in taverns
Here you are in Marseilles in the middle of watermelons
Here you are in Coblenz at the Giant Hotel
Here you are in Rome sitting under a Japanese medlar tree
Here you are in Amsterdam with a young woman you think is beautiful she is ugly
She is engaged to a student from Leyden
There they rent rooms in Latin Cubicula Locanda
I remember I spent three days there and just as many in Gouda
You are in Paris getting interrogated
They're arresting you like a criminal
You made some miserable and happy journeys
Before you became aware of lies and of age
You suffered from love at twenty and at thirty
I've lived like a madman and I've wasted my time
You don't dare look at your hands anymore and all the time I want to cry
Over you over the women I love over everything that's terrified you
Your tear-filled eyes watch the poor emigrants
They believe in God they pray the women breast-feed the children
They fill the waiting-room at the St.
Lazaire station with their smell
They have faith in their star like the Magi
They hope to earn money in Argentina
And go back to their country after making their fortune
One family is carrying a red eiderdown the way you carry your heart
The eiderdown and our dreams are equally unreal
Some of these emigrants stay here and put up at the
Rue des Rosiers or the Rue des Ecouffes in hovels
I've seen them often at night they're out for a breath of air in the street
And like chess pieces they rarely move
They are mostly Jews the wives wearing wigs
Sit still bloodless at the back of store-fronts
You're standing in front of the counter at a sleazy bar
You're having coffee for two sous with the down-and-out
At night you're in a big restaurant
These women aren't mean but they do have their troubles
All of them even the ugliest has made her lover suffer
She is a Jersey policeman's daughter
Her hands that I hadn't seen are hard and chapped
I feel immense pity for the scars on her belly
I humble my mouth now to a poor hooker with a horrible laugh
You are alone morning is approaching
Milkmen clink their cans in the streets
Night withdraws like a half-caste beauty
Ferdine the false or thoughtful Leah
And you drink this alcohol burning like your life
Your life that you drink like an eau-de-vie
You walk towards Auteuil you want to go home on foot
To sleep surrounded by your fetishes from the South Seas and from Guinea
They are Christs in another form and from a different creed
They are lower Christs of dim expectations
Goodbye Goodbye
Sun neck cut
from Alcools, 1913
Translation copyright Charlotte Mandell
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